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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 28 203 it is the complementary color RGB 52 227 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 28 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 203 28 203 shade: RGB 208 28 198, RGB 225 46 217, RGB 242 64 236, RGB 255 82 255 and RGB 255 100 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 28 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 203 28 203 shade: RGB 203 28 203, RGB 186 10 184, RGB 169 0 165, RGB 152 0 146 and RGB 135 0 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 203 28 203 shade: RGB 201 27 201, RGB 201 27 154, RGB 201 27 107, RGB 201 27 60 and RGB 201 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 203 28 203 shade: RGB 201 27 201, RGB 154 27 201, RGB 107 27 201, RGB 60 27 201 and RGB 27 27 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 203 28 203 shade matches the following richer shades: RGB 201 27 201 and RGB 220 8 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 203 28 203 shade: RGB 201 27 201, RGB 183 46 183, RGB 164 64 164, RGB 146 83 146 and RGB 127 101 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 203 28 203 shade: RGB 108 27 201, RGB 155 27 201, RGB 201 27 201, RGB 201 27 155 and RGB 201 27 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 203 28 203 shade: RGB 129 17 129, RGB 165 22 165, RGB 201 27 201, RGB 226 44 226 and RGB 231 80 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 203 28 203 shade: RGB 203 28 203, RGB 201 62 27 and RGB 27 201 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 203 28 203 shade: RGB 203 28 203, RGB 201 201 27 and RGB 27 201 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 203 28 203 shade: RGB 203 28 203, RGB 201 62 27, RGB 27 201 27 and RGB 27 167 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 203 28 203 shade: RGB 203 28 203, RGB 201 114 27, RGB 27 201 27 and RGB 27 114 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 0 / 20

HEX #CB1CCB

RGB 203 28 203

HSL 300, 0.76%, 0.45%

LAB 49.3, 79.71, -49.59

 

Complementary color

CMYK 77 / 0 / 77 / 11

HEX #34E334

RGB 52 227 52

HSL 120, 0.76%, 0.55%

LAB 79.57, -73.37, 67.6

 

CMYK 0 / 87 / 5 / 18

HEX #D01CC6

RGB 208 28 198

HSL 303.33, 0.76%, 0.46%

LAB 49.88, 79.87, -45.73

 

CMYK 0 / 80 / 4 / 12

HEX #E12ED9

RGB 225 46 217

HSL 302.68, 0.75%, 0.53%

LAB 55.04, 82.18, -48.24

 

CMYK 0 / 74 / 2 / 5

HEX #F240EC

RGB 242 64 236

HSL 302.02, 0.87%, 0.6%

LAB 60.43, 83.64, -50.23

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 86 / 0 / 20

HEX #CB1CCB

RGB 203 28 203

HSL 300, 0.76%, 0.45%

LAB 49.3, 79.71, -49.59

 

CMYK 0 / 95 / 1 / 27

HEX #BA0AB8

RGB 186 10 184

HSL 300.68, 0.9%, 0.38%

LAB 44.4, 76.3, -46.52

 

CMYK 0 / 100 / 2 / 34

HEX #A900A5

RGB 169 0 165

HSL 301.42, 1%, 0.33%

LAB 39.83, 71.6, -42.7

 

CMYK 0 / 100 / 4 / 40

HEX #980092

RGB 152 0 146

HSL 302.37, 1%, 0.3%

LAB 35.5, 65.88, -38.28

 

CMYK 0 / 100 / 6 / 47

HEX #87007F

RGB 135 0 127

HSL 303.56, 1%, 0.26%

LAB 31.07, 60.03, -33.73

 

CMYK 0 / 87 / 0 / 21

HEX #C91BC9

RGB 201 27 201

HSL 300, 0.76%, 0.45%

LAB 48.78, 79.22, -49.28

 

CMYK 0 / 87 / 23 / 21

HEX #C91B9A

RGB 201 27 154

HSL 316.21, 0.76%, 0.45%

LAB 46.36, 72.83, -25.42

 

CMYK 0 / 87 / 47 / 21

HEX #C91B6B

RGB 201 27 107

HSL 332.41, 0.76%, 0.45%

LAB 44.61, 67.98, 0.67

 

CMYK 0 / 87 / 70 / 21

HEX #C91B3C

RGB 201 27 60

HSL 348.62, 0.76%, 0.45%

LAB 43.55, 64.94, 28.5

 

CMYK 0 / 87 / 87 / 21

HEX #C91B1B

RGB 201 27 27

HSL 0, 0.76%, 0.45%

LAB 43.18, 63.88, 46.76

 

CMYK 0 / 87 / 0 / 21

HEX #C91BC9

RGB 201 27 201

HSL 300, 0.76%, 0.45%

LAB 48.78, 79.22, -49.28

 

CMYK 23 / 87 / 0 / 21

HEX #9A1BC9

RGB 154 27 201

HSL 283.79, 0.76%, 0.45%

LAB 41.01, 71.44, -62.21

 

CMYK 47 / 87 / 0 / 21

HEX #6B1BC9

RGB 107 27 201

HSL 267.59, 0.76%, 0.45%

LAB 34.25, 65.13, -73.54

 

CMYK 70 / 87 / 0 / 21

HEX #3C1BC9

RGB 60 27 201

HSL 251.38, 0.76%, 0.45%

LAB 29.32, 60.95, -81.86

 

CMYK 87 / 87 / 0 / 21

HEX #1B1BC9

RGB 27 27 201

HSL 240, 0.76%, 0.45%

LAB 27.39, 59.45, -85.11

 

CMYK 0 / 87 / 0 / 21

HEX #C91BC9

RGB 201 27 201

HSL 300, 0.76%, 0.45%

LAB 48.78, 79.22, -49.28

 

CMYK 0 / 96 / 0 / 14

HEX #DC08DC

RGB 220 8 220

HSL 300, 0.93%, 0.45%

LAB 52.46, 87.31, -54.11

 

CMYK 0 / 87 / 0 / 21

HEX #C91BC9

RGB 201 27 201

HSL 300, 0.76%, 0.45%

LAB 48.78, 79.22, -49.28

 

CMYK 0 / 75 / 0 / 28

HEX #B72EB7

RGB 183 46 183

HSL 300, 0.6%, 0.45%

LAB 46.23, 68.57, -43.05

 

CMYK 0 / 61 / 0 / 36

HEX #A440A4

RGB 164 64 164

HSL 300, 0.44%, 0.45%

LAB 44.57, 54.25, -34.64

 

CMYK 0 / 43 / 0 / 43

HEX #925392

RGB 146 83 146

HSL 300, 0.28%, 0.45%

LAB 44.76, 36.16, -23.78

 

CMYK 0 / 20 / 0 / 50

HEX #7F657F

RGB 127 101 127

HSL 300, 0.11%, 0.45%

LAB 46.11, 15.29, -10.51

 

CMYK 46 / 87 / 0 / 21

HEX #6C1BC9

RGB 108 27 201

HSL 267.93, 0.76%, 0.45%

LAB 34.37, 65.24, -73.33

 

CMYK 23 / 87 / 0 / 21

HEX #9B1BC9

RGB 155 27 201

HSL 284.14, 0.76%, 0.45%

LAB 41.17, 71.59, -61.94

 

CMYK 0 / 87 / 0 / 21

HEX #C91BC9

RGB 201 27 201

HSL 300, 0.76%, 0.45%

LAB 48.78, 79.22, -49.28

 

CMYK 0 / 87 / 23 / 21

HEX #C91B9B

RGB 201 27 155

HSL 315.86, 0.76%, 0.45%

LAB 46.4, 72.95, -25.95

 

CMYK 0 / 87 / 46 / 21

HEX #C91B6C

RGB 201 27 108

HSL 332.07, 0.76%, 0.45%

LAB 44.64, 68.07, 0.09

 

CMYK 0 / 87 / 0 / 49

HEX #811181

RGB 129 17 129

HSL 300, 0.77%, 0.29%

LAB 31, 56.43, -35.16

 

CMYK 0 / 87 / 0 / 35

HEX #A516A5

RGB 165 22 165

HSL 300, 0.76%, 0.37%

LAB 40.06, 68.08, -42.38

 

CMYK 0 / 87 / 0 / 21

HEX #C91BC9

RGB 201 27 201

HSL 300, 0.76%, 0.45%

LAB 48.78, 79.22, -49.28

 

CMYK 0 / 81 / 0 / 11

HEX #E22CE2

RGB 226 44 226

HSL 300, 0.76%, 0.53%

LAB 55.54, 84.16, -52.53

 

CMYK 0 / 65 / 0 / 9

HEX #E750E7

RGB 231 80 231

HSL 300, 0.76%, 0.61%

LAB 60.33, 75.27, -47.69

 

CMYK 0 / 86 / 0 / 20

HEX #CB1CCB

RGB 203 28 203

HSL 300, 0.76%, 0.45%

LAB 49.3, 79.71, -49.59

 

CMYK 0 / 69 / 87 / 21

HEX #C93E1B

RGB 201 62 27

HSL 12.07, 0.76%, 0.45%

LAB 46.9, 53.49, 49.81

 

CMYK 87 / 0 / 34 / 21

HEX #1BC984

RGB 27 201 132

HSL 156.21, 0.76%, 0.45%

LAB 72.01, -56.85, 23.19

 

CMYK 0 / 86 / 0 / 20

HEX #CB1CCB

RGB 203 28 203

HSL 300, 0.76%, 0.45%

LAB 49.3, 79.71, -49.59

 

CMYK 0 / 0 / 87 / 21

HEX #C9C91B

RGB 201 201 27

HSL 60, 0.76%, 0.45%

LAB 78.62, -17.65, 75.59

 

CMYK 87 / 0 / 0 / 21

HEX #1BC9C9

RGB 27 201 201

HSL 180, 0.76%, 0.45%

LAB 73.69, -39.19, -11.58

 

CMYK 0 / 86 / 0 / 20

HEX #CB1CCB

RGB 203 28 203

HSL 300, 0.76%, 0.45%

LAB 49.3, 79.71, -49.59

 

CMYK 0 / 69 / 87 / 21

HEX #C93E1B

RGB 201 62 27

HSL 12.07, 0.76%, 0.45%

LAB 46.9, 53.49, 49.81

 

CMYK 87 / 0 / 87 / 21

HEX #1BC91B

RGB 27 201 27

HSL 120, 0.76%, 0.45%

LAB 70.93, -69.87, 66.02

 

CMYK 87 / 17 / 0 / 21

HEX #1BA7C9

RGB 27 167 201

HSL 191.72, 0.76%, 0.45%

LAB 63.42, -22.75, -27.18

 

CMYK 0 / 86 / 0 / 20

HEX #CB1CCB

RGB 203 28 203

HSL 300, 0.76%, 0.45%

LAB 49.3, 79.71, -49.59

 

CMYK 0 / 43 / 87 / 21

HEX #C9721B

RGB 201 114 27

HSL 30, 0.76%, 0.45%

LAB 56.62, 28.57, 57.76

 

CMYK 87 / 0 / 87 / 21

HEX #1BC91B

RGB 27 201 27

HSL 120, 0.76%, 0.45%

LAB 70.93, -69.87, 66.02

 

CMYK 87 / 43 / 0 / 21

HEX #1B72C9

RGB 27 114 201

HSL 210, 0.76%, 0.45%

LAB 47.6, 7.62, -52.04

 

Description

Color code: RGB 203 28 203 | qconv.com Color code: RGB 203 28 203 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 28 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 28 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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