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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 48 41 it is the complementary color RGB 52 207 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 48 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 203 48 41 shade: RGB 208 48 36, RGB 225 66 55, RGB 242 84 74, RGB 255 102 93 and RGB 255 120 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 48 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 203 48 41 shade: RGB 203 48 41, RGB 186 30 22, RGB 169 12 3, RGB 152 0 0 and RGB 135 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 203 48 41 shade: RGB 203 48 41 and RGB 203 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 203 48 41 shade: RGB 203 48 41, RGB 203 92 41, RGB 203 135 41, RGB 203 179 41 and RGB 183 203 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 203 48 41 shade matches the following richer shades: RGB 203 48 41, RGB 222 30 21 and RGB 242 12 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 203 48 41 shade: RGB 203 48 41, RGB 183 66 61, RGB 163 84 81, RGB 143 102 101 and RGB 123 120 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 203 48 41 shade: RGB 203 41 122, RGB 203 41 79, RGB 203 47 41, RGB 203 90 41 and RGB 203 133 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 203 48 41 shade: RGB 134 32 27, RGB 168 40 34, RGB 203 48 41, RGB 216 75 69 and RGB 223 108 103

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 203 48 41 shade: RGB 203 48 41, RGB 165 203 41 and RGB 41 100 203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 203 48 41 shade: RGB 203 48 41, RGB 41 203 47 and RGB 47 41 203

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 203 48 41 shade: RGB 203 48 41, RGB 165 203 41, RGB 41 197 203 and RGB 79 41 203

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 203 48 41 shade: RGB 203 48 41, RGB 117 203 41, RGB 41 197 203 and RGB 127 41 203

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 80 / 20

HEX #CB3029

RGB 203 48 41

HSL 2.59, 0.66%, 0.48%

LAB 45.59, 59.44, 41.93

 

Complementary color

CMYK 76 / 3 / 0 / 16

HEX #34CFD6

RGB 52 207 214

HSL 182.59, 0.66%, 0.52%

LAB 76.2, -36.09, -14.81

 

CMYK 0 / 77 / 83 / 18

HEX #D03024

RGB 208 48 36

HSL 4.19, 0.7%, 0.48%

LAB 46.51, 60.8, 45.76

 

CMYK 0 / 71 / 76 / 12

HEX #E14237

RGB 225 66 55

HSL 3.88, 0.74%, 0.55%

LAB 52.04, 60.58, 42.34

 

CMYK 0 / 65 / 69 / 5

HEX #F2544A

RGB 242 84 74

HSL 3.57, 0.87%, 0.62%

LAB 57.76, 59.92, 39.16

 

CMYK 0 / 60 / 64 / 0

HEX #FF665D

RGB 255 102 93

HSL 3.33, 1%, 0.68%

LAB 62.97, 57.69, 35.41

 

CMYK 0 / 53 / 56 / 0

HEX #FF7870

RGB 255 120 112

HSL 3.36, 1%, 0.72%

LAB 66.41, 50.75, 29.23

 

CMYK 0 / 76 / 80 / 20

HEX #CB3029

RGB 203 48 41

HSL 2.59, 0.66%, 0.48%

LAB 45.59, 59.44, 41.93

 

CMYK 0 / 84 / 88 / 27

HEX #BA1E16

RGB 186 30 22

HSL 2.93, 0.79%, 0.41%

LAB 40.29, 58.97, 45.49

 

CMYK 0 / 93 / 98 / 34

HEX #A90C03

RGB 169 12 3

HSL 3.25, 0.97%, 0.34%

LAB 35.41, 57.39, 48.23

 

CMYK 0 / 100 / 100 / 40

HEX #980000

RGB 152 0 0

HSL 0, 1%, 0.3%

LAB 31.06, 54.45, 44.88

 

CMYK 0 / 100 / 100 / 47

HEX #870000

RGB 135 0 0

HSL 0, 1%, 0.26%

LAB 27.16, 49.94, 40.14

RGB 135 0 0

CMYK 0 / 76 / 80 / 20

HEX #CB3029

RGB 203 48 41

HSL 2.59, 0.66%, 0.48%

LAB 45.59, 59.44, 41.93

 

CMYK 0 / 80 / 80 / 20

HEX #CB2929

RGB 203 41 41

HSL 0, 0.66%, 0.48%

LAB 44.86, 61.5, 41.19

 

CMYK 0 / 76 / 80 / 20

HEX #CB3029

RGB 203 48 41

HSL 2.59, 0.66%, 0.48%

LAB 45.59, 59.44, 41.93

 

CMYK 0 / 55 / 80 / 20

HEX #CB5C29

RGB 203 92 41

HSL 18.89, 0.66%, 0.48%

LAB 52.41, 41.18, 48.62

 

CMYK 0 / 33 / 80 / 20

HEX #CB8729

RGB 203 135 41

HSL 34.81, 0.66%, 0.48%

LAB 61.81, 18.46, 57.43

 

CMYK 0 / 12 / 80 / 20

HEX #CBB329

RGB 203 179 41

HSL 51.11, 0.66%, 0.48%

LAB 72.96, -5.18, 67.45

 

CMYK 10 / 0 / 80 / 20

HEX #B7CB29

RGB 183 203 41

HSL 67.41, 0.66%, 0.48%

LAB 77.84, -25.82, 71.14

 

CMYK 0 / 76 / 80 / 20

HEX #CB3029

RGB 203 48 41

HSL 2.59, 0.66%, 0.48%

LAB 45.59, 59.44, 41.93

 

CMYK 0 / 86 / 91 / 13

HEX #DE1E15

RGB 222 30 21

HSL 2.69, 0.83%, 0.48%

LAB 47.64, 68.84, 54.62

 

CMYK 0 / 95 / 99 / 5

HEX #F20C02

RGB 242 12 2

HSL 2.5, 0.98%, 0.48%

LAB 50.86, 76.12, 64.18

 

CMYK 0 / 76 / 80 / 20

HEX #CB3029

RGB 203 48 41

HSL 2.59, 0.66%, 0.48%

LAB 45.59, 59.44, 41.93

 

CMYK 0 / 64 / 67 / 28

HEX #B7423D

RGB 183 66 61

HSL 2.46, 0.5%, 0.48%

LAB 44.66, 47, 28.49

 

CMYK 0 / 48 / 50 / 36

HEX #A35451

RGB 163 84 81

HSL 2.2, 0.34%, 0.48%

LAB 45.25, 32.19, 16.64

 

CMYK 0 / 29 / 29 / 44

HEX #8F6665

RGB 143 102 101

HSL 1.43, 0.17%, 0.48%

LAB 47.34, 16.36, 7.12

 

CMYK 0 / 2 / 2 / 52

HEX #7B7878

RGB 123 120 120

HSL 0, 0.01%, 0.48%

LAB 50.69, 1.14, 0.4

 

CMYK 0 / 80 / 40 / 20

HEX #CB297A

RGB 203 41 122

HSL 330, 0.66%, 0.48%

LAB 46.56, 66.69, -5.66

 

CMYK 0 / 80 / 61 / 20

HEX #CB294F

RGB 203 41 79

HSL 345.93, 0.66%, 0.48%

LAB 45.42, 63.25, 19.27

 

CMYK 0 / 77 / 80 / 20

HEX #CB2F29

RGB 203 47 41

HSL 2.22, 0.66%, 0.48%

LAB 45.48, 59.75, 41.82

 

CMYK 0 / 56 / 80 / 20

HEX #CB5A29

RGB 203 90 41

HSL 18.15, 0.66%, 0.48%

LAB 52.03, 42.16, 48.25

 

CMYK 0 / 34 / 80 / 20

HEX #CB8529

RGB 203 133 41

HSL 34.07, 0.66%, 0.48%

LAB 61.34, 19.55, 56.99

 

CMYK 0 / 76 / 80 / 47

HEX #86201B

RGB 134 32 27

HSL 2.8, 0.66%, 0.32%

LAB 29.86, 42.57, 29.34

 

CMYK 0 / 76 / 80 / 34

HEX #A82822

RGB 168 40 34

HSL 2.69, 0.66%, 0.4%

LAB 37.77, 51.04, 35.64

 

CMYK 0 / 76 / 80 / 20

HEX #CB3029

RGB 203 48 41

HSL 2.59, 0.66%, 0.48%

LAB 45.59, 59.44, 41.93

 

CMYK 0 / 65 / 68 / 15

HEX #D84B45

RGB 216 75 69

HSL 2.45, 0.65%, 0.56%

LAB 51.91, 54.81, 33.94

 

CMYK 0 / 52 / 54 / 13

HEX #DF6C67

RGB 223 108 103

HSL 2.5, 0.65%, 0.64%

LAB 59.34, 44.4, 24.12

 

CMYK 0 / 76 / 80 / 20

HEX #CB3029

RGB 203 48 41

HSL 2.59, 0.66%, 0.48%

LAB 45.59, 59.44, 41.93

 

CMYK 19 / 0 / 80 / 20

HEX #A5CB29

RGB 165 203 41

HSL 74.07, 0.66%, 0.48%

LAB 76.6, -33.16, 69.56

 

CMYK 80 / 51 / 0 / 20

HEX #2964CB

RGB 41 100 203

HSL 218.15, 0.66%, 0.48%

LAB 44.09, 18.52, -58.83

 

CMYK 0 / 76 / 80 / 20

HEX #CB3029

RGB 203 48 41

HSL 2.59, 0.66%, 0.48%

LAB 45.59, 59.44, 41.93

 

CMYK 80 / 0 / 77 / 20

HEX #29CB2F

RGB 41 203 47

HSL 122.22, 0.66%, 0.48%

LAB 71.82, -67.93, 61.59

 

CMYK 77 / 80 / 0 / 20

HEX #2F29CB

RGB 47 41 203

HSL 242.22, 0.66%, 0.48%

LAB 30.65, 54.86, -80.84

 

CMYK 0 / 76 / 80 / 20

HEX #CB3029

RGB 203 48 41

HSL 2.59, 0.66%, 0.48%

LAB 45.59, 59.44, 41.93

 

CMYK 19 / 0 / 80 / 20

HEX #A5CB29

RGB 165 203 41

HSL 74.07, 0.66%, 0.48%

LAB 76.6, -33.16, 69.56

 

CMYK 80 / 3 / 0 / 20

HEX #29C5CB

RGB 41 197 203

HSL 182.22, 0.66%, 0.48%

LAB 72.7, -35.75, -14.13

 

CMYK 61 / 80 / 0 / 20

HEX #4F29CB

RGB 79 41 203

HSL 254.07, 0.66%, 0.48%

LAB 33.05, 57.56, -76.79

 

CMYK 0 / 76 / 80 / 20

HEX #CB3029

RGB 203 48 41

HSL 2.59, 0.66%, 0.48%

LAB 45.59, 59.44, 41.93

 

CMYK 42 / 0 / 80 / 20

HEX #75CB29

RGB 117 203 41

HSL 91.85, 0.66%, 0.48%

LAB 73.97, -50.83, 66.2

 

CMYK 80 / 3 / 0 / 20

HEX #29C5CB

RGB 41 197 203

HSL 182.22, 0.66%, 0.48%

LAB 72.7, -35.75, -14.13

 

CMYK 37 / 80 / 0 / 20

HEX #7F29CB

RGB 127 41 203

HSL 271.85, 0.66%, 0.48%

LAB 38.57, 63.79, -67.52

 

Description

Color code: RGB 203 48 41 | qconv.com Color code: RGB 203 48 41 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 48 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 48 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 80 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 80% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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