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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 224 199 it is the complementary color RGB 52 31 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 224 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 203 224 199 shade: RGB 208 224 194, RGB 225 242 213, RGB 242 255 232 and RGB 255 255 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 224 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 203 224 199 shade: RGB 203 224 199, RGB 186 206 180, RGB 169 188 161, RGB 152 170 142 and RGB 135 152 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 203 224 199 shade: RGB 203 224 199, RGB 209 224 199, RGB 216 224 199, RGB 223 224 199 and RGB 224 218 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 203 224 199 shade: RGB 203 224 199, RGB 199 224 201, RGB 199 224 208, RGB 199 224 215 and RGB 199 224 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 203 224 199 shade matches the following richer shades: RGB 203 224 199, RGB 198 231 192, RGB 193 238 185, RGB 188 245 178 and RGB 184 252 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 203 224 199 shade: RGB 203 224 199, RGB 207 217 206, RGB 212 210 213, RGB 217 203 220 and RGB 222 196 227

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 203 224 199 shade: RGB 216 224 199, RGB 209 224 199, RGB 203 224 199, RGB 199 224 201 and RGB 199 224 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 203 224 199 shade: RGB 153 194 145, RGB 178 209 172, RGB 203 224 199, RGB 227 238 225 and RGB 252 253 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 203 224 199 shade: RGB 203 224 199, RGB 199 223 224 and RGB 224 199 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 203 224 199 shade: RGB 203 224 199, RGB 199 203 224 and RGB 224 199 203

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 203 224 199 shade: RGB 203 224 199, RGB 199 223 224, RGB 220 199 224 and RGB 224 199 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 203 224 199 shade: RGB 203 224 199, RGB 199 215 224, RGB 220 199 224 and RGB 224 207 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 11 / 12

HEX #CBE0C7

RGB 203 224 199

HSL 110.4, 0.29%, 0.83%

LAB 87.06, -11.55, 9.88

 

Complementary color

CMYK 7 / 45 / 0 / 78

HEX #341F38

RGB 52 31 56

HSL 290.4, 0.29%, 0.17%

LAB 15.46, 15.42, -12.17

 

CMYK 7 / 0 / 13 / 12

HEX #D0E0C2

RGB 208 224 194

HSL 92, 0.33%, 0.82%

LAB 87.3, -10.68, 12.88

 

CMYK 7 / 0 / 12 / 5

HEX #E1F2D5

RGB 225 242 213

HSL 95.17, 0.53%, 0.89%

LAB 93.59, -10.71, 12.09

 

CMYK 5 / 0 / 9 / 0

HEX #F2FFE8

RGB 242 255 232

HSL 93.91, 1%, 0.95%

LAB 98.52, -8.26, 9.52

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 9 / 0 / 11 / 12

HEX #CBE0C7

RGB 203 224 199

HSL 110.4, 0.29%, 0.83%

LAB 87.06, -11.55, 9.88

 

CMYK 10 / 0 / 13 / 19

HEX #BACEB4

RGB 186 206 180

HSL 106.15, 0.21%, 0.76%

LAB 80.67, -11.56, 10.66

 

CMYK 10 / 0 / 14 / 26

HEX #A9BCA1

RGB 169 188 161

HSL 102.22, 0.17%, 0.68%

LAB 74.17, -11.57, 11.48

 

CMYK 11 / 0 / 16 / 33

HEX #98AA8E

RGB 152 170 142

HSL 98.57, 0.14%, 0.61%

LAB 67.56, -11.59, 12.34

 

CMYK 11 / 0 / 19 / 40

HEX #87987B

RGB 135 152 123

HSL 95.17, 0.12%, 0.54%

LAB 60.81, -11.62, 13.26

 

CMYK 9 / 0 / 11 / 12

HEX #CBE0C7

RGB 203 224 199

HSL 110.4, 0.29%, 0.83%

LAB 87.06, -11.55, 9.88

 

CMYK 7 / 0 / 11 / 12

HEX #D1E0C7

RGB 209 224 199

HSL 96, 0.29%, 0.83%

LAB 87.48, -9.49, 10.53

 

CMYK 4 / 0 / 11 / 12

HEX #D8E0C7

RGB 216 224 199

HSL 79.2, 0.29%, 0.83%

LAB 87.98, -7.06, 11.32

 

CMYK 0 / 0 / 11 / 12

HEX #DFE0C7

RGB 223 224 199

HSL 62.4, 0.29%, 0.83%

LAB 88.51, -4.59, 12.13

 

CMYK 0 / 3 / 11 / 12

HEX #E0DAC7

RGB 224 218 199

HSL 45.6, 0.29%, 0.83%

LAB 87.05, -1.16, 10.07

 

CMYK 9 / 0 / 11 / 12

HEX #CBE0C7

RGB 203 224 199

HSL 110.4, 0.29%, 0.83%

LAB 87.06, -11.55, 9.88

 

CMYK 11 / 0 / 10 / 12

HEX #C7E0C9

RGB 199 224 201

HSL 124.8, 0.29%, 0.83%

LAB 86.83, -12.55, 8.47

 

CMYK 11 / 0 / 7 / 12

HEX #C7E0D0

RGB 199 224 208

HSL 141.6, 0.29%, 0.83%

LAB 87, -11.28, 5.02

 

CMYK 11 / 0 / 4 / 12

HEX #C7E0D7

RGB 199 224 215

HSL 158.4, 0.29%, 0.83%

LAB 87.17, -9.98, 1.59

 

CMYK 11 / 0 / 1 / 12

HEX #C7E0DE

RGB 199 224 222

HSL 175.2, 0.29%, 0.83%

LAB 87.35, -8.63, -1.84

 

CMYK 9 / 0 / 11 / 12

HEX #CBE0C7

RGB 203 224 199

HSL 110.4, 0.29%, 0.83%

LAB 87.06, -11.55, 9.88

 

CMYK 14 / 0 / 17 / 9

HEX #C6E7C0

RGB 198 231 192

HSL 110.77, 0.45%, 0.83%

LAB 88.43, -17.95, 15.43

 

CMYK 19 / 0 / 22 / 7

HEX #C1EEB9

RGB 193 238 185

HSL 110.94, 0.61%, 0.83%

LAB 89.85, -24.22, 21

 

CMYK 23 / 0 / 27 / 4

HEX #BCF5B2

RGB 188 245 178

HSL 111.04, 0.77%, 0.83%

LAB 91.33, -30.33, 26.57

 

CMYK 27 / 0 / 32 / 1

HEX #B8FCAB

RGB 184 252 171

HSL 110.37, 0.93%, 0.83%

LAB 92.91, -35.96, 32.21

 

CMYK 9 / 0 / 11 / 12

HEX #CBE0C7

RGB 203 224 199

HSL 110.4, 0.29%, 0.83%

LAB 87.06, -11.55, 9.88

 

CMYK 5 / 0 / 5 / 15

HEX #CFD9CE

RGB 207 217 206

HSL 114.55, 0.13%, 0.83%

LAB 85.68, -5.37, 4.24

 

CMYK 0 / 1 / 0 / 16

HEX #D4D2D5

RGB 212 210 213

HSL 280, 0.03%, 0.83%

LAB 84.43, 1.23, -1.25

 

CMYK 1 / 8 / 0 / 14

HEX #D9CBDC

RGB 217 203 220

HSL 289.41, 0.2%, 0.83%

LAB 83.25, 7.9, -6.67

 

CMYK 2 / 14 / 0 / 11

HEX #DEC4E3

RGB 222 196 227

HSL 290.32, 0.36%, 0.83%

LAB 82.14, 14.61, -12.02

 

CMYK 4 / 0 / 11 / 12

HEX #D8E0C7

RGB 216 224 199

HSL 79.2, 0.29%, 0.83%

LAB 87.98, -7.06, 11.32

 

CMYK 7 / 0 / 11 / 12

HEX #D1E0C7

RGB 209 224 199

HSL 96, 0.29%, 0.83%

LAB 87.48, -9.49, 10.53

 

CMYK 9 / 0 / 11 / 12

HEX #CBE0C7

RGB 203 224 199

HSL 110.4, 0.29%, 0.83%

LAB 87.06, -11.55, 9.88

 

CMYK 11 / 0 / 10 / 12

HEX #C7E0C9

RGB 199 224 201

HSL 124.8, 0.29%, 0.83%

LAB 86.83, -12.55, 8.47

 

CMYK 11 / 0 / 7 / 12

HEX #C7E0D0

RGB 199 224 208

HSL 141.6, 0.29%, 0.83%

LAB 87, -11.28, 5.02

 

CMYK 21 / 0 / 25 / 24

HEX #99C291

RGB 153 194 145

HSL 110.2, 0.29%, 0.66%

LAB 74.45, -23, 20.31

 

CMYK 15 / 0 / 18 / 18

HEX #B2D1AC

RGB 178 209 172

HSL 110.27, 0.29%, 0.75%

LAB 80.76, -17.24, 14.97

 

CMYK 9 / 0 / 11 / 12

HEX #CBE0C7

RGB 203 224 199

HSL 110.4, 0.29%, 0.83%

LAB 87.06, -11.55, 9.88

 

CMYK 5 / 0 / 5 / 7

HEX #E3EEE1

RGB 227 238 225

HSL 110.77, 0.28%, 0.91%

LAB 92.98, -5.97, 5.02

 

CMYK 0 / 0 / 0 / 1

HEX #FCFDFC

RGB 252 253 252

HSL 120, 0.2%, 0.99%

LAB 99.21, -0.5, 0.35

 

CMYK 9 / 0 / 11 / 12

HEX #CBE0C7

RGB 203 224 199

HSL 110.4, 0.29%, 0.83%

LAB 87.06, -11.55, 9.88

 

CMYK 11 / 0 / 0 / 12

HEX #C7DFE0

RGB 199 223 224

HSL 182.4, 0.29%, 0.83%

LAB 87.14, -7.72, -3.2

RGB 199 223 224

CMYK 0 / 11 / 5 / 12

HEX #E0C7D5

RGB 224 199 213

HSL 326.4, 0.29%, 0.83%

LAB 82.65, 11.15, -3.75

RGB 224 199 213

CMYK 9 / 0 / 11 / 12

HEX #CBE0C7

RGB 203 224 199

HSL 110.4, 0.29%, 0.83%

LAB 87.06, -11.55, 9.88

 

CMYK 11 / 9 / 0 / 12

HEX #C7CBE0

RGB 199 203 224

HSL 230.4, 0.29%, 0.83%

LAB 81.97, 2.71, -10.86

 

CMYK 0 / 11 / 9 / 12

HEX #E0C7CB

RGB 224 199 203

HSL 350.4, 0.29%, 0.83%

LAB 82.38, 9.44, 1.21

 

CMYK 9 / 0 / 11 / 12

HEX #CBE0C7

RGB 203 224 199

HSL 110.4, 0.29%, 0.83%

LAB 87.06, -11.55, 9.88

 

CMYK 11 / 0 / 0 / 12

HEX #C7DFE0

RGB 199 223 224

HSL 182.4, 0.29%, 0.83%

LAB 87.14, -7.72, -3.2

RGB 199 223 224

CMYK 2 / 11 / 0 / 12

HEX #DCC7E0

RGB 220 199 224

HSL 290.4, 0.29%, 0.83%

LAB 82.62, 11.78, -9.72

RGB 220 199 224

CMYK 9 / 0 / 11 / 12

HEX #CBE0C7

RGB 203 224 199

HSL 110.4, 0.29%, 0.83%

LAB 87.06, -11.55, 9.88

 

CMYK 11 / 4 / 0 / 12

HEX #C7D7E0

RGB 199 215 224

HSL 201.6, 0.29%, 0.83%

LAB 85.06, -3.59, -6.27

 

CMYK 2 / 11 / 0 / 12

HEX #DCC7E0

RGB 220 199 224

HSL 290.4, 0.29%, 0.83%

LAB 82.62, 11.78, -9.72

 

CMYK 0 / 8 / 11 / 12

HEX #E0CFC7

RGB 224 207 199

HSL 19.2, 0.29%, 0.83%

LAB 84.28, 4.56, 6.09

 

Description

Color code: RGB 203 224 199 | qconv.com Color code: RGB 203 224 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 224 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 224 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 11 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 11% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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