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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 214 222 it is the complementary color RGB 50 41 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 214 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205 214 222 shade: RGB 210 214 217, RGB 227 232 236 and RGB 244 250 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 214 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205 214 222 shade: RGB 205 214 222, RGB 188 196 203, RGB 171 178 184, RGB 154 160 165 and RGB 137 142 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205 214 222 shade: RGB 206 214 222, RGB 206 210 222, RGB 206 206 222, RGB 210 206 222 and RGB 215 206 222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205 214 222 shade: RGB 206 214 222, RGB 206 210 222 and RGB 206 206 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205 214 222 shade matches the following richer shades: RGB 206 214 222, RGB 199 215 228, RGB 192 215 235, RGB 186 215 242 and RGB 179 216 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205 214 222 shade: RGB 206 214 222, RGB 212 214 215, RGB 219 213 209, RGB 225 213 202 and RGB 232 213 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205 214 222 shade: RGB 206 222 221, RGB 206 219 222, RGB 206 214 222, RGB 206 210 222 and RGB 206 206 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205 214 222 shade: RGB 156 173 189, RGB 181 194 205, RGB 206 214 222 and RGB 230 235 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205 214 222 shade: RGB 205 214 222, RGB 216 206 222 and RGB 221 222 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205 214 222 shade: RGB 205 214 222, RGB 222 206 214 and RGB 214 222 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205 214 222 shade: RGB 205 214 222, RGB 216 206 222, RGB 222 213 206 and RGB 211 222 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205 214 222 shade: RGB 205 214 222, RGB 221 206 222, RGB 222 213 206 and RGB 206 222 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 4 / 0 / 13

HEX #CDD6DE

RGB 205 214 222

HSL 208.24, 0.2%, 0.84%

LAB 85.17, -1.51, -4.99

 

Complementary color

CMYK 0 / 18 / 34 / 80

HEX #322921

RGB 50 41 33

HSL 28.24, 0.2%, 0.16%

LAB 17.34, 2.64, 6.8

 

CMYK 3 / 1 / 0 / 15

HEX #D2D6D9

RGB 210 214 217

HSL 205.71, 0.08%, 0.84%

LAB 85.41, -0.8, -1.96

 

CMYK 4 / 2 / 0 / 7

HEX #E3E8EC

RGB 227 232 236

HSL 206.67, 0.19%, 0.91%

LAB 91.73, -0.93, -2.53

 

CMYK 4 / 2 / 0 / 0

HEX #F4FAFF

RGB 244 250 255

HSL 207.27, 1%, 0.98%

LAB 97.96, -1.06, -3.09

 

CMYK 8 / 4 / 0 / 13

HEX #CDD6DE

RGB 205 214 222

HSL 208.24, 0.2%, 0.84%

LAB 85.17, -1.51, -4.99

 

CMYK 7 / 3 / 0 / 20

HEX #BCC4CB

RGB 188 196 203

HSL 208, 0.13%, 0.77%

LAB 78.74, -1.39, -4.46

 

CMYK 7 / 3 / 0 / 28

HEX #ABB2B8

RGB 171 178 184

HSL 207.69, 0.08%, 0.7%

LAB 72.2, -1.26, -3.91

 

CMYK 7 / 3 / 0 / 35

HEX #9AA0A5

RGB 154 160 165

HSL 207.27, 0.06%, 0.63%

LAB 65.54, -1.14, -3.35

 

CMYK 6 / 3 / 0 / 43

HEX #898E92

RGB 137 142 146

HSL 206.67, 0.04%, 0.55%

LAB 58.73, -1.01, -2.76

 

CMYK 7 / 4 / 0 / 13

HEX #CED6DE

RGB 206 214 222

HSL 210, 0.2%, 0.84%

LAB 85.25, -1.18, -4.88

 

CMYK 7 / 5 / 0 / 13

HEX #CED2DE

RGB 206 210 222

HSL 225, 0.2%, 0.84%

LAB 84.22, 0.91, -6.39

 

CMYK 7 / 7 / 0 / 13

HEX #CECEDE

RGB 206 206 222

HSL 240, 0.2%, 0.84%

LAB 83.2, 3.02, -7.91

 

CMYK 5 / 7 / 0 / 13

HEX #D2CEDE

RGB 210 206 222

HSL 255, 0.2%, 0.84%

LAB 83.5, 4.35, -7.42

 

CMYK 3 / 7 / 0 / 13

HEX #D7CEDE

RGB 215 206 222

HSL 273.75, 0.2%, 0.84%

LAB 83.89, 6.02, -6.8

 

CMYK 7 / 4 / 0 / 13

HEX #CED6DE

RGB 206 214 222

HSL 210, 0.2%, 0.84%

LAB 85.25, -1.18, -4.88

 

CMYK 7 / 5 / 0 / 13

HEX #CED2DE

RGB 206 210 222

HSL 225, 0.2%, 0.84%

LAB 84.22, 0.91, -6.39

 

CMYK 7 / 7 / 0 / 13

HEX #CECEDE

RGB 206 206 222

HSL 240, 0.2%, 0.84%

LAB 83.2, 3.02, -7.91

 

CMYK 7 / 4 / 0 / 13

HEX #CED6DE

RGB 206 214 222

HSL 210, 0.2%, 0.84%

LAB 85.25, -1.18, -4.88

 

CMYK 13 / 6 / 0 / 11

HEX #C7D7E4

RGB 199 215 228

HSL 206.9, 0.35%, 0.84%

LAB 85.17, -2.79, -8.22

 

CMYK 18 / 9 / 0 / 8

HEX #C0D7EB

RGB 192 215 235

HSL 207.91, 0.52%, 0.84%

LAB 84.9, -3.53, -12.39

 

CMYK 23 / 11 / 0 / 5

HEX #BAD7F2

RGB 186 215 242

HSL 208.93, 0.68%, 0.84%

LAB 84.72, -3.83, -16.41

 

CMYK 28 / 13 / 0 / 3

HEX #B3D8F8

RGB 179 216 248

HSL 207.83, 0.83%, 0.84%

LAB 84.73, -5.04, -19.62

 

CMYK 7 / 4 / 0 / 13

HEX #CED6DE

RGB 206 214 222

HSL 210, 0.2%, 0.84%

LAB 85.25, -1.18, -4.88

 

CMYK 1 / 0 / 0 / 16

HEX #D4D6D7

RGB 212 214 215

HSL 200, 0.04%, 0.84%

LAB 85.5, -0.49, -0.74

 

CMYK 0 / 3 / 5 / 14

HEX #DBD5D1

RGB 219 213 209

HSL 24, 0.12%, 0.84%

LAB 85.63, 1.36, 2.69

 

CMYK 0 / 5 / 10 / 12

HEX #E1D5CA

RGB 225 213 202

HSL 28.7, 0.28%, 0.84%

LAB 85.94, 2.27, 6.9

 

CMYK 0 / 8 / 16 / 9

HEX #E8D5C3

RGB 232 213 195

HSL 29.19, 0.45%, 0.84%

LAB 86.35, 3.67, 11.26

 

CMYK 7 / 0 / 0 / 13

HEX #CEDEDD

RGB 206 222 221

HSL 176.25, 0.2%, 0.84%

LAB 87.28, -5.52, -1.36

 

CMYK 7 / 1 / 0 / 13

HEX #CEDBDE

RGB 206 219 222

HSL 191.25, 0.2%, 0.84%

LAB 86.53, -3.78, -2.98

 

CMYK 7 / 4 / 0 / 13

HEX #CED6DE

RGB 206 214 222

HSL 210, 0.2%, 0.84%

LAB 85.25, -1.18, -4.88

 

CMYK 7 / 5 / 0 / 13

HEX #CED2DE

RGB 206 210 222

HSL 225, 0.2%, 0.84%

LAB 84.22, 0.91, -6.39

 

CMYK 7 / 7 / 0 / 13

HEX #CECEDE

RGB 206 206 222

HSL 240, 0.2%, 0.84%

LAB 83.2, 3.02, -7.91

 

CMYK 17 / 8 / 0 / 26

HEX #9CADBD

RGB 156 173 189

HSL 209.09, 0.2%, 0.68%

LAB 69.92, -2.5, -10.17

 

CMYK 12 / 5 / 0 / 20

HEX #B5C2CD

RGB 181 194 205

HSL 207.5, 0.19%, 0.76%

LAB 77.77, -2.25, -7.04

 

CMYK 7 / 4 / 0 / 13

HEX #CED6DE

RGB 206 214 222

HSL 210, 0.2%, 0.84%

LAB 85.25, -1.18, -4.88

 

CMYK 3 / 1 / 0 / 7

HEX #E6EBEE

RGB 230 235 238

HSL 202.5, 0.19%, 0.92%

LAB 92.76, -1.11, -2.04

 

CMYK 8 / 4 / 0 / 13

HEX #CDD6DE

RGB 205 214 222

HSL 208.24, 0.2%, 0.84%

LAB 85.17, -1.51, -4.99

 

CMYK 3 / 7 / 0 / 13

HEX #D8CEDE

RGB 216 206 222

HSL 277.5, 0.2%, 0.84%

LAB 83.97, 6.35, -6.67

 

CMYK 0 / 0 / 7 / 13

HEX #DDDECE

RGB 221 222 206

HSL 63.75, 0.2%, 0.84%

LAB 88, -3.12, 7.72

 

CMYK 8 / 4 / 0 / 13

HEX #CDD6DE

RGB 205 214 222

HSL 208.24, 0.2%, 0.84%

LAB 85.17, -1.51, -4.99

 

CMYK 0 / 7 / 4 / 13

HEX #DECED6

RGB 222 206 214

HSL 330, 0.2%, 0.84%

LAB 84.24, 6.94, -1.96

 

CMYK 4 / 0 / 7 / 13

HEX #D6DECE

RGB 214 222 206

HSL 90, 0.2%, 0.84%

LAB 87.48, -5.54, 6.9

 

CMYK 8 / 4 / 0 / 13

HEX #CDD6DE

RGB 205 214 222

HSL 208.24, 0.2%, 0.84%

LAB 85.17, -1.51, -4.99

 

CMYK 3 / 7 / 0 / 13

HEX #D8CEDE

RGB 216 206 222

HSL 277.5, 0.2%, 0.84%

LAB 83.97, 6.35, -6.67

 

CMYK 0 / 4 / 7 / 13

HEX #DED5CE

RGB 222 213 206

HSL 26.25, 0.2%, 0.84%

LAB 85.79, 1.89, 4.55

 

CMYK 5 / 0 / 7 / 13

HEX #D3DECE

RGB 211 222 206

HSL 101.25, 0.2%, 0.84%

LAB 87.26, -6.57, 6.56

 

CMYK 8 / 4 / 0 / 13

HEX #CDD6DE

RGB 205 214 222

HSL 208.24, 0.2%, 0.84%

LAB 85.17, -1.51, -4.99

 

CMYK 0 / 7 / 0 / 13

HEX #DDCEDE

RGB 221 206 222

HSL 296.25, 0.2%, 0.84%

LAB 84.37, 8.04, -6.03

 

CMYK 0 / 4 / 7 / 13

HEX #DED5CE

RGB 222 213 206

HSL 26.25, 0.2%, 0.84%

LAB 85.79, 1.89, 4.55

 

CMYK 7 / 0 / 7 / 13

HEX #CEDECE

RGB 206 222 206

HSL 120, 0.2%, 0.84%

LAB 86.91, -8.28, 6

 

Description

Color code: RGB 205 214 222 | qconv.com Color code: RGB 205 214 222 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 214 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 214 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 4 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 4% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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