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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 108 89 it is the complementary color RGB 50 147 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 108 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205 108 89 shade: RGB 210 108 84, RGB 227 126 103, RGB 244 144 122, RGB 255 162 141 and RGB 255 180 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 108 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205 108 89 shade: RGB 205 108 89, RGB 188 90 70, RGB 171 72 51, RGB 154 54 32 and RGB 137 36 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205 108 89 shade: RGB 205 109 90 and RGB 205 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205 108 89 shade: RGB 205 109 90, RGB 205 140 90, RGB 205 171 90, RGB 205 202 90 and RGB 177 205 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205 108 89 shade matches the following richer shades: RGB 205 109 90, RGB 223 97 72 and RGB 240 85 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205 108 89 shade: RGB 205 109 90, RGB 188 120 107, RGB 171 132 124, RGB 153 143 142 and RGB 136 155 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205 108 89 shade: RGB 205 90 134, RGB 205 90 103, RGB 205 107 90, RGB 205 138 90 and RGB 205 169 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205 108 89 shade: RGB 164 67 49, RGB 195 81 58, RGB 205 109 90, RGB 215 137 121 and RGB 224 165 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205 108 89 shade: RGB 205 108 89, RGB 165 205 90 and RGB 90 118 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205 108 89 shade: RGB 205 108 89, RGB 90 205 107 and RGB 107 90 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205 108 89 shade: RGB 205 108 89, RGB 165 205 90, RGB 90 188 205 and RGB 130 90 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205 108 89 shade: RGB 205 108 89, RGB 130 205 90, RGB 90 188 205 and RGB 165 90 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 57 / 20

HEX #CD6C59

RGB 205 108 89

HSL 9.83, 0.54%, 0.58%

LAB 56.51, 36.52, 27.92

 

Complementary color

CMYK 70 / 11 / 0 / 35

HEX #3293A6

RGB 50 147 166

HSL 189.83, 0.54%, 0.42%

LAB 56.39, -21.55, -18.18

 

CMYK 0 / 49 / 60 / 18

HEX #D26C54

RGB 210 108 84

HSL 11.43, 0.58%, 0.58%

LAB 57.14, 38.07, 31.68

 

CMYK 0 / 44 / 55 / 11

HEX #E37E67

RGB 227 126 103

HSL 11.13, 0.69%, 0.65%

LAB 63.53, 36.77, 29.73

 

CMYK 0 / 41 / 50 / 4

HEX #F4907A

RGB 244 144 122

HSL 10.82, 0.85%, 0.72%

LAB 69.88, 35.56, 27.99

 

CMYK 0 / 36 / 45 / 0

HEX #FFA28D

RGB 255 162 141

HSL 11.05, 1%, 0.78%

LAB 75.47, 32.19, 25.35

 

CMYK 0 / 29 / 37 / 0

HEX #FFB4A0

RGB 255 180 160

HSL 12.63, 1%, 0.81%

LAB 79.86, 24.83, 21.11

 

CMYK 0 / 47 / 57 / 20

HEX #CD6C59

RGB 205 108 89

HSL 9.83, 0.54%, 0.58%

LAB 56.51, 36.52, 27.92

 

CMYK 0 / 52 / 63 / 26

HEX #BC5A46

RGB 188 90 70

HSL 10.17, 0.47%, 0.51%

LAB 50.03, 37.86, 30.04

 

CMYK 0 / 58 / 70 / 33

HEX #AB4833

RGB 171 72 51

HSL 10.5, 0.54%, 0.44%

LAB 43.55, 39.25, 32.5

 

CMYK 0 / 65 / 79 / 40

HEX #9A3620

RGB 154 54 32

HSL 10.82, 0.66%, 0.36%

LAB 37.14, 40.59, 35.26

 

CMYK 0 / 74 / 91 / 46

HEX #89240D

RGB 137 36 13

HSL 11.13, 0.83%, 0.29%

LAB 30.9, 41.65, 37.95

 

CMYK 0 / 47 / 56 / 20

HEX #CD6D5A

RGB 205 109 90

HSL 9.91, 0.53%, 0.58%

LAB 56.74, 36.08, 27.64

 

CMYK 0 / 56 / 56 / 20

HEX #CD5A5A

RGB 205 90 90

HSL 0, 0.53%, 0.58%

LAB 52.98, 45.64, 22.74

 

CMYK 0 / 47 / 56 / 20

HEX #CD6D5A

RGB 205 109 90

HSL 9.91, 0.53%, 0.58%

LAB 56.74, 36.08, 27.64

 

CMYK 0 / 32 / 56 / 20

HEX #CD8C5A

RGB 205 140 90

HSL 26.09, 0.53%, 0.58%

LAB 63.73, 19.43, 36.47

 

CMYK 0 / 17 / 56 / 20

HEX #CDAB5A

RGB 205 171 90

HSL 42.26, 0.53%, 0.58%

LAB 71.45, 2.65, 45.78

 

CMYK 0 / 1 / 56 / 20

HEX #CDCA5A

RGB 205 202 90

HSL 58.43, 0.53%, 0.58%

LAB 79.59, -13.46, 55.17

 

CMYK 14 / 0 / 56 / 20

HEX #B1CD5A

RGB 177 205 90

HSL 74.61, 0.53%, 0.58%

LAB 78.31, -26.27, 53.16

 

CMYK 0 / 47 / 56 / 20

HEX #CD6D5A

RGB 205 109 90

HSL 9.91, 0.53%, 0.58%

LAB 56.74, 36.08, 27.64

 

CMYK 0 / 57 / 68 / 13

HEX #DF6148

RGB 223 97 72

HSL 9.93, 0.7%, 0.58%

LAB 56.79, 47.61, 38.35

 

CMYK 0 / 65 / 77 / 6

HEX #F05537

RGB 240 85 55

HSL 9.73, 0.86%, 0.58%

LAB 57.36, 58.07, 48.75

 

CMYK 0 / 47 / 56 / 20

HEX #CD6D5A

RGB 205 109 90

HSL 9.91, 0.53%, 0.58%

LAB 56.74, 36.08, 27.64

 

CMYK 0 / 36 / 43 / 26

HEX #BC786B

RGB 188 120 107

HSL 9.63, 0.38%, 0.58%

LAB 57.26, 25.09, 18.22

 

CMYK 0 / 23 / 27 / 33

HEX #AB847C

RGB 171 132 124

HSL 10.21, 0.22%, 0.58%

LAB 58.62, 13.76, 10.07

 

CMYK 0 / 7 / 7 / 40

HEX #998F8E

RGB 153 143 142

HSL 5.45, 0.05%, 0.58%

LAB 60.22, 3.52, 1.86

 

CMYK 14 / 3 / 0 / 38

HEX #889B9F

RGB 136 155 159

HSL 190.43, 0.11%, 0.58%

LAB 62.66, -5.83, -4.37

 

CMYK 0 / 56 / 35 / 20

HEX #CD5A86

RGB 205 90 134

HSL 337.04, 0.53%, 0.58%

LAB 54.04, 50.01, -1.8

 

CMYK 0 / 56 / 50 / 20

HEX #CD5A67

RGB 205 90 103

HSL 353.22, 0.53%, 0.58%

LAB 53.24, 46.74, 15.43

 

CMYK 0 / 48 / 56 / 20

HEX #CD6B5A

RGB 205 107 90

HSL 8.87, 0.53%, 0.58%

LAB 56.32, 37.12, 27.1

 

CMYK 0 / 33 / 56 / 20

HEX #CD8A5A

RGB 205 138 90

HSL 25.04, 0.53%, 0.58%

LAB 63.26, 20.52, 35.88

 

CMYK 0 / 18 / 56 / 20

HEX #CDA95A

RGB 205 169 90

HSL 41.22, 0.53%, 0.58%

LAB 70.94, 3.72, 45.18

 

CMYK 0 / 59 / 70 / 36

HEX #A44331

RGB 164 67 49

HSL 9.39, 0.54%, 0.42%

LAB 41.42, 38.95, 30.87

 

CMYK 0 / 58 / 70 / 24

HEX #C3513A

RGB 195 81 58

HSL 10.07, 0.54%, 0.5%

LAB 49.24, 44.23, 36.15

 

CMYK 0 / 47 / 56 / 20

HEX #CD6D5A

RGB 205 109 90

HSL 9.91, 0.53%, 0.58%

LAB 56.74, 36.08, 27.64

 

CMYK 0 / 36 / 44 / 16

HEX #D78979

RGB 215 137 121

HSL 10.21, 0.54%, 0.66%

LAB 64.74, 27.99, 21.02

 

CMYK 0 / 26 / 32 / 12

HEX #E0A599

RGB 224 165 153

HSL 10.14, 0.53%, 0.74%

LAB 72.93, 20.16, 14.77

 

CMYK 0 / 47 / 57 / 20

HEX #CD6C59

RGB 205 108 89

HSL 9.83, 0.54%, 0.58%

LAB 56.51, 36.52, 27.92

 

CMYK 20 / 0 / 56 / 20

HEX #A5CD5A

RGB 165 205 90

HSL 80.87, 0.53%, 0.58%

LAB 77.52, -30.94, 52.04

 

CMYK 56 / 42 / 0 / 20

HEX #5A76CD

RGB 90 118 205

HSL 225.39, 0.53%, 0.58%

LAB 51.31, 15.53, -48.26

 

CMYK 0 / 47 / 57 / 20

HEX #CD6C59

RGB 205 108 89

HSL 9.83, 0.54%, 0.58%

LAB 56.51, 36.52, 27.92

 

CMYK 56 / 0 / 48 / 20

HEX #5ACD6B

RGB 90 205 107

HSL 128.87, 0.53%, 0.58%

LAB 74.12, -53.02, 39.01

 

CMYK 48 / 56 / 0 / 20

HEX #6B5ACD

RGB 107 90 205

HSL 248.87, 0.53%, 0.58%

LAB 45.42, 36.26, -57.64

 

CMYK 0 / 47 / 57 / 20

HEX #CD6C59

RGB 205 108 89

HSL 9.83, 0.54%, 0.58%

LAB 56.51, 36.52, 27.92

 

CMYK 20 / 0 / 56 / 20

HEX #A5CD5A

RGB 165 205 90

HSL 80.87, 0.53%, 0.58%

LAB 77.52, -30.94, 52.04

 

CMYK 56 / 8 / 0 / 20

HEX #5ABCCD

RGB 90 188 205

HSL 188.87, 0.53%, 0.58%

LAB 71.25, -23.87, -17.3

 

CMYK 37 / 56 / 0 / 20

HEX #825ACD

RGB 130 90 205

HSL 260.87, 0.53%, 0.58%

LAB 47.58, 41.46, -54.05

 

CMYK 0 / 47 / 57 / 20

HEX #CD6C59

RGB 205 108 89

HSL 9.83, 0.54%, 0.58%

LAB 56.51, 36.52, 27.92

 

CMYK 37 / 0 / 56 / 20

HEX #82CD5A

RGB 130 205 90

HSL 99.13, 0.53%, 0.58%

LAB 75.54, -43.57, 49.25

 

CMYK 56 / 8 / 0 / 20

HEX #5ABCCD

RGB 90 188 205

HSL 188.87, 0.53%, 0.58%

LAB 71.25, -23.87, -17.3

 

CMYK 20 / 56 / 0 / 20

HEX #A55ACD

RGB 165 90 205

HSL 279.13, 0.53%, 0.58%

LAB 51.52, 50.13, -47.53

 

Description

Color code: RGB 205 108 89 | qconv.com Color code: RGB 205 108 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 108 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 108 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 57 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 57% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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