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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 202 80 221 it is the complementary color RGB 53 175 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 202 80 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 202 80 221 shade: RGB 207 80 216, RGB 224 98 235, RGB 241 116 254, RGB 255 134 255 and RGB 255 152 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 202 80 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 202 80 221 shade: RGB 202 80 221, RGB 185 62 202, RGB 168 44 183, RGB 151 26 164 and RGB 134 8 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 202 80 221 shade: RGB 201 80 220, RGB 220 80 201, RGB 220 80 163, RGB 220 80 126 and RGB 220 80 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 202 80 221 shade: RGB 201 80 220, RGB 163 80 220, RGB 126 80 220, RGB 88 80 220 and RGB 80 80 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 202 80 221 shade matches the following richer shades: RGB 201 80 220, RGB 213 63 237 and RGB 226 46 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 202 80 221 shade: RGB 201 80 220, RGB 189 97 203, RGB 176 114 186, RGB 164 131 169 and RGB 152 148 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 202 80 221 shade: RGB 124 80 220, RGB 162 80 220, RGB 199 80 220, RGB 220 80 204 and RGB 220 80 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 202 80 221 shade: RGB 162 36 182, RGB 191 45 213, RGB 201 80 220, RGB 212 114 227 and RGB 222 149 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 202 80 221 shade: RGB 202 80 221, RGB 220 87 80 and RGB 80 220 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 202 80 221 shade: RGB 202 80 221, RGB 220 199 80 and RGB 80 220 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 202 80 221 shade: RGB 202 80 221, RGB 220 87 80, RGB 101 220 80 and RGB 80 213 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 202 80 221 shade: RGB 202 80 221, RGB 220 129 80, RGB 101 220 80 and RGB 80 171 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 64 / 0 / 13

HEX #CA50DD

RGB 202 80 221

HSL 291.91, 0.67%, 0.59%

LAB 55.6, 66.94, -49.84

 

Complementary color

CMYK 70 / 0 / 81 / 31

HEX #35AF22

RGB 53 175 34

HSL 111.91, 0.67%, 0.41%

LAB 62.95, -58.13, 57.17

 

CMYK 4 / 63 / 0 / 15

HEX #CF50D8

RGB 207 80 216

HSL 296.03, 0.64%, 0.58%

LAB 56.05, 67.22, -46.25

 

CMYK 5 / 58 / 0 / 8

HEX #E062EB

RGB 224 98 235

HSL 295.18, 0.77%, 0.65%

LAB 62.15, 67.04, -47.11

 

CMYK 5 / 54 / 0 / 0

HEX #F174FE

RGB 241 116 254

HSL 294.35, 0.99%, 0.73%

LAB 68.28, 66.64, -47.79

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 9 / 64 / 0 / 13

HEX #CA50DD

RGB 202 80 221

HSL 291.91, 0.67%, 0.59%

LAB 55.6, 66.94, -49.84

 

CMYK 8 / 69 / 0 / 21

HEX #B93ECA

RGB 185 62 202

HSL 292.71, 0.57%, 0.52%

LAB 49.52, 66.81, -48.82

 

CMYK 8 / 76 / 0 / 28

HEX #A82CB7

RGB 168 44 183

HSL 293.53, 0.61%, 0.45%

LAB 43.57, 66.1, -47.43

 

CMYK 8 / 84 / 0 / 36

HEX #971AA4

RGB 151 26 164

HSL 294.35, 0.73%, 0.37%

LAB 37.84, 64.5, -45.48

 

CMYK 8 / 94 / 0 / 43

HEX #860891

RGB 134 8 145

HSL 295.18, 0.9%, 0.3%

LAB 32.45, 61.54, -42.74

 

CMYK 9 / 64 / 0 / 14

HEX #C950DC

RGB 201 80 220

HSL 291.86, 0.67%, 0.59%

LAB 55.4, 66.53, -49.6

 

CMYK 0 / 64 / 9 / 14

HEX #DC50C9

RGB 220 80 201

HSL 308.14, 0.67%, 0.59%

LAB 57.24, 67.93, -35.71

 

CMYK 0 / 64 / 26 / 14

HEX #DC50A3

RGB 220 80 163

HSL 324.43, 0.67%, 0.59%

LAB 55.68, 62.55, -16.16

 

CMYK 0 / 64 / 43 / 14

HEX #DC507E

RGB 220 80 126

HSL 340.29, 0.67%, 0.59%

LAB 54.51, 58.34, 3.91

 

CMYK 0 / 64 / 60 / 14

HEX #DC5058

RGB 220 80 88

HSL 356.57, 0.67%, 0.59%

LAB 53.66, 55.17, 25.26

 

CMYK 9 / 64 / 0 / 14

HEX #C950DC

RGB 201 80 220

HSL 291.86, 0.67%, 0.59%

LAB 55.4, 66.53, -49.6

 

CMYK 26 / 64 / 0 / 14

HEX #A350DC

RGB 163 80 220

HSL 275.57, 0.67%, 0.59%

LAB 50.32, 57.89, -58.01

 

CMYK 43 / 64 / 0 / 14

HEX #7E50DC

RGB 126 80 220

HSL 259.71, 0.67%, 0.59%

LAB 46.1, 50.08, -65.04

 

CMYK 60 / 64 / 0 / 14

HEX #5850DC

RGB 88 80 220

HSL 243.43, 0.67%, 0.59%

LAB 42.73, 43.3, -70.67

 

CMYK 64 / 64 / 0 / 14

HEX #5050DC

RGB 80 80 220

HSL 240, 0.67%, 0.59%

LAB 42.17, 42.11, -71.61

 

CMYK 9 / 64 / 0 / 14

HEX #C950DC

RGB 201 80 220

HSL 291.86, 0.67%, 0.59%

LAB 55.4, 66.53, -49.6

 

CMYK 10 / 73 / 0 / 7

HEX #D53FED

RGB 213 63 237

HSL 291.72, 0.83%, 0.59%

LAB 55.9, 78.34, -58.27

 

CMYK 11 / 82 / 0 / 0

HEX #E22EFE

RGB 226 46 254

HSL 291.92, 0.99%, 0.59%

LAB 57.35, 88.1, -65.32

 

CMYK 9 / 64 / 0 / 14

HEX #C950DC

RGB 201 80 220

HSL 291.86, 0.67%, 0.59%

LAB 55.4, 66.53, -49.6

 

CMYK 7 / 52 / 0 / 20

HEX #BD61CB

RGB 189 97 203

HSL 292.08, 0.5%, 0.59%

LAB 55.77, 52.56, -39.48

 

CMYK 5 / 39 / 0 / 27

HEX #B072BA

RGB 176 114 186

HSL 291.67, 0.34%, 0.59%

LAB 56.89, 36.48, -28.13

 

CMYK 3 / 22 / 0 / 34

HEX #A483A9

RGB 164 131 169

HSL 292.11, 0.18%, 0.59%

LAB 58.96, 19.52, -15.33

 

CMYK 0 / 3 / 0 / 40

HEX #989498

RGB 152 148 152

HSL 300, 0.02%, 0.59%

LAB 61.76, 2.23, -1.59

 

CMYK 44 / 64 / 0 / 14

HEX #7C50DC

RGB 124 80 220

HSL 258.86, 0.67%, 0.59%

LAB 45.89, 49.68, -65.38

 

CMYK 26 / 64 / 0 / 14

HEX #A250DC

RGB 162 80 220

HSL 275.14, 0.67%, 0.59%

LAB 50.2, 57.67, -58.21

 

CMYK 10 / 64 / 0 / 14

HEX #C750DC

RGB 199 80 220

HSL 291, 0.67%, 0.59%

LAB 55.12, 66.07, -50.06

 

CMYK 0 / 64 / 7 / 14

HEX #DC50CC

RGB 220 80 204

HSL 306.86, 0.67%, 0.59%

LAB 57.38, 68.39, -37.21

 

CMYK 0 / 64 / 25 / 14

HEX #DC50A6

RGB 220 80 166

HSL 323.14, 0.67%, 0.59%

LAB 55.79, 62.94, -17.75

 

CMYK 11 / 80 / 0 / 29

HEX #A224B6

RGB 162 36 182

HSL 291.78, 0.67%, 0.43%

LAB 41.72, 67.12, -49.86

 

CMYK 10 / 79 / 0 / 16

HEX #BF2DD5

RGB 191 45 213

HSL 292.14, 0.67%, 0.51%

LAB 49.2, 75.41, -55.61

 

CMYK 9 / 64 / 0 / 14

HEX #C950DC

RGB 201 80 220

HSL 291.86, 0.67%, 0.59%

LAB 55.4, 66.53, -49.6

 

CMYK 7 / 50 / 0 / 11

HEX #D472E3

RGB 212 114 227

HSL 292.04, 0.67%, 0.67%

LAB 62.99, 55, -41.44

 

CMYK 5 / 36 / 0 / 8

HEX #DE95EA

RGB 222 149 234

HSL 291.53, 0.67%, 0.75%

LAB 71.53, 41.18, -31.93

 

CMYK 9 / 64 / 0 / 13

HEX #CA50DD

RGB 202 80 221

HSL 291.91, 0.67%, 0.59%

LAB 55.6, 66.94, -49.84

 

CMYK 0 / 60 / 64 / 14

HEX #DC5750

RGB 220 87 80

HSL 3, 0.67%, 0.59%

LAB 54.67, 51.61, 31.18

 

CMYK 64 / 0 / 35 / 14

HEX #50DC8F

RGB 80 220 143

HSL 147, 0.67%, 0.59%

LAB 78.97, -54.9, 27.01

 

CMYK 9 / 64 / 0 / 13

HEX #CA50DD

RGB 202 80 221

HSL 291.91, 0.67%, 0.59%

LAB 55.6, 66.94, -49.84

 

CMYK 0 / 10 / 64 / 14

HEX #DCC750

RGB 220 199 80

HSL 51, 0.67%, 0.59%

LAB 79.98, -6.37, 60.35

 

CMYK 64 / 0 / 10 / 14

HEX #50DCC7

RGB 80 220 199

HSL 171, 0.67%, 0.59%

LAB 80.19, -42.39, -0.79

 

CMYK 9 / 64 / 0 / 13

HEX #CA50DD

RGB 202 80 221

HSL 291.91, 0.67%, 0.59%

LAB 55.6, 66.94, -49.84

 

CMYK 0 / 60 / 64 / 14

HEX #DC5750

RGB 220 87 80

HSL 3, 0.67%, 0.59%

LAB 54.67, 51.61, 31.18

 

CMYK 54 / 0 / 64 / 14

HEX #65DC50

RGB 101 220 80

HSL 111, 0.67%, 0.59%

LAB 78.77, -59.19, 56.97

 

CMYK 64 / 3 / 0 / 14

HEX #50D5DC

RGB 80 213 220

HSL 183, 0.67%, 0.59%

LAB 78.73, -33.56, -14.17

 

CMYK 9 / 64 / 0 / 13

HEX #CA50DD

RGB 202 80 221

HSL 291.91, 0.67%, 0.59%

LAB 55.6, 66.94, -49.84

 

CMYK 0 / 41 / 64 / 14

HEX #DC8150

RGB 220 129 80

HSL 21, 0.67%, 0.59%

LAB 62.92, 30.76, 41.2

 

CMYK 54 / 0 / 64 / 14

HEX #65DC50

RGB 101 220 80

HSL 111, 0.67%, 0.59%

LAB 78.77, -59.19, 56.97

 

CMYK 64 / 22 / 0 / 14

HEX #50ABDC

RGB 80 171 220

HSL 201, 0.67%, 0.59%

LAB 66.52, -12.29, -32.8

 

Description

Color code: RGB 202 80 221 | qconv.com Color code: RGB 202 80 221 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 80 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 80 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 64 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 64% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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