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Color name
RGB 205 115 150

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 115 150 it is the complementary color RGB 50 140 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 115 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205 115 150 shade: RGB 210 115 145, RGB 227 133 164, RGB 244 151 183, RGB 255 169 202 and RGB 255 187 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 115 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205 115 150 shade: RGB 205 115 150, RGB 188 97 131, RGB 171 79 112, RGB 154 61 93 and RGB 137 43 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205 115 150 shade: RGB 204 116 150, RGB 204 116 126 and RGB 204 116 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205 115 150 shade: RGB 204 116 150, RGB 204 116 174, RGB 204 116 198, RGB 187 116 204 and RGB 163 116 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205 115 150 shade matches the following richer shades: RGB 204 116 150, RGB 220 101 147, RGB 235 85 144 and RGB 250 70 140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205 115 150 shade: RGB 204 116 150, RGB 189 131 154, RGB 174 146 157, RGB 159 162 160 and RGB 143 177 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205 115 150 shade: RGB 204 116 199, RGB 204 116 175, RGB 204 116 151, RGB 204 116 128 and RGB 204 128 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205 115 150 shade: RGB 175 63 106, RGB 194 85 128, RGB 204 116 150, RGB 215 146 173 and RGB 226 176 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205 115 150 shade: RGB 205 115 150, RGB 204 187 116 and RGB 116 187 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205 115 150 shade: RGB 205 115 150, RGB 151 204 116 and RGB 116 151 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205 115 150 shade: RGB 205 115 150, RGB 204 187 116, RGB 116 204 169 and RGB 116 134 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205 115 150 shade: RGB 205 115 150, RGB 196 204 116, RGB 116 204 169 and RGB 125 116 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 27 / 20

HEX #CD7396

RGB 205 115 150

HSL 336.67, 0.47%, 0.63%

LAB 59.38, 39.54, -3.29

 

Complementary color

CMYK 64 / 0 / 25 / 45

HEX #328C69

RGB 50 140 105

HSL 156.67, 0.47%, 0.37%

LAB 52.35, -35.39, 10.97

 

CMYK 0 / 45 / 31 / 18

HEX #D27391

RGB 210 115 145

HSL 341.05, 0.51%, 0.64%

LAB 59.9, 40.62, 0.42

 

CMYK 0 / 41 / 28 / 11

HEX #E385A4

RGB 227 133 164

HSL 340.21, 0.63%, 0.71%

LAB 66.36, 39.75, -0.72

 

CMYK 0 / 38 / 25 / 4

HEX #F497B7

RGB 244 151 183

HSL 339.35, 0.81%, 0.77%

LAB 72.75, 38.91, -1.74

 

CMYK 0 / 34 / 21 / 0

HEX #FFA9CA

RGB 255 169 202

HSL 336.98, 1%, 0.83%

LAB 78.4, 36.05, -3.71

 

CMYK 0 / 27 / 13 / 0

HEX #FFBBDD

RGB 255 187 221

HSL 330, 1%, 0.87%

LAB 82.92, 29.52, -7.3

 

CMYK 0 / 44 / 27 / 20

HEX #CD7396

RGB 205 115 150

HSL 336.67, 0.47%, 0.63%

LAB 59.38, 39.54, -3.29

 

CMYK 0 / 48 / 30 / 26

HEX #BC6183

RGB 188 97 131

HSL 337.58, 0.4%, 0.56%

LAB 52.82, 40.41, -2.11

 

CMYK 0 / 54 / 35 / 33

HEX #AB4F70

RGB 171 79 112

HSL 338.48, 0.37%, 0.49%

LAB 46.2, 41.25, -0.7

 

CMYK 0 / 60 / 40 / 40

HEX #9A3D5D

RGB 154 61 93

HSL 339.35, 0.43%, 0.42%

LAB 39.58, 42, 1.05

 

CMYK 0 / 69 / 46 / 46

HEX #892B4A

RGB 137 43 74

HSL 340.21, 0.52%, 0.35%

LAB 33.01, 42.46, 3.32

 

CMYK 0 / 43 / 26 / 20

HEX #CC7496

RGB 204 116 150

HSL 336.82, 0.46%, 0.63%

LAB 59.46, 38.67, -3.19

 

CMYK 0 / 43 / 38 / 20

HEX #CC747E

RGB 204 116 126

HSL 353.18, 0.46%, 0.63%

LAB 58.82, 35.58, 9.76

 

CMYK 0 / 43 / 43 / 20

HEX #CC7474

RGB 204 116 116

HSL 0, 0.46%, 0.63%

LAB 58.59, 34.46, 15.21

 

CMYK 0 / 43 / 26 / 20

HEX #CC7496

RGB 204 116 150

HSL 336.82, 0.46%, 0.63%

LAB 59.46, 38.67, -3.19

 

CMYK 0 / 43 / 15 / 20

HEX #CC74AE

RGB 204 116 174

HSL 320.45, 0.46%, 0.63%

LAB 60.23, 42.27, -15.84

 

CMYK 0 / 43 / 3 / 20

HEX #CC74C6

RGB 204 116 198

HSL 304.09, 0.46%, 0.63%

LAB 61.14, 46.34, -28.12

 

CMYK 8 / 43 / 0 / 20

HEX #BB74CC

RGB 187 116 204

HSL 288.41, 0.46%, 0.63%

LAB 59.36, 42.36, -34.44

 

CMYK 20 / 43 / 0 / 20

HEX #A374CC

RGB 163 116 204

HSL 272.05, 0.46%, 0.63%

LAB 56.72, 35.29, -38.76

 

CMYK 0 / 43 / 26 / 20

HEX #CC7496

RGB 204 116 150

HSL 336.82, 0.46%, 0.63%

LAB 59.46, 38.67, -3.19

 

CMYK 0 / 54 / 33 / 14

HEX #DC6593

RGB 220 101 147

HSL 336.81, 0.63%, 0.63%

LAB 58.63, 51.24, -2.42

 

CMYK 0 / 64 / 39 / 8

HEX #EB5590

RGB 235 85 144

HSL 336.4, 0.79%, 0.63%

LAB 58.2, 62.64, -1.04

 

CMYK 0 / 72 / 44 / 2

HEX #FA468C

RGB 250 70 140

HSL 336.67, 0.95%, 0.63%

LAB 58.6, 72, 2.2

 

CMYK 0 / 43 / 26 / 20

HEX #CC7496

RGB 204 116 150

HSL 336.82, 0.46%, 0.63%

LAB 59.46, 38.67, -3.19

 

CMYK 0 / 31 / 19 / 26

HEX #BD839A

RGB 189 131 154

HSL 336.21, 0.31%, 0.63%

LAB 61.12, 25.75, -3.25

 

CMYK 0 / 16 / 10 / 32

HEX #AE929D

RGB 174 146 157

HSL 336.43, 0.15%, 0.63%

LAB 63.34, 12.35, -1.88

 

CMYK 2 / 0 / 1 / 36

HEX #9FA2A0

RGB 159 162 160

HSL 140, 0.02%, 0.63%

LAB 66.33, -1.45, 0.65

 

CMYK 19 / 0 / 7 / 31

HEX #8FB1A4

RGB 143 177 164

HSL 157.06, 0.18%, 0.63%

LAB 69.44, -14.23, 2.83

 

CMYK 0 / 43 / 2 / 20

HEX #CC74C7

RGB 204 116 199

HSL 303.41, 0.46%, 0.63%

LAB 61.18, 46.52, -28.62

 

CMYK 0 / 43 / 14 / 20

HEX #CC74AF

RGB 204 116 175

HSL 319.77, 0.46%, 0.63%

LAB 60.27, 42.43, -16.36

 

CMYK 0 / 43 / 26 / 20

HEX #CC7497

RGB 204 116 151

HSL 336.14, 0.46%, 0.63%

LAB 59.49, 38.81, -3.73

 

CMYK 0 / 43 / 37 / 20

HEX #CC7480

RGB 204 116 128

HSL 351.82, 0.46%, 0.63%

LAB 58.87, 35.82, 8.67

 

CMYK 0 / 37 / 43 / 20

HEX #CC8074

RGB 204 128 116

HSL 8.18, 0.46%, 0.63%

LAB 61.25, 28.02, 18.87

 

CMYK 0 / 64 / 39 / 31

HEX #AF3F6A

RGB 175 63 106

HSL 336.96, 0.47%, 0.47%

LAB 43.81, 49.45, -0.44

 

CMYK 0 / 56 / 34 / 24

HEX #C25580

RGB 194 85 128

HSL 336.33, 0.47%, 0.55%

LAB 51.3, 48.05, -2.46

 

CMYK 0 / 43 / 26 / 20

HEX #CC7496

RGB 204 116 150

HSL 336.82, 0.46%, 0.63%

LAB 59.46, 38.67, -3.19

 

CMYK 0 / 32 / 20 / 16

HEX #D792AD

RGB 215 146 173

HSL 336.52, 0.46%, 0.71%

LAB 68.04, 29.9, -3.48

 

CMYK 0 / 22 / 13 / 11

HEX #E2B0C4

RGB 226 176 196

HSL 336, 0.46%, 0.79%

LAB 76.8, 21.27, -3.15

 

CMYK 0 / 44 / 27 / 20

HEX #CD7396

RGB 205 115 150

HSL 336.67, 0.47%, 0.63%

LAB 59.38, 39.54, -3.29

 

CMYK 0 / 8 / 43 / 20

HEX #CCBB74

RGB 204 187 116

HSL 48.41, 0.46%, 0.63%

LAB 75.85, -3.83, 38.07

 

CMYK 43 / 8 / 0 / 20

HEX #74BBCC

RGB 116 187 204

HSL 191.59, 0.46%, 0.63%

LAB 71.97, -17.84, -15.56

 

CMYK 0 / 44 / 27 / 20

HEX #CD7396

RGB 205 115 150

HSL 336.67, 0.47%, 0.63%

LAB 59.38, 39.54, -3.29

 

CMYK 26 / 0 / 43 / 20

HEX #97CC74

RGB 151 204 116

HSL 96.14, 0.46%, 0.63%

LAB 76.69, -32.8, 38.35

 

CMYK 43 / 26 / 0 / 20

HEX #7497CC

RGB 116 151 204

HSL 216.14, 0.46%, 0.63%

LAB 61.83, 1.78, -31.06

 

CMYK 0 / 44 / 27 / 20

HEX #CD7396

RGB 205 115 150

HSL 336.67, 0.47%, 0.63%

LAB 59.38, 39.54, -3.29

 

CMYK 0 / 8 / 43 / 20

HEX #CCBB74

RGB 204 187 116

HSL 48.41, 0.46%, 0.63%

LAB 75.85, -3.83, 38.07

 

CMYK 43 / 0 / 17 / 20

HEX #74CCA9

RGB 116 204 169

HSL 156.14, 0.46%, 0.63%

LAB 75.92, -34.6, 9.24

 

CMYK 43 / 34 / 0 / 20

HEX #7486CC

RGB 116 134 204

HSL 227.73, 0.46%, 0.63%

LAB 57.19, 11.67, -38.29

 

CMYK 0 / 44 / 27 / 20

HEX #CD7396

RGB 205 115 150

HSL 336.67, 0.47%, 0.63%

LAB 59.38, 39.54, -3.29

 

CMYK 4 / 0 / 43 / 20

HEX #C4CC74

RGB 196 204 116

HSL 65.45, 0.46%, 0.63%

LAB 79.72, -15.76, 42.79

 

CMYK 43 / 0 / 17 / 20

HEX #74CCA9

RGB 116 204 169

HSL 156.14, 0.46%, 0.63%

LAB 75.92, -34.6, 9.24

 

CMYK 39 / 43 / 0 / 20

HEX #7D74CC

RGB 125 116 204

HSL 246.14, 0.46%, 0.63%

LAB 53.18, 24.72, -44.58

 

Description

Color code: RGB 205 115 150 | qconv.com Color code: RGB 205 115 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 115 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 115 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 27 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 27% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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