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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 56 249 it is the complementary color RGB 49 199 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 56 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 56 249 shade: RGB 211 56 244, RGB 228 74 255, RGB 245 92 255, RGB 255 110 255 and RGB 255 128 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 56 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 56 249 shade: RGB 206 56 249, RGB 189 38 230, RGB 172 20 211, RGB 155 2 192 and RGB 138 0 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 56 249 shade: RGB 206 57 248, RGB 248 57 239, RGB 248 57 188, RGB 248 57 136 and RGB 248 57 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 56 249 shade: RGB 206 57 248, RGB 154 57 248, RGB 102 57 248 and RGB 57 57 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 56 249 shade matches the following richer shades: RGB 206 57 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 56 249 shade: RGB 206 57 248, RGB 197 73 232, RGB 187 90 215, RGB 178 106 199 and RGB 169 123 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 56 249 shade: RGB 101 57 248, RGB 153 57 248, RGB 204 57 248, RGB 248 57 242 and RGB 248 57 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 56 249 shade: RGB 169 6 216, RGB 196 17 247, RGB 206 57 248, RGB 216 97 250 and RGB 225 137 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 56 249 shade: RGB 206 56 249, RGB 248 57 63 and RGB 57 248 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 56 249 shade: RGB 206 56 249, RGB 248 204 57 and RGB 57 248 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 56 249 shade: RGB 206 56 249, RGB 248 57 63, RGB 101 248 57 and RGB 57 248 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 56 249 shade: RGB 206 56 249, RGB 248 108 57, RGB 101 248 57 and RGB 57 197 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 78 / 0 / 2

HEX #CE38F9

RGB 206 56 249

HSL 286.63, 0.94%, 0.6%

LAB 54.86, 81.28, -66.71

 

Complementary color

CMYK 75 / 0 / 97 / 22

HEX #31C706

RGB 49 199 6

HSL 106.63, 0.94%, 0.4%

LAB 70.53, -67.29, 68.92

 

CMYK 14 / 77 / 0 / 4

HEX #D338F4

RGB 211 56 244

HSL 289.47, 0.9%, 0.59%

LAB 55.29, 81.29, -63.19

 

CMYK 11 / 71 / 0 / 0

HEX #E44AFF

RGB 228 74 255

HSL 291.05, 1%, 0.65%

LAB 60.44, 80.76, -60.89

 

CMYK 4 / 64 / 0 / 0

HEX #F55CFF

RGB 245 92 255

HSL 296.32, 1%, 0.68%

LAB 65.19, 77.85, -53.18

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 17 / 78 / 0 / 2

HEX #CE38F9

RGB 206 56 249

HSL 286.63, 0.94%, 0.6%

LAB 54.86, 81.28, -66.71

 

CMYK 18 / 83 / 0 / 10

HEX #BD26E6

RGB 189 38 230

HSL 287.19, 0.79%, 0.53%

LAB 49.4, 79.75, -64.99

 

CMYK 18 / 91 / 0 / 17

HEX #AC14D3

RGB 172 20 211

HSL 287.75, 0.83%, 0.45%

LAB 44.2, 77.22, -62.69

 

CMYK 19 / 99 / 0 / 25

HEX #9B02C0

RGB 155 2 192

HSL 288.32, 0.98%, 0.38%

LAB 39.27, 73.58, -59.76

 

CMYK 20 / 100 / 0 / 32

HEX #8A00AD

RGB 138 0 173

HSL 287.86, 1%, 0.34%

LAB 34.84, 68.11, -55.83

 

CMYK 17 / 77 / 0 / 3

HEX #CE39F8

RGB 206 57 248

HSL 286.81, 0.93%, 0.6%

LAB 54.89, 80.81, -66.09

 

CMYK 0 / 77 / 4 / 3

HEX #F839EF

RGB 248 57 239

HSL 302.83, 0.93%, 0.6%

LAB 60.88, 87.16, -51.12

 

CMYK 0 / 77 / 24 / 3

HEX #F839BC

RGB 248 57 188

HSL 318.85, 0.93%, 0.6%

LAB 58.52, 80.39, -25.92

 

CMYK 0 / 77 / 45 / 3

HEX #F83988

RGB 248 57 136

HSL 335.18, 0.93%, 0.6%

LAB 56.74, 75.05, 1.82

 

CMYK 0 / 77 / 66 / 3

HEX #F83954

RGB 248 57 84

HSL 351.52, 0.93%, 0.6%

LAB 55.61, 71.51, 31.09

 

CMYK 17 / 77 / 0 / 3

HEX #CE39F8

RGB 206 57 248

HSL 286.81, 0.93%, 0.6%

LAB 54.89, 80.81, -66.09

 

CMYK 38 / 77 / 0 / 3

HEX #9A39F8

RGB 154 57 248

HSL 270.47, 0.93%, 0.6%

LAB 47.72, 72.22, -78.07

 

CMYK 59 / 77 / 0 / 3

HEX #6639F8

RGB 102 57 248

HSL 254.14, 0.93%, 0.6%

LAB 42.04, 65.34, -87.6

 

CMYK 77 / 77 / 0 / 3

HEX #3939F8

RGB 57 57 248

HSL 240, 0.93%, 0.6%

LAB 38.85, 61.43, -92.98

 

CMYK 17 / 77 / 0 / 3

HEX #CE39F8

RGB 206 57 248

HSL 286.81, 0.93%, 0.6%

LAB 54.89, 80.81, -66.09

 

CMYK 17 / 77 / 0 / 3

HEX #CE39F8

RGB 206 57 248

HSL 286.81, 0.93%, 0.6%

LAB 54.89, 80.81, -66.09

 

CMYK 15 / 69 / 0 / 9

HEX #C549E8

RGB 197 73 232

HSL 286.79, 0.78%, 0.6%

LAB 54.51, 70.68, -57.82

 

CMYK 13 / 58 / 0 / 16

HEX #BB5AD7

RGB 187 90 215

HSL 286.56, 0.61%, 0.6%

LAB 54.85, 57.77, -47.76

 

CMYK 11 / 47 / 0 / 22

HEX #B26AC7

RGB 178 106 199

HSL 286.45, 0.45%, 0.6%

LAB 55.98, 44.04, -36.95

 

CMYK 7 / 32 / 0 / 29

HEX #A97BB6

RGB 169 123 182

HSL 286.78, 0.29%, 0.6%

LAB 58.02, 28.39, -24.17

 

CMYK 59 / 77 / 0 / 3

HEX #6539F8

RGB 101 57 248

HSL 253.82, 0.93%, 0.6%

LAB 41.95, 65.23, -87.75

 

CMYK 38 / 77 / 0 / 3

HEX #9939F8

RGB 153 57 248

HSL 270.16, 0.93%, 0.6%

LAB 47.59, 72.07, -78.28

 

CMYK 18 / 77 / 0 / 3

HEX #CC39F8

RGB 204 57 248

HSL 286.18, 0.93%, 0.6%

LAB 54.6, 80.46, -66.59

 

CMYK 0 / 77 / 2 / 3

HEX #F839F2

RGB 248 57 242

HSL 301.88, 0.93%, 0.6%

LAB 61.04, 87.6, -52.54

 

CMYK 0 / 77 / 23 / 3

HEX #F839BF

RGB 248 57 191

HSL 317.91, 0.93%, 0.6%

LAB 58.64, 80.75, -27.45

 

CMYK 22 / 97 / 0 / 15

HEX #A906D8

RGB 169 6 216

HSL 286.57, 0.95%, 0.44%

LAB 43.54, 79.27, -66.65

 

CMYK 21 / 93 / 0 / 3

HEX #C411F7

RGB 196 17 247

HSL 286.7, 0.93%, 0.52%

LAB 50.51, 87.23, -72.7

 

CMYK 17 / 77 / 0 / 3

HEX #CE39F8

RGB 206 57 248

HSL 286.81, 0.93%, 0.6%

LAB 54.89, 80.81, -66.09

 

CMYK 14 / 61 / 0 / 2

HEX #D861FA

RGB 216 97 250

HSL 286.67, 0.94%, 0.68%

LAB 61.7, 68.32, -56.22

 

CMYK 10 / 45 / 0 / 2

HEX #E189FB

RGB 225 137 251

HSL 286.32, 0.93%, 0.76%

LAB 70.08, 51.62, -43.45

 

CMYK 17 / 78 / 0 / 2

HEX #CE38F9

RGB 206 56 249

HSL 286.63, 0.94%, 0.6%

LAB 54.86, 81.28, -66.71

 

CMYK 0 / 77 / 75 / 3

HEX #F8393F

RGB 248 57 63

HSL 358.12, 0.93%, 0.6%

LAB 55.32, 70.6, 42.75

 

CMYK 77 / 0 / 49 / 3

HEX #39F87F

RGB 57 248 127

HSL 141.99, 0.93%, 0.6%

LAB 86.77, -71.15, 45

 

CMYK 17 / 78 / 0 / 2

HEX #CE38F9

RGB 206 56 249

HSL 286.63, 0.94%, 0.6%

LAB 54.86, 81.28, -66.71

 

CMYK 0 / 18 / 77 / 3

HEX #F8CC39

RGB 248 204 57

HSL 46.18, 0.93%, 0.6%

LAB 83.67, 1.77, 73.62

 

CMYK 77 / 0 / 18 / 3

HEX #39F8CC

RGB 57 248 204

HSL 166.18, 0.93%, 0.6%

LAB 88.14, -55.89, 8.05

 

CMYK 17 / 78 / 0 / 2

HEX #CE38F9

RGB 206 56 249

HSL 286.63, 0.94%, 0.6%

LAB 54.86, 81.28, -66.71

 

CMYK 0 / 77 / 75 / 3

HEX #F8393F

RGB 248 57 63

HSL 358.12, 0.93%, 0.6%

LAB 55.32, 70.6, 42.75

 

CMYK 59 / 0 / 77 / 3

HEX #65F839

RGB 101 248 57

HSL 106.18, 0.93%, 0.6%

LAB 87.09, -70.7, 73.7

 

CMYK 77 / 0 / 2 / 3

HEX #39F8F2

RGB 57 248 242

HSL 178.12, 0.93%, 0.6%

LAB 89.12, -46.05, -10.32

 

CMYK 17 / 78 / 0 / 2

HEX #CE38F9

RGB 206 56 249

HSL 286.63, 0.94%, 0.6%

LAB 54.86, 81.28, -66.71

 

CMYK 0 / 56 / 77 / 3

HEX #F86C39

RGB 248 108 57

HSL 16.02, 0.93%, 0.6%

LAB 62.49, 50.84, 53.38

 

CMYK 59 / 0 / 77 / 3

HEX #65F839

RGB 101 248 57

HSL 106.18, 0.93%, 0.6%

LAB 87.09, -70.7, 73.7

 

CMYK 77 / 21 / 0 / 3

HEX #39C5F8

RGB 57 197 248

HSL 196.02, 0.93%, 0.6%

LAB 74.56, -20.08, -35.61

 

Description

Color code: RGB 206 56 249 | qconv.com Color code: RGB 206 56 249 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 56 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 56 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 78 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 78% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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