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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 57 160 it is the complementary color RGB 49 198 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 57 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 57 160 shade: RGB 211 57 155, RGB 228 75 174, RGB 245 93 193, RGB 255 111 212 and RGB 255 129 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 57 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 57 160 shade: RGB 206 57 160, RGB 189 39 141, RGB 172 21 122, RGB 155 3 103 and RGB 138 0 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 57 160 shade: RGB 206 59 160, RGB 206 59 121, RGB 206 59 81 and RGB 206 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 57 160 shade: RGB 206 59 160, RGB 206 59 200, RGB 172 59 206, RGB 132 59 206 and RGB 92 59 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 57 160 shade matches the following richer shades: RGB 206 59 160, RGB 225 39 168 and RGB 245 19 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 57 160 shade: RGB 206 59 160, RGB 186 78 153, RGB 166 98 145, RGB 146 118 137 and RGB 126 138 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 57 160 shade: RGB 171 59 206, RGB 206 59 201, RGB 206 59 161, RGB 206 59 122 and RGB 206 59 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 57 160 shade: RGB 146 36 112, RGB 179 44 137, RGB 206 59 160, RGB 214 92 176 and RGB 222 125 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 57 160 shade: RGB 206 57 160, RGB 206 132 59 and RGB 59 206 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 57 160 shade: RGB 206 57 160, RGB 161 206 59 and RGB 59 161 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 57 160 shade: RGB 206 57 160, RGB 206 132 59, RGB 59 206 103 and RGB 59 132 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 57 160 shade: RGB 206 57 160, RGB 206 176 59, RGB 59 206 103 and RGB 59 88 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 22 / 19

HEX #CE39A0

RGB 206 57 160

HSL 318.52, 0.6%, 0.52%

LAB 50.2, 67.01, -22.99

 

Complementary color

CMYK 75 / 0 / 52 / 22

HEX #31C65F

RGB 49 198 95

HSL 138.52, 0.6%, 0.48%

LAB 70.78, -60.11, 40.53

 

CMYK 0 / 73 / 27 / 17

HEX #D3399B

RGB 211 57 155

HSL 321.82, 0.64%, 0.53%

LAB 50.85, 67.62, -18.94

 

CMYK 0 / 67 / 24 / 11

HEX #E44BAE

RGB 228 75 174

HSL 321.18, 0.74%, 0.59%

LAB 56.67, 68.08, -20.96

 

CMYK 0 / 62 / 21 / 4

HEX #F55DC1

RGB 245 93 193

HSL 320.53, 0.88%, 0.66%

LAB 62.58, 68.09, -22.58

 

CMYK 0 / 56 / 17 / 0

HEX #FF6FD4

RGB 255 111 212

HSL 317.92, 1%, 0.72%

LAB 67.56, 65.87, -25.53

 

CMYK 0 / 49 / 9 / 0

HEX #FF81E7

RGB 255 129 231

HSL 311.43, 1%, 0.75%

LAB 71.37, 60.53, -30.21

 

CMYK 0 / 72 / 22 / 19

HEX #CE39A0

RGB 206 57 160

HSL 318.52, 0.6%, 0.52%

LAB 50.2, 67.01, -22.99

 

CMYK 0 / 79 / 25 / 26

HEX #BD278D

RGB 189 39 141

HSL 319.2, 0.66%, 0.45%

LAB 44.51, 65.91, -20.61

 

CMYK 0 / 88 / 29 / 33

HEX #AC157A

RGB 172 21 122

HSL 319.87, 0.78%, 0.38%

LAB 39.09, 63.82, -17.52

 

CMYK 0 / 98 / 34 / 39

HEX #9B0367

RGB 155 3 103

HSL 320.53, 0.96%, 0.31%

LAB 34.01, 60.51, -13.59

 

CMYK 0 / 100 / 39 / 46

HEX #8A0054

RGB 138 0 84

HSL 323.48, 1%, 0.27%

LAB 29.52, 55.19, -8.37

 

CMYK 0 / 71 / 22 / 19

HEX #CE3BA0

RGB 206 59 160

HSL 318.78, 0.6%, 0.52%

LAB 50.44, 66.33, -22.62

 

CMYK 0 / 71 / 41 / 19

HEX #CE3B79

RGB 206 59 121

HSL 334.69, 0.6%, 0.52%

LAB 49.04, 61.83, -1.33

 

CMYK 0 / 71 / 61 / 19

HEX #CE3B51

RGB 206 59 81

HSL 351.02, 0.6%, 0.52%

LAB 48.06, 58.54, 21.64

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 71 / 22 / 19

HEX #CE3BA0

RGB 206 59 160

HSL 318.78, 0.6%, 0.52%

LAB 50.44, 66.33, -22.62

 

CMYK 0 / 71 / 3 / 19

HEX #CE3BC8

RGB 206 59 200

HSL 302.45, 0.6%, 0.52%

LAB 52.31, 72.1, -43.05

 

CMYK 17 / 71 / 0 / 19

HEX #AC3BCE

RGB 172 59 206

HSL 286.12, 0.6%, 0.52%

LAB 47.44, 65.93, -54.58

 

CMYK 36 / 71 / 0 / 19

HEX #843BCE

RGB 132 59 206

HSL 269.8, 0.6%, 0.52%

LAB 41.98, 58.08, -63.66

 

CMYK 55 / 71 / 0 / 19

HEX #5C3BCE

RGB 92 59 206

HSL 253.47, 0.6%, 0.52%

LAB 37.59, 51.38, -71.02

 

CMYK 0 / 71 / 22 / 19

HEX #CE3BA0

RGB 206 59 160

HSL 318.78, 0.6%, 0.52%

LAB 50.44, 66.33, -22.62

 

CMYK 0 / 83 / 25 / 12

HEX #E127A8

RGB 225 39 168

HSL 318.39, 0.76%, 0.52%

LAB 52.16, 77.26, -24.42

 

CMYK 0 / 92 / 29 / 4

HEX #F513AF

RGB 245 19 175

HSL 318.58, 0.92%, 0.52%

LAB 55.04, 85.27, -23.77

 

CMYK 0 / 71 / 22 / 19

HEX #CE3BA0

RGB 206 59 160

HSL 318.78, 0.6%, 0.52%

LAB 50.44, 66.33, -22.62

 

CMYK 0 / 58 / 18 / 27

HEX #BA4E99

RGB 186 78 153

HSL 318.33, 0.44%, 0.52%

LAB 49.72, 52.25, -19.84

 

CMYK 0 / 41 / 13 / 35

HEX #A66291

RGB 166 98 145

HSL 318.53, 0.28%, 0.52%

LAB 50.55, 34.36, -14.09

 

CMYK 0 / 19 / 6 / 43

HEX #927689

RGB 146 118 137

HSL 319.29, 0.11%, 0.52%

LAB 52.81, 14.29, -6.22

 

CMYK 9 / 0 / 6 / 46

HEX #7E8A82

RGB 126 138 130

HSL 140, 0.05%, 0.52%

LAB 56.31, -5.99, 2.78

 

CMYK 17 / 71 / 0 / 19

HEX #AB3BCE

RGB 171 59 206

HSL 285.71, 0.6%, 0.52%

LAB 47.29, 65.72, -54.82

 

CMYK 0 / 71 / 2 / 19

HEX #CE3BC9

RGB 206 59 201

HSL 302.04, 0.6%, 0.52%

LAB 52.36, 72.26, -43.54

 

CMYK 0 / 71 / 22 / 19

HEX #CE3BA1

RGB 206 59 161

HSL 318.37, 0.6%, 0.52%

LAB 50.48, 66.46, -23.15

 

CMYK 0 / 71 / 41 / 19

HEX #CE3B7A

RGB 206 59 122

HSL 334.29, 0.6%, 0.52%

LAB 49.07, 61.93, -1.89

 

CMYK 0 / 71 / 60 / 19

HEX #CE3B53

RGB 206 59 83

HSL 350.2, 0.6%, 0.52%

LAB 48.1, 58.67, 20.48

 

CMYK 0 / 75 / 23 / 43

HEX #922470

RGB 146 36 112

HSL 318.55, 0.6%, 0.36%

LAB 35.09, 52.43, -17.82

 

CMYK 0 / 75 / 23 / 30

HEX #B32C89

RGB 179 44 137

HSL 318.67, 0.61%, 0.44%

LAB 43.05, 61.53, -20.57

 

CMYK 0 / 71 / 22 / 19

HEX #CE3BA0

RGB 206 59 160

HSL 318.78, 0.6%, 0.52%

LAB 50.44, 66.33, -22.62

 

CMYK 0 / 57 / 18 / 16

HEX #D65CB0

RGB 214 92 176

HSL 318.69, 0.6%, 0.6%

LAB 57.16, 57.46, -21.55

 

CMYK 0 / 44 / 14 / 13

HEX #DE7DC0

RGB 222 125 192

HSL 318.56, 0.6%, 0.68%

LAB 64.96, 46.32, -18.67

 

CMYK 0 / 72 / 22 / 19

HEX #CE39A0

RGB 206 57 160

HSL 318.52, 0.6%, 0.52%

LAB 50.2, 67.01, -22.99

 

CMYK 0 / 36 / 71 / 19

HEX #CE843B

RGB 206 132 59

HSL 29.8, 0.6%, 0.52%

LAB 61.6, 22.15, 49.69

 

CMYK 71 / 0 / 7 / 19

HEX #3BCEBF

RGB 59 206 191

HSL 173.88, 0.6%, 0.52%

LAB 75.35, -41.33, -3.66

 

CMYK 0 / 72 / 22 / 19

HEX #CE39A0

RGB 206 57 160

HSL 318.52, 0.6%, 0.52%

LAB 50.2, 67.01, -22.99

 

CMYK 22 / 0 / 71 / 19

HEX #A1CE3B

RGB 161 206 59

HSL 78.37, 0.6%, 0.52%

LAB 77.3, -35.25, 64.44

 

CMYK 71 / 22 / 0 / 19

HEX #3BA1CE

RGB 59 161 206

HSL 198.37, 0.6%, 0.52%

LAB 62.4, -14.67, -31.48

 

CMYK 0 / 72 / 22 / 19

HEX #CE39A0

RGB 206 57 160

HSL 318.52, 0.6%, 0.52%

LAB 50.2, 67.01, -22.99

 

CMYK 0 / 36 / 71 / 19

HEX #CE843B

RGB 206 132 59

HSL 29.8, 0.6%, 0.52%

LAB 61.6, 22.15, 49.69

 

CMYK 71 / 0 / 50 / 19

HEX #3BCE67

RGB 59 206 103

HSL 137.96, 0.6%, 0.52%

LAB 73.58, -60.2, 40.13

 

CMYK 71 / 36 / 0 / 19

HEX #3B84CE

RGB 59 132 206

HSL 210.2, 0.6%, 0.52%

LAB 53.91, 1.88, -44.79

 

CMYK 0 / 72 / 22 / 19

HEX #CE39A0

RGB 206 57 160

HSL 318.52, 0.6%, 0.52%

LAB 50.2, 67.01, -22.99

 

CMYK 0 / 15 / 71 / 19

HEX #CEB03B

RGB 206 176 59

HSL 47.76, 0.6%, 0.52%

LAB 72.55, -1.56, 60.9

 

CMYK 71 / 0 / 50 / 19

HEX #3BCE67

RGB 59 206 103

HSL 137.96, 0.6%, 0.52%

LAB 73.58, -60.2, 40.13

 

CMYK 71 / 57 / 0 / 19

HEX #3B58CE

RGB 59 88 206

HSL 228.16, 0.6%, 0.52%

LAB 41.79, 29.45, -64.25

 

Description

Color code: RGB 206 57 160 | qconv.com Color code: RGB 206 57 160 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 57 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 57 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 22 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 22% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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