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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 29 245 it is the complementary color RGB 49 226 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 29 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 29 245 shade: RGB 211 29 240, RGB 228 47 255, RGB 245 65 255, RGB 255 83 255 and RGB 255 101 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 29 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 29 245 shade: RGB 206 29 245, RGB 189 11 226, RGB 172 0 207, RGB 155 0 188 and RGB 138 0 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 29 245 shade: RGB 206 29 245, RGB 245 29 226, RGB 245 29 168, RGB 245 29 109 and RGB 245 29 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 29 245 shade: RGB 206 29 245, RGB 148 29 245, RGB 90 29 245, RGB 32 29 245 and RGB 29 29 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 29 245 shade matches the following richer shades: RGB 206 29 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 29 245 shade: RGB 206 29 245, RGB 194 48 226, RGB 182 67 207, RGB 170 86 188 and RGB 158 105 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 29 245 shade: RGB 90 29 245, RGB 148 29 245, RGB 206 29 245, RGB 245 29 227 and RGB 245 29 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 29 245 shade: RGB 153 7 185, RGB 185 9 224, RGB 206 29 245, RGB 215 69 247 and RGB 223 109 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 29 245 shade: RGB 206 29 245, RGB 245 33 29 and RGB 29 245 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 29 245 shade: RGB 206 29 245, RGB 245 206 29 and RGB 29 245 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 29 245 shade: RGB 206 29 245, RGB 245 33 29, RGB 69 245 29 and RGB 29 242 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 29 245 shade: RGB 206 29 245, RGB 245 98 29, RGB 69 245 29 and RGB 29 177 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 88 / 0 / 4

HEX #CE1DF5

RGB 206 29 245

HSL 289.17, 0.92%, 0.54%

LAB 52.5, 86.7, -68.28

 

Complementary color

CMYK 78 / 0 / 96 / 11

HEX #31E20A

RGB 49 226 10

HSL 109.17, 0.92%, 0.46%

LAB 79.08, -75.1, 75.5

 

CMYK 12 / 88 / 0 / 6

HEX #D31DF0

RGB 211 29 240

HSL 291.75, 0.88%, 0.53%

LAB 52.97, 86.65, -64.68

 

CMYK 11 / 82 / 0 / 0

HEX #E42FFF

RGB 228 47 255

HSL 292.21, 1%, 0.59%

LAB 57.8, 88.38, -65.13

 

CMYK 4 / 75 / 0 / 0

HEX #F541FF

RGB 245 65 255

HSL 296.84, 1%, 0.63%

LAB 62.01, 86.87, -58.24

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 16 / 88 / 0 / 4

HEX #CE1DF5

RGB 206 29 245

HSL 289.17, 0.92%, 0.54%

LAB 52.5, 86.7, -68.28

 

CMYK 16 / 95 / 0 / 11

HEX #BD0BE2

RGB 189 11 226

HSL 289.67, 0.91%, 0.46%

LAB 47.69, 83.3, -65.49

 

CMYK 17 / 100 / 0 / 19

HEX #AC00CF

RGB 172 0 207

HSL 289.86, 1%, 0.41%

LAB 43.18, 78.71, -62.04

 

CMYK 18 / 100 / 0 / 26

HEX #9B00BC

RGB 155 0 188

HSL 289.47, 1%, 0.37%

LAB 38.9, 73.11, -58.02

 

CMYK 18 / 100 / 0 / 34

HEX #8A00A9

RGB 138 0 169

HSL 288.99, 1%, 0.33%

LAB 34.53, 67.4, -53.93

 

CMYK 16 / 88 / 0 / 4

HEX #CE1DF5

RGB 206 29 245

HSL 289.17, 0.92%, 0.54%

LAB 52.5, 86.7, -68.28

 

CMYK 0 / 88 / 8 / 4

HEX #F51DE2

RGB 245 29 226

HSL 305.28, 0.92%, 0.54%

LAB 57.83, 90.24, -48.7

 

CMYK 0 / 88 / 31 / 4

HEX #F51DA8

RGB 245 29 168

HSL 321.39, 0.92%, 0.54%

LAB 55.19, 83.3, -19.44

 

CMYK 0 / 88 / 56 / 4

HEX #F51D6D

RGB 245 29 109

HSL 337.78, 0.92%, 0.54%

LAB 53.38, 78.3, 13.11

 

CMYK 0 / 88 / 79 / 4

HEX #F51D33

RGB 245 29 51

HSL 353.89, 0.92%, 0.54%

LAB 52.43, 75.61, 46.1

 

CMYK 16 / 88 / 0 / 4

HEX #CE1DF5

RGB 206 29 245

HSL 289.17, 0.92%, 0.54%

LAB 52.5, 86.7, -68.28

 

CMYK 40 / 88 / 0 / 4

HEX #941DF5

RGB 148 29 245

HSL 273.06, 0.92%, 0.54%

LAB 43.9, 78.95, -82.68

 

CMYK 63 / 88 / 0 / 4

HEX #5A1DF5

RGB 90 29 245

HSL 256.94, 0.92%, 0.54%

LAB 37.2, 73.63, -93.96

 

CMYK 87 / 88 / 0 / 4

HEX #201DF5

RGB 32 29 245

HSL 240.83, 0.92%, 0.54%

LAB 33.52, 71.1, -100.19

 

CMYK 88 / 88 / 0 / 4

HEX #1D1DF5

RGB 29 29 245

HSL 240, 0.92%, 0.54%

LAB 33.42, 71.04, -100.35

 

CMYK 16 / 88 / 0 / 4

HEX #CE1DF5

RGB 206 29 245

HSL 289.17, 0.92%, 0.54%

LAB 52.5, 86.7, -68.28

 

CMYK 16 / 88 / 0 / 4

HEX #CE1DF5

RGB 206 29 245

HSL 289.17, 0.92%, 0.54%

LAB 52.5, 86.7, -68.28

 

CMYK 14 / 79 / 0 / 11

HEX #C230E2

RGB 194 48 226

HSL 289.21, 0.75%, 0.54%

LAB 50.77, 77.37, -60.46

 

CMYK 12 / 68 / 0 / 19

HEX #B643CF

RGB 182 67 207

HSL 289.29, 0.59%, 0.54%

LAB 50.05, 65.14, -50.88

 

CMYK 10 / 54 / 0 / 26

HEX #AA56BC

RGB 170 86 188

HSL 289.41, 0.43%, 0.54%

LAB 50.49, 49.94, -39.34

 

CMYK 7 / 38 / 0 / 34

HEX #9E69A9

RGB 158 105 169

HSL 289.69, 0.27%, 0.54%

LAB 52.1, 32.32, -25.89

 

CMYK 63 / 88 / 0 / 4

HEX #5A1DF5

RGB 90 29 245

HSL 256.94, 0.92%, 0.54%

LAB 37.2, 73.63, -93.96

 

CMYK 40 / 88 / 0 / 4

HEX #941DF5

RGB 148 29 245

HSL 273.06, 0.92%, 0.54%

LAB 43.9, 78.95, -82.68

 

CMYK 16 / 88 / 0 / 4

HEX #CE1DF5

RGB 206 29 245

HSL 289.17, 0.92%, 0.54%

LAB 52.5, 86.7, -68.28

 

CMYK 0 / 88 / 7 / 4

HEX #F51DE3

RGB 245 29 227

HSL 305, 0.92%, 0.54%

LAB 57.88, 90.38, -49.18

 

CMYK 0 / 88 / 31 / 4

HEX #F51DAA

RGB 245 29 170

HSL 320.83, 0.92%, 0.54%

LAB 55.27, 83.51, -20.5

 

CMYK 17 / 96 / 0 / 27

HEX #9907B9

RGB 153 7 185

HSL 289.21, 0.93%, 0.38%

LAB 38.6, 71.52, -56.75

 

CMYK 17 / 96 / 0 / 12

HEX #B909E0

RGB 185 9 224

HSL 289.12, 0.92%, 0.46%

LAB 46.83, 82.57, -65.77

 

CMYK 16 / 88 / 0 / 4

HEX #CE1DF5

RGB 206 29 245

HSL 289.17, 0.92%, 0.54%

LAB 52.5, 86.7, -68.28

 

CMYK 13 / 72 / 0 / 3

HEX #D745F7

RGB 215 69 247

HSL 289.21, 0.92%, 0.62%

LAB 57.48, 78.49, -61.3

 

CMYK 10 / 56 / 0 / 3

HEX #DF6DF8

RGB 223 109 248

HSL 289.21, 0.91%, 0.7%

LAB 64.49, 64.22, -50.63

 

CMYK 16 / 88 / 0 / 4

HEX #CE1DF5

RGB 206 29 245

HSL 289.17, 0.92%, 0.54%

LAB 52.5, 86.7, -68.28

 

CMYK 0 / 87 / 88 / 4

HEX #F5211D

RGB 245 33 29

HSL 1.11, 0.92%, 0.54%

LAB 52.5, 74.46, 56.95

 

CMYK 88 / 0 / 51 / 4

HEX #1DF577

RGB 29 245 119

HSL 145, 0.92%, 0.54%

LAB 85.45, -73.9, 47.07

 

CMYK 16 / 88 / 0 / 4

HEX #CE1DF5

RGB 206 29 245

HSL 289.17, 0.92%, 0.54%

LAB 52.5, 86.7, -68.28

 

CMYK 0 / 16 / 88 / 4

HEX #F5CE1D

RGB 245 206 29

HSL 49.17, 0.92%, 0.54%

LAB 83.78, -1.29, 80.94

 

CMYK 88 / 0 / 16 / 4

HEX #1DF5CE

RGB 29 245 206

HSL 169.17, 0.92%, 0.54%

LAB 87.01, -56.33, 5.34

 

CMYK 16 / 88 / 0 / 4

HEX #CE1DF5

RGB 206 29 245

HSL 289.17, 0.92%, 0.54%

LAB 52.5, 86.7, -68.28

 

CMYK 0 / 87 / 88 / 4

HEX #F5211D

RGB 245 33 29

HSL 1.11, 0.92%, 0.54%

LAB 52.5, 74.46, 56.95

 

CMYK 72 / 0 / 88 / 4

HEX #45F51D

RGB 69 245 29

HSL 108.89, 0.92%, 0.54%

LAB 85.33, -77.27, 78.38

 

CMYK 88 / 1 / 0 / 4

HEX #1DF2F5

RGB 29 242 245

HSL 180.83, 0.92%, 0.54%

LAB 87.17, -44.5, -14.82

 

CMYK 16 / 88 / 0 / 4

HEX #CE1DF5

RGB 206 29 245

HSL 289.17, 0.92%, 0.54%

LAB 52.5, 86.7, -68.28

 

CMYK 0 / 60 / 88 / 4

HEX #F5621D

RGB 245 98 29

HSL 19.17, 0.92%, 0.54%

LAB 60.1, 53.55, 62.65

 

CMYK 72 / 0 / 88 / 4

HEX #45F51D

RGB 69 245 29

HSL 108.89, 0.92%, 0.54%

LAB 85.33, -77.27, 78.38

 

CMYK 88 / 28 / 0 / 4

HEX #1DB1F5

RGB 29 177 245

HSL 198.89, 0.92%, 0.54%

LAB 68.24, -12.71, -43.87

 

Description

Color code: RGB 206 29 245 | qconv.com Color code: RGB 206 29 245 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 29 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 29 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 88 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 88% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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