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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 107 4 it is the complementary color RGB 51 148 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 107 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 107 4 shade: RGB 209 107 0, RGB 226 125 18, RGB 243 143 37, RGB 255 161 56 and RGB 255 179 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 107 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 107 4 shade: RGB 204 107 4, RGB 187 89 0, RGB 170 71 0, RGB 153 53 0 and RGB 136 35 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 107 4 shade: RGB 204 107 4, RGB 204 53 4 and RGB 204 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 107 4 shade: RGB 204 107 4, RGB 204 161 4, RGB 194 204 4, RGB 139 204 4 and RGB 85 204 4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 107 4 shade matches the following richer shades: RGB 204 107 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 107 4 shade: RGB 204 107 4, RGB 188 107 21, RGB 171 106 38, RGB 154 106 54 and RGB 137 105 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 107 4 shade: RGB 204 4 10, RGB 204 51 4, RGB 204 104 4, RGB 204 158 4 and RGB 198 204 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 107 4 shade: RGB 124 65 2, RGB 164 86 3, RGB 204 107 4, RGB 245 128 5 and RGB 250 148 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 107 4 shade: RGB 204 107 4, RGB 64 204 4 and RGB 24 4 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 107 4 shade: RGB 204 107 4, RGB 4 204 104 and RGB 104 4 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 107 4 shade: RGB 204 107 4, RGB 64 204 4, RGB 4 104 204 and RGB 144 4 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 107 4 shade: RGB 204 107 4, RGB 4 204 4, RGB 4 104 204 and RGB 204 4 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 98 / 20

HEX #CC6B04

RGB 204 107 4

HSL 30.9, 0.96%, 0.41%

LAB 55.44, 33.17, 62.55

Complementary color

CMYK 80 / 41 / 0 / 2

HEX #3394FB

RGB 51 148 251

HSL 210.9, 0.96%, 0.59%

LAB 60.65, 7.65, -59.15

 

CMYK 0 / 49 / 100 / 18

HEX #D16B00

RGB 209 107 0

HSL 30.72, 1%, 0.41%

LAB 56.16, 35.18, 64.12

 

CMYK 0 / 45 / 92 / 11

HEX #E27D12

RGB 226 125 18

HSL 30.87, 0.85%, 0.48%

LAB 62.41, 32.97, 66.1

 

CMYK 0 / 41 / 85 / 5

HEX #F38F25

RGB 243 143 37

HSL 30.87, 0.9%, 0.55%

LAB 68.63, 30.93, 66.71

 

CMYK 0 / 37 / 78 / 0

HEX #FFA138

RGB 255 161 56

HSL 31.66, 1%, 0.61%

LAB 74.21, 27.05, 65.49

 

CMYK 0 / 30 / 71 / 0

HEX #FFB34B

RGB 255 179 75

HSL 34.67, 1%, 0.65%

LAB 78.47, 18.45, 61.95

 

CMYK 0 / 48 / 98 / 20

HEX #CC6B04

RGB 204 107 4

HSL 30.9, 0.96%, 0.41%

LAB 55.44, 33.17, 62.55

 

CMYK 0 / 52 / 100 / 27

HEX #BB5900

RGB 187 89 0

HSL 28.56, 1%, 0.37%

LAB 49.14, 35.53, 58.26

 

CMYK 0 / 58 / 100 / 33

HEX #AA4700

RGB 170 71 0

HSL 25.06, 1%, 0.33%

LAB 42.84, 37.85, 53.22

 

CMYK 0 / 65 / 100 / 40

HEX #993500

RGB 153 53 0

HSL 20.78, 1%, 0.3%

LAB 36.59, 39.93, 48.25

 

CMYK 0 / 74 / 100 / 47

HEX #882300

RGB 136 35 0

HSL 15.44, 1%, 0.27%

LAB 30.49, 41.46, 42.9

 

CMYK 0 / 48 / 98 / 20

HEX #CC6B04

RGB 204 107 4

HSL 30.9, 0.96%, 0.41%

LAB 55.44, 33.17, 62.55

 

CMYK 0 / 74 / 98 / 20

HEX #CC3504

RGB 204 53 4

HSL 14.7, 0.96%, 0.41%

LAB 46.17, 57.43, 57.15

 

CMYK 0 / 98 / 98 / 20

HEX #CC0404

RGB 204 4 4

HSL 0, 0.96%, 0.41%

LAB 42.66, 67.37, 55.49

 

CMYK 0 / 48 / 98 / 20

HEX #CC6B04

RGB 204 107 4

HSL 30.9, 0.96%, 0.41%

LAB 55.44, 33.17, 62.55

 

CMYK 0 / 21 / 98 / 20

HEX #CCA104

RGB 204 161 4

HSL 47.1, 0.96%, 0.41%

LAB 68.27, 4.05, 71.23

 

CMYK 5 / 0 / 98 / 20

HEX #C2CC04

RGB 194 204 4

HSL 63, 0.96%, 0.41%

LAB 78.85, -22.44, 78.54

 

CMYK 32 / 0 / 98 / 20

HEX #8BCC04

RGB 139 204 4

HSL 79.5, 0.96%, 0.41%

LAB 75.25, -44.55, 74.23

 

CMYK 58 / 0 / 98 / 20

HEX #55CC04

RGB 85 204 4

HSL 95.7, 0.96%, 0.41%

LAB 72.97, -61.62, 71.46

 

CMYK 0 / 48 / 98 / 20

HEX #CC6B04

RGB 204 107 4

HSL 30.9, 0.96%, 0.41%

LAB 55.44, 33.17, 62.55

 

CMYK 0 / 48 / 98 / 20

HEX #CC6B04

RGB 204 107 4

HSL 30.9, 0.96%, 0.41%

LAB 55.44, 33.17, 62.55

 

CMYK 0 / 43 / 89 / 26

HEX #BC6B15

RGB 188 107 21

HSL 30.9, 0.8%, 0.41%

LAB 53.23, 26.7, 56.17

 

CMYK 0 / 38 / 78 / 33

HEX #AB6A26

RGB 171 106 38

HSL 30.68, 0.64%, 0.41%

LAB 50.81, 20.4, 46.84

 

CMYK 0 / 31 / 65 / 40

HEX #9A6A36

RGB 154 106 54

HSL 31.2, 0.48%, 0.41%

LAB 48.82, 13.73, 36.29

 

CMYK 0 / 23 / 48 / 46

HEX #896947

RGB 137 105 71

HSL 30.91, 0.32%, 0.41%

LAB 46.81, 8.21, 23.99

 

CMYK 0 / 98 / 95 / 20

HEX #CC040A

RGB 204 4 10

HSL 358.2, 0.96%, 0.41%

LAB 42.68, 67.42, 53.57

 

CMYK 0 / 75 / 98 / 20

HEX #CC3304

RGB 204 51 4

HSL 14.1, 0.96%, 0.41%

LAB 45.93, 58.1, 57.02

 

CMYK 0 / 49 / 98 / 20

HEX #CC6804

RGB 204 104 4

HSL 30, 0.96%, 0.41%

LAB 54.81, 34.74, 62.15

 

CMYK 0 / 23 / 98 / 20

HEX #CC9E04

RGB 204 158 4

HSL 46.2, 0.96%, 0.41%

LAB 67.5, 5.66, 70.69

 

CMYK 3 / 0 / 98 / 20

HEX #C6CC04

RGB 198 204 4

HSL 61.8, 0.96%, 0.41%

LAB 79.16, -20.74, 78.91

 

CMYK 0 / 48 / 98 / 51

HEX #7C4102

RGB 124 65 2

HSL 30.98, 0.97%, 0.25%

LAB 34.13, 21.64, 43.5

 

CMYK 0 / 48 / 98 / 36

HEX #A45603

RGB 164 86 3

HSL 30.93, 0.96%, 0.33%

LAB 45.02, 27.56, 53.22

 

CMYK 0 / 48 / 98 / 20

HEX #CC6B04

RGB 204 107 4

HSL 30.9, 0.96%, 0.41%

LAB 55.44, 33.17, 62.55

 

CMYK 0 / 48 / 98 / 4

HEX #F58005

RGB 245 128 5

HSL 30.75, 0.96%, 0.49%

LAB 65.64, 38.96, 71.72

 

CMYK 0 / 41 / 84 / 2

HEX #FA9428

RGB 250 148 40

HSL 30.86, 0.95%, 0.57%

LAB 70.63, 31.27, 67.78

 

CMYK 0 / 48 / 98 / 20

HEX #CC6B04

RGB 204 107 4

HSL 30.9, 0.96%, 0.41%

LAB 55.44, 33.17, 62.55

 

CMYK 69 / 0 / 98 / 20

HEX #40CC04

RGB 64 204 4

HSL 102, 0.96%, 0.41%

LAB 72.42, -66.28, 70.78

 

CMYK 88 / 98 / 0 / 20

HEX #1804CC

RGB 24 4 204

HSL 246, 0.96%, 0.41%

LAB 25.69, 66.32, -89.72

 

CMYK 0 / 48 / 98 / 20

HEX #CC6B04

RGB 204 107 4

HSL 30.9, 0.96%, 0.41%

LAB 55.44, 33.17, 62.55

 

CMYK 98 / 0 / 49 / 20

HEX #04CC68

RGB 4 204 104

HSL 150, 0.96%, 0.41%

LAB 72.37, -64.25, 38

 

CMYK 49 / 98 / 0 / 20

HEX #6804CC

RGB 104 4 204

HSL 270, 0.96%, 0.41%

LAB 32.68, 69.96, -77.9

 

CMYK 0 / 48 / 98 / 20

HEX #CC6B04

RGB 204 107 4

HSL 30.9, 0.96%, 0.41%

LAB 55.44, 33.17, 62.55

 

CMYK 69 / 0 / 98 / 20

HEX #40CC04

RGB 64 204 4

HSL 102, 0.96%, 0.41%

LAB 72.42, -66.28, 70.78

 

CMYK 98 / 49 / 0 / 20

HEX #0468CC

RGB 4 104 204

HSL 210, 0.96%, 0.41%

LAB 44.64, 14.12, -58.54

 

CMYK 29 / 98 / 0 / 20

HEX #9004CC

RGB 144 4 204

HSL 282, 0.96%, 0.41%

LAB 38.51, 74.1, -68.1

 

CMYK 0 / 48 / 98 / 20

HEX #CC6B04

RGB 204 107 4

HSL 30.9, 0.96%, 0.41%

LAB 55.44, 33.17, 62.55

 

CMYK 98 / 0 / 98 / 20

HEX #04CC04

RGB 4 204 4

HSL 120, 0.96%, 0.41%

LAB 71.7, -72.61, 69.91

 

CMYK 98 / 49 / 0 / 20

HEX #0468CC

RGB 4 104 204

HSL 210, 0.96%, 0.41%

LAB 44.64, 14.12, -58.54

 

CMYK 0 / 98 / 0 / 20

HEX #CC04CC

RGB 204 4 204

HSL 300, 0.96%, 0.41%

LAB 48.62, 82.73, -51.25

 

Description

Color code: RGB 204 107 4 | qconv.com Color code: RGB 204 107 4 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 107 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 107 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 98 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 98% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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