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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 12 96 it is the complementary color RGB 48 243 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 12 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 12 96 shade: RGB 212 12 91, RGB 229 30 110, RGB 246 48 129, RGB 255 66 148 and RGB 255 84 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 12 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 12 96 shade: RGB 207 12 96, RGB 190 0 77, RGB 173 0 58, RGB 156 0 39 and RGB 139 0 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 12 96 shade: RGB 207 12 96, RGB 207 12 43 and RGB 207 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 12 96 shade: RGB 207 12 96, RGB 207 12 148, RGB 207 12 201, RGB 160 12 207 and RGB 107 12 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 12 96 shade matches the following richer shades: RGB 207 12 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 12 96 shade: RGB 207 12 96, RGB 189 29 98, RGB 171 47 101, RGB 154 65 103 and RGB 136 83 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 12 96 shade: RGB 207 12 200, RGB 207 12 148, RGB 207 12 96, RGB 207 12 44 and RGB 207 31 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 12 96 shade: RGB 129 7 59, RGB 168 9 78, RGB 207 12 96, RGB 241 19 114 and RGB 243 58 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 12 96 shade: RGB 207 12 96, RGB 207 161 12 and RGB 12 174 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 12 96 shade: RGB 207 12 96, RGB 96 207 12 and RGB 12 96 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 12 96 shade: RGB 207 12 96, RGB 207 161 12, RGB 12 207 122 and RGB 12 57 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 12 96 shade: RGB 207 12 96, RGB 194 207 12, RGB 12 207 122 and RGB 25 12 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 54 / 19

HEX #CF0C60

RGB 207 12 96

HSL 334.15, 0.89%, 0.43%

LAB 44.76, 70.68, 7.91

 

Complementary color

CMYK 80 / 0 / 35 / 5

HEX #30F39F

RGB 48 243 159

HSL 154.15, 0.89%, 0.57%

LAB 85.62, -64.81, 27.69

 

CMYK 0 / 94 / 57 / 17

HEX #D40C5B

RGB 212 12 91

HSL 336.3, 0.89%, 0.44%

LAB 45.66, 71.51, 12.43

 

CMYK 0 / 87 / 52 / 10

HEX #E51E6E

RGB 229 30 110

HSL 335.88, 0.79%, 0.51%

LAB 50.35, 74.4, 7.79

 

CMYK 0 / 80 / 48 / 4

HEX #F63081

RGB 246 48 129

HSL 335.45, 0.92%, 0.58%

LAB 55.37, 76.28, 3.95

 

CMYK 0 / 74 / 42 / 0

HEX #FF4294

RGB 255 66 148

HSL 333.97, 1%, 0.63%

LAB 59.25, 75.31, -1.45

 

CMYK 0 / 67 / 35 / 0

HEX #FF54A7

RGB 255 84 167

HSL 330.88, 1%, 0.66%

LAB 61.99, 71.16, -8.44

 

CMYK 0 / 94 / 54 / 19

HEX #CF0C60

RGB 207 12 96

HSL 334.15, 0.89%, 0.43%

LAB 44.76, 70.68, 7.91

 

CMYK 0 / 100 / 59 / 25

HEX #BE004D

RGB 190 0 77

HSL 335.68, 1%, 0.37%

LAB 40.38, 66.62, 13.28

 

CMYK 0 / 100 / 66 / 32

HEX #AD003A

RGB 173 0 58

HSL 339.88, 1%, 0.34%

LAB 36.35, 61.48, 19.46

 

CMYK 0 / 100 / 75 / 39

HEX #9C0027

RGB 156 0 39

HSL 345, 1%, 0.31%

LAB 32.29, 56.39, 25.89

 

CMYK 0 / 100 / 86 / 45

HEX #8B0014

RGB 139 0 20

HSL 351.37, 1%, 0.27%

LAB 28.22, 51.38, 32.19

 

CMYK 0 / 94 / 54 / 19

HEX #CF0C60

RGB 207 12 96

HSL 334.15, 0.89%, 0.43%

LAB 44.76, 70.68, 7.91

 

CMYK 0 / 94 / 79 / 19

HEX #CF0C2B

RGB 207 12 43

HSL 350.46, 0.89%, 0.43%

LAB 43.8, 68.04, 39.25

 

CMYK 0 / 94 / 94 / 19

HEX #CF0C0C

RGB 207 12 12

HSL 0, 0.89%, 0.43%

LAB 43.59, 67.44, 53.78

 

CMYK 0 / 94 / 54 / 19

HEX #CF0C60

RGB 207 12 96

HSL 334.15, 0.89%, 0.43%

LAB 44.76, 70.68, 7.91

 

CMYK 0 / 94 / 29 / 19

HEX #CF0C94

RGB 207 12 148

HSL 318.15, 0.89%, 0.43%

LAB 46.53, 75.4, -21.45

 

CMYK 0 / 94 / 3 / 19

HEX #CF0CC9

RGB 207 12 201

HSL 301.85, 0.89%, 0.43%

LAB 49.19, 82.15, -48.58

 

CMYK 23 / 94 / 0 / 19

HEX #A00CCF

RGB 160 12 207

HSL 285.54, 0.89%, 0.43%

LAB 41.6, 75.86, -64.69

 

CMYK 48 / 94 / 0 / 19

HEX #6B0CCF

RGB 107 12 207

HSL 269.23, 0.89%, 0.43%

LAB 33.76, 69.73, -77.84

 

CMYK 0 / 94 / 54 / 19

HEX #CF0C60

RGB 207 12 96

HSL 334.15, 0.89%, 0.43%

LAB 44.76, 70.68, 7.91

 

CMYK 0 / 94 / 54 / 19

HEX #CF0C60

RGB 207 12 96

HSL 334.15, 0.89%, 0.43%

LAB 44.76, 70.68, 7.91

 

CMYK 0 / 85 / 48 / 26

HEX #BD1D62

RGB 189 29 98

HSL 334.13, 0.73%, 0.43%

LAB 42.12, 63.87, 2.4

 

CMYK 0 / 73 / 41 / 33

HEX #AB2F65

RGB 171 47 101

HSL 333.87, 0.57%, 0.43%

LAB 40.62, 54.12, -2.09

 

CMYK 0 / 58 / 33 / 40

HEX #9A4167

RGB 154 65 103

HSL 334.38, 0.41%, 0.43%

LAB 40.62, 41.28, -3.67

 

CMYK 0 / 39 / 23 / 47

HEX #885369

RGB 136 83 105

HSL 335.09, 0.24%, 0.43%

LAB 41.91, 25.3, -3.3

 

CMYK 0 / 94 / 3 / 19

HEX #CF0CC8

RGB 207 12 200

HSL 302.15, 0.89%, 0.43%

LAB 49.13, 82, -48.09

 

CMYK 0 / 94 / 29 / 19

HEX #CF0C94

RGB 207 12 148

HSL 318.15, 0.89%, 0.43%

LAB 46.53, 75.4, -21.45

 

CMYK 0 / 94 / 54 / 19

HEX #CF0C60

RGB 207 12 96

HSL 334.15, 0.89%, 0.43%

LAB 44.76, 70.68, 7.91

 

CMYK 0 / 94 / 79 / 19

HEX #CF0C2C

RGB 207 12 44

HSL 350.15, 0.89%, 0.43%

LAB 43.81, 68.07, 38.69

 

CMYK 0 / 85 / 94 / 19

HEX #CF1F0C

RGB 207 31 12

HSL 5.85, 0.89%, 0.43%

LAB 44.62, 64.48, 54.36

 

CMYK 0 / 95 / 54 / 49

HEX #81073B

RGB 129 7 59

HSL 334.43, 0.9%, 0.27%

LAB 27.12, 49.56, 4.65

 

CMYK 0 / 95 / 54 / 34

HEX #A8094E

RGB 168 9 78

HSL 333.96, 0.9%, 0.35%

LAB 36.12, 60.45, 5.99

 

CMYK 0 / 94 / 54 / 19

HEX #CF0C60

RGB 207 12 96

HSL 334.15, 0.89%, 0.43%

LAB 44.76, 70.68, 7.91

 

CMYK 0 / 92 / 53 / 5

HEX #F11372

RGB 241 19 114

HSL 334.32, 0.89%, 0.51%

LAB 52.27, 79.02, 8.4

 

CMYK 0 / 76 / 43 / 5

HEX #F33A8A

RGB 243 58 138

HSL 334.05, 0.89%, 0.59%

LAB 56, 73.66, -0.56

 

CMYK 0 / 94 / 54 / 19

HEX #CF0C60

RGB 207 12 96

HSL 334.15, 0.89%, 0.43%

LAB 44.76, 70.68, 7.91

 

CMYK 0 / 22 / 94 / 19

HEX #CFA10C

RGB 207 161 12

HSL 45.85, 0.89%, 0.43%

LAB 68.59, 5.47, 70.59

 

CMYK 94 / 16 / 0 / 19

HEX #0CAECF

RGB 12 174 207

HSL 190.15, 0.89%, 0.43%

LAB 65.64, -25.03, -27.1

 

CMYK 0 / 94 / 54 / 19

HEX #CF0C60

RGB 207 12 96

HSL 334.15, 0.89%, 0.43%

LAB 44.76, 70.68, 7.91

 

CMYK 54 / 0 / 94 / 19

HEX #60CF0C

RGB 96 207 12

HSL 94.15, 0.89%, 0.43%

LAB 74.28, -59.63, 71.84

 

CMYK 94 / 54 / 0 / 19

HEX #0C60CF

RGB 12 96 207

HSL 214.15, 0.89%, 0.43%

LAB 42.69, 20.78, -63.43

 

CMYK 0 / 94 / 54 / 19

HEX #CF0C60

RGB 207 12 96

HSL 334.15, 0.89%, 0.43%

LAB 44.76, 70.68, 7.91

 

CMYK 0 / 22 / 94 / 19

HEX #CFA10C

RGB 207 161 12

HSL 45.85, 0.89%, 0.43%

LAB 68.59, 5.47, 70.59

 

CMYK 94 / 0 / 41 / 19

HEX #0CCF7A

RGB 12 207 122

HSL 153.85, 0.89%, 0.43%

LAB 73.62, -61.8, 30.52

 

CMYK 94 / 72 / 0 / 19

HEX #0C39CF

RGB 12 57 207

HSL 226.15, 0.89%, 0.43%

LAB 32.94, 45.86, -79.41

 

CMYK 0 / 94 / 54 / 19

HEX #CF0C60

RGB 207 12 96

HSL 334.15, 0.89%, 0.43%

LAB 44.76, 70.68, 7.91

 

CMYK 6 / 0 / 94 / 19

HEX #C2CF0C

RGB 194 207 12

HSL 64, 0.89%, 0.43%

LAB 79.68, -23.81, 78.41

 

CMYK 94 / 0 / 41 / 19

HEX #0CCF7A

RGB 12 207 122

HSL 153.85, 0.89%, 0.43%

LAB 73.62, -61.8, 30.52

 

CMYK 88 / 94 / 0 / 19

HEX #190CCF

RGB 25 12 207

HSL 244, 0.89%, 0.43%

LAB 26.66, 65.51, -89.84

 

Description

Color code: RGB 207 12 96 | qconv.com Color code: RGB 207 12 96 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 12 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 12 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 54 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 54% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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