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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 16 248 it is the complementary color RGB 51 239 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 16 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 16 248 shade: RGB 209 16 243, RGB 226 34 255, RGB 243 52 255, RGB 255 70 255 and RGB 255 88 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 16 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 16 248 shade: RGB 204 16 248, RGB 187 0 229, RGB 170 0 210, RGB 153 0 191 and RGB 136 0 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 16 248 shade: RGB 204 17 247, RGB 247 17 229, RGB 247 17 167, RGB 247 17 105 and RGB 247 17 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 16 248 shade: RGB 204 17 247, RGB 141 17 247, RGB 79 17 247, RGB 17 17 247 and RGB 17 17 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 16 248 shade matches the following richer shades: RGB 204 17 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 16 248 shade: RGB 204 17 247, RGB 191 37 227, RGB 179 57 208, RGB 167 76 188 and RGB 154 96 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 16 248 shade: RGB 78 17 247, RGB 140 17 247, RGB 201 17 247, RGB 247 17 232 and RGB 247 17 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 16 248 shade: RGB 144 5 177, RGB 177 6 217, RGB 204 17 247, RGB 212 57 248 and RGB 221 97 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 16 248 shade: RGB 204 16 248, RGB 247 17 17 and RGB 17 247 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 16 248 shade: RGB 204 16 248, RGB 247 201 17 and RGB 17 247 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 16 248 shade: RGB 204 16 248, RGB 247 17 17, RGB 63 247 17 and RGB 17 247 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 16 248 shade: RGB 204 16 248, RGB 247 86 17, RGB 63 247 17 and RGB 17 178 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 94 / 0 / 3

HEX #CC10F8

RGB 204 16 248

HSL 288.62, 0.94%, 0.52%

LAB 51.82, 88.6, -71.08

 

Complementary color

CMYK 79 / 0 / 97 / 6

HEX #33EF07

RGB 51 239 7

HSL 108.62, 0.94%, 0.48%

LAB 83.15, -78.57, 79.08

 

CMYK 14 / 93 / 0 / 5

HEX #D110F3

RGB 209 16 243

HSL 291.01, 0.9%, 0.51%

LAB 52.28, 88.49, -67.49

 

CMYK 11 / 87 / 0 / 0

HEX #E222FF

RGB 226 34 255

HSL 292.13, 1%, 0.57%

LAB 56.62, 90.58, -67.05

 

CMYK 5 / 80 / 0 / 0

HEX #F334FF

RGB 243 52 255

HSL 296.45, 1%, 0.6%

LAB 60.54, 89.84, -60.6

 

CMYK 0 / 73 / 0 / 0

HEX #FF46FF

RGB 255 70 255

HSL 300, 1%, 0.64%

LAB 64.05, 87.38, -54.9

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 18 / 94 / 0 / 3

HEX #CC10F8

RGB 204 16 248

HSL 288.62, 0.94%, 0.52%

LAB 51.82, 88.6, -71.08

 

CMYK 18 / 100 / 0 / 10

HEX #BB00E5

RGB 187 0 229

HSL 289, 1%, 0.45%

LAB 47.26, 84.45, -67.89

 

CMYK 19 / 100 / 0 / 18

HEX #AA00D2

RGB 170 0 210

HSL 288.57, 1%, 0.41%

LAB 43.06, 78.95, -63.97

 

CMYK 20 / 100 / 0 / 25

HEX #9900BF

RGB 153 0 191

HSL 288.06, 1%, 0.37%

LAB 38.78, 73.35, -59.98

 

CMYK 21 / 100 / 0 / 33

HEX #8800AC

RGB 136 0 172

HSL 287.44, 1%, 0.34%

LAB 34.42, 67.65, -55.93

 

CMYK 17 / 93 / 0 / 3

HEX #CC11F7

RGB 204 17 247

HSL 288.78, 0.93%, 0.52%

LAB 51.78, 88.33, -70.58

 

CMYK 0 / 93 / 7 / 3

HEX #F711E5

RGB 247 17 229

HSL 304.7, 0.93%, 0.52%

LAB 57.88, 92.33, -50.3

 

CMYK 0 / 93 / 32 / 3

HEX #F711A7

RGB 247 17 167

HSL 320.87, 0.93%, 0.52%

LAB 55.04, 85.04, -19.06

 

CMYK 0 / 93 / 57 / 3

HEX #F71169

RGB 247 17 105

HSL 337.04, 0.93%, 0.52%

LAB 53.16, 80.01, 15.29

 

CMYK 0 / 93 / 83 / 3

HEX #F7112B

RGB 247 17 43

HSL 353.22, 0.93%, 0.52%

LAB 52.23, 77.43, 50.29

 

CMYK 17 / 93 / 0 / 3

HEX #CC11F7

RGB 204 17 247

HSL 288.78, 0.93%, 0.52%

LAB 51.78, 88.33, -70.58

 

CMYK 43 / 93 / 0 / 3

HEX #8D11F7

RGB 141 17 247

HSL 272.35, 0.93%, 0.52%

LAB 42.43, 80.74, -86.25

 

CMYK 68 / 93 / 0 / 3

HEX #4F11F7

RGB 79 17 247

HSL 256.17, 0.93%, 0.52%

LAB 35.55, 76.23, -97.85

 

CMYK 93 / 93 / 0 / 3

HEX #1111F7

RGB 17 17 247

HSL 240, 0.93%, 0.52%

LAB 32.34, 74.57, -103.3

 

CMYK 93 / 93 / 0 / 3

HEX #1111F7

RGB 17 17 247

HSL 240, 0.93%, 0.52%

LAB 32.34, 74.57, -103.3

 

CMYK 17 / 93 / 0 / 3

HEX #CC11F7

RGB 204 17 247

HSL 288.78, 0.93%, 0.52%

LAB 51.78, 88.33, -70.58

 

CMYK 17 / 93 / 0 / 3

HEX #CC11F7

RGB 204 17 247

HSL 288.78, 0.93%, 0.52%

LAB 51.78, 88.33, -70.58

 

CMYK 16 / 84 / 0 / 11

HEX #BF25E3

RGB 191 37 227

HSL 288.63, 0.77%, 0.52%

LAB 49.43, 79.78, -63.22

 

CMYK 14 / 73 / 0 / 18

HEX #B339D0

RGB 179 57 208

HSL 288.48, 0.62%, 0.52%

LAB 48.34, 68.46, -54.22

 

CMYK 11 / 60 / 0 / 26

HEX #A74CBC

RGB 167 76 188

HSL 288.75, 0.46%, 0.52%

LAB 48.28, 54.03, -42.86

 

CMYK 8 / 43 / 0 / 34

HEX #9A60A8

RGB 154 96 168

HSL 288.33, 0.29%, 0.52%

LAB 49.57, 35.9, -29.27

 

CMYK 68 / 93 / 0 / 3

HEX #4E11F7

RGB 78 17 247

HSL 255.91, 0.93%, 0.52%

LAB 35.47, 76.18, -97.99

 

CMYK 43 / 93 / 0 / 3

HEX #8C11F7

RGB 140 17 247

HSL 272.09, 0.93%, 0.52%

LAB 42.3, 80.64, -86.48

 

CMYK 19 / 93 / 0 / 3

HEX #C911F7

RGB 201 17 247

HSL 288, 0.93%, 0.52%

LAB 51.31, 87.91, -71.37

 

CMYK 0 / 93 / 6 / 3

HEX #F711E8

RGB 247 17 232

HSL 303.91, 0.93%, 0.52%

LAB 58.04, 92.73, -51.73

 

CMYK 0 / 93 / 31 / 3

HEX #F711AA

RGB 247 17 170

HSL 320.09, 0.93%, 0.52%

LAB 55.15, 85.34, -20.65

 

CMYK 19 / 97 / 0 / 31

HEX #9005B1

RGB 144 5 177

HSL 288.49, 0.95%, 0.36%

LAB 36.39, 69.04, -55.66

 

CMYK 18 / 97 / 0 / 15

HEX #B106D9

RGB 177 6 217

HSL 288.63, 0.95%, 0.44%

LAB 44.92, 80.54, -64.92

 

CMYK 17 / 93 / 0 / 3

HEX #CC11F7

RGB 204 17 247

HSL 288.78, 0.93%, 0.52%

LAB 51.78, 88.33, -70.58

 

CMYK 15 / 77 / 0 / 3

HEX #D439F8

RGB 212 57 248

HSL 288.69, 0.93%, 0.6%

LAB 55.79, 81.88, -64.61

 

CMYK 12 / 61 / 0 / 2

HEX #DD61FA

RGB 221 97 250

HSL 288.63, 0.94%, 0.68%

LAB 62.36, 69.47, -55.12

 

CMYK 18 / 94 / 0 / 3

HEX #CC10F8

RGB 204 16 248

HSL 288.62, 0.94%, 0.52%

LAB 51.82, 88.6, -71.08

 

CMYK 0 / 93 / 93 / 3

HEX #F71111

RGB 247 17 17

HSL 0, 0.93%, 0.52%

LAB 52.08, 77.01, 61.34

 

CMYK 93 / 0 / 56 / 3

HEX #11F76D

RGB 17 247 109

HSL 144, 0.93%, 0.52%

LAB 85.88, -76.53, 52.16

 

CMYK 18 / 94 / 0 / 3

HEX #CC10F8

RGB 204 16 248

HSL 288.62, 0.94%, 0.52%

LAB 51.82, 88.6, -71.08

 

CMYK 0 / 19 / 93 / 3

HEX #F7C911

RGB 247 201 17

HSL 48, 0.93%, 0.52%

LAB 82.69, 1.95, 82.11

 

CMYK 93 / 0 / 19 / 3

HEX #11F7C9

RGB 17 247 201

HSL 168, 0.93%, 0.52%

LAB 87.42, -58.87, 8.52

 

CMYK 18 / 94 / 0 / 3

HEX #CC10F8

RGB 204 16 248

HSL 288.62, 0.94%, 0.52%

LAB 51.82, 88.6, -71.08

 

CMYK 0 / 93 / 93 / 3

HEX #F71111

RGB 247 17 17

HSL 0, 0.93%, 0.52%

LAB 52.08, 77.01, 61.34

 

CMYK 74 / 0 / 93 / 3

HEX #3FF711

RGB 63 247 17

HSL 108, 0.93%, 0.52%

LAB 85.82, -79.08, 80.42

 

CMYK 93 / 0 / 0 / 3

HEX #11F7F7

RGB 17 247 247

HSL 180, 0.93%, 0.52%

LAB 88.62, -46.56, -13.71

 

CMYK 18 / 94 / 0 / 3

HEX #CC10F8

RGB 204 16 248

HSL 288.62, 0.94%, 0.52%

LAB 51.82, 88.6, -71.08

 

CMYK 0 / 65 / 93 / 3

HEX #F75611

RGB 247 86 17

HSL 18, 0.93%, 0.52%

LAB 58.48, 59.15, 65.21

 

CMYK 74 / 0 / 93 / 3

HEX #3FF711

RGB 63 247 17

HSL 108, 0.93%, 0.52%

LAB 85.82, -79.08, 80.42

 

CMYK 93 / 28 / 0 / 3

HEX #11B2F7

RGB 17 178 247

HSL 198, 0.93%, 0.52%

LAB 68.52, -13.08, -44.54

 

Description

Color code: RGB 204 16 248 | qconv.com Color code: RGB 204 16 248 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 16 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 16 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 94 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 94% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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