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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 79 246 it is the complementary color RGB 49 176 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 79 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 79 246 shade: RGB 211 79 241, RGB 228 97 255, RGB 245 115 255, RGB 255 133 255 and RGB 255 151 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 79 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 79 246 shade: RGB 206 79 246, RGB 189 61 227, RGB 172 43 208, RGB 155 25 189 and RGB 138 7 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 79 246 shade: RGB 206 80 245, RGB 245 80 240, RGB 245 80 196, RGB 245 80 151 and RGB 245 80 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 79 246 shade: RGB 206 80 245, RGB 161 80 245, RGB 117 80 245 and RGB 80 80 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 79 246 shade matches the following richer shades: RGB 206 80 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 79 246 shade: RGB 206 80 245, RGB 198 95 230, RGB 190 110 216, RGB 183 125 201 and RGB 175 139 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 79 246 shade: RGB 116 80 245, RGB 160 80 245, RGB 204 80 245, RGB 245 80 243 and RGB 245 80 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 79 246 shade: RGB 179 12 231, RGB 195 41 243, RGB 206 80 245, RGB 217 119 247 and RGB 228 158 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 79 246 shade: RGB 206 79 246, RGB 245 80 88 and RGB 80 245 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 79 246 shade: RGB 206 79 246, RGB 245 204 80 and RGB 80 245 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 79 246 shade: RGB 206 79 246, RGB 245 80 88, RGB 121 245 80 and RGB 80 245 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 79 246 shade: RGB 206 79 246, RGB 245 121 80, RGB 121 245 80 and RGB 80 204 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 68 / 0 / 4

HEX #CE4FF6

RGB 206 79 246

HSL 285.63, 0.9%, 0.64%

LAB 57.43, 72.85, -60.9

 

Complementary color

CMYK 72 / 0 / 95 / 31

HEX #31B009

RGB 49 176 9

HSL 105.63, 0.9%, 0.36%

LAB 63.11, -60.17, 62.5

 

CMYK 12 / 67 / 0 / 5

HEX #D34FF1

RGB 211 79 241

HSL 288.89, 0.85%, 0.63%

LAB 57.84, 72.97, -57.42

 

CMYK 11 / 62 / 0 / 0

HEX #E461FF

RGB 228 97 255

HSL 289.75, 1%, 0.69%

LAB 63.56, 72, -55.91

 

CMYK 4 / 55 / 0 / 0

HEX #F573FF

RGB 245 115 255

HSL 295.71, 1%, 0.73%

LAB 68.67, 68.28, -47.67

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 16 / 68 / 0 / 4

HEX #CE4FF6

RGB 206 79 246

HSL 285.63, 0.9%, 0.64%

LAB 57.43, 72.85, -60.9

 

CMYK 17 / 73 / 0 / 11

HEX #BD3DE3

RGB 189 61 227

HSL 286.27, 0.75%, 0.56%

LAB 51.5, 72.55, -59.9

 

CMYK 17 / 79 / 0 / 18

HEX #AC2BD0

RGB 172 43 208

HSL 286.91, 0.66%, 0.49%

LAB 45.71, 71.64, -58.52

 

CMYK 18 / 87 / 0 / 26

HEX #9B19BD

RGB 155 25 189

HSL 287.56, 0.77%, 0.42%

LAB 40.14, 69.81, -56.59

 

CMYK 19 / 96 / 0 / 33

HEX #8A07AA

RGB 138 7 170

HSL 288.22, 0.92%, 0.35%

LAB 34.92, 66.66, -53.91

 

CMYK 16 / 67 / 0 / 4

HEX #CE50F5

RGB 206 80 245

HSL 285.82, 0.89%, 0.64%

LAB 57.51, 72.26, -60.21

 

CMYK 0 / 67 / 2 / 4

HEX #F550F0

RGB 245 80 240

HSL 301.82, 0.89%, 0.64%

LAB 62.88, 79.8, -48.55

 

CMYK 0 / 67 / 20 / 4

HEX #F550C4

RGB 245 80 196

HSL 317.82, 0.89%, 0.64%

LAB 60.9, 73.47, -26.87

 

CMYK 0 / 67 / 38 / 4

HEX #F55097

RGB 245 80 151

HSL 334.18, 0.89%, 0.64%

LAB 59.33, 68.19, -3.28

 

CMYK 0 / 67 / 56 / 4

HEX #F5506B

RGB 245 80 107

HSL 350.18, 0.89%, 0.64%

LAB 58.24, 64.38, 20.95

 

CMYK 16 / 67 / 0 / 4

HEX #CE50F5

RGB 206 80 245

HSL 285.82, 0.89%, 0.64%

LAB 57.51, 72.26, -60.21

 

CMYK 34 / 67 / 0 / 4

HEX #A150F5

RGB 161 80 245

HSL 269.45, 0.89%, 0.64%

LAB 51.73, 63.16, -69.82

 

CMYK 52 / 67 / 0 / 4

HEX #7550F5

RGB 117 80 245

HSL 253.45, 0.89%, 0.64%

LAB 47.12, 55.33, -77.53

 

CMYK 67 / 67 / 0 / 4

HEX #5050F5

RGB 80 80 245

HSL 240, 0.89%, 0.64%

LAB 44.28, 50.18, -82.29

 

CMYK 16 / 67 / 0 / 4

HEX #CE50F5

RGB 206 80 245

HSL 285.82, 0.89%, 0.64%

LAB 57.51, 72.26, -60.21

 

CMYK 16 / 67 / 0 / 4

HEX #CE50F5

RGB 206 80 245

HSL 285.82, 0.89%, 0.64%

LAB 57.51, 72.26, -60.21

 

CMYK 14 / 59 / 0 / 10

HEX #C65FE6

RGB 198 95 230

HSL 285.78, 0.73%, 0.64%

LAB 57.95, 61.09, -51.21

 

CMYK 12 / 49 / 0 / 15

HEX #BE6ED8

RGB 190 110 216

HSL 285.28, 0.58%, 0.64%

LAB 59.03, 48.81, -41.7

 

CMYK 9 / 38 / 0 / 21

HEX #B77DC9

RGB 183 125 201

HSL 285.79, 0.41%, 0.64%

LAB 60.74, 35.64, -30.63

 

CMYK 6 / 25 / 0 / 27

HEX #AF8BBA

RGB 175 139 186

HSL 285.96, 0.25%, 0.64%

LAB 62.61, 22.16, -19.35

 

CMYK 53 / 67 / 0 / 4

HEX #7450F5

RGB 116 80 245

HSL 253.09, 0.89%, 0.64%

LAB 47.03, 55.17, -77.68

 

CMYK 35 / 67 / 0 / 4

HEX #A050F5

RGB 160 80 245

HSL 269.09, 0.89%, 0.64%

LAB 51.61, 62.96, -70.02

 

CMYK 17 / 67 / 0 / 4

HEX #CC50F5

RGB 204 80 245

HSL 285.09, 0.89%, 0.64%

LAB 57.24, 71.85, -60.66

 

CMYK 0 / 67 / 1 / 4

HEX #F550F3

RGB 245 80 243

HSL 300.73, 0.89%, 0.64%

LAB 63.03, 80.27, -49.98

 

CMYK 0 / 67 / 19 / 4

HEX #F550C7

RGB 245 80 199

HSL 316.73, 0.89%, 0.64%

LAB 61.02, 73.87, -28.4

 

CMYK 23 / 95 / 0 / 9

HEX #B30CE7

RGB 179 12 231

HSL 285.75, 0.9%, 0.48%

LAB 46.47, 82.68, -70.38

 

CMYK 20 / 83 / 0 / 5

HEX #C329F3

RGB 195 41 243

HSL 285.74, 0.89%, 0.56%

LAB 51.45, 82.32, -68.95

 

CMYK 16 / 67 / 0 / 4

HEX #CE50F5

RGB 206 80 245

HSL 285.82, 0.89%, 0.64%

LAB 57.51, 72.26, -60.21

 

CMYK 12 / 52 / 0 / 3

HEX #D977F7

RGB 217 119 247

HSL 285.94, 0.89%, 0.72%

LAB 65.48, 57.72, -48.55

 

CMYK 8 / 37 / 0 / 2

HEX #E49EF9

RGB 228 158 249

HSL 286.15, 0.88%, 0.8%

LAB 74.69, 41.13, -35.16

 

CMYK 16 / 68 / 0 / 4

HEX #CE4FF6

RGB 206 79 246

HSL 285.63, 0.9%, 0.64%

LAB 57.43, 72.85, -60.9

 

CMYK 0 / 67 / 64 / 4

HEX #F55058

RGB 245 80 88

HSL 357.09, 0.89%, 0.64%

LAB 57.9, 63.17, 31.54

 

CMYK 67 / 0 / 44 / 4

HEX #50F58A

RGB 80 245 138

HSL 141.09, 0.89%, 0.64%

LAB 86.43, -65.1, 39.34

 

CMYK 16 / 68 / 0 / 4

HEX #CE4FF6

RGB 206 79 246

HSL 285.63, 0.9%, 0.64%

LAB 57.43, 72.85, -60.9

 

CMYK 0 / 17 / 67 / 4

HEX #F5CC50

RGB 245 204 80

HSL 45.09, 0.89%, 0.64%

LAB 83.54, 1.54, 64.8

 

CMYK 67 / 0 / 17 / 4

HEX #50F5CC

RGB 80 245 204

HSL 165.09, 0.89%, 0.64%

LAB 87.66, -51.84, 7.42

 

CMYK 16 / 68 / 0 / 4

HEX #CE4FF6

RGB 206 79 246

HSL 285.63, 0.9%, 0.64%

LAB 57.43, 72.85, -60.9

 

CMYK 0 / 67 / 64 / 4

HEX #F55058

RGB 245 80 88

HSL 357.09, 0.89%, 0.64%

LAB 57.9, 63.17, 31.54

 

CMYK 51 / 0 / 67 / 4

HEX #79F550

RGB 121 245 80

HSL 105.09, 0.89%, 0.64%

LAB 86.97, -63.05, 66.02

 

CMYK 67 / 0 / 3 / 4

HEX #50F5ED

RGB 80 245 237

HSL 177.09, 0.89%, 0.64%

LAB 88.51, -43.51, -8.57

 

CMYK 16 / 68 / 0 / 4

HEX #CE4FF6

RGB 206 79 246

HSL 285.63, 0.9%, 0.64%

LAB 57.43, 72.85, -60.9

 

CMYK 0 / 51 / 67 / 4

HEX #F57950

RGB 245 121 80

HSL 14.91, 0.89%, 0.64%

LAB 64.7, 44.57, 44.14

 

CMYK 51 / 0 / 67 / 4

HEX #79F550

RGB 121 245 80

HSL 105.09, 0.89%, 0.64%

LAB 86.97, -63.05, 66.02

 

CMYK 67 / 17 / 0 / 4

HEX #50CCF5

RGB 80 204 245

HSL 194.91, 0.89%, 0.64%

LAB 76.97, -21.78, -30.24

 

Description

Color code: RGB 206 79 246 | qconv.com Color code: RGB 206 79 246 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 79 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 79 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 68 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 68% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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