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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 138 120 it is the complementary color RGB 49 117 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 138 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 138 120 shade: RGB 211 138 115, RGB 228 156 134, RGB 245 174 153, RGB 255 192 172 and RGB 255 210 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 138 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 138 120 shade: RGB 206 138 120, RGB 189 120 101, RGB 172 102 82, RGB 155 84 63 and RGB 138 66 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 138 120 shade: RGB 206 138 120 and RGB 206 120 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 138 120 shade: RGB 206 138 120, RGB 206 161 120, RGB 206 184 120, RGB 204 206 120 and RGB 181 206 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 138 120 shade matches the following richer shades: RGB 206 138 120, RGB 221 129 105, RGB 236 120 90 and RGB 250 112 75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 138 120 shade: RGB 206 138 120, RGB 191 146 134, RGB 176 155 149, RGB 161 164 164 and RGB 146 172 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 138 120 shade: RGB 206 120 148, RGB 206 120 125, RGB 206 137 120, RGB 206 160 120 and RGB 206 183 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 138 120 shade: RGB 179 88 64, RGB 195 111 89, RGB 206 138 120, RGB 217 164 150 and RGB 228 190 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 138 120 shade: RGB 206 138 120, RGB 171 206 120 and RGB 120 137 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 138 120 shade: RGB 206 138 120, RGB 120 206 137 and RGB 137 120 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 138 120 shade: RGB 206 138 120, RGB 171 206 120, RGB 120 189 206 and RGB 154 120 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 138 120 shade: RGB 206 138 120, RGB 145 206 120, RGB 120 189 206 and RGB 180 120 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 42 / 19

HEX #CE8A78

RGB 206 138 120

HSL 12.56, 0.47%, 0.64%

LAB 63.88, 23.81, 20.24

 

Complementary color

CMYK 64 / 13 / 0 / 47

HEX #317587

RGB 49 117 135

HSL 192.56, 0.47%, 0.36%

LAB 45.8, -15.56, -16.25

 

CMYK 0 / 35 / 45 / 17

HEX #D38A73

RGB 211 138 115

HSL 14.38, 0.52%, 0.64%

LAB 64.37, 25.26, 23.79

 

CMYK 0 / 32 / 41 / 11

HEX #E49C86

RGB 228 156 134

HSL 14.04, 0.64%, 0.71%

LAB 70.87, 24.27, 22.4

 

CMYK 0 / 29 / 38 / 4

HEX #F5AE99

RGB 245 174 153

HSL 13.7, 0.82%, 0.78%

LAB 77.27, 23.38, 21.14

 

CMYK 0 / 25 / 33 / 0

HEX #FFC0AC

RGB 255 192 172

HSL 14.46, 1%, 0.84%

LAB 82.88, 19.96, 18.88

 

CMYK 0 / 18 / 25 / 0

HEX #FFD2BF

RGB 255 210 191

HSL 17.81, 1%, 0.87%

LAB 87.54, 13.04, 15.34

 

CMYK 0 / 33 / 42 / 19

HEX #CE8A78

RGB 206 138 120

HSL 12.56, 0.47%, 0.64%

LAB 63.88, 23.81, 20.24

 

CMYK 0 / 37 / 47 / 26

HEX #BD7865

RGB 189 120 101

HSL 12.95, 0.4%, 0.57%

LAB 57.26, 24.85, 21.68

 

CMYK 0 / 41 / 52 / 33

HEX #AC6652

RGB 172 102 82

HSL 13.33, 0.35%, 0.5%

LAB 50.55, 26.02, 23.32

 

CMYK 0 / 46 / 59 / 39

HEX #9B543F

RGB 155 84 63

HSL 13.7, 0.42%, 0.43%

LAB 43.75, 27.35, 25.2

 

CMYK 0 / 52 / 68 / 46

HEX #8A422C

RGB 138 66 44

HSL 14.04, 0.52%, 0.36%

LAB 36.9, 28.85, 27.4

 

CMYK 0 / 33 / 42 / 19

HEX #CE8A78

RGB 206 138 120

HSL 12.56, 0.47%, 0.64%

LAB 63.88, 23.81, 20.24

 

CMYK 0 / 42 / 42 / 19

HEX #CE7878

RGB 206 120 120

HSL 0, 0.47%, 0.64%

LAB 59.81, 33.53, 14.63

 

CMYK 0 / 33 / 42 / 19

HEX #CE8A78

RGB 206 138 120

HSL 12.56, 0.47%, 0.64%

LAB 63.88, 23.81, 20.24

 

CMYK 0 / 22 / 42 / 19

HEX #CEA178

RGB 206 161 120

HSL 28.6, 0.47%, 0.64%

LAB 69.45, 11.29, 27.71

 

CMYK 0 / 11 / 42 / 19

HEX #CEB878

RGB 206 184 120

HSL 44.65, 0.47%, 0.64%

LAB 75.3, -1.02, 35.35

 

CMYK 1 / 0 / 42 / 19

HEX #CCCE78

RGB 204 206 120

HSL 61.4, 0.47%, 0.64%

LAB 80.93, -13.18, 42.44

 

CMYK 12 / 0 / 42 / 19

HEX #B5CE78

RGB 181 206 120

HSL 77.44, 0.47%, 0.64%

LAB 79.23, -22.16, 39.94

 

CMYK 0 / 33 / 42 / 19

HEX #CE8A78

RGB 206 138 120

HSL 12.56, 0.47%, 0.64%

LAB 63.88, 23.81, 20.24

 

CMYK 0 / 42 / 52 / 13

HEX #DD8169

RGB 221 129 105

HSL 12.41, 0.63%, 0.64%

LAB 63.42, 33.05, 28.32

 

CMYK 0 / 49 / 62 / 7

HEX #EC785A

RGB 236 120 90

HSL 12.33, 0.79%, 0.64%

LAB 63.35, 42.29, 36.89

 

CMYK 0 / 55 / 70 / 2

HEX #FA704B

RGB 250 112 75

HSL 12.69, 0.95%, 0.64%

LAB 63.69, 50.46, 45.78

 

CMYK 0 / 33 / 42 / 19

HEX #CE8A78

RGB 206 138 120

HSL 12.56, 0.47%, 0.64%

LAB 63.88, 23.81, 20.24

 

CMYK 0 / 24 / 30 / 25

HEX #BF9286

RGB 191 146 134

HSL 12.63, 0.31%, 0.64%

LAB 64.45, 15.23, 12.91

 

CMYK 0 / 12 / 15 / 31

HEX #B09B95

RGB 176 155 149

HSL 13.33, 0.15%, 0.64%

LAB 65.63, 6.72, 5.97

 

CMYK 2 / 0 / 0 / 36

HEX #A1A4A4

RGB 161 164 164

HSL 180, 0.02%, 0.64%

LAB 67.13, -1.06, -0.38

 

CMYK 18 / 4 / 0 / 30

HEX #92ACB3

RGB 146 172 179

HSL 192.73, 0.18%, 0.64%

LAB 68.66, -7.4, -6.59

 

CMYK 0 / 42 / 28 / 19

HEX #CE7894

RGB 206 120 148

HSL 340.47, 0.47%, 0.64%

LAB 60.51, 36.99, -0.47

 

CMYK 0 / 42 / 39 / 19

HEX #CE787D

RGB 206 120 125

HSL 356.51, 0.47%, 0.64%

LAB 59.92, 34.09, 11.92

 

CMYK 0 / 33 / 42 / 19

HEX #CE8978

RGB 206 137 120

HSL 11.86, 0.47%, 0.64%

LAB 63.65, 24.36, 19.92

 

CMYK 0 / 22 / 42 / 19

HEX #CEA078

RGB 206 160 120

HSL 27.91, 0.47%, 0.64%

LAB 69.2, 11.83, 27.38

 

CMYK 0 / 11 / 42 / 19

HEX #CEB778

RGB 206 183 120

HSL 43.95, 0.47%, 0.64%

LAB 75.04, -0.49, 35.01

 

CMYK 0 / 51 / 64 / 30

HEX #B35840

RGB 179 88 64

HSL 12.52, 0.47%, 0.48%

LAB 48.18, 34.98, 30.89

 

CMYK 0 / 43 / 54 / 24

HEX #C36F59

RGB 195 111 89

HSL 12.45, 0.47%, 0.56%

LAB 55.78, 31.02, 26.7

 

CMYK 0 / 33 / 42 / 19

HEX #CE8A78

RGB 206 138 120

HSL 12.56, 0.47%, 0.64%

LAB 63.88, 23.81, 20.24

 

CMYK 0 / 24 / 31 / 15

HEX #D9A496

RGB 217 164 150

HSL 12.54, 0.47%, 0.72%

LAB 71.9, 17.63, 14.86

 

CMYK 0 / 17 / 21 / 11

HEX #E4BEB4

RGB 228 190 180

HSL 12.5, 0.47%, 0.8%

LAB 79.96, 12.03, 10.11

 

CMYK 0 / 33 / 42 / 19

HEX #CE8A78

RGB 206 138 120

HSL 12.56, 0.47%, 0.64%

LAB 63.88, 23.81, 20.24

 

CMYK 17 / 0 / 42 / 19

HEX #ABCE78

RGB 171 206 120

HSL 84.42, 0.47%, 0.64%

LAB 78.55, -25.95, 38.95

 

CMYK 42 / 33 / 0 / 19

HEX #7889CE

RGB 120 137 206

HSL 228.14, 0.47%, 0.64%

LAB 58.36, 11.51, -37.57

 

CMYK 0 / 33 / 42 / 19

HEX #CE8A78

RGB 206 138 120

HSL 12.56, 0.47%, 0.64%

LAB 63.88, 23.81, 20.24

 

CMYK 42 / 0 / 33 / 19

HEX #78CE89

RGB 120 206 137

HSL 131.86, 0.47%, 0.64%

LAB 76.03, -40.61, 26.41

 

CMYK 33 / 42 / 0 / 19

HEX #8978CE

RGB 137 120 206

HSL 251.86, 0.47%, 0.64%

LAB 55.29, 26.11, -42.32

 

CMYK 0 / 33 / 42 / 19

HEX #CE8A78

RGB 206 138 120

HSL 12.56, 0.47%, 0.64%

LAB 63.88, 23.81, 20.24

 

CMYK 17 / 0 / 42 / 19

HEX #ABCE78

RGB 171 206 120

HSL 84.42, 0.47%, 0.64%

LAB 78.55, -25.95, 38.95

 

CMYK 42 / 8 / 0 / 19

HEX #78BDCE

RGB 120 189 206

HSL 191.86, 0.47%, 0.64%

LAB 72.79, -17.35, -15.4

 

CMYK 25 / 42 / 0 / 19

HEX #9A78CE

RGB 154 120 206

HSL 263.72, 0.47%, 0.64%

LAB 56.84, 30.89, -39.76

 

CMYK 0 / 33 / 42 / 19

HEX #CE8A78

RGB 206 138 120

HSL 12.56, 0.47%, 0.64%

LAB 63.88, 23.81, 20.24

 

CMYK 30 / 0 / 42 / 19

HEX #91CE78

RGB 145 206 120

HSL 102.56, 0.47%, 0.64%

LAB 76.99, -35.29, 36.64

 

CMYK 42 / 8 / 0 / 19

HEX #78BDCE

RGB 120 189 206

HSL 191.86, 0.47%, 0.64%

LAB 72.79, -17.35, -15.4

 

CMYK 13 / 42 / 0 / 19

HEX #B478CE

RGB 180 120 206

HSL 281.86, 0.47%, 0.64%

LAB 59.52, 38.51, -35.37

 

Description

Color code: RGB 206 138 120 | qconv.com Color code: RGB 206 138 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 138 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 138 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 42 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 42% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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