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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 157 249 it is the complementary color RGB 52 98 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 157 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 203 157 249 shade: RGB 208 157 244, RGB 225 175 255, RGB 242 193 255, RGB 255 211 255 and RGB 255 229 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 157 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 203 157 249 shade: RGB 203 157 249, RGB 186 139 230, RGB 169 121 211, RGB 152 103 192 and RGB 135 85 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 203 157 249 shade: RGB 204 159 248, RGB 228 159 248, RGB 248 159 245, RGB 248 159 221 and RGB 248 159 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 203 157 249 shade: RGB 204 159 248, RGB 179 159 248 and RGB 159 159 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 203 157 249 shade matches the following richer shades: RGB 204 159 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 203 157 249 shade: RGB 204 159 248, RGB 204 167 240, RGB 204 175 232, RGB 204 183 224 and RGB 204 192 215

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 203 157 249 shade: RGB 159 162 248, RGB 180 159 248, RGB 204 159 248, RGB 227 159 248 and RGB 248 159 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 203 157 249 shade: RGB 162 81 243, RGB 183 120 246, RGB 204 159 248, RGB 224 197 251 and RGB 245 236 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 203 157 249 shade: RGB 203 157 249, RGB 248 159 186 and RGB 159 248 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 203 157 249 shade: RGB 203 157 249, RGB 248 204 159 and RGB 159 248 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 203 157 249 shade: RGB 203 157 249, RGB 248 159 186, RGB 204 248 159 and RGB 159 248 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 203 157 249 shade: RGB 203 157 249, RGB 248 159 159, RGB 204 248 159 and RGB 159 248 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 37 / 0 / 2

HEX #CB9DF9

RGB 203 157 249

HSL 270, 0.88%, 0.8%

LAB 71.99, 34.28, -39.54

 

Complementary color

CMYK 47 / 0 / 94 / 62

HEX #346206

RGB 52 98 6

HSL 90, 0.88%, 0.2%

LAB 36.89, -30.94, 41.25

 

CMYK 15 / 36 / 0 / 4

HEX #D09DF4

RGB 208 157 244

HSL 275.17, 0.8%, 0.79%

LAB 72.27, 34.68, -36.36

 

CMYK 12 / 31 / 0 / 0

HEX #E1AFFF

RGB 225 175 255

HSL 277.5, 1%, 0.84%

LAB 78.4, 32.35, -32.69

 

CMYK 5 / 24 / 0 / 0

HEX #F2C1FF

RGB 242 193 255

HSL 287.42, 1%, 0.88%

LAB 84.09, 28.01, -23.84

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 18 / 37 / 0 / 2

HEX #CB9DF9

RGB 203 157 249

HSL 270, 0.88%, 0.8%

LAB 71.99, 34.28, -39.54

 

CMYK 19 / 40 / 0 / 10

HEX #BA8BE6

RGB 186 139 230

HSL 270.99, 0.65%, 0.72%

LAB 65.45, 35.02, -39.47

 

CMYK 20 / 43 / 0 / 17

HEX #A979D3

RGB 169 121 211

HSL 272, 0.51%, 0.65%

LAB 58.8, 35.82, -39.4

 

CMYK 21 / 46 / 0 / 25

HEX #9867C0

RGB 152 103 192

HSL 273.03, 0.41%, 0.58%

LAB 52.04, 36.67, -39.34

 

CMYK 22 / 51 / 0 / 32

HEX #8755AD

RGB 135 85 173

HSL 274.09, 0.35%, 0.51%

LAB 45.17, 37.55, -39.27

 

CMYK 18 / 36 / 0 / 3

HEX #CC9FF8

RGB 204 159 248

HSL 270.34, 0.86%, 0.8%

LAB 72.5, 33.26, -38.2

 

CMYK 8 / 36 / 0 / 3

HEX #E49FF8

RGB 228 159 248

HSL 286.52, 0.86%, 0.8%

LAB 74.87, 40.41, -34.34

 

CMYK 0 / 36 / 1 / 3

HEX #F89FF5

RGB 248 159 245

HSL 302.02, 0.86%, 0.8%

LAB 76.89, 45.91, -29.43

 

CMYK 0 / 36 / 11 / 3

HEX #F89FDD

RGB 248 159 221

HSL 318.2, 0.86%, 0.8%

LAB 76.05, 41.83, -17.66

 

CMYK 0 / 36 / 21 / 3

HEX #F89FC4

RGB 248 159 196

HSL 335.06, 0.86%, 0.8%

LAB 75.29, 37.98, -5.12

 

CMYK 18 / 36 / 0 / 3

HEX #CC9FF8

RGB 204 159 248

HSL 270.34, 0.86%, 0.8%

LAB 72.5, 33.26, -38.2

 

CMYK 28 / 36 / 0 / 3

HEX #B39FF8

RGB 179 159 248

HSL 253.48, 0.86%, 0.8%

LAB 70.29, 26.06, -41.82

 

CMYK 36 / 36 / 0 / 3

HEX #9F9FF8

RGB 159 159 248

HSL 240, 0.86%, 0.8%

LAB 68.71, 20.6, -44.4

 

CMYK 18 / 36 / 0 / 3

HEX #CC9FF8

RGB 204 159 248

HSL 270.34, 0.86%, 0.8%

LAB 72.5, 33.26, -38.2

 

CMYK 18 / 36 / 0 / 3

HEX #CC9FF8

RGB 204 159 248

HSL 270.34, 0.86%, 0.8%

LAB 72.5, 33.26, -38.2

 

CMYK 15 / 30 / 0 / 6

HEX #CCA7F0

RGB 204 167 240

HSL 270.41, 0.71%, 0.8%

LAB 74.04, 27.16, -31.47

 

CMYK 12 / 25 / 0 / 9

HEX #CCAFE8

RGB 204 175 232

HSL 270.53, 0.55%, 0.8%

LAB 75.65, 21.09, -24.66

 

CMYK 9 / 18 / 0 / 12

HEX #CCB7E0

RGB 204 183 224

HSL 270.73, 0.4%, 0.8%

LAB 77.33, 15.09, -17.78

 

CMYK 5 / 11 / 0 / 16

HEX #CCC0D7

RGB 204 192 215

HSL 271.3, 0.22%, 0.8%

LAB 79.3, 8.45, -9.97

 

CMYK 36 / 35 / 0 / 3

HEX #9FA2F8

RGB 159 162 248

HSL 237.98, 0.86%, 0.8%

LAB 69.46, 18.89, -43.22

 

CMYK 27 / 36 / 0 / 3

HEX #B49FF8

RGB 180 159 248

HSL 254.16, 0.86%, 0.8%

LAB 70.37, 26.34, -41.68

 

CMYK 18 / 36 / 0 / 3

HEX #CC9FF8

RGB 204 159 248

HSL 270.34, 0.86%, 0.8%

LAB 72.5, 33.26, -38.2

 

CMYK 8 / 36 / 0 / 3

HEX #E39FF8

RGB 227 159 248

HSL 285.84, 0.86%, 0.8%

LAB 74.76, 40.11, -34.51

 

CMYK 0 / 36 / 1 / 3

HEX #F89FF5

RGB 248 159 245

HSL 302.02, 0.86%, 0.8%

LAB 76.89, 45.91, -29.43

 

CMYK 33 / 67 / 0 / 5

HEX #A251F3

RGB 162 81 243

HSL 270, 0.87%, 0.64%

LAB 51.88, 62.42, -68.46

 

CMYK 26 / 51 / 0 / 4

HEX #B778F6

RGB 183 120 246

HSL 270, 0.88%, 0.72%

LAB 61.79, 48.19, -54.1

 

CMYK 18 / 36 / 0 / 3

HEX #CC9FF8

RGB 204 159 248

HSL 270.34, 0.86%, 0.8%

LAB 72.5, 33.26, -38.2

 

CMYK 11 / 22 / 0 / 2

HEX #E0C5FB

RGB 224 197 251

HSL 270, 0.87%, 0.88%

LAB 83.31, 19.4, -23.05

 

CMYK 3 / 7 / 0 / 1

HEX #F5ECFD

RGB 245 236 253

HSL 271.76, 0.81%, 0.96%

LAB 94.52, 6.05, -7.11

 

CMYK 18 / 37 / 0 / 2

HEX #CB9DF9

RGB 203 157 249

HSL 270, 0.88%, 0.8%

LAB 71.99, 34.28, -39.54

 

CMYK 0 / 36 / 25 / 3

HEX #F89FBA

RGB 248 159 186

HSL 341.8, 0.86%, 0.8%

LAB 75.01, 36.56, -0.03

 

CMYK 36 / 0 / 32 / 3

HEX #9FF8A8

RGB 159 248 168

HSL 126.07, 0.86%, 0.8%

LAB 90.47, -42.45, 30.23

 

CMYK 18 / 37 / 0 / 2

HEX #CB9DF9

RGB 203 157 249

HSL 270, 0.88%, 0.8%

LAB 71.99, 34.28, -39.54

 

CMYK 0 / 18 / 36 / 3

HEX #F8CC9F

RGB 248 204 159

HSL 30.34, 0.86%, 0.8%

LAB 84.82, 9.47, 28.27

 

CMYK 36 / 0 / 18 / 3

HEX #9FF8CC

RGB 159 248 204

HSL 150.34, 0.86%, 0.8%

LAB 91.17, -36, 12.78

 

CMYK 18 / 37 / 0 / 2

HEX #CB9DF9

RGB 203 157 249

HSL 270, 0.88%, 0.8%

LAB 71.99, 34.28, -39.54

 

CMYK 0 / 36 / 25 / 3

HEX #F89FBA

RGB 248 159 186

HSL 341.8, 0.86%, 0.8%

LAB 75.01, 36.56, -0.03

 

CMYK 18 / 0 / 36 / 3

HEX #CCF89F

RGB 204 248 159

HSL 89.66, 0.86%, 0.8%

LAB 92.78, -29, 38.24

 

CMYK 36 / 0 / 11 / 3

HEX #9FF8DD

RGB 159 248 221

HSL 161.8, 0.86%, 0.8%

LAB 91.56, -32.54, 4.54

 

CMYK 18 / 37 / 0 / 2

HEX #CB9DF9

RGB 203 157 249

HSL 270, 0.88%, 0.8%

LAB 71.99, 34.28, -39.54

 

CMYK 0 / 36 / 36 / 3

HEX #F89F9F

RGB 248 159 159

HSL 0, 0.86%, 0.8%

LAB 74.35, 33.1, 13.87

 

CMYK 18 / 0 / 36 / 3

HEX #CCF89F

RGB 204 248 159

HSL 89.66, 0.86%, 0.8%

LAB 92.78, -29, 38.24

 

CMYK 36 / 0 / 0 / 3

HEX #9FF8F8

RGB 159 248 248

HSL 180, 0.86%, 0.8%

LAB 92.26, -26.54, -8.45

 

Description

Color code: RGB 203 157 249 | qconv.com Color code: RGB 203 157 249 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 157 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 157 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 37 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 37% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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