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Color name
RGB 206 69 65

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 69 65 it is the complementary color RGB 49 186 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 69 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 69 65 shade: RGB 211 69 60, RGB 228 87 79, RGB 245 105 98, RGB 255 123 117 and RGB 255 141 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 69 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 69 65 shade: RGB 206 69 65, RGB 189 51 46, RGB 172 33 27, RGB 155 15 8 and RGB 138 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 69 65 shade: RGB 205 68 64 and RGB 205 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 69 65 shade: RGB 205 68 64, RGB 205 106 64, RGB 205 144 64, RGB 205 182 64 and RGB 190 205 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 69 65 shade matches the following richer shades: RGB 205 68 64, RGB 225 50 45 and RGB 244 31 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 69 65 shade: RGB 205 68 64, RGB 186 86 83, RGB 167 105 103, RGB 147 123 122 and RGB 128 141 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 69 65 shade: RGB 205 64 137, RGB 205 64 99, RGB 205 66 64, RGB 205 104 64 and RGB 205 142 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 69 65 shade: RGB 149 41 38, RGB 182 50 46, RGB 205 68 64, RGB 214 100 97 and RGB 222 132 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 69 65 shade: RGB 206 69 65, RGB 175 205 64 and RGB 64 118 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 69 65 shade: RGB 206 69 65, RGB 64 205 66 and RGB 66 64 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 69 65 shade: RGB 206 69 65, RGB 175 205 64, RGB 64 203 205 and RGB 95 64 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 69 65 shade: RGB 206 69 65, RGB 132 205 64, RGB 64 203 205 and RGB 137 64 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 68 / 19

HEX #CE4541

RGB 206 69 65

HSL 1.7, 0.59%, 0.53%

LAB 49.2, 53.75, 32.59

 

Complementary color

CMYK 74 / 2 / 0 / 25

HEX #31BABE

RGB 49 186 190

HSL 181.7, 0.59%, 0.47%

LAB 69.1, -33.66, -12.41

 

CMYK 0 / 67 / 72 / 17

HEX #D3453C

RGB 211 69 60

HSL 3.58, 0.63%, 0.53%

LAB 50.02, 55.16, 36.62

 

CMYK 0 / 62 / 65 / 11

HEX #E4574F

RGB 228 87 79

HSL 3.22, 0.73%, 0.6%

LAB 55.96, 54.29, 33.64

 

CMYK 0 / 57 / 60 / 4

HEX #F56962

RGB 245 105 98

HSL 2.86, 0.88%, 0.67%

LAB 62, 53.26, 31.05

 

CMYK 0 / 52 / 54 / 0

HEX #FF7B75

RGB 255 123 117

HSL 2.61, 1%, 0.73%

LAB 67.06, 49.7, 27.29

 

CMYK 0 / 45 / 47 / 0

HEX #FF8D88

RGB 255 141 136

HSL 2.52, 1%, 0.77%

LAB 70.93, 42.48, 21.94

 

CMYK 0 / 67 / 68 / 19

HEX #CE4541

RGB 206 69 65

HSL 1.7, 0.59%, 0.53%

LAB 49.2, 53.75, 32.59

 

CMYK 0 / 73 / 76 / 26

HEX #BD332E

RGB 189 51 46

HSL 2.1, 0.61%, 0.46%

LAB 43.34, 54.29, 35.96

 

CMYK 0 / 81 / 84 / 33

HEX #AC211B

RGB 172 33 27

HSL 2.48, 0.73%, 0.39%

LAB 37.73, 54.23, 39.7

 

CMYK 0 / 90 / 95 / 39

HEX #9B0F08

RGB 155 15 8

HSL 2.86, 0.9%, 0.32%

LAB 32.54, 53.13, 42.94

 

CMYK 0 / 100 / 100 / 46

HEX #8A0000

RGB 138 0 0

HSL 0, 1%, 0.27%

LAB 27.85, 50.74, 41.01

 

CMYK 0 / 67 / 69 / 20

HEX #CD4440

RGB 205 68 64

HSL 1.7, 0.59%, 0.53%

LAB 48.86, 53.78, 32.72

 

CMYK 0 / 69 / 69 / 20

HEX #CD4040

RGB 205 64 64

HSL 0, 0.59%, 0.53%

LAB 48.28, 55.37, 32.02

 

CMYK 0 / 67 / 69 / 20

HEX #CD4440

RGB 205 68 64

HSL 1.7, 0.59%, 0.53%

LAB 48.86, 53.78, 32.72

 

CMYK 0 / 48 / 69 / 20

HEX #CD6A40

RGB 205 106 64

HSL 17.87, 0.59%, 0.53%

LAB 55.74, 35.88, 40.74

 

CMYK 0 / 30 / 69 / 20

HEX #CD9040

RGB 205 144 64

HSL 34.04, 0.59%, 0.53%

LAB 64.4, 15.47, 50.3

 

CMYK 0 / 11 / 69 / 20

HEX #CDB640

RGB 205 182 64

HSL 50.21, 0.59%, 0.53%

LAB 74.06, -4.88, 60.4

 

CMYK 7 / 0 / 69 / 20

HEX #BECD40

RGB 190 205 64

HSL 66.38, 0.59%, 0.53%

LAB 79.03, -22.84, 65

 

CMYK 0 / 67 / 69 / 20

HEX #CD4440

RGB 205 68 64

HSL 1.7, 0.59%, 0.53%

LAB 48.86, 53.78, 32.72

 

CMYK 0 / 78 / 80 / 12

HEX #E1322D

RGB 225 50 45

HSL 1.67, 0.75%, 0.53%

LAB 50.07, 65.44, 45.66

 

CMYK 0 / 87 / 90 / 4

HEX #F41F19

RGB 244 31 25

HSL 1.64, 0.91%, 0.53%

LAB 52.16, 74.48, 58.24

 

CMYK 0 / 67 / 69 / 20

HEX #CD4440

RGB 205 68 64

HSL 1.7, 0.59%, 0.53%

LAB 48.86, 53.78, 32.72

 

CMYK 0 / 54 / 55 / 27

HEX #BA5653

RGB 186 86 83

HSL 1.75, 0.43%, 0.53%

LAB 49.15, 40.12, 21.27

 

CMYK 0 / 37 / 38 / 35

HEX #A76967

RGB 167 105 103

HSL 1.87, 0.27%, 0.53%

LAB 51.03, 24.6, 11.55

 

CMYK 0 / 16 / 17 / 42

HEX #937B7A

RGB 147 123 122

HSL 2.4, 0.1%, 0.53%

LAB 53.79, 9.09, 4

 

CMYK 10 / 1 / 0 / 44

HEX #808D8E

RGB 128 141 142

HSL 184.29, 0.06%, 0.53%

LAB 57.65, -4.48, -2.15

 

CMYK 0 / 69 / 33 / 20

HEX #CD4089

RGB 205 64 137

HSL 328.94, 0.59%, 0.53%

LAB 50.04, 61.45, -9.53

 

CMYK 0 / 69 / 52 / 20

HEX #CD4063

RGB 205 64 99

HSL 345.11, 0.59%, 0.53%

LAB 48.94, 57.7, 11.87

 

CMYK 0 / 68 / 69 / 20

HEX #CD4240

RGB 205 66 64

HSL 0.85, 0.59%, 0.53%

LAB 48.57, 54.58, 32.36

 

CMYK 0 / 49 / 69 / 20

HEX #CD6840

RGB 205 104 64

HSL 17.02, 0.59%, 0.53%

LAB 55.33, 36.92, 40.27

 

CMYK 0 / 31 / 69 / 20

HEX #CD8E40

RGB 205 142 64

HSL 33.19, 0.59%, 0.53%

LAB 63.91, 16.55, 49.78

 

CMYK 0 / 72 / 74 / 42

HEX #952926

RGB 149 41 38

HSL 1.62, 0.59%, 0.37%

LAB 34.22, 44.64, 28.36

 

CMYK 0 / 73 / 75 / 29

HEX #B6322E

RGB 182 50 46

HSL 1.76, 0.6%, 0.45%

LAB 41.88, 52.42, 33.98

 

CMYK 0 / 67 / 69 / 20

HEX #CD4440

RGB 205 68 64

HSL 1.7, 0.59%, 0.53%

LAB 48.86, 53.78, 32.72

 

CMYK 0 / 53 / 55 / 16

HEX #D66461

RGB 214 100 97

HSL 1.54, 0.59%, 0.61%

LAB 56.36, 44.58, 23.39

 

CMYK 0 / 41 / 41 / 13

HEX #DE8482

RGB 222 132 130

HSL 1.3, 0.58%, 0.69%

LAB 64.68, 34.3, 16.02

 

CMYK 0 / 67 / 68 / 19

HEX #CE4541

RGB 206 69 65

HSL 1.7, 0.59%, 0.53%

LAB 49.2, 53.75, 32.59

 

CMYK 15 / 0 / 69 / 20

HEX #AFCD40

RGB 175 205 64

HSL 72.77, 0.59%, 0.53%

LAB 77.96, -28.96, 63.58

 

CMYK 69 / 42 / 0 / 20

HEX #4076CD

RGB 64 118 205

HSL 217.02, 0.59%, 0.53%

LAB 50.04, 10.79, -50.36

 

CMYK 0 / 67 / 68 / 19

HEX #CE4541

RGB 206 69 65

HSL 1.7, 0.59%, 0.53%

LAB 49.2, 53.75, 32.59

 

CMYK 69 / 0 / 68 / 20

HEX #40CD42

RGB 64 205 66

HSL 120.85, 0.59%, 0.53%

LAB 72.99, -63.51, 56.08

 

CMYK 68 / 69 / 0 / 20

HEX #4240CD

RGB 66 64 205

HSL 240.85, 0.59%, 0.53%

LAB 36.43, 44.81, -72.42

 

CMYK 0 / 67 / 68 / 19

HEX #CE4541

RGB 206 69 65

HSL 1.7, 0.59%, 0.53%

LAB 49.2, 53.75, 32.59

 

CMYK 15 / 0 / 69 / 20

HEX #AFCD40

RGB 175 205 64

HSL 72.77, 0.59%, 0.53%

LAB 77.96, -28.96, 63.58

 

CMYK 69 / 1 / 0 / 20

HEX #40CBCD

RGB 64 203 205

HSL 180.85, 0.59%, 0.53%

LAB 74.96, -35.42, -11.79

 

CMYK 54 / 69 / 0 / 20

HEX #5F40CD

RGB 95 64 205

HSL 253.19, 0.59%, 0.53%

LAB 38.74, 48.9, -68.55

 

CMYK 0 / 67 / 68 / 19

HEX #CE4541

RGB 206 69 65

HSL 1.7, 0.59%, 0.53%

LAB 49.2, 53.75, 32.59

 

CMYK 36 / 0 / 69 / 20

HEX #84CD40

RGB 132 205 64

HSL 91.06, 0.59%, 0.53%

LAB 75.41, -45.2, 60.16

 

CMYK 69 / 1 / 0 / 20

HEX #40CBCD

RGB 64 203 205

HSL 180.85, 0.59%, 0.53%

LAB 74.96, -35.42, -11.79

 

CMYK 33 / 69 / 0 / 20

HEX #8940CD

RGB 137 64 205

HSL 271.06, 0.59%, 0.53%

LAB 43.35, 56.52, -60.84

 

Description

Color code: RGB 206 69 65 | qconv.com Color code: RGB 206 69 65 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 69 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 69 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 68 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 68% 19% C M Y K

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Provide designers and agencies with accurate color values.

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