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Color name
RGB 206 224 39

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 224 39 it is the complementary color RGB 49 31 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 224 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 224 39 shade: RGB 211 224 34, RGB 228 242 53, RGB 245 255 72, RGB 255 255 91 and RGB 255 255 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 224 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 224 39 shade: RGB 206 224 39, RGB 189 206 20, RGB 172 188 1, RGB 155 170 0 and RGB 138 152 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 224 39 shade: RGB 206 224 40, RGB 224 192 40, RGB 224 143 40, RGB 224 93 40 and RGB 224 44 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 224 39 shade: RGB 206 224 40, RGB 157 224 40, RGB 107 224 40, RGB 57 224 40 and RGB 40 224 73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 224 39 shade matches the following richer shades: RGB 206 224 40 and RGB 222 244 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 224 39 shade: RGB 206 224 40, RGB 190 204 60, RGB 174 184 80, RGB 158 164 100 and RGB 142 145 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 224 39 shade: RGB 224 141 40, RGB 224 190 40, RGB 209 224 40, RGB 160 224 40 and RGB 111 224 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 224 39 shade: RGB 146 159 22, RGB 179 195 27, RGB 206 224 40, RGB 214 229 76 and RGB 222 234 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 224 39 shade: RGB 206 224 39, RGB 40 224 92 and RGB 166 40 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 224 39 shade: RGB 206 224 39, RGB 40 209 224 and RGB 224 40 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 224 39 shade: RGB 206 224 39, RGB 40 224 92, RGB 56 40 224 and RGB 224 40 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 224 39 shade: RGB 206 224 39, RGB 40 224 147, RGB 56 40 224 and RGB 224 40 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 83 / 12

HEX #CEE027

RGB 206 224 39

HSL 65.84, 0.75%, 0.52%

LAB 85.29, -26.42, 78.74

 

Complementary color

CMYK 77 / 86 / 0 / 15

HEX #311FD8

RGB 49 31 216

HSL 245.84, 0.75%, 0.48%

LAB 30.86, 63.04, -88.04

 

CMYK 6 / 0 / 85 / 12

HEX #D3E022

RGB 211 224 34

HSL 64.11, 0.75%, 0.51%

LAB 85.64, -24.49, 80.26

 

CMYK 6 / 0 / 78 / 5

HEX #E4F235

RGB 228 242 53

HSL 64.44, 0.88%, 0.58%

LAB 91.8, -25.52, 81.51

 

CMYK 4 / 0 / 72 / 0

HEX #F5FF48

RGB 245 255 72

HSL 63.28, 1%, 0.64%

LAB 96.57, -24.05, 80.71

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5B

RGB 255 255 91

HSL 60, 1%, 0.68%

LAB 97.44, -19.1, 75.13

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 8 / 0 / 83 / 12

HEX #CEE027

RGB 206 224 39

HSL 65.84, 0.75%, 0.52%

LAB 85.29, -26.42, 78.74

 

CMYK 8 / 0 / 90 / 19

HEX #BDCE14

RGB 189 206 20

HSL 65.48, 0.82%, 0.44%

LAB 79.05, -25.31, 76.74

 

CMYK 9 / 0 / 99 / 26

HEX #ACBC01

RGB 172 188 1

HSL 65.13, 0.99%, 0.37%

LAB 72.72, -24.02, 73.54

 

CMYK 9 / 0 / 100 / 33

HEX #9BAA00

RGB 155 170 0

HSL 65.29, 1%, 0.33%

LAB 66.3, -22.49, 68.31

 

CMYK 9 / 0 / 100 / 40

HEX #8A9800

RGB 138 152 0

HSL 65.53, 1%, 0.3%

LAB 59.76, -20.92, 62.87

 

CMYK 8 / 0 / 82 / 12

HEX #CEE028

RGB 206 224 40

HSL 65.87, 0.75%, 0.52%

LAB 85.29, -26.39, 78.51

 

CMYK 0 / 14 / 82 / 12

HEX #E0C028

RGB 224 192 40

HSL 49.57, 0.75%, 0.52%

LAB 78.29, -2.85, 73.12

 

CMYK 0 / 36 / 82 / 12

HEX #E08F28

RGB 224 143 40

HSL 33.59, 0.75%, 0.52%

LAB 66.25, 23.11, 62.73

 

CMYK 0 / 58 / 82 / 12

HEX #E05D28

RGB 224 93 40

HSL 17.28, 0.75%, 0.52%

LAB 55.92, 48.53, 53.54

 

CMYK 0 / 80 / 82 / 12

HEX #E02C28

RGB 224 44 40

HSL 1.3, 0.75%, 0.52%

LAB 49.25, 66.65, 47.4

 

CMYK 8 / 0 / 82 / 12

HEX #CEE028

RGB 206 224 40

HSL 65.87, 0.75%, 0.52%

LAB 85.29, -26.39, 78.51

 

CMYK 30 / 0 / 82 / 12

HEX #9DE028

RGB 157 224 40

HSL 81.85, 0.75%, 0.52%

LAB 82.18, -45.58, 74.59

 

CMYK 52 / 0 / 82 / 12

HEX #6BE028

RGB 107 224 40

HSL 98.15, 0.75%, 0.52%

LAB 79.95, -61.79, 71.76

 

CMYK 75 / 0 / 82 / 12

HEX #39E028

RGB 57 224 40

HSL 114.46, 0.75%, 0.52%

LAB 78.66, -72.46, 70.11

 

CMYK 82 / 0 / 67 / 12

HEX #28E049

RGB 40 224 73

HSL 130.76, 0.75%, 0.52%

LAB 78.6, -72.2, 59.22

 

CMYK 8 / 0 / 82 / 12

HEX #CEE028

RGB 206 224 40

HSL 65.87, 0.75%, 0.52%

LAB 85.29, -26.39, 78.51

 

CMYK 9 / 0 / 92 / 4

HEX #DEF414

RGB 222 244 20

HSL 65.89, 0.91%, 0.52%

LAB 91.81, -29.67, 87.76

 

CMYK 8 / 0 / 82 / 12

HEX #CEE028

RGB 206 224 40

HSL 65.87, 0.75%, 0.52%

LAB 85.29, -26.39, 78.51

 

CMYK 7 / 0 / 71 / 20

HEX #BECC3C

RGB 190 204 60

HSL 65.83, 0.59%, 0.52%

LAB 78.73, -22.57, 66.16

 

CMYK 5 / 0 / 57 / 28

HEX #AEB850

RGB 174 184 80

HSL 65.77, 0.42%, 0.52%

LAB 72.13, -17.98, 50.64

 

CMYK 4 / 0 / 39 / 36

HEX #9EA464

RGB 158 164 100

HSL 65.63, 0.26%, 0.52%

LAB 65.55, -12.29, 32.49

 

CMYK 2 / 0 / 17 / 43

HEX #8E9178

RGB 142 145 120

HSL 67.2, 0.1%, 0.52%

LAB 59.3, -5.64, 12.92

 

CMYK 0 / 37 / 82 / 12

HEX #E08D28

RGB 224 141 40

HSL 32.93, 0.75%, 0.52%

LAB 65.79, 24.17, 62.33

 

CMYK 0 / 15 / 82 / 12

HEX #E0BE28

RGB 224 190 40

HSL 48.91, 0.75%, 0.52%

LAB 77.77, -1.82, 72.68

 

CMYK 7 / 0 / 82 / 12

HEX #D1E028

RGB 209 224 40

HSL 64.89, 0.75%, 0.52%

LAB 85.51, -25.16, 78.78

 

CMYK 29 / 0 / 82 / 12

HEX #A0E028

RGB 160 224 40

HSL 80.87, 0.75%, 0.52%

LAB 82.35, -44.47, 74.8

 

CMYK 50 / 0 / 82 / 12

HEX #6FE028

RGB 111 224 40

HSL 96.85, 0.75%, 0.52%

LAB 80.09, -60.67, 71.94

 

CMYK 8 / 0 / 86 / 38

HEX #929F16

RGB 146 159 22

HSL 65.69, 0.76%, 0.35%

LAB 62.48, -20.51, 61.6

 

CMYK 8 / 0 / 86 / 24

HEX #B3C31B

RGB 179 195 27

HSL 65.71, 0.76%, 0.44%

LAB 75.26, -24.04, 72.15

 

CMYK 8 / 0 / 82 / 12

HEX #CEE028

RGB 206 224 40

HSL 65.87, 0.75%, 0.52%

LAB 85.29, -26.39, 78.51

 

CMYK 7 / 0 / 67 / 10

HEX #D6E54C

RGB 214 229 76

HSL 65.88, 0.75%, 0.6%

LAB 87.42, -23.97, 69.55

 

CMYK 5 / 0 / 52 / 8

HEX #DEEA71

RGB 222 234 113

HSL 65.95, 0.74%, 0.68%

LAB 89.66, -20.56, 56.65

 

CMYK 8 / 0 / 83 / 12

HEX #CEE027

RGB 206 224 39

HSL 65.84, 0.75%, 0.52%

LAB 85.29, -26.42, 78.74

 

CMYK 82 / 0 / 59 / 12

HEX #28E05C

RGB 40 224 92

HSL 136.96, 0.75%, 0.52%

LAB 78.77, -70.12, 51.45

 

CMYK 26 / 82 / 0 / 12

HEX #A628E0

RGB 166 40 224

HSL 281.09, 0.75%, 0.52%

LAB 45.64, 74.5, -67.83

 

CMYK 8 / 0 / 83 / 12

HEX #CEE027

RGB 206 224 39

HSL 65.84, 0.75%, 0.52%

LAB 85.29, -26.42, 78.74

 

CMYK 82 / 7 / 0 / 12

HEX #28D1E0

RGB 40 209 224

HSL 184.89, 0.75%, 0.52%

LAB 76.94, -35.1, -19.09

 

CMYK 0 / 82 / 7 / 12

HEX #E028D1

RGB 224 40 209

HSL 304.89, 0.75%, 0.52%

LAB 53.99, 82.16, -45.35

 

CMYK 8 / 0 / 83 / 12

HEX #CEE027

RGB 206 224 39

HSL 65.84, 0.75%, 0.52%

LAB 85.29, -26.42, 78.74

 

CMYK 82 / 0 / 59 / 12

HEX #28E05C

RGB 40 224 92

HSL 136.96, 0.75%, 0.52%

LAB 78.77, -70.12, 51.45

 

CMYK 75 / 82 / 0 / 12

HEX #3828E0

RGB 56 40 224

HSL 245.22, 0.75%, 0.52%

LAB 33.44, 62.09, -88.34

 

CMYK 0 / 82 / 23 / 12

HEX #E028AC

RGB 224 40 172

HSL 316.96, 0.75%, 0.52%

LAB 52.22, 77.31, -26.68

 

CMYK 8 / 0 / 83 / 12

HEX #CEE027

RGB 206 224 39

HSL 65.84, 0.75%, 0.52%

LAB 85.29, -26.42, 78.74

 

CMYK 82 / 0 / 34 / 12

HEX #28E093

RGB 40 224 147

HSL 154.89, 0.75%, 0.52%

LAB 79.54, -61.11, 25.59

 

CMYK 75 / 82 / 0 / 12

HEX #3828E0

RGB 56 40 224

HSL 245.22, 0.75%, 0.52%

LAB 33.44, 62.09, -88.34

 

CMYK 0 / 82 / 48 / 12

HEX #E02875

RGB 224 40 117

HSL 334.89, 0.75%, 0.52%

LAB 50.27, 71.73, 3.29

 

Description

Color code: RGB 206 224 39 | qconv.com Color code: RGB 206 224 39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 224 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 224 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 83 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 83% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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