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Color name
RGB 205 84 25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 84 25 it is the complementary color RGB 50 171 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 84 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205 84 25 shade: RGB 210 84 20, RGB 227 102 39, RGB 244 120 58, RGB 255 138 77 and RGB 255 156 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 84 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205 84 25 shade: RGB 205 84 25, RGB 188 66 6, RGB 171 48 0, RGB 154 30 0 and RGB 137 12 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205 84 25 shade: RGB 204 83 25, RGB 204 35 25 and RGB 204 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205 84 25 shade: RGB 204 83 25, RGB 204 132 25, RGB 204 180 25, RGB 179 204 25 and RGB 131 204 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205 84 25 shade matches the following richer shades: RGB 204 83 25 and RGB 222 77 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205 84 25 shade: RGB 204 83 25, RGB 185 90 43, RGB 167 96 62, RGB 148 103 80 and RGB 129 109 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205 84 25 shade: RGB 204 25 64, RGB 204 34 25, RGB 204 81 25, RGB 204 129 25 and RGB 204 177 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205 84 25 shade: RGB 130 53 16, RGB 167 68 20, RGB 204 83 25, RGB 228 103 42 and RGB 233 129 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205 84 25 shade: RGB 205 84 25, RGB 111 204 25 and RGB 25 40 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205 84 25 shade: RGB 205 84 25, RGB 25 204 81 and RGB 81 25 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205 84 25 shade: RGB 205 84 25, RGB 111 204 25, RGB 25 147 204 and RGB 117 25 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205 84 25 shade: RGB 205 84 25, RGB 58 204 25, RGB 25 147 204 and RGB 171 25 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 88 / 20

HEX #CD5419

RGB 205 84 25

HSL 19.67, 0.78%, 0.45%

LAB 51.14, 45.35, 54.3

 

Complementary color

CMYK 78 / 26 / 0 / 10

HEX #32ABE6

RGB 50 171 230

HSL 199.67, 0.78%, 0.55%

LAB 66.15, -13.05, -38.93

 

CMYK 0 / 60 / 90 / 18

HEX #D25414

RGB 210 84 20

HSL 20.21, 0.83%, 0.45%

LAB 51.94, 47.11, 56.97

 

CMYK 0 / 55 / 83 / 11

HEX #E36627

RGB 227 102 39

HSL 20.11, 0.77%, 0.52%

LAB 58.02, 45.37, 56.02

 

CMYK 0 / 51 / 76 / 4

HEX #F4783A

RGB 244 120 58

HSL 20, 0.89%, 0.59%

LAB 64.14, 43.66, 54.38

 

CMYK 0 / 46 / 70 / 0

HEX #FF8A4D

RGB 255 138 77

HSL 20.56, 1%, 0.65%

LAB 69.45, 39.75, 51.4

 

CMYK 0 / 39 / 62 / 0

HEX #FF9C60

RGB 255 156 96

HSL 22.64, 1%, 0.69%

LAB 73.47, 31.62, 46.54

 

CMYK 0 / 59 / 88 / 20

HEX #CD5419

RGB 205 84 25

HSL 19.67, 0.78%, 0.45%

LAB 51.14, 45.35, 54.3

 

CMYK 0 / 65 / 97 / 26

HEX #BC4206

RGB 188 66 6

HSL 19.78, 0.94%, 0.38%

LAB 45.08, 47.02, 54.43

 

CMYK 0 / 72 / 100 / 33

HEX #AB3000

RGB 171 48 0

HSL 16.84, 1%, 0.34%

LAB 39.19, 48.44, 51.43

 

CMYK 0 / 81 / 100 / 40

HEX #9A1E00

RGB 154 30 0

HSL 11.69, 1%, 0.3%

LAB 33.56, 49.12, 46.73

 

CMYK 0 / 91 / 100 / 46

HEX #890C00

RGB 137 12 0

HSL 5.26, 1%, 0.27%

LAB 28.33, 48.44, 41.31

 

CMYK 0 / 59 / 88 / 20

HEX #CC5319

RGB 204 83 25

HSL 19.44, 0.78%, 0.45%

LAB 50.8, 45.45, 53.96

 

CMYK 0 / 83 / 88 / 20

HEX #CC2319

RGB 204 35 25

HSL 3.35, 0.78%, 0.45%

LAB 44.39, 62.93, 48.92

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 0 / 59 / 88 / 20

HEX #CC5319

RGB 204 83 25

HSL 19.44, 0.78%, 0.45%

LAB 50.8, 45.45, 53.96

 

CMYK 0 / 35 / 88 / 20

HEX #CC8419

RGB 204 132 25

HSL 35.87, 0.78%, 0.45%

LAB 61.14, 20.08, 62.16

 

CMYK 0 / 12 / 88 / 20

HEX #CCB419

RGB 204 180 25

HSL 51.96, 0.78%, 0.45%

LAB 73.25, -5.7, 71.79

 

CMYK 12 / 0 / 88 / 20

HEX #B3CC19

RGB 179 204 25

HSL 68.38, 0.78%, 0.45%

LAB 77.78, -28.41, 74.6

 

CMYK 36 / 0 / 88 / 20

HEX #83CC19

RGB 131 204 25

HSL 84.47, 0.78%, 0.45%

LAB 74.88, -47.06, 71.01

 

CMYK 0 / 59 / 88 / 20

HEX #CC5319

RGB 204 83 25

HSL 19.44, 0.78%, 0.45%

LAB 50.8, 45.45, 53.96

 

CMYK 0 / 65 / 97 / 13

HEX #DE4D06

RGB 222 77 6

HSL 19.72, 0.95%, 0.45%

LAB 52.79, 54.26, 62

 

CMYK 0 / 59 / 88 / 20

HEX #CC5319

RGB 204 83 25

HSL 19.44, 0.78%, 0.45%

LAB 50.8, 45.45, 53.96

 

CMYK 0 / 51 / 77 / 27

HEX #B95A2B

RGB 185 90 43

HSL 19.86, 0.62%, 0.45%

LAB 49.25, 35.2, 43.61

 

CMYK 0 / 43 / 63 / 35

HEX #A7603E

RGB 167 96 62

HSL 19.43, 0.46%, 0.45%

LAB 48.17, 25.62, 31.61

 

CMYK 0 / 30 / 46 / 42

HEX #946750

RGB 148 103 80

HSL 20.29, 0.3%, 0.45%

LAB 47.72, 15.17, 20.19

 

CMYK 0 / 16 / 23 / 49

HEX #816D63

RGB 129 109 99

HSL 20, 0.13%, 0.45%

LAB 47.63, 6.19, 8.51

 

CMYK 0 / 88 / 69 / 20

HEX #CC1940

RGB 204 25 64

HSL 346.93, 0.78%, 0.45%

LAB 44.09, 66.28, 26.85

 

CMYK 0 / 83 / 88 / 20

HEX #CC2219

RGB 204 34 25

HSL 3.02, 0.78%, 0.45%

LAB 44.31, 63.17, 48.85

 

CMYK 0 / 60 / 88 / 20

HEX #CC5119

RGB 204 81 25

HSL 18.77, 0.78%, 0.45%

LAB 50.44, 46.38, 53.68

 

CMYK 0 / 37 / 88 / 20

HEX #CC8119

RGB 204 129 25

HSL 34.86, 0.78%, 0.45%

LAB 60.43, 21.71, 61.59

 

CMYK 0 / 13 / 88 / 20

HEX #CCB119

RGB 204 177 25

HSL 50.95, 0.78%, 0.45%

LAB 72.46, -4.13, 71.16

 

CMYK 0 / 59 / 88 / 49

HEX #823510

RGB 130 53 16

HSL 19.47, 0.78%, 0.29%

LAB 32.55, 31.22, 37.44

 

CMYK 0 / 59 / 88 / 35

HEX #A74414

RGB 167 68 20

HSL 19.59, 0.79%, 0.37%

LAB 41.85, 38.49, 46.1

 

CMYK 0 / 59 / 88 / 20

HEX #CC5319

RGB 204 83 25

HSL 19.44, 0.78%, 0.45%

LAB 50.8, 45.45, 53.96

 

CMYK 0 / 55 / 82 / 11

HEX #E4672A

RGB 228 103 42

HSL 19.68, 0.78%, 0.53%

LAB 58.38, 45.35, 55.15

 

CMYK 0 / 45 / 67 / 9

HEX #E9814E

RGB 233 129 78

HSL 19.74, 0.78%, 0.61%

LAB 64.62, 35.82, 44.66

 

CMYK 0 / 59 / 88 / 20

HEX #CD5419

RGB 205 84 25

HSL 19.67, 0.78%, 0.45%

LAB 51.14, 45.35, 54.3

 

CMYK 46 / 0 / 88 / 20

HEX #6FCC19

RGB 111 204 25

HSL 91.17, 0.78%, 0.45%

LAB 73.96, -53.77, 69.86

 

CMYK 88 / 80 / 0 / 20

HEX #1928CC

RGB 25 40 204

HSL 234.97, 0.78%, 0.45%

LAB 29.62, 54.59, -83.15

 

CMYK 0 / 59 / 88 / 20

HEX #CD5419

RGB 205 84 25

HSL 19.67, 0.78%, 0.45%

LAB 51.14, 45.35, 54.3

 

CMYK 88 / 0 / 60 / 20

HEX #19CC51

RGB 25 204 81

HSL 138.77, 0.78%, 0.45%

LAB 72.22, -66.53, 48.72

 

CMYK 60 / 88 / 0 / 20

HEX #5119CC

RGB 81 25 204

HSL 258.77, 0.78%, 0.45%

LAB 31.36, 63.9, -80.17

 

CMYK 0 / 59 / 88 / 20

HEX #CD5419

RGB 205 84 25

HSL 19.67, 0.78%, 0.45%

LAB 51.14, 45.35, 54.3

 

CMYK 46 / 0 / 88 / 20

HEX #6FCC19

RGB 111 204 25

HSL 91.17, 0.78%, 0.45%

LAB 73.96, -53.77, 69.86

 

CMYK 88 / 28 / 0 / 20

HEX #1993CC

RGB 25 147 204

HSL 199.11, 0.78%, 0.45%

LAB 57.5, -11.04, -38.06

 

CMYK 43 / 88 / 0 / 20

HEX #7519CC

RGB 117 25 204

HSL 270.84, 0.78%, 0.45%

LAB 35.67, 67.49, -72.91

 

CMYK 0 / 59 / 88 / 20

HEX #CD5419

RGB 205 84 25

HSL 19.67, 0.78%, 0.45%

LAB 51.14, 45.35, 54.3

 

CMYK 72 / 0 / 88 / 20

HEX #3ACC19

RGB 58 204 25

HSL 108.94, 0.78%, 0.45%

LAB 72.33, -66.86, 67.83

 

CMYK 88 / 28 / 0 / 20

HEX #1993CC

RGB 25 147 204

HSL 199.11, 0.78%, 0.45%

LAB 57.5, -11.04, -38.06

 

CMYK 16 / 88 / 0 / 20

HEX #AB19CC

RGB 171 25 204

HSL 288.94, 0.78%, 0.45%

LAB 43.82, 75.02, -59.27

 

Description

Color code: RGB 205 84 25 | qconv.com Color code: RGB 205 84 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 84 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 84 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 88 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 88% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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