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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 167 96 it is the complementary color RGB 49 88 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 167 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 167 96 shade: RGB 211 167 91, RGB 228 185 110, RGB 245 203 129, RGB 255 221 148 and RGB 255 239 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 167 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 167 96 shade: RGB 206 167 96, RGB 189 149 77, RGB 172 131 58, RGB 155 113 39 and RGB 138 95 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 167 96 shade: RGB 205 166 95, RGB 205 136 95, RGB 205 106 95 and RGB 205 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 167 96 shade: RGB 205 166 95, RGB 205 196 95, RGB 185 205 95, RGB 155 205 95 and RGB 125 205 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 167 96 shade matches the following richer shades: RGB 205 166 95, RGB 222 171 78 and RGB 239 176 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 167 96 shade: RGB 205 166 95, RGB 188 161 111, RGB 172 156 128, RGB 155 151 145 and RGB 138 146 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 167 96 shade: RGB 205 106 95, RGB 205 135 95, RGB 205 165 95, RGB 205 194 95 and RGB 187 205 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 167 96 shade: RGB 167 126 51, RGB 196 149 63, RGB 205 166 95, RGB 215 184 126 and RGB 225 201 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 167 96 shade: RGB 206 167 96, RGB 113 205 95 and RGB 120 95 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 167 96 shade: RGB 206 167 96, RGB 95 205 165 and RGB 165 95 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 167 96 shade: RGB 206 167 96, RGB 113 205 95, RGB 95 135 205 and RGB 187 95 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 167 96 shade: RGB 206 167 96, RGB 95 205 109, RGB 95 135 205 and RGB 205 95 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 53 / 19

HEX #CEA760

RGB 206 167 96

HSL 38.73, 0.53%, 0.59%

LAB 70.6, 5.7, 41.79

 

Complementary color

CMYK 69 / 45 / 0 / 38

HEX #31589F

RGB 49 88 159

HSL 218.73, 0.53%, 0.41%

LAB 38.08, 10.64, -42.67

 

CMYK 0 / 21 / 57 / 17

HEX #D3A75B

RGB 211 167 91

HSL 38, 0.58%, 0.59%

LAB 71.04, 7.4, 44.95

 

CMYK 0 / 19 / 52 / 11

HEX #E4B96E

RGB 228 185 110

HSL 38.14, 0.69%, 0.66%

LAB 77.47, 6.46, 43.62

 

CMYK 0 / 17 / 47 / 4

HEX #F5CB81

RGB 245 203 129

HSL 38.28, 0.85%, 0.73%

LAB 83.81, 5.66, 42.32

 

CMYK 0 / 13 / 42 / 0

HEX #FFDD94

RGB 255 221 148

HSL 40.93, 1%, 0.79%

LAB 89.44, 2.22, 40.13

 

CMYK 0 / 6 / 35 / 0

HEX #FFEFA7

RGB 255 239 167

HSL 49.09, 1%, 0.83%

LAB 94.22, -4.81, 36.82

 

CMYK 0 / 19 / 53 / 19

HEX #CEA760

RGB 206 167 96

HSL 38.73, 0.53%, 0.59%

LAB 70.6, 5.7, 41.79

 

CMYK 0 / 21 / 59 / 26

HEX #BD954D

RGB 189 149 77

HSL 38.57, 0.46%, 0.52%

LAB 64.04, 6.69, 43.14

 

CMYK 0 / 24 / 66 / 33

HEX #AC833A

RGB 172 131 58

HSL 38.42, 0.5%, 0.45%

LAB 57.38, 7.86, 44.44

 

CMYK 0 / 27 / 75 / 39

HEX #9B7127

RGB 155 113 39

HSL 38.28, 0.6%, 0.38%

LAB 50.6, 9.28, 45.53

 

CMYK 0 / 31 / 86 / 46

HEX #8A5F14

RGB 138 95 20

HSL 38.14, 0.75%, 0.31%

LAB 43.71, 11.02, 45.96

 

CMYK 0 / 19 / 54 / 20

HEX #CDA65F

RGB 205 166 95

HSL 38.73, 0.52%, 0.59%

LAB 70.23, 5.74, 41.83

 

CMYK 0 / 34 / 54 / 20

HEX #CD885F

RGB 205 136 95

HSL 22.36, 0.52%, 0.59%

LAB 62.86, 22.03, 32.69

 

CMYK 0 / 48 / 54 / 20

HEX #CD6A5F

RGB 205 106 95

HSL 6, 0.52%, 0.59%

LAB 56.2, 38.05, 24.09

 

CMYK 0 / 54 / 54 / 20

HEX #CD5F5F

RGB 205 95 95

HSL 0, 0.52%, 0.59%

LAB 54.02, 43.61, 21.19

 

CMYK 0 / 19 / 54 / 20

HEX #CDA65F

RGB 205 166 95

HSL 38.73, 0.52%, 0.59%

LAB 70.23, 5.74, 41.83

 

CMYK 0 / 4 / 54 / 20

HEX #CDC45F

RGB 205 196 95

HSL 55.09, 0.52%, 0.59%

LAB 78.04, -10.02, 51.1

 

CMYK 10 / 0 / 54 / 20

HEX #B9CD5F

RGB 185 205 95

HSL 70.91, 0.52%, 0.59%

LAB 78.93, -22.66, 51.73

 

CMYK 24 / 0 / 54 / 20

HEX #9BCD5F

RGB 155 205 95

HSL 87.27, 0.52%, 0.59%

LAB 76.96, -34.23, 48.93

 

CMYK 39 / 0 / 54 / 20

HEX #7DCD5F

RGB 125 205 95

HSL 103.64, 0.52%, 0.59%

LAB 75.36, -44.67, 46.64

 

CMYK 0 / 19 / 54 / 20

HEX #CDA65F

RGB 205 166 95

HSL 38.73, 0.52%, 0.59%

LAB 70.23, 5.74, 41.83

 

CMYK 0 / 23 / 65 / 13

HEX #DEAB4E

RGB 222 171 78

HSL 38.75, 0.69%, 0.59%

LAB 73.03, 9, 53.75

 

CMYK 0 / 26 / 74 / 6

HEX #EFB03D

RGB 239 176 61

HSL 38.76, 0.85%, 0.59%

LAB 75.91, 12.69, 64.54

 

CMYK 0 / 19 / 54 / 20

HEX #CDA65F

RGB 205 166 95

HSL 38.73, 0.52%, 0.59%

LAB 70.23, 5.74, 41.83

 

CMYK 0 / 14 / 41 / 26

HEX #BCA16F

RGB 188 161 111

HSL 38.96, 0.36%, 0.59%

LAB 67.52, 2.93, 29.7

 

CMYK 0 / 9 / 26 / 33

HEX #AC9C80

RGB 172 156 128

HSL 38.18, 0.21%, 0.59%

LAB 65.05, 1.36, 16.82

 

CMYK 0 / 3 / 6 / 39

HEX #9B9791

RGB 155 151 145

HSL 36, 0.05%, 0.59%

LAB 62.63, 0.35, 3.67

 

CMYK 15 / 10 / 0 / 36

HEX #8A92A2

RGB 138 146 162

HSL 220, 0.11%, 0.59%

LAB 60.4, 0.51, -9.41

 

CMYK 0 / 48 / 54 / 20

HEX #CD6A5F

RGB 205 106 95

HSL 6, 0.52%, 0.59%

LAB 56.2, 38.05, 24.09

 

CMYK 0 / 34 / 54 / 20

HEX #CD875F

RGB 205 135 95

HSL 21.82, 0.52%, 0.59%

LAB 62.62, 22.57, 32.39

 

CMYK 0 / 20 / 54 / 20

HEX #CDA55F

RGB 205 165 95

HSL 38.18, 0.52%, 0.59%

LAB 69.98, 6.27, 41.52

 

CMYK 0 / 5 / 54 / 20

HEX #CDC25F

RGB 205 194 95

HSL 54, 0.52%, 0.59%

LAB 77.51, -9, 50.48

 

CMYK 9 / 0 / 54 / 20

HEX #BBCD5F

RGB 187 205 95

HSL 69.82, 0.52%, 0.59%

LAB 79.07, -21.86, 51.93

 

CMYK 0 / 25 / 69 / 35

HEX #A77E33

RGB 167 126 51

HSL 38.79, 0.53%, 0.43%

LAB 55.46, 8, 45.52

 

CMYK 0 / 24 / 68 / 23

HEX #C4953F

RGB 196 149 63

HSL 38.8, 0.53%, 0.51%

LAB 64.64, 8.79, 50.72

 

CMYK 0 / 19 / 54 / 20

HEX #CDA65F

RGB 205 166 95

HSL 38.73, 0.52%, 0.59%

LAB 70.23, 5.74, 41.83

 

CMYK 0 / 14 / 41 / 16

HEX #D7B87E

RGB 215 184 126

HSL 39.1, 0.53%, 0.67%

LAB 76.21, 3.26, 33.56

 

CMYK 0 / 11 / 30 / 12

HEX #E1C99E

RGB 225 201 158

HSL 38.51, 0.53%, 0.75%

LAB 81.97, 2.07, 24.6

 

CMYK 0 / 19 / 53 / 19

HEX #CEA760

RGB 206 167 96

HSL 38.73, 0.53%, 0.59%

LAB 70.6, 5.7, 41.79

 

CMYK 45 / 0 / 54 / 20

HEX #71CD5F

RGB 113 205 95

HSL 110.18, 0.52%, 0.59%

LAB 74.82, -48.4, 45.88

 

CMYK 41 / 54 / 0 / 20

HEX #785FCD

RGB 120 95 205

HSL 253.64, 0.52%, 0.59%

LAB 47.73, 36.22, -53.86

 

CMYK 0 / 19 / 53 / 19

HEX #CEA760

RGB 206 167 96

HSL 38.73, 0.53%, 0.59%

LAB 70.6, 5.7, 41.79

 

CMYK 54 / 0 / 20 / 20

HEX #5FCDA5

RGB 95 205 165

HSL 158.18, 0.52%, 0.59%

LAB 75.33, -41.05, 10.44

 

CMYK 20 / 54 / 0 / 20

HEX #A55FCD

RGB 165 95 205

HSL 278.18, 0.52%, 0.59%

LAB 52.5, 47.54, -45.97

 

CMYK 0 / 19 / 53 / 19

HEX #CEA760

RGB 206 167 96

HSL 38.73, 0.53%, 0.59%

LAB 70.6, 5.7, 41.79

 

CMYK 45 / 0 / 54 / 20

HEX #71CD5F

RGB 113 205 95

HSL 110.18, 0.52%, 0.59%

LAB 74.82, -48.4, 45.88

 

CMYK 54 / 34 / 0 / 20

HEX #5F87CD

RGB 95 135 205

HSL 218.18, 0.52%, 0.59%

LAB 56.26, 6.34, -40.42

 

CMYK 9 / 54 / 0 / 20

HEX #BB5FCD

RGB 187 95 205

HSL 290.18, 0.52%, 0.59%

LAB 55.23, 53.39, -41.47

 

CMYK 0 / 19 / 53 / 19

HEX #CEA760

RGB 206 167 96

HSL 38.73, 0.53%, 0.59%

LAB 70.6, 5.7, 41.79

 

CMYK 54 / 0 / 47 / 20

HEX #5FCD6D

RGB 95 205 109

HSL 127.64, 0.52%, 0.59%

LAB 74.32, -51.49, 38.3

 

CMYK 54 / 34 / 0 / 20

HEX #5F87CD

RGB 95 135 205

HSL 218.18, 0.52%, 0.59%

LAB 56.26, 6.34, -40.42

 

CMYK 0 / 54 / 7 / 20

HEX #CD5FBF

RGB 205 95 191

HSL 307.64, 0.52%, 0.59%

LAB 57, 55.84, -30.53

 

Description

Color code: RGB 206 167 96 | qconv.com Color code: RGB 206 167 96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 167 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 167 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 53 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 53% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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