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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 208 131 it is the complementary color RGB 49 47 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 208 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 208 131 shade: RGB 211 208 126, RGB 228 226 145, RGB 245 244 164, RGB 255 255 183 and RGB 255 255 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 208 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 208 131 shade: RGB 206 208 131, RGB 189 190 112, RGB 172 172 93, RGB 155 154 74 and RGB 138 136 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 208 131 shade: RGB 205 207 129, RGB 207 188 129, RGB 207 167 129, RGB 207 146 129 and RGB 207 129 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 208 131 shade: RGB 205 207 129, RGB 184 207 129, RGB 163 207 129, RGB 142 207 129 and RGB 129 207 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 208 131 shade matches the following richer shades: RGB 205 207 129, RGB 218 221 115, RGB 231 235 101 and RGB 245 249 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 208 131 shade: RGB 205 207 129, RGB 191 193 143, RGB 178 179 157, RGB 165 165 171 and RGB 152 151 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 208 131 shade: RGB 207 166 129, RGB 207 187 129, RGB 206 207 129, RGB 185 207 129 and RGB 164 207 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 208 131 shade: RGB 181 184 69, RGB 193 195 99, RGB 205 207 129, RGB 217 218 159 and RGB 228 230 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 208 131 shade: RGB 206 208 131, RGB 129 207 146 and RGB 177 129 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 208 131 shade: RGB 206 208 131, RGB 129 206 207 and RGB 207 129 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 208 131 shade: RGB 206 208 131, RGB 129 207 146, RGB 130 129 207 and RGB 207 129 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 208 131 shade: RGB 206 208 131, RGB 129 207 169, RGB 130 129 207 and RGB 207 129 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 37 / 18

HEX #CED083

RGB 206 208 131

HSL 61.56, 0.45%, 0.66%

LAB 81.77, -12.2, 38.02

 

Complementary color

CMYK 60 / 62 / 0 / 51

HEX #312F7C

RGB 49 47 124

HSL 241.56, 0.45%, 0.34%

LAB 24.13, 25.22, -43.65

 

CMYK 0 / 1 / 40 / 17

HEX #D3D07E

RGB 211 208 126

HSL 57.88, 0.49%, 0.66%

LAB 82.09, -10.78, 41.03

 

CMYK 0 / 1 / 36 / 11

HEX #E4E291

RGB 228 226 145

HSL 58.55, 0.61%, 0.73%

LAB 88.41, -11.13, 39.86

 

CMYK 0 / 0 / 33 / 4

HEX #F5F4A4

RGB 245 244 164

HSL 59.26, 0.8%, 0.8%

LAB 94.65, -11.43, 38.74

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 1 / 0 / 37 / 18

HEX #CED083

RGB 206 208 131

HSL 61.56, 0.45%, 0.66%

LAB 81.77, -12.2, 38.02

 

CMYK 1 / 0 / 41 / 25

HEX #BDBE70

RGB 189 190 112

HSL 60.77, 0.38%, 0.59%

LAB 75.34, -11.88, 39.2

 

CMYK 0 / 0 / 46 / 33

HEX #ACAC5D

RGB 172 172 93

HSL 60, 0.32%, 0.52%

LAB 68.8, -11.48, 40.41

 

CMYK 0 / 1 / 52 / 39

HEX #9B9A4A

RGB 155 154 74

HSL 59.26, 0.35%, 0.45%

LAB 62.15, -10.98, 41.61

 

CMYK 0 / 1 / 60 / 46

HEX #8A8837

RGB 138 136 55

HSL 58.55, 0.43%, 0.38%

LAB 55.37, -10.35, 42.71

 

CMYK 1 / 0 / 38 / 19

HEX #CDCF81

RGB 205 207 129

HSL 61.54, 0.45%, 0.66%

LAB 81.4, -12.31, 38.54

 

CMYK 0 / 9 / 38 / 19

HEX #CFBC81

RGB 207 188 129

HSL 45.38, 0.45%, 0.66%

LAB 76.57, -1.72, 32.32

 

CMYK 0 / 19 / 38 / 19

HEX #CFA781

RGB 207 167 129

HSL 29.23, 0.45%, 0.66%

LAB 71.21, 9.47, 25.21

 

CMYK 0 / 29 / 38 / 19

HEX #CF9281

RGB 207 146 129

HSL 13.08, 0.45%, 0.66%

LAB 66.07, 20.88, 18.22

 

CMYK 0 / 38 / 38 / 19

HEX #CF8181

RGB 207 129 129

HSL 0, 0.45%, 0.66%

LAB 62.13, 30.11, 12.75

 

CMYK 1 / 0 / 38 / 19

HEX #CDCF81

RGB 205 207 129

HSL 61.54, 0.45%, 0.66%

LAB 81.4, -12.31, 38.54

 

CMYK 11 / 0 / 38 / 19

HEX #B8CF81

RGB 184 207 129

HSL 77.69, 0.45%, 0.66%

LAB 79.84, -20.43, 36.23

 

CMYK 21 / 0 / 38 / 19

HEX #A3CF81

RGB 163 207 129

HSL 93.85, 0.45%, 0.66%

LAB 78.46, -28.2, 34.17

 

CMYK 31 / 0 / 38 / 19

HEX #8ECF81

RGB 142 207 129

HSL 110, 0.45%, 0.66%

LAB 77.26, -35.48, 32.37

 

CMYK 38 / 0 / 34 / 19

HEX #81CF89

RGB 129 207 137

HSL 126.15, 0.45%, 0.66%

LAB 76.74, -38.37, 27.42

 

CMYK 1 / 0 / 38 / 19

HEX #CDCF81

RGB 205 207 129

HSL 61.54, 0.45%, 0.66%

LAB 81.4, -12.31, 38.54

 

CMYK 1 / 0 / 48 / 13

HEX #DADD73

RGB 218 221 115

HSL 61.7, 0.61%, 0.66%

LAB 85.93, -15.61, 51.25

 

CMYK 2 / 0 / 57 / 8

HEX #E7EB65

RGB 231 235 101

HSL 61.79, 0.77%, 0.66%

LAB 90.48, -18.42, 63.09

 

CMYK 2 / 0 / 65 / 2

HEX #F5F957

RGB 245 249 87

HSL 61.48, 0.93%, 0.66%

LAB 95.1, -20.45, 73.99

 

CMYK 1 / 0 / 38 / 19

HEX #CDCF81

RGB 205 207 129

HSL 61.54, 0.45%, 0.66%

LAB 81.4, -12.31, 38.54

 

CMYK 1 / 0 / 26 / 24

HEX #BFC18F

RGB 191 193 143

HSL 62.4, 0.29%, 0.66%

LAB 76.8, -8.82, 25.02

 

CMYK 1 / 0 / 12 / 30

HEX #B2B39D

RGB 178 179 157

HSL 62.73, 0.13%, 0.66%

LAB 72.32, -4.24, 11.12

 

CMYK 4 / 4 / 0 / 33

HEX #A5A5AB

RGB 165 165 171

HSL 240, 0.03%, 0.66%

LAB 67.91, 1.16, -3.1

 

CMYK 18 / 18 / 0 / 27

HEX #9897B9

RGB 152 151 185

HSL 241.76, 0.2%, 0.66%

LAB 63.6, 7.51, -17.48

 

CMYK 0 / 20 / 38 / 19

HEX #CFA681

RGB 207 166 129

HSL 28.46, 0.45%, 0.66%

LAB 70.96, 10.01, 24.87

 

CMYK 0 / 10 / 38 / 19

HEX #CFBB81

RGB 207 187 129

HSL 44.62, 0.45%, 0.66%

LAB 76.31, -1.2, 31.98

 

CMYK 0 / 0 / 38 / 19

HEX #CECF81

RGB 206 207 129

HSL 60.77, 0.45%, 0.66%

LAB 81.47, -11.92, 38.65

 

CMYK 11 / 0 / 38 / 19

HEX #B9CF81

RGB 185 207 129

HSL 76.92, 0.45%, 0.66%

LAB 79.91, -20.05, 36.33

 

CMYK 21 / 0 / 38 / 19

HEX #A4CF81

RGB 164 207 129

HSL 93.08, 0.45%, 0.66%

LAB 78.52, -27.84, 34.26

 

CMYK 2 / 0 / 63 / 28

HEX #B5B845

RGB 181 184 69

HSL 61.57, 0.45%, 0.5%

LAB 72.58, -15.86, 56.15

 

CMYK 1 / 0 / 49 / 24

HEX #C1C363

RGB 193 195 99

HSL 61.25, 0.44%, 0.58%

LAB 76.84, -14.09, 47.54

 

CMYK 1 / 0 / 38 / 19

HEX #CDCF81

RGB 205 207 129

HSL 61.54, 0.45%, 0.66%

LAB 81.4, -12.31, 38.54

 

CMYK 0 / 0 / 27 / 15

HEX #D9DA9F

RGB 217 218 159

HSL 61.02, 0.44%, 0.74%

LAB 85.7, -9.59, 29.02

 

CMYK 1 / 0 / 18 / 10

HEX #E4E6BD

RGB 228 230 189

HSL 62.93, 0.45%, 0.82%

LAB 90.21, -7.4, 19.8

 

CMYK 1 / 0 / 37 / 18

HEX #CED083

RGB 206 208 131

HSL 61.56, 0.45%, 0.66%

LAB 81.77, -12.2, 38.02

 

CMYK 38 / 0 / 29 / 19

HEX #81CF92

RGB 129 207 146

HSL 133.08, 0.45%, 0.66%

LAB 76.9, -36.83, 22.93

 

CMYK 14 / 38 / 0 / 19

HEX #B181CF

RGB 177 129 207

HSL 276.92, 0.45%, 0.66%

LAB 61.27, 32.84, -33.24

 

CMYK 1 / 0 / 37 / 18

HEX #CED083

RGB 206 208 131

HSL 61.56, 0.45%, 0.66%

LAB 81.77, -12.2, 38.02

 

CMYK 38 / 0 / 0 / 19

HEX #81CECF

RGB 129 206 207

HSL 180.77, 0.45%, 0.66%

LAB 78.06, -23.43, -8.01

 

CMYK 0 / 38 / 0 / 19

HEX #CF81CE

RGB 207 129 206

HSL 300.77, 0.45%, 0.66%

LAB 64.5, 41.91, -27.41

 

CMYK 1 / 0 / 37 / 18

HEX #CED083

RGB 206 208 131

HSL 61.56, 0.45%, 0.66%

LAB 81.77, -12.2, 38.02

 

CMYK 38 / 0 / 29 / 19

HEX #81CF92

RGB 129 207 146

HSL 133.08, 0.45%, 0.66%

LAB 76.9, -36.83, 22.93

 

CMYK 37 / 38 / 0 / 19

HEX #8281CF

RGB 130 129 207

HSL 240.77, 0.45%, 0.66%

LAB 57.03, 19.17, -40.18

 

CMYK 0 / 38 / 8 / 19

HEX #CF81BE

RGB 207 129 190

HSL 313.08, 0.45%, 0.66%

LAB 63.9, 39.06, -19.33

 

CMYK 1 / 0 / 37 / 18

HEX #CED083

RGB 206 208 131

HSL 61.56, 0.45%, 0.66%

LAB 81.77, -12.2, 38.02

 

CMYK 38 / 0 / 18 / 19

HEX #81CFA9

RGB 129 207 169

HSL 150.77, 0.45%, 0.66%

LAB 77.37, -32.44, 11.39

 

CMYK 37 / 38 / 0 / 19

HEX #8281CF

RGB 130 129 207

HSL 240.77, 0.45%, 0.66%

LAB 57.03, 19.17, -40.18

 

CMYK 0 / 38 / 20 / 19

HEX #CF81A6

RGB 207 129 166

HSL 331.54, 0.45%, 0.66%

LAB 63.11, 35.15, -6.92

 

Description

Color code: RGB 206 208 131 | qconv.com Color code: RGB 206 208 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 208 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 208 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 37 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 37% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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