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Color name
RGB 205 130 59

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 130 59 it is the complementary color RGB 50 125 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 130 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205 130 59 shade: RGB 210 130 54, RGB 227 148 73, RGB 244 166 92, RGB 255 184 111 and RGB 255 202 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 130 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205 130 59 shade: RGB 205 130 59, RGB 188 112 40, RGB 171 94 21, RGB 154 76 2 and RGB 137 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205 130 59 shade: RGB 204 130 60, RGB 204 91 60 and RGB 204 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205 130 59 shade: RGB 204 130 60, RGB 204 169 60, RGB 201 204 60, RGB 162 204 60 and RGB 123 204 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205 130 59 shade matches the following richer shades: RGB 204 130 60, RGB 224 130 40 and RGB 244 129 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205 130 59 shade: RGB 204 130 60, RGB 185 131 80, RGB 165 131 99, RGB 145 132 119 and RGB 125 132 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205 130 59 shade: RGB 204 60 67, RGB 204 91 60, RGB 204 130 60, RGB 204 168 60 and RGB 202 204 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205 130 59 shade: RGB 145 89 37, RGB 178 110 45, RGB 204 130 60, RGB 213 151 93 and RGB 221 172 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205 130 59 shade: RGB 205 130 59, RGB 106 204 60 and RGB 72 60 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205 130 59 shade: RGB 205 130 59, RGB 60 204 130 and RGB 130 60 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205 130 59 shade: RGB 205 130 59, RGB 106 204 60, RGB 60 135 204 and RGB 159 60 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205 130 59 shade: RGB 205 130 59, RGB 62 204 60, RGB 60 135 204 and RGB 202 60 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 71 / 20

HEX #CD823B

RGB 205 130 59

HSL 29.18, 0.59%, 0.52%

LAB 61.01, 22.82, 49.02

 

Complementary color

CMYK 74 / 36 / 0 / 23

HEX #327DC4

RGB 50 125 196

HSL 209.18, 0.59%, 0.48%

LAB 51.07, 1.25, -43.62

 

CMYK 0 / 38 / 74 / 18

HEX #D28236

RGB 210 130 54

HSL 29.23, 0.63%, 0.52%

LAB 61.6, 24.69, 52.13

 

CMYK 0 / 35 / 68 / 11

HEX #E39449

RGB 227 148 73

HSL 29.22, 0.73%, 0.59%

LAB 68.01, 23.1, 50.74

 

CMYK 0 / 32 / 62 / 4

HEX #F4A65C

RGB 244 166 92

HSL 29.21, 0.87%, 0.66%

LAB 74.37, 21.71, 49.26

 

CMYK 0 / 28 / 56 / 0

HEX #FFB86F

RGB 255 184 111

HSL 30.42, 1%, 0.72%

LAB 80, 18.06, 46.84

 

CMYK 0 / 21 / 49 / 0

HEX #FFCA82

RGB 255 202 130

HSL 34.56, 1%, 0.75%

LAB 84.54, 10.26, 42.93

 

CMYK 0 / 37 / 71 / 20

HEX #CD823B

RGB 205 130 59

HSL 29.18, 0.59%, 0.52%

LAB 61.01, 22.82, 49.02

 

CMYK 0 / 40 / 79 / 26

HEX #BC7028

RGB 188 112 40

HSL 29.19, 0.65%, 0.45%

LAB 54.48, 24.54, 50.29

 

CMYK 0 / 45 / 88 / 33

HEX #AB5E15

RGB 171 94 21

HSL 29.2, 0.78%, 0.38%

LAB 47.9, 26.51, 50.91

 

CMYK 0 / 51 / 99 / 40

HEX #9A4C02

RGB 154 76 2

HSL 29.21, 0.97%, 0.31%

LAB 41.28, 28.71, 50.37

 

CMYK 0 / 58 / 100 / 46

HEX #893A00

RGB 137 58 0

HSL 25.4, 1%, 0.27%

LAB 34.69, 31.15, 45.69

 

CMYK 0 / 36 / 71 / 20

HEX #CC823C

RGB 204 130 60

HSL 29.17, 0.59%, 0.52%

LAB 60.9, 22.44, 48.39

 

CMYK 0 / 55 / 71 / 20

HEX #CC5B3C

RGB 204 91 60

HSL 12.92, 0.59%, 0.52%

LAB 52.56, 42.86, 39.22

 

CMYK 0 / 71 / 71 / 20

HEX #CC3C3C

RGB 204 60 60

HSL 0, 0.59%, 0.52%

LAB 47.49, 56.37, 33.36

 

CMYK 0 / 36 / 71 / 20

HEX #CC823C

RGB 204 130 60

HSL 29.17, 0.59%, 0.52%

LAB 60.9, 22.44, 48.39

 

CMYK 0 / 17 / 71 / 20

HEX #CCA93C

RGB 204 169 60

HSL 45.42, 0.59%, 0.52%

LAB 70.55, 1.33, 58.43

 

CMYK 1 / 0 / 71 / 20

HEX #C9CC3C

RGB 201 204 60

HSL 61.25, 0.59%, 0.52%

LAB 79.57, -17.99, 67.27

 

CMYK 21 / 0 / 71 / 20

HEX #A2CC3C

RGB 162 204 60

HSL 77.5, 0.59%, 0.52%

LAB 76.8, -33.89, 63.6

 

CMYK 40 / 0 / 71 / 20

HEX #7BCC3C

RGB 123 204 60

HSL 93.75, 0.59%, 0.52%

LAB 74.65, -48.13, 60.74

 

CMYK 0 / 36 / 71 / 20

HEX #CC823C

RGB 204 130 60

HSL 29.17, 0.59%, 0.52%

LAB 60.9, 22.44, 48.39

 

CMYK 0 / 42 / 82 / 12

HEX #E08228

RGB 224 130 40

HSL 29.35, 0.75%, 0.52%

LAB 63.31, 30.01, 60.15

 

CMYK 0 / 47 / 92 / 4

HEX #F48114

RGB 244 129 20

HSL 29.2, 0.91%, 0.52%

LAB 65.74, 38.21, 69.17

 

CMYK 0 / 36 / 71 / 20

HEX #CC823C

RGB 204 130 60

HSL 29.17, 0.59%, 0.52%

LAB 60.9, 22.44, 48.39

 

CMYK 0 / 29 / 57 / 27

HEX #B98350

RGB 185 131 80

HSL 29.14, 0.43%, 0.52%

LAB 59.09, 15.14, 35.57

 

CMYK 0 / 21 / 40 / 35

HEX #A58363

RGB 165 131 99

HSL 29.09, 0.27%, 0.52%

LAB 57.2, 8.56, 22.26

 

CMYK 0 / 9 / 18 / 43

HEX #918477

RGB 145 132 119

HSL 30, 0.11%, 0.52%

LAB 55.94, 2.65, 8.79

 

CMYK 10 / 5 / 0 / 45

HEX #7D848B

RGB 125 132 139

HSL 210, 0.06%, 0.52%

LAB 54.79, -1.1, -4.66

RGB 125 132 139

CMYK 0 / 71 / 67 / 20

HEX #CC3C43

RGB 204 60 67

HSL 357.08, 0.59%, 0.52%

LAB 47.59, 56.73, 29.37

 

CMYK 0 / 55 / 71 / 20

HEX #CC5B3C

RGB 204 91 60

HSL 12.92, 0.59%, 0.52%

LAB 52.56, 42.86, 39.22

 

CMYK 0 / 36 / 71 / 20

HEX #CC823C

RGB 204 130 60

HSL 29.17, 0.59%, 0.52%

LAB 60.9, 22.44, 48.39

 

CMYK 0 / 18 / 71 / 20

HEX #CCA83C

RGB 204 168 60

HSL 45, 0.59%, 0.52%

LAB 70.29, 1.86, 58.16

 

CMYK 1 / 0 / 71 / 20

HEX #CACC3C

RGB 202 204 60

HSL 60.83, 0.59%, 0.52%

LAB 79.65, -17.57, 67.37

 

CMYK 0 / 39 / 74 / 43

HEX #915925

RGB 145 89 37

HSL 28.89, 0.59%, 0.36%

LAB 43.21, 18.45, 38.52

 

CMYK 0 / 38 / 75 / 30

HEX #B26E2D

RGB 178 110 45

HSL 29.32, 0.6%, 0.44%

LAB 52.74, 21.54, 45.89

 

CMYK 0 / 36 / 71 / 20

HEX #CC823C

RGB 204 130 60

HSL 29.17, 0.59%, 0.52%

LAB 60.9, 22.44, 48.39

 

CMYK 0 / 29 / 56 / 16

HEX #D5975D

RGB 213 151 93

HSL 29, 0.59%, 0.6%

LAB 67.33, 17.02, 39.52

 

CMYK 0 / 22 / 43 / 13

HEX #DDAC7D

RGB 221 172 125

HSL 29.38, 0.59%, 0.68%

LAB 73.78, 11.96, 31.02

 

CMYK 0 / 37 / 71 / 20

HEX #CD823B

RGB 205 130 59

HSL 29.18, 0.59%, 0.52%

LAB 61.01, 22.82, 49.02

 

CMYK 48 / 0 / 71 / 20

HEX #6ACC3C

RGB 106 204 60

HSL 100.83, 0.59%, 0.52%

LAB 73.92, -53.49, 59.76

 

CMYK 65 / 71 / 0 / 20

HEX #483CCC

RGB 72 60 204

HSL 245, 0.59%, 0.52%

LAB 35.92, 47.51, -72.65

 

CMYK 0 / 37 / 71 / 20

HEX #CD823B

RGB 205 130 59

HSL 29.18, 0.59%, 0.52%

LAB 61.01, 22.82, 49.02

 

CMYK 71 / 0 / 36 / 20

HEX #3CCC82

RGB 60 204 130

HSL 149.17, 0.59%, 0.52%

LAB 73.39, -54.65, 26.18

 

CMYK 36 / 71 / 0 / 20

HEX #823CCC

RGB 130 60 204

HSL 269.17, 0.59%, 0.52%

LAB 41.75, 56.78, -62.9

 

CMYK 0 / 37 / 71 / 20

HEX #CD823B

RGB 205 130 59

HSL 29.18, 0.59%, 0.52%

LAB 61.01, 22.82, 49.02

 

CMYK 48 / 0 / 71 / 20

HEX #6ACC3C

RGB 106 204 60

HSL 100.83, 0.59%, 0.52%

LAB 73.92, -53.49, 59.76

 

CMYK 71 / 34 / 0 / 20

HEX #3C87CC

RGB 60 135 204

HSL 208.75, 0.59%, 0.52%

LAB 54.71, -0.47, -42.39

 

CMYK 22 / 71 / 0 / 20

HEX #9F3CCC

RGB 159 60 204

HSL 281.25, 0.59%, 0.52%

LAB 45.58, 62.48, -56.51

 

CMYK 0 / 37 / 71 / 20

HEX #CD823B

RGB 205 130 59

HSL 29.18, 0.59%, 0.52%

LAB 61.01, 22.82, 49.02

 

CMYK 70 / 0 / 71 / 20

HEX #3ECC3C

RGB 62 204 60

HSL 119.17, 0.59%, 0.52%

LAB 72.59, -64.08, 57.96

 

CMYK 71 / 34 / 0 / 20

HEX #3C87CC

RGB 60 135 204

HSL 208.75, 0.59%, 0.52%

LAB 54.71, -0.47, -42.39

 

CMYK 1 / 71 / 0 / 20

HEX #CA3CCC

RGB 202 60 204

HSL 299.17, 0.59%, 0.52%

LAB 52, 71.54, -45.87

 

Description

Color code: RGB 205 130 59 | qconv.com Color code: RGB 205 130 59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 130 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 130 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 71 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 71% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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