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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 184 213 it is the complementary color RGB 51 71 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 184 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 184 213 shade: RGB 209 184 208, RGB 226 202 227, RGB 243 220 246 and RGB 255 238 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 184 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 184 213 shade: RGB 204 184 213, RGB 187 166 194, RGB 170 148 175, RGB 153 130 156 and RGB 136 112 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 184 213 shade: RGB 204 184 213, RGB 212 184 213, RGB 213 184 206, RGB 213 184 198 and RGB 213 184 191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 184 213 shade: RGB 204 184 213, RGB 196 184 213, RGB 188 184 213 and RGB 184 184 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 184 213 shade matches the following richer shades: RGB 204 184 213, RGB 207 175 222, RGB 211 166 231, RGB 214 157 240 and RGB 218 148 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 184 213 shade: RGB 204 184 213, RGB 200 193 204, RGB 197 202 195, RGB 194 211 186 and RGB 190 220 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 184 213 shade: RGB 188 184 213, RGB 196 184 213, RGB 204 184 213, RGB 212 184 213 and RGB 213 184 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 184 213 shade: RGB 167 132 182, RGB 185 158 198, RGB 204 184 213, RGB 223 210 228 and RGB 241 236 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 184 213 shade: RGB 204 184 213, RGB 213 184 187 and RGB 184 213 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 184 213 shade: RGB 204 184 213, RGB 213 204 184 and RGB 184 213 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 184 213 shade: RGB 204 184 213, RGB 213 184 187, RGB 193 213 184 and RGB 184 213 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 184 213 shade: RGB 204 184 213, RGB 213 189 184, RGB 193 213 184 and RGB 184 208 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 14 / 0 / 16

HEX #CCB8D5

RGB 204 184 213

HSL 281.38, 0.26%, 0.78%

LAB 77.23, 12.38, -11.97

 

Complementary color

CMYK 28 / 0 / 41 / 72

HEX #33472A

RGB 51 71 42

HSL 101.38, 0.26%, 0.22%

LAB 27.78, -14.28, 14.98

 

CMYK 0 / 12 / 0 / 18

HEX #D1B8D0

RGB 209 184 208

HSL 302.4, 0.21%, 0.77%

LAB 77.51, 13.13, -8.79

 

CMYK 0 / 11 / 0 / 11

HEX #E2CAE3

RGB 226 202 227

HSL 297.6, 0.31%, 0.84%

LAB 83.94, 12.76, -9.29

 

CMYK 1 / 11 / 0 / 4

HEX #F3DCF6

RGB 243 220 246

HSL 293.08, 0.59%, 0.91%

LAB 90.27, 12.41, -9.78

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 4 / 14 / 0 / 16

HEX #CCB8D5

RGB 204 184 213

HSL 281.38, 0.26%, 0.78%

LAB 77.23, 12.38, -11.97

 

CMYK 4 / 14 / 0 / 24

HEX #BBA6C2

RGB 187 166 194

HSL 285, 0.19%, 0.71%

LAB 70.69, 12.75, -11.52

 

CMYK 3 / 15 / 0 / 31

HEX #AA94AF

RGB 170 148 175

HSL 288.89, 0.14%, 0.63%

LAB 64.02, 13.16, -11.08

 

CMYK 2 / 17 / 0 / 39

HEX #99829C

RGB 153 130 156

HSL 293.08, 0.12%, 0.56%

LAB 57.21, 13.61, -10.62

 

CMYK 1 / 18 / 0 / 46

HEX #887089

RGB 136 112 137

HSL 297.6, 0.1%, 0.49%

LAB 50.25, 14.11, -10.15

 

CMYK 4 / 14 / 0 / 16

HEX #CCB8D5

RGB 204 184 213

HSL 281.38, 0.26%, 0.78%

LAB 77.23, 12.38, -11.97

 

CMYK 0 / 14 / 0 / 16

HEX #D4B8D5

RGB 212 184 213

HSL 297.93, 0.26%, 0.78%

LAB 77.92, 15.08, -10.87

 

CMYK 0 / 14 / 3 / 16

HEX #D5B8CE

RGB 213 184 206

HSL 314.48, 0.26%, 0.78%

LAB 77.81, 14.13, -7.24

 

CMYK 0 / 14 / 7 / 16

HEX #D5B8C6

RGB 213 184 198

HSL 331.03, 0.26%, 0.78%

LAB 77.58, 12.72, -3.23

 

CMYK 0 / 14 / 10 / 16

HEX #D5B8BF

RGB 213 184 191

HSL 345.52, 0.26%, 0.78%

LAB 77.39, 11.52, 0.29

 

CMYK 4 / 14 / 0 / 16

HEX #CCB8D5

RGB 204 184 213

HSL 281.38, 0.26%, 0.78%

LAB 77.23, 12.38, -11.97

 

CMYK 8 / 14 / 0 / 16

HEX #C4B8D5

RGB 196 184 213

HSL 264.83, 0.26%, 0.78%

LAB 76.57, 9.71, -13.03

 

CMYK 12 / 14 / 0 / 16

HEX #BCB8D5

RGB 188 184 213

HSL 248.28, 0.26%, 0.78%

LAB 75.93, 7.07, -14.05

 

CMYK 14 / 14 / 0 / 16

HEX #B8B8D5

RGB 184 184 213

HSL 240, 0.26%, 0.78%

LAB 75.62, 5.77, -14.55

 

CMYK 4 / 14 / 0 / 16

HEX #CCB8D5

RGB 204 184 213

HSL 281.38, 0.26%, 0.78%

LAB 77.23, 12.38, -11.97

 

CMYK 7 / 21 / 0 / 13

HEX #CFAFDE

RGB 207 175 222

HSL 280.85, 0.42%, 0.78%

LAB 75.58, 20.03, -19.32

 

CMYK 9 / 28 / 0 / 9

HEX #D3A6E7

RGB 211 166 231

HSL 281.54, 0.58%, 0.78%

LAB 74.12, 28.02, -26.4

 

CMYK 11 / 35 / 0 / 6

HEX #D69DF0

RGB 214 157 240

HSL 281.2, 0.73%, 0.78%

LAB 72.69, 35.65, -33.47

 

CMYK 12 / 41 / 0 / 2

HEX #DA94F9

RGB 218 148 249

HSL 281.58, 0.89%, 0.78%

LAB 71.5, 43.49, -40.19

 

CMYK 4 / 14 / 0 / 16

HEX #CCB8D5

RGB 204 184 213

HSL 281.38, 0.26%, 0.78%

LAB 77.23, 12.38, -11.97

 

CMYK 2 / 5 / 0 / 20

HEX #C8C1CC

RGB 200 193 204

HSL 278.18, 0.1%, 0.78%

LAB 78.91, 4.46, -4.64

 

CMYK 2 / 0 / 3 / 21

HEX #C5CAC3

RGB 197 202 195

HSL 102.86, 0.06%, 0.78%

LAB 80.77, -2.99, 2.88

 

CMYK 8 / 0 / 12 / 17

HEX #C2D3BA

RGB 194 211 186

HSL 100.8, 0.22%, 0.78%

LAB 82.7, -10.29, 10.43

 

CMYK 14 / 0 / 20 / 14

HEX #BEDCB1

RGB 190 220 177

HSL 101.86, 0.38%, 0.78%

LAB 84.64, -17.74, 17.88

 

CMYK 12 / 14 / 0 / 16

HEX #BCB8D5

RGB 188 184 213

HSL 248.28, 0.26%, 0.78%

LAB 75.93, 7.07, -14.05

 

CMYK 8 / 14 / 0 / 16

HEX #C4B8D5

RGB 196 184 213

HSL 264.83, 0.26%, 0.78%

LAB 76.57, 9.71, -13.03

 

CMYK 4 / 14 / 0 / 16

HEX #CCB8D5

RGB 204 184 213

HSL 281.38, 0.26%, 0.78%

LAB 77.23, 12.38, -11.97

 

CMYK 0 / 14 / 0 / 16

HEX #D4B8D5

RGB 212 184 213

HSL 297.93, 0.26%, 0.78%

LAB 77.92, 15.08, -10.87

 

CMYK 0 / 14 / 3 / 16

HEX #D5B8CF

RGB 213 184 207

HSL 312.41, 0.26%, 0.78%

LAB 77.83, 14.31, -7.74

 

CMYK 8 / 27 / 0 / 29

HEX #A784B6

RGB 167 132 182

HSL 282, 0.26%, 0.62%

LAB 59.97, 22.63, -21.18

 

CMYK 7 / 20 / 0 / 22

HEX #B99EC6

RGB 185 158 198

HSL 280.5, 0.26%, 0.7%

LAB 68.64, 17.3, -16.84

 

CMYK 4 / 14 / 0 / 16

HEX #CCB8D5

RGB 204 184 213

HSL 281.38, 0.26%, 0.78%

LAB 77.23, 12.38, -11.97

 

CMYK 2 / 8 / 0 / 11

HEX #DFD2E4

RGB 223 210 228

HSL 283.33, 0.25%, 0.86%

LAB 85.7, 7.7, -7.25

 

CMYK 1 / 3 / 0 / 4

HEX #F1ECF4

RGB 241 236 244

HSL 277.5, 0.27%, 0.94%

LAB 93.98, 3.1, -3.27

 

CMYK 4 / 14 / 0 / 16

HEX #CCB8D5

RGB 204 184 213

HSL 281.38, 0.26%, 0.78%

LAB 77.23, 12.38, -11.97

 

CMYK 0 / 14 / 12 / 16

HEX #D5B8BB

RGB 213 184 187

HSL 353.79, 0.26%, 0.78%

LAB 77.29, 10.85, 2.31

 

CMYK 14 / 0 / 10 / 16

HEX #B8D5C0

RGB 184 213 192

HSL 136.55, 0.26%, 0.78%

LAB 82.69, -13.66, 7.14

 

CMYK 4 / 14 / 0 / 16

HEX #CCB8D5

RGB 204 184 213

HSL 281.38, 0.26%, 0.78%

LAB 77.23, 12.38, -11.97

 

CMYK 0 / 4 / 14 / 16

HEX #D5CCB8

RGB 213 204 184

HSL 41.38, 0.26%, 0.78%

LAB 82.27, -0.24, 11.08

 

CMYK 14 / 0 / 4 / 16

HEX #B8D5CC

RGB 184 213 204

HSL 161.38, 0.26%, 0.78%

LAB 82.99, -11.38, 1.19

 

CMYK 4 / 14 / 0 / 16

HEX #CCB8D5

RGB 204 184 213

HSL 281.38, 0.26%, 0.78%

LAB 77.23, 12.38, -11.97

 

CMYK 0 / 14 / 12 / 16

HEX #D5B8BB

RGB 213 184 187

HSL 353.79, 0.26%, 0.78%

LAB 77.29, 10.85, 2.31

 

CMYK 9 / 0 / 14 / 16

HEX #C1D5B8

RGB 193 213 184

HSL 101.38, 0.26%, 0.78%

LAB 83.12, -12, 12.08

 

CMYK 14 / 0 / 1 / 16

HEX #B8D5D2

RGB 184 213 210

HSL 173.79, 0.26%, 0.78%

LAB 83.14, -10.19, -1.77

 

CMYK 4 / 14 / 0 / 16

HEX #CCB8D5

RGB 204 184 213

HSL 281.38, 0.26%, 0.78%

LAB 77.23, 12.38, -11.97

 

CMYK 0 / 11 / 14 / 16

HEX #D5BDB8

RGB 213 189 184

HSL 10.34, 0.26%, 0.78%

LAB 78.46, 7.69, 5.63

 

CMYK 9 / 0 / 14 / 16

HEX #C1D5B8

RGB 193 213 184

HSL 101.38, 0.26%, 0.78%

LAB 83.12, -12, 12.08

 

CMYK 14 / 2 / 0 / 16

HEX #B8D0D5

RGB 184 208 213

HSL 190.34, 0.26%, 0.78%

LAB 81.9, -7, -5.21

 

Description

Color code: RGB 204 184 213 | qconv.com Color code: RGB 204 184 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 184 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 184 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 14 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 14% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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