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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 202 57 142 it is the complementary color RGB 53 198 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 202 57 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 202 57 142 shade: RGB 207 57 137, RGB 224 75 156, RGB 241 93 175, RGB 255 111 194 and RGB 255 129 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 202 57 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 202 57 142 shade: RGB 202 57 142, RGB 185 39 123, RGB 168 21 104, RGB 151 3 85 and RGB 134 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 202 57 142 shade: RGB 202 57 142, RGB 202 57 103, RGB 202 57 64 and RGB 202 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 202 57 142 shade: RGB 202 57 142, RGB 202 57 181, RGB 184 57 202, RGB 145 57 202 and RGB 106 57 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 202 57 142 shade matches the following richer shades: RGB 202 57 142, RGB 222 37 146 and RGB 242 17 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 202 57 142 shade: RGB 202 57 142, RGB 182 77 139, RGB 162 98 135, RGB 141 118 132 and RGB 121 138 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 202 57 142 shade: RGB 183 57 202, RGB 202 57 183, RGB 202 57 144, RGB 202 57 105 and RGB 202 57 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 202 57 142 shade: RGB 140 37 97, RGB 172 45 120, RGB 202 57 142, RGB 211 90 161 and RGB 219 122 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 202 57 142 shade: RGB 202 57 142, RGB 202 144 57 and RGB 57 202 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 202 57 142 shade: RGB 202 57 142, RGB 144 202 57 and RGB 57 144 202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 202 57 142 shade: RGB 202 57 142, RGB 202 144 57, RGB 57 202 115 and RGB 57 115 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 202 57 142 shade: RGB 202 57 142, RGB 202 188 57, RGB 57 202 115 and RGB 57 72 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 30 / 21

HEX #CA398E

RGB 202 57 142

HSL 324.83, 0.58%, 0.51%

LAB 48.8, 63.74, -14.44

 

Complementary color

CMYK 73 / 0 / 43 / 22

HEX #35C671

RGB 53 198 113

HSL 144.83, 0.58%, 0.49%

LAB 71.1, -56.62, 31.94

 

CMYK 0 / 72 / 34 / 19

HEX #CF3989

RGB 207 57 137

HSL 328, 0.61%, 0.52%

LAB 49.49, 64.48, -10.31

 

CMYK 0 / 67 / 30 / 12

HEX #E04B9C

RGB 224 75 156

HSL 327.38, 0.71%, 0.59%

LAB 55.36, 64.78, -12.49

 

CMYK 0 / 61 / 27 / 5

HEX #F15DAF

RGB 241 93 175

HSL 326.76, 0.84%, 0.65%

LAB 61.33, 64.66, -14.26

 

CMYK 0 / 56 / 24 / 0

HEX #FF6FC2

RGB 255 111 194

HSL 325.42, 1%, 0.72%

LAB 66.92, 63.41, -16.42

 

CMYK 0 / 49 / 16 / 0

HEX #FF81D5

RGB 255 129 213

HSL 320, 1%, 0.75%

LAB 70.71, 57.78, -21.28

 

CMYK 0 / 72 / 30 / 21

HEX #CA398E

RGB 202 57 142

HSL 324.83, 0.58%, 0.51%

LAB 48.8, 63.74, -14.44

 

CMYK 0 / 79 / 34 / 27

HEX #B9277B

RGB 185 39 123

HSL 325.48, 0.65%, 0.44%

LAB 43.06, 62.82, -11.88

 

CMYK 0 / 88 / 38 / 34

HEX #A81568

RGB 168 21 104

HSL 326.12, 0.78%, 0.37%

LAB 37.59, 60.92, -8.55

 

CMYK 0 / 98 / 44 / 41

HEX #970355

RGB 151 3 85

HSL 326.76, 0.96%, 0.3%

LAB 32.48, 57.79, -4.31

 

CMYK 0 / 100 / 51 / 47

HEX #860042

RGB 134 0 66

HSL 330.45, 1%, 0.26%

LAB 28.01, 52.58, 1.34

 

CMYK 0 / 72 / 30 / 21

HEX #CA398E

RGB 202 57 142

HSL 324.83, 0.58%, 0.51%

LAB 48.8, 63.74, -14.44

 

CMYK 0 / 72 / 49 / 21

HEX #CA3967

RGB 202 57 103

HSL 340.97, 0.58%, 0.51%

LAB 47.57, 59.72, 7.43

 

CMYK 0 / 72 / 68 / 21

HEX #CA3940

RGB 202 57 64

HSL 357.1, 0.58%, 0.51%

LAB 46.78, 57.04, 30.07

 

CMYK 0 / 72 / 72 / 21

HEX #CA3939

RGB 202 57 57

HSL 0, 0.58%, 0.51%

LAB 46.68, 56.7, 34.07

 

CMYK 0 / 72 / 30 / 21

HEX #CA398E

RGB 202 57 142

HSL 324.83, 0.58%, 0.51%

LAB 48.8, 63.74, -14.44

 

CMYK 0 / 72 / 10 / 21

HEX #CA39B5

RGB 202 57 181

HSL 308.69, 0.58%, 0.51%

LAB 50.47, 68.97, -34.97

 

CMYK 9 / 72 / 0 / 21

HEX #B839CA

RGB 184 57 202

HSL 292.55, 0.58%, 0.51%

LAB 48.74, 68.4, -50.09

 

CMYK 28 / 72 / 0 / 21

HEX #9139CA

RGB 145 57 202

HSL 276.41, 0.58%, 0.51%

LAB 43.08, 60.5, -59.49

 

CMYK 48 / 72 / 0 / 21

HEX #6A39CA

RGB 106 57 202

HSL 260.28, 0.58%, 0.51%

LAB 38.3, 53.46, -67.49

 

CMYK 0 / 72 / 30 / 21

HEX #CA398E

RGB 202 57 142

HSL 324.83, 0.58%, 0.51%

LAB 48.8, 63.74, -14.44

 

CMYK 0 / 83 / 34 / 13

HEX #DE2592

RGB 222 37 146

HSL 324.65, 0.74%, 0.51%

LAB 50.6, 74.6, -13.78

 

CMYK 0 / 93 / 38 / 5

HEX #F21195

RGB 242 17 149

HSL 324.8, 0.9%, 0.51%

LAB 53.44, 82.28, -10.92

 

CMYK 0 / 72 / 30 / 21

HEX #CA398E

RGB 202 57 142

HSL 324.83, 0.58%, 0.51%

LAB 48.8, 63.74, -14.44

 

CMYK 0 / 58 / 24 / 29

HEX #B64D8B

RGB 182 77 139

HSL 324.57, 0.42%, 0.51%

LAB 48.41, 49.46, -13.55

 

CMYK 0 / 40 / 17 / 36

HEX #A26287

RGB 162 98 135

HSL 325.31, 0.26%, 0.51%

LAB 49.7, 31.27, -9.49

 

CMYK 0 / 16 / 6 / 45

HEX #8D7684

RGB 141 118 132

HSL 323.48, 0.09%, 0.51%

LAB 52.16, 11.47, -4.31

 

CMYK 12 / 0 / 7 / 46

HEX #798A80

RGB 121 138 128

HSL 144.71, 0.07%, 0.51%

LAB 55.89, -8.21, 3.27

 

CMYK 9 / 72 / 0 / 21

HEX #B739CA

RGB 183 57 202

HSL 292.14, 0.58%, 0.51%

LAB 48.58, 68.19, -50.35

 

CMYK 0 / 72 / 9 / 21

HEX #CA39B7

RGB 202 57 183

HSL 307.86, 0.58%, 0.51%

LAB 50.57, 69.26, -35.98

 

CMYK 0 / 72 / 29 / 21

HEX #CA3990

RGB 202 57 144

HSL 324, 0.58%, 0.51%

LAB 48.88, 63.98, -15.53

 

CMYK 0 / 72 / 48 / 21

HEX #CA3969

RGB 202 57 105

HSL 340.14, 0.58%, 0.51%

LAB 47.63, 59.9, 6.28

 

CMYK 0 / 72 / 67 / 21

HEX #CA3943

RGB 202 57 67

HSL 355.86, 0.58%, 0.51%

LAB 46.83, 57.2, 28.35

 

CMYK 0 / 74 / 31 / 45

HEX #8C2561

RGB 140 37 97

HSL 325.05, 0.58%, 0.35%

LAB 33.48, 48.46, -10.81

 

CMYK 0 / 74 / 30 / 33

HEX #AC2D78

RGB 172 45 120

HSL 324.57, 0.59%, 0.43%

LAB 41.22, 57.26, -13.03

 

CMYK 0 / 72 / 30 / 21

HEX #CA398E

RGB 202 57 142

HSL 324.83, 0.58%, 0.51%

LAB 48.8, 63.74, -14.44

 

CMYK 0 / 57 / 24 / 17

HEX #D35AA1

RGB 211 90 161

HSL 324.79, 0.58%, 0.59%

LAB 55.82, 55.36, -14.92

 

CMYK 0 / 44 / 18 / 14

HEX #DB7AB3

RGB 219 122 179

HSL 324.74, 0.57%, 0.67%

LAB 63.54, 44.87, -13.52

 

CMYK 0 / 72 / 30 / 21

HEX #CA398E

RGB 202 57 142

HSL 324.83, 0.58%, 0.51%

LAB 48.8, 63.74, -14.44

 

CMYK 0 / 29 / 72 / 21

HEX #CA9039

RGB 202 144 57

HSL 36, 0.58%, 0.51%

LAB 64, 13.8, 52.94

 

CMYK 72 / 0 / 0 / 21

HEX #39CACA

RGB 57 202 202

HSL 180, 0.58%, 0.51%

LAB 74.43, -36.7, -10.97

 

CMYK 0 / 72 / 30 / 21

HEX #CA398E

RGB 202 57 142

HSL 324.83, 0.58%, 0.51%

LAB 48.8, 63.74, -14.44

 

CMYK 29 / 0 / 72 / 21

HEX #90CA39

RGB 144 202 57

HSL 84, 0.58%, 0.51%

LAB 75.12, -40.05, 62.65

 

CMYK 72 / 29 / 0 / 21

HEX #3990CA

RGB 57 144 202

HSL 204, 0.58%, 0.51%

LAB 57.15, -6.84, -37.42

 

CMYK 0 / 72 / 30 / 21

HEX #CA398E

RGB 202 57 142

HSL 324.83, 0.58%, 0.51%

LAB 48.8, 63.74, -14.44

 

CMYK 0 / 29 / 72 / 21

HEX #CA9039

RGB 202 144 57

HSL 36, 0.58%, 0.51%

LAB 64, 13.8, 52.94

 

CMYK 72 / 0 / 43 / 21

HEX #39CA73

RGB 57 202 115

HSL 144, 0.58%, 0.51%

LAB 72.46, -57.13, 32.7

 

CMYK 72 / 43 / 0 / 21

HEX #3973CA

RGB 57 115 202

HSL 216, 0.58%, 0.51%

LAB 48.75, 10.54, -50.72

 

CMYK 0 / 72 / 30 / 21

HEX #CA398E

RGB 202 57 142

HSL 324.83, 0.58%, 0.51%

LAB 48.8, 63.74, -14.44

 

CMYK 0 / 7 / 72 / 21

HEX #CABC39

RGB 202 188 57

HSL 54.21, 0.58%, 0.51%

LAB 75.34, -9.63, 64.27

 

CMYK 72 / 0 / 43 / 21

HEX #39CA73

RGB 57 202 115

HSL 144, 0.58%, 0.51%

LAB 72.46, -57.13, 32.7

 

CMYK 72 / 64 / 0 / 21

HEX #3948CA

RGB 57 72 202

HSL 233.79, 0.58%, 0.51%

LAB 37.42, 37.9, -69.07

 

Description

Color code: RGB 202 57 142 | qconv.com Color code: RGB 202 57 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 57 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 57 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 30 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 30% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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