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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 55 207 it is the complementary color RGB 50 200 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 55 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205 55 207 shade: RGB 210 55 202, RGB 227 73 221, RGB 244 91 240, RGB 255 109 255 and RGB 255 127 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 55 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205 55 207 shade: RGB 205 55 207, RGB 188 37 188, RGB 171 19 169, RGB 154 1 150 and RGB 137 0 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205 55 207 shade: RGB 204 53 206, RGB 206 53 167, RGB 206 53 126, RGB 206 53 84 and RGB 206 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205 55 207 shade: RGB 204 53 206, RGB 163 53 206, RGB 122 53 206, RGB 80 53 206 and RGB 53 53 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205 55 207 shade matches the following richer shades: RGB 204 53 206, RGB 223 33 226 and RGB 243 13 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205 55 207 shade: RGB 204 53 206, RGB 184 74 186, RGB 164 94 165, RGB 145 114 145 and RGB 125 134 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205 55 207 shade: RGB 122 53 206, RGB 163 53 206, RGB 203 53 206, RGB 206 53 168 and RGB 206 53 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205 55 207 shade: RGB 141 34 142, RGB 174 42 176, RGB 204 53 206, RGB 212 87 214 and RGB 221 120 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205 55 207 shade: RGB 205 55 207, RGB 206 81 53 and RGB 53 206 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205 55 207 shade: RGB 205 55 207, RGB 206 203 53 and RGB 53 206 203

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205 55 207 shade: RGB 205 55 207, RGB 206 81 53, RGB 56 206 53 and RGB 53 178 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205 55 207 shade: RGB 205 55 207, RGB 206 127 53, RGB 56 206 53 and RGB 53 132 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 73 / 0 / 19

HEX #CD37CF

RGB 205 55 207

HSL 299.21, 0.61%, 0.51%

LAB 52.08, 74.26, -47.44

 

Complementary color

CMYK 75 / 0 / 76 / 22

HEX #32C830

RGB 50 200 48

HSL 119.21, 0.61%, 0.49%

LAB 71.01, -65.72, 60.52

 

CMYK 0 / 74 / 4 / 18

HEX #D237CA

RGB 210 55 202

HSL 303.1, 0.63%, 0.52%

LAB 52.62, 74.52, -43.67

 

CMYK 0 / 68 / 3 / 11

HEX #E349DD

RGB 227 73 221

HSL 302.34, 0.73%, 0.59%

LAB 58.34, 75.29, -45.27

 

CMYK 0 / 63 / 2 / 4

HEX #F45BF0

RGB 244 91 240

HSL 301.57, 0.87%, 0.66%

LAB 64.17, 75.55, -46.52

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 1 / 73 / 0 / 19

HEX #CD37CF

RGB 205 55 207

HSL 299.21, 0.61%, 0.51%

LAB 52.08, 74.26, -47.44

 

CMYK 0 / 80 / 0 / 26

HEX #BC25BC

RGB 188 37 188

HSL 300, 0.67%, 0.44%

LAB 46.51, 72.81, -45.49

 

CMYK 0 / 89 / 1 / 33

HEX #AB13A9

RGB 171 19 169

HSL 300.79, 0.8%, 0.37%

LAB 41.2, 70.32, -42.9

 

CMYK 0 / 99 / 3 / 40

HEX #9A0196

RGB 154 1 150

HSL 301.57, 0.99%, 0.3%

LAB 36.16, 66.7, -39.65

 

CMYK 0 / 100 / 4 / 46

HEX #890083

RGB 137 0 131

HSL 302.63, 1%, 0.27%

LAB 31.71, 60.99, -35.2

 

CMYK 1 / 74 / 0 / 19

HEX #CC35CE

RGB 204 53 206

HSL 299.22, 0.61%, 0.51%

LAB 51.66, 74.5, -47.55

 

CMYK 0 / 74 / 19 / 19

HEX #CE35A7

RGB 206 53 167

HSL 315.29, 0.61%, 0.51%

LAB 50.05, 69.21, -27.36

 

CMYK 0 / 74 / 39 / 19

HEX #CE357E

RGB 206 53 126

HSL 331.37, 0.61%, 0.51%

LAB 48.48, 64.36, -5.2

 

CMYK 0 / 74 / 59 / 19

HEX #CE3554

RGB 206 53 84

HSL 347.84, 0.61%, 0.51%

LAB 47.38, 60.81, 18.91

 

CMYK 0 / 74 / 74 / 19

HEX #CE3535

RGB 206 53 53

HSL 0, 0.61%, 0.51%

LAB 46.88, 59.16, 36.79

 

CMYK 1 / 74 / 0 / 19

HEX #CC35CE

RGB 204 53 206

HSL 299.22, 0.61%, 0.51%

LAB 51.66, 74.5, -47.55

 

CMYK 21 / 74 / 0 / 19

HEX #A335CE

RGB 163 53 206

HSL 283.14, 0.61%, 0.51%

LAB 45.34, 66.36, -58.02

 

CMYK 41 / 74 / 0 / 19

HEX #7A35CE

RGB 122 53 206

HSL 267.06, 0.61%, 0.51%

LAB 39.82, 58.98, -67.25

 

CMYK 61 / 74 / 0 / 19

HEX #5035CE

RGB 80 53 206

HSL 250.59, 0.61%, 0.51%

LAB 35.42, 52.85, -74.63

 

CMYK 74 / 74 / 0 / 19

HEX #3535CE

RGB 53 53 206

HSL 240, 0.61%, 0.51%

LAB 33.48, 50.05, -77.89

 

CMYK 1 / 74 / 0 / 19

HEX #CC35CE

RGB 204 53 206

HSL 299.22, 0.61%, 0.51%

LAB 51.66, 74.5, -47.55

 

CMYK 1 / 85 / 0 / 11

HEX #DF21E2

RGB 223 33 226

HSL 299.07, 0.77%, 0.51%

LAB 54.31, 85.78, -54.53

 

CMYK 1 / 95 / 0 / 4

HEX #F30DF6

RGB 243 13 246

HSL 299.23, 0.93%, 0.51%

LAB 58.03, 94.34, -59.62

 

CMYK 1 / 74 / 0 / 19

HEX #CC35CE

RGB 204 53 206

HSL 299.22, 0.61%, 0.51%

LAB 51.66, 74.5, -47.55

 

CMYK 1 / 60 / 0 / 27

HEX #B84ABA

RGB 184 74 186

HSL 298.93, 0.45%, 0.51%

LAB 50.26, 58.88, -38.42

 

CMYK 1 / 43 / 0 / 35

HEX #A45EA5

RGB 164 94 165

HSL 299.15, 0.28%, 0.51%

LAB 50.23, 39.52, -26.39

 

CMYK 0 / 21 / 0 / 43

HEX #917291

RGB 145 114 145

HSL 300, 0.12%, 0.51%

LAB 51.95, 17.81, -12.21

 

CMYK 7 / 0 / 7 / 47

HEX #7D867D

RGB 125 134 125

HSL 120, 0.04%, 0.51%

LAB 54.96, -5.11, 3.7

 

CMYK 41 / 74 / 0 / 19

HEX #7A35CE

RGB 122 53 206

HSL 267.06, 0.61%, 0.51%

LAB 39.82, 58.98, -67.25

 

CMYK 21 / 74 / 0 / 19

HEX #A335CE

RGB 163 53 206

HSL 283.14, 0.61%, 0.51%

LAB 45.34, 66.36, -58.02

 

CMYK 1 / 74 / 0 / 19

HEX #CB35CE

RGB 203 53 206

HSL 298.82, 0.61%, 0.51%

LAB 51.5, 74.29, -47.82

 

CMYK 0 / 74 / 18 / 19

HEX #CE35A8

RGB 206 53 168

HSL 314.9, 0.61%, 0.51%

LAB 50.09, 69.34, -27.88

 

CMYK 0 / 74 / 38 / 19

HEX #CE357F

RGB 206 53 127

HSL 330.98, 0.61%, 0.51%

LAB 48.51, 64.46, -5.75

 

CMYK 1 / 76 / 0 / 44

HEX #8D228E

RGB 141 34 142

HSL 299.44, 0.61%, 0.35%

LAB 35.52, 56.52, -35.91

 

CMYK 1 / 76 / 0 / 31

HEX #AE2AB0

RGB 174 42 176

HSL 299.1, 0.61%, 0.43%

LAB 43.93, 66.76, -42.68

 

CMYK 1 / 74 / 0 / 19

HEX #CC35CE

RGB 204 53 206

HSL 299.22, 0.61%, 0.51%

LAB 51.66, 74.5, -47.55

 

CMYK 1 / 59 / 0 / 16

HEX #D457D6

RGB 212 87 214

HSL 299.06, 0.61%, 0.59%

LAB 57.72, 65.17, -42.43

 

CMYK 0 / 46 / 0 / 13

HEX #DD78DE

RGB 221 120 222

HSL 299.41, 0.61%, 0.67%

LAB 65.03, 53.63, -35.4

 

CMYK 1 / 73 / 0 / 19

HEX #CD37CF

RGB 205 55 207

HSL 299.21, 0.61%, 0.51%

LAB 52.08, 74.26, -47.44

 

CMYK 0 / 61 / 74 / 19

HEX #CE5135

RGB 206 81 53

HSL 10.98, 0.61%, 0.51%

LAB 50.99, 47.99, 41.33

 

CMYK 74 / 0 / 31 / 19

HEX #35CE8E

RGB 53 206 142

HSL 154.9, 0.61%, 0.51%

LAB 74.1, -53.99, 20.81

 

CMYK 1 / 73 / 0 / 19

HEX #CD37CF

RGB 205 55 207

HSL 299.21, 0.61%, 0.51%

LAB 52.08, 74.26, -47.44

 

CMYK 0 / 1 / 74 / 19

HEX #CECB35

RGB 206 203 53

HSL 58.82, 0.61%, 0.51%

LAB 79.67, -15.7, 69.87

 

CMYK 74 / 0 / 1 / 19

HEX #35CECB

RGB 53 206 203

HSL 178.82, 0.61%, 0.51%

LAB 75.58, -38.71, -9.8

 

CMYK 1 / 73 / 0 / 19

HEX #CD37CF

RGB 205 55 207

HSL 299.21, 0.61%, 0.51%

LAB 52.08, 74.26, -47.44

 

CMYK 0 / 61 / 74 / 19

HEX #CE5135

RGB 206 81 53

HSL 10.98, 0.61%, 0.51%

LAB 50.99, 47.99, 41.33

 

CMYK 73 / 0 / 74 / 19

HEX #38CE35

RGB 56 206 53

HSL 118.82, 0.61%, 0.51%

LAB 73.05, -66.3, 60.9

 

CMYK 74 / 14 / 0 / 19

HEX #35B2CE

RGB 53 178 206

HSL 190.98, 0.61%, 0.51%

LAB 67.32, -24.35, -23.92

 

CMYK 1 / 73 / 0 / 19

HEX #CD37CF

RGB 205 55 207

HSL 299.21, 0.61%, 0.51%

LAB 52.08, 74.26, -47.44

 

CMYK 0 / 38 / 74 / 19

HEX #CE7F35

RGB 206 127 53

HSL 29.02, 0.61%, 0.51%

LAB 60.39, 24.57, 51.19

 

CMYK 73 / 0 / 74 / 19

HEX #38CE35

RGB 56 206 53

HSL 118.82, 0.61%, 0.51%

LAB 73.05, -66.3, 60.9

 

CMYK 74 / 36 / 0 / 19

HEX #3584CE

RGB 53 132 206

HSL 209.02, 0.61%, 0.51%

LAB 53.72, 1.06, -45.1

 

Description

Color code: RGB 205 55 207 | qconv.com Color code: RGB 205 55 207 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 55 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 55 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 73 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 73% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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