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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 51 195 it is the complementary color RGB 49 204 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 51 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 51 195 shade: RGB 211 51 190, RGB 228 69 209, RGB 245 87 228, RGB 255 105 247 and RGB 255 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 51 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 51 195 shade: RGB 206 51 195, RGB 189 33 176, RGB 172 15 157, RGB 155 0 138 and RGB 138 0 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 51 195 shade: RGB 205 49 194, RGB 205 49 152, RGB 205 49 110, RGB 205 49 68 and RGB 205 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 51 195 shade: RGB 205 49 194, RGB 174 49 205, RGB 132 49 205, RGB 90 49 205 and RGB 49 49 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 51 195 shade matches the following richer shades: RGB 205 49 194, RGB 225 29 211 and RGB 246 8 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 51 195 shade: RGB 205 49 194, RGB 184 70 176, RGB 164 90 158, RGB 143 111 141 and RGB 122 132 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 51 195 shade: RGB 132 49 205, RGB 174 49 205, RGB 205 49 194, RGB 205 49 153 and RGB 205 49 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 51 195 shade: RGB 138 33 131, RGB 172 41 162, RGB 205 49 194, RGB 213 82 204 and RGB 221 116 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 51 195 shade: RGB 206 51 195, RGB 205 91 49 and RGB 49 205 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 51 195 shade: RGB 206 51 195, RGB 194 205 49 and RGB 49 194 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 51 195 shade: RGB 206 51 195, RGB 205 91 49, RGB 49 205 60 and RGB 49 163 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 51 195 shade: RGB 206 51 195, RGB 205 137 49, RGB 49 205 60 and RGB 49 117 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 5 / 19

HEX #CE33C3

RGB 206 51 195

HSL 304.26, 0.61%, 0.5%

LAB 51.19, 73.79, -41.94

 

Complementary color

CMYK 76 / 0 / 71 / 20

HEX #31CC3C

RGB 49 204 60

HSL 124.26, 0.61%, 0.5%

LAB 72.34, -66.17, 57.63

 

CMYK 0 / 76 / 10 / 17

HEX #D333BE

RGB 211 51 190

HSL 307.88, 0.65%, 0.51%

LAB 51.76, 74.12, -38.08

 

CMYK 0 / 70 / 8 / 11

HEX #E445D1

RGB 228 69 209

HSL 307.17, 0.75%, 0.58%

LAB 57.42, 75.05, -39.91

 

CMYK 0 / 64 / 7 / 4

HEX #F557E4

RGB 245 87 228

HSL 306.46, 0.89%, 0.65%

LAB 63.2, 75.44, -41.35

 

CMYK 0 / 59 / 3 / 0

HEX #FF69F7

RGB 255 105 247

HSL 303.2, 1%, 0.71%

LAB 68.08, 73.73, -44.13

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 75 / 5 / 19

HEX #CE33C3

RGB 206 51 195

HSL 304.26, 0.61%, 0.5%

LAB 51.19, 73.79, -41.94

 

CMYK 0 / 83 / 7 / 26

HEX #BD21B0

RGB 189 33 176

HSL 305, 0.7%, 0.44%

LAB 45.69, 72.11, -39.72

 

CMYK 0 / 91 / 9 / 33

HEX #AC0F9D

RGB 172 15 157

HSL 305.73, 0.84%, 0.37%

LAB 40.49, 69.32, -36.82

 

CMYK 0 / 100 / 11 / 39

HEX #9B008A

RGB 155 0 138

HSL 306.58, 1%, 0.3%

LAB 35.6, 65.26, -33.15

 

CMYK 0 / 100 / 14 / 46

HEX #8A0077

RGB 138 0 119

HSL 308.26, 1%, 0.27%

LAB 31.2, 59.43, -28.44

 

CMYK 0 / 76 / 5 / 20

HEX #CD31C2

RGB 205 49 194

HSL 304.23, 0.61%, 0.5%

LAB 50.77, 74, -42.03

 

CMYK 0 / 76 / 26 / 20

HEX #CD3198

RGB 205 49 152

HSL 320.38, 0.61%, 0.5%

LAB 48.81, 68.26, -20.37

 

CMYK 0 / 76 / 46 / 20

HEX #CD316E

RGB 205 49 110

HSL 336.54, 0.61%, 0.5%

LAB 47.37, 63.82, 2.92

 

CMYK 0 / 76 / 67 / 20

HEX #CD3144

RGB 205 49 68

HSL 352.69, 0.61%, 0.5%

LAB 46.44, 60.85, 27.38

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 76 / 5 / 20

HEX #CD31C2

RGB 205 49 194

HSL 304.23, 0.61%, 0.5%

LAB 50.77, 74, -42.03

 

CMYK 15 / 76 / 0 / 20

HEX #AE31CD

RGB 174 49 205

HSL 288.08, 0.61%, 0.5%

LAB 46.45, 69.63, -55.57

 

CMYK 36 / 76 / 0 / 20

HEX #8431CD

RGB 132 49 205

HSL 271.92, 0.61%, 0.5%

LAB 40.43, 62.06, -65.62

 

CMYK 56 / 76 / 0 / 20

HEX #5A31CD

RGB 90 49 205

HSL 255.77, 0.61%, 0.5%

LAB 35.55, 55.77, -73.79

 

CMYK 76 / 76 / 0 / 20

HEX #3131CD

RGB 49 49 205

HSL 240, 0.61%, 0.5%

LAB 32.39, 51.57, -79.12

 

CMYK 0 / 76 / 5 / 20

HEX #CD31C2

RGB 205 49 194

HSL 304.23, 0.61%, 0.5%

LAB 50.77, 74, -42.03

 

CMYK 0 / 87 / 6 / 12

HEX #E11DD3

RGB 225 29 211

HSL 304.29, 0.77%, 0.5%

LAB 53.59, 84.62, -47.13

 

CMYK 0 / 97 / 7 / 4

HEX #F608E5

RGB 246 8 229

HSL 304.29, 0.94%, 0.5%

LAB 57.49, 92.81, -50.93

 

CMYK 0 / 76 / 5 / 20

HEX #CD31C2

RGB 205 49 194

HSL 304.23, 0.61%, 0.5%

LAB 50.77, 74, -42.03

 

CMYK 0 / 62 / 4 / 28

HEX #B846B0

RGB 184 70 176

HSL 304.21, 0.45%, 0.5%

LAB 49.14, 58.89, -34.34

 

CMYK 0 / 45 / 4 / 36

HEX #A45A9E

RGB 164 90 158

HSL 304.86, 0.29%, 0.5%

LAB 49.1, 40.35, -24.02

 

CMYK 0 / 22 / 1 / 44

HEX #8F6F8D

RGB 143 111 141

HSL 303.75, 0.13%, 0.5%

LAB 50.84, 18.05, -11.55

 

CMYK 8 / 0 / 7 / 48

HEX #7A847B

RGB 122 132 123

HSL 126, 0.04%, 0.5%

LAB 54.1, -5.5, 3.59

 

CMYK 36 / 76 / 0 / 20

HEX #8431CD

RGB 132 49 205

HSL 271.92, 0.61%, 0.5%

LAB 40.43, 62.06, -65.62

 

CMYK 15 / 76 / 0 / 20

HEX #AE31CD

RGB 174 49 205

HSL 288.08, 0.61%, 0.5%

LAB 46.45, 69.63, -55.57

 

CMYK 0 / 76 / 5 / 20

HEX #CD31C2

RGB 205 49 194

HSL 304.23, 0.61%, 0.5%

LAB 50.77, 74, -42.03

 

CMYK 0 / 76 / 25 / 20

HEX #CD3199

RGB 205 49 153

HSL 320, 0.61%, 0.5%

LAB 48.85, 68.38, -20.91

 

CMYK 0 / 76 / 46 / 20

HEX #CD316F

RGB 205 49 111

HSL 336.15, 0.61%, 0.5%

LAB 47.4, 63.91, 2.35

 

CMYK 0 / 76 / 5 / 46

HEX #8A2183

RGB 138 33 131

HSL 304, 0.61%, 0.34%

LAB 34.25, 54.33, -31.15

 

CMYK 0 / 76 / 6 / 33

HEX #AC29A2

RGB 172 41 162

HSL 304.58, 0.62%, 0.42%

LAB 42.71, 64.4, -36.3

 

CMYK 0 / 76 / 5 / 20

HEX #CD31C2

RGB 205 49 194

HSL 304.23, 0.61%, 0.5%

LAB 50.77, 74, -42.03

 

CMYK 0 / 62 / 4 / 16

HEX #D552CC

RGB 213 82 204

HSL 304.12, 0.61%, 0.58%

LAB 56.62, 65.85, -38.46

 

CMYK 0 / 48 / 4 / 13

HEX #DD74D5

RGB 221 116 213

HSL 304.57, 0.61%, 0.66%

LAB 63.89, 54.02, -32.13

 

CMYK 0 / 75 / 5 / 19

HEX #CE33C3

RGB 206 51 195

HSL 304.26, 0.61%, 0.5%

LAB 51.19, 73.79, -41.94

 

CMYK 0 / 56 / 76 / 20

HEX #CD5B31

RGB 205 91 49

HSL 16.15, 0.61%, 0.5%

LAB 52.6, 42.73, 45.05

 

CMYK 76 / 0 / 25 / 20

HEX #31CD99

RGB 49 205 153

HSL 160, 0.61%, 0.5%

LAB 73.94, -51.67, 14.74

 

CMYK 0 / 75 / 5 / 19

HEX #CE33C3

RGB 206 51 195

HSL 304.26, 0.61%, 0.5%

LAB 51.19, 73.79, -41.94

 

CMYK 5 / 0 / 76 / 20

HEX #C2CD31

RGB 194 205 49

HSL 64.23, 0.61%, 0.5%

LAB 79.24, -21.9, 70.4

 

CMYK 76 / 5 / 0 / 20

HEX #31C2CD

RGB 49 194 205

HSL 184.23, 0.61%, 0.5%

LAB 71.99, -32.97, -16.28

 

CMYK 0 / 75 / 5 / 19

HEX #CE33C3

RGB 206 51 195

HSL 304.26, 0.61%, 0.5%

LAB 51.19, 73.79, -41.94

 

CMYK 0 / 56 / 76 / 20

HEX #CD5B31

RGB 205 91 49

HSL 16.15, 0.61%, 0.5%

LAB 52.6, 42.73, 45.05

 

CMYK 76 / 0 / 71 / 20

HEX #31CD3C

RGB 49 205 60

HSL 124.23, 0.61%, 0.5%

LAB 72.66, -66.49, 57.96

 

CMYK 76 / 20 / 0 / 20

HEX #31A3CD

RGB 49 163 205

HSL 196.15, 0.61%, 0.5%

LAB 62.72, -17.33, -30.44

 

CMYK 0 / 75 / 5 / 19

HEX #CE33C3

RGB 206 51 195

HSL 304.26, 0.61%, 0.5%

LAB 51.19, 73.79, -41.94

 

CMYK 0 / 33 / 76 / 20

HEX #CD8931

RGB 205 137 49

HSL 33.85, 0.61%, 0.5%

LAB 62.59, 18.55, 55.07

 

CMYK 76 / 0 / 71 / 20

HEX #31CD3C

RGB 49 205 60

HSL 124.23, 0.61%, 0.5%

LAB 72.66, -66.49, 57.96

 

CMYK 76 / 43 / 0 / 20

HEX #3175CD

RGB 49 117 205

HSL 213.85, 0.61%, 0.5%

LAB 49.23, 9.36, -51.69

 

Description

Color code: RGB 206 51 195 | qconv.com Color code: RGB 206 51 195 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 51 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 51 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 5 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 5% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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