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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 189 96 it is the complementary color RGB 51 66 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 189 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 189 96 shade: RGB 209 189 91, RGB 226 207 110, RGB 243 225 129, RGB 255 243 148 and RGB 255 255 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 189 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 189 96 shade: RGB 204 189 96, RGB 187 171 77, RGB 170 153 58, RGB 153 135 39 and RGB 136 117 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 189 96 shade: RGB 203 188 97, RGB 203 160 97, RGB 203 131 97, RGB 203 102 97 and RGB 203 97 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 189 96 shade: RGB 203 188 97, RGB 189 203 97, RGB 161 203 97, RGB 132 203 97 and RGB 103 203 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 189 96 shade matches the following richer shades: RGB 203 188 97, RGB 220 201 80, RGB 237 213 63 and RGB 254 225 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 189 96 shade: RGB 203 188 97, RGB 186 176 114, RGB 169 164 130, RGB 153 152 147 and RGB 136 140 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 189 96 shade: RGB 203 130 97, RGB 203 159 97, RGB 203 187 97, RGB 191 203 97 and RGB 162 203 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 189 96 shade: RGB 164 149 53, RGB 193 175 65, RGB 203 188 97, RGB 213 201 128 and RGB 223 215 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 189 96 shade: RGB 204 189 96, RGB 97 203 102 and RGB 145 97 203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 189 96 shade: RGB 204 189 96, RGB 97 203 187 and RGB 187 97 203

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 189 96 shade: RGB 204 189 96, RGB 97 203 102, RGB 97 113 203 and RGB 203 97 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 189 96 shade: RGB 204 189 96, RGB 97 203 134, RGB 97 113 203 and RGB 203 97 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 53 / 20

HEX #CCBD60

RGB 204 189 96

HSL 51.67, 0.51%, 0.59%

LAB 76.12, -6.75, 48.35

 

Complementary color

CMYK 68 / 58 / 0 / 38

HEX #33429F

RGB 51 66 159

HSL 231.67, 0.51%, 0.41%

LAB 32.04, 25.55, -52.41

 

CMYK 0 / 10 / 56 / 18

HEX #D1BD5B

RGB 209 189 91

HSL 49.83, 0.56%, 0.59%

LAB 76.5, -5.07, 51.28

 

CMYK 0 / 8 / 51 / 11

HEX #E2CF6E

RGB 226 207 110

HSL 50.17, 0.67%, 0.66%

LAB 82.87, -5.78, 50.12

 

CMYK 0 / 7 / 47 / 5

HEX #F3E181

RGB 243 225 129

HSL 50.53, 0.83%, 0.73%

LAB 89.15, -6.39, 48.92

 

CMYK 0 / 5 / 42 / 0

HEX #FFF394

RGB 255 243 148

HSL 53.27, 1%, 0.79%

LAB 94.95, -8.84, 47.15

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 7 / 53 / 20

HEX #CCBD60

RGB 204 189 96

HSL 51.67, 0.51%, 0.59%

LAB 76.12, -6.75, 48.35

 

CMYK 0 / 9 / 59 / 27

HEX #BBAB4D

RGB 187 171 77

HSL 51.27, 0.45%, 0.52%

LAB 69.63, -6.01, 49.49

 

CMYK 0 / 10 / 66 / 33

HEX #AA993A

RGB 170 153 58

HSL 50.89, 0.49%, 0.45%

LAB 63.04, -5.12, 50.48

 

CMYK 0 / 12 / 75 / 40

HEX #998727

RGB 153 135 39

HSL 50.53, 0.59%, 0.38%

LAB 56.33, -4.01, 51.09

 

CMYK 0 / 14 / 85 / 47

HEX #887514

RGB 136 117 20

HSL 50.17, 0.74%, 0.31%

LAB 49.5, -2.63, 50.83

 

CMYK 0 / 7 / 52 / 20

HEX #CBBC61

RGB 203 188 97

HSL 51.51, 0.5%, 0.59%

LAB 75.78, -6.56, 47.45

 

CMYK 0 / 21 / 52 / 20

HEX #CBA061

RGB 203 160 97

HSL 35.66, 0.5%, 0.59%

LAB 68.53, 8.3, 38.68

 

CMYK 0 / 35 / 52 / 20

HEX #CB8361

RGB 203 131 97

HSL 19.25, 0.5%, 0.59%

LAB 61.47, 24.11, 29.78

 

CMYK 0 / 50 / 52 / 20

HEX #CB6661

RGB 203 102 97

HSL 2.83, 0.5%, 0.59%

LAB 55.14, 39.53, 21.47

 

CMYK 0 / 52 / 52 / 20

HEX #CB6161

RGB 203 97 97

HSL 0, 0.5%, 0.59%

LAB 54.14, 42.06, 20.14

 

CMYK 0 / 7 / 52 / 20

HEX #CBBC61

RGB 203 188 97

HSL 51.51, 0.5%, 0.59%

LAB 75.78, -6.56, 47.45

 

CMYK 7 / 0 / 52 / 20

HEX #BDCB61

RGB 189 203 97

HSL 67.92, 0.5%, 0.59%

LAB 78.69, -19.9, 50.6

 

CMYK 21 / 0 / 52 / 20

HEX #A1CB61

RGB 161 203 97

HSL 83.77, 0.5%, 0.59%

LAB 76.77, -30.85, 47.86

 

CMYK 35 / 0 / 52 / 20

HEX #84CB61

RGB 132 203 97

HSL 100.19, 0.5%, 0.59%

LAB 75.13, -41.26, 45.5

 

CMYK 49 / 0 / 52 / 20

HEX #67CB61

RGB 103 203 97

HSL 116.6, 0.5%, 0.59%

LAB 73.84, -50.23, 43.65

 

CMYK 0 / 7 / 52 / 20

HEX #CBBC61

RGB 203 188 97

HSL 51.51, 0.5%, 0.59%

LAB 75.78, -6.56, 47.45

 

CMYK 0 / 9 / 64 / 14

HEX #DCC950

RGB 220 201 80

HSL 51.86, 0.67%, 0.59%

LAB 80.5, -7.4, 60.91

 

CMYK 0 / 10 / 73 / 7

HEX #EDD53F

RGB 237 213 63

HSL 51.72, 0.83%, 0.59%

LAB 84.97, -7.22, 72.45

 

CMYK 0 / 11 / 82 / 0

HEX #FEE12E

RGB 254 225 46

HSL 51.63, 0.99%, 0.59%

LAB 89.45, -6.69, 82.12

 

CMYK 0 / 7 / 52 / 20

HEX #CBBC61

RGB 203 188 97

HSL 51.51, 0.5%, 0.59%

LAB 75.78, -6.56, 47.45

 

CMYK 0 / 5 / 39 / 27

HEX #BAB072

RGB 186 176 114

HSL 51.67, 0.34%, 0.59%

LAB 71.35, -5.58, 33.04

 

CMYK 0 / 3 / 23 / 34

HEX #A9A482

RGB 169 164 130

HSL 52.31, 0.18%, 0.59%

LAB 66.97, -3.87, 18.33

 

CMYK 0 / 1 / 4 / 40

HEX #999893

RGB 153 152 147

HSL 50, 0.03%, 0.59%

LAB 62.79, -0.58, 2.75

 

CMYK 17 / 15 / 0 / 36

HEX #888CA4

RGB 136 140 164

HSL 231.43, 0.13%, 0.59%

LAB 58.67, 3.69, -13.16

 

CMYK 0 / 36 / 52 / 20

HEX #CB8261

RGB 203 130 97

HSL 18.68, 0.5%, 0.59%

LAB 61.24, 24.65, 29.48

 

CMYK 0 / 22 / 52 / 20

HEX #CB9F61

RGB 203 159 97

HSL 35.09, 0.5%, 0.59%

LAB 68.28, 8.85, 38.37

 

CMYK 0 / 8 / 52 / 20

HEX #CBBB61

RGB 203 187 97

HSL 50.94, 0.5%, 0.59%

LAB 75.51, -6.04, 47.13

 

CMYK 6 / 0 / 52 / 20

HEX #BFCB61

RGB 191 203 97

HSL 66.79, 0.5%, 0.59%

LAB 78.84, -19.1, 50.81

 

CMYK 20 / 0 / 52 / 20

HEX #A2CB61

RGB 162 203 97

HSL 83.21, 0.5%, 0.59%

LAB 76.83, -30.47, 47.95

 

CMYK 0 / 9 / 68 / 36

HEX #A49535

RGB 164 149 53

HSL 51.89, 0.51%, 0.43%

LAB 61.35, -5.93, 50.71

 

CMYK 0 / 9 / 66 / 24

HEX #C1AF41

RGB 193 175 65

HSL 51.56, 0.51%, 0.51%

LAB 71.13, -6.33, 56.62

 

CMYK 0 / 7 / 52 / 20

HEX #CBBC61

RGB 203 188 97

HSL 51.51, 0.5%, 0.59%

LAB 75.78, -6.56, 47.45

 

CMYK 0 / 6 / 40 / 16

HEX #D5C980

RGB 213 201 128

HSL 51.53, 0.5%, 0.67%

LAB 80.45, -6.2, 37.96

 

CMYK 0 / 4 / 29 / 13

HEX #DFD79F

RGB 223 215 159

HSL 52.5, 0.5%, 0.75%

LAB 85.4, -5.8, 28.69

 

CMYK 0 / 7 / 53 / 20

HEX #CCBD60

RGB 204 189 96

HSL 51.67, 0.51%, 0.59%

LAB 76.12, -6.75, 48.35

 

CMYK 52 / 0 / 50 / 20

HEX #61CB66

RGB 97 203 102

HSL 122.83, 0.5%, 0.59%

LAB 73.68, -51.19, 40.98

 

CMYK 29 / 52 / 0 / 20

HEX #9161CB

RGB 145 97 203

HSL 267.17, 0.5%, 0.59%

LAB 50.55, 40.75, -48.07

 

CMYK 0 / 7 / 53 / 20

HEX #CCBD60

RGB 204 189 96

HSL 51.67, 0.51%, 0.59%

LAB 76.12, -6.75, 48.35

 

CMYK 52 / 0 / 8 / 20

HEX #61CBBB

RGB 97 203 187

HSL 170.94, 0.5%, 0.59%

LAB 75.35, -34.51, -1.37

 

CMYK 8 / 52 / 0 / 20

HEX #BB61CB

RGB 187 97 203

HSL 290.94, 0.5%, 0.59%

LAB 55.51, 52.02, -39.9

 

CMYK 0 / 7 / 53 / 20

HEX #CCBD60

RGB 204 189 96

HSL 51.67, 0.51%, 0.59%

LAB 76.12, -6.75, 48.35

 

CMYK 52 / 0 / 50 / 20

HEX #61CB66

RGB 97 203 102

HSL 122.83, 0.5%, 0.59%

LAB 73.68, -51.19, 40.98

 

CMYK 52 / 44 / 0 / 20

HEX #6171CB

RGB 97 113 203

HSL 230.94, 0.5%, 0.59%

LAB 50.29, 19.45, -48.72

 

CMYK 0 / 52 / 2 / 20

HEX #CB61C6

RGB 203 97 198

HSL 302.83, 0.5%, 0.59%

LAB 57.39, 55.52, -33.95

 

CMYK 0 / 7 / 53 / 20

HEX #CCBD60

RGB 204 189 96

HSL 51.67, 0.51%, 0.59%

LAB 76.12, -6.75, 48.35

 

CMYK 52 / 0 / 34 / 20

HEX #61CB86

RGB 97 203 134

HSL 140.94, 0.5%, 0.59%

LAB 74.17, -46.03, 25.32

 

CMYK 52 / 44 / 0 / 20

HEX #6171CB

RGB 97 113 203

HSL 230.94, 0.5%, 0.59%

LAB 50.29, 19.45, -48.72

 

CMYK 0 / 52 / 18 / 20

HEX #CB61A6

RGB 203 97 166

HSL 320.94, 0.5%, 0.59%

LAB 56.09, 50.33, -17.53

 

Description

Color code: RGB 204 189 96 | qconv.com Color code: RGB 204 189 96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 189 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 189 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 53 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 53% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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