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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 202 53 12 it is the complementary color RGB 53 202 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 202 53 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 202 53 12 shade: RGB 207 53 7, RGB 224 71 26, RGB 241 89 45, RGB 255 107 64 and RGB 255 125 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 202 53 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 202 53 12 shade: RGB 202 53 12, RGB 185 35 0, RGB 168 17 0, RGB 151 0 0 and RGB 134 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 202 53 12 shade: RGB 202 52 11 and RGB 202 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 202 53 12 shade: RGB 202 52 11, RGB 202 104 11, RGB 202 155 11, RGB 197 202 11 and RGB 146 202 11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 202 53 12 shade matches the following richer shades: RGB 202 52 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 202 53 12 shade: RGB 202 52 11, RGB 185 62 29, RGB 167 72 46, RGB 150 82 63 and RGB 133 92 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 202 53 12 shade: RGB 202 11 75, RGB 202 11 24, RGB 202 49 11, RGB 202 100 11 and RGB 202 151 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 202 53 12 shade: RGB 124 32 7, RGB 163 42 9, RGB 202 52 11, RGB 241 63 14 and RGB 243 94 53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 202 53 12 shade: RGB 202 53 12, RGB 126 202 11 and RGB 11 49 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 202 53 12 shade: RGB 202 53 12, RGB 11 202 49 and RGB 49 11 202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 202 53 12 shade: RGB 202 53 12, RGB 126 202 11, RGB 11 164 202 and RGB 88 11 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 202 53 12 shade: RGB 202 53 12, RGB 68 202 11, RGB 11 164 202 and RGB 145 11 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 94 / 21

HEX #CA350C

RGB 202 53 12

HSL 12.95, 0.89%, 0.42%

LAB 45.81, 56.88, 54.57

 

Complementary color

CMYK 78 / 17 / 0 / 5

HEX #35CAF3

RGB 53 202 243

HSL 192.95, 0.89%, 0.58%

LAB 75.74, -24.64, -31.11

 

CMYK 0 / 74 / 97 / 19

HEX #CF3507

RGB 207 53 7

HSL 13.8, 0.93%, 0.42%

LAB 46.75, 58.4, 56.95

 

CMYK 0 / 68 / 88 / 12

HEX #E0471A

RGB 224 71 26

HSL 13.64, 0.79%, 0.49%

LAB 52.32, 57.59, 56.25

 

CMYK 0 / 63 / 81 / 5

HEX #F1592D

RGB 241 89 45

HSL 13.47, 0.88%, 0.56%

LAB 58.07, 56.43, 54.3

 

CMYK 0 / 58 / 75 / 0

HEX #FF6B40

RGB 255 107 64

HSL 13.51, 1%, 0.63%

LAB 63.46, 54.06, 51.34

 

CMYK 0 / 51 / 67 / 0

HEX #FF7D53

RGB 255 125 83

HSL 14.65, 1%, 0.66%

LAB 66.94, 46.49, 45.55

 

CMYK 0 / 74 / 94 / 21

HEX #CA350C

RGB 202 53 12

HSL 12.95, 0.89%, 0.42%

LAB 45.81, 56.88, 54.57

 

CMYK 0 / 81 / 100 / 27

HEX #B92300

RGB 185 35 0

HSL 11.35, 1%, 0.36%

LAB 40.44, 57.12, 53.59

 

CMYK 0 / 90 / 100 / 34

HEX #A81100

RGB 168 17 0

HSL 6.07, 1%, 0.33%

LAB 35.45, 56.3, 49.36

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 100 / 100 / 47

HEX #860000

RGB 134 0 0

HSL 0, 1%, 0.26%

LAB 26.93, 49.67, 39.85

 

CMYK 0 / 74 / 95 / 21

HEX #CA340B

RGB 202 52 11

HSL 12.88, 0.9%, 0.42%

LAB 45.68, 57.21, 54.78

 

CMYK 0 / 95 / 95 / 21

HEX #CA0B0B

RGB 202 11 11

HSL 0, 0.9%, 0.42%

LAB 42.49, 66.25, 52.92

 

CMYK 0 / 74 / 95 / 21

HEX #CA340B

RGB 202 52 11

HSL 12.88, 0.9%, 0.42%

LAB 45.68, 57.21, 54.78

 

CMYK 0 / 49 / 95 / 21

HEX #CA680B

RGB 202 104 11

HSL 29.21, 0.9%, 0.42%

LAB 54.53, 34, 60.49

 

CMYK 0 / 23 / 95 / 21

HEX #CA9B0B

RGB 202 155 11

HSL 45.24, 0.9%, 0.42%

LAB 66.54, 6.46, 68.98

 

CMYK 2 / 0 / 95 / 21

HEX #C5CA0B

RGB 197 202 11

HSL 61.57, 0.9%, 0.42%

LAB 78.54, -20.11, 77.74

 

CMYK 28 / 0 / 95 / 21

HEX #92CA0B

RGB 146 202 11

HSL 77.59, 0.9%, 0.42%

LAB 75.06, -40.96, 73.54

 

CMYK 0 / 74 / 95 / 21

HEX #CA340B

RGB 202 52 11

HSL 12.88, 0.9%, 0.42%

LAB 45.68, 57.21, 54.78

 

CMYK 0 / 74 / 95 / 21

HEX #CA340B

RGB 202 52 11

HSL 12.88, 0.9%, 0.42%

LAB 45.68, 57.21, 54.78

 

CMYK 0 / 66 / 84 / 27

HEX #B93E1D

RGB 185 62 29

HSL 12.69, 0.73%, 0.42%

LAB 44.01, 48.09, 45.31

 

CMYK 0 / 57 / 72 / 35

HEX #A7482E

RGB 167 72 46

HSL 12.89, 0.57%, 0.42%

LAB 42.83, 37.45, 34.32

 

CMYK 0 / 45 / 58 / 41

HEX #96523F

RGB 150 82 63

HSL 13.1, 0.41%, 0.42%

LAB 42.58, 26.39, 23.56

 

CMYK 0 / 31 / 39 / 48

HEX #855C51

RGB 133 92 81

HSL 12.69, 0.24%, 0.42%

LAB 43.12, 15.31, 13.06

 

CMYK 0 / 95 / 63 / 21

HEX #CA0B4B

RGB 202 11 75

HSL 339.9, 0.9%, 0.42%

LAB 43.22, 68.27, 18.8

 

CMYK 0 / 95 / 88 / 21

HEX #CA0B18

RGB 202 11 24

HSL 355.92, 0.9%, 0.42%

LAB 42.55, 66.43, 47.77

 

CMYK 0 / 76 / 95 / 21

HEX #CA310B

RGB 202 49 11

HSL 11.94, 0.9%, 0.42%

LAB 45.33, 58.2, 54.56

 

CMYK 0 / 50 / 95 / 21

HEX #CA640B

RGB 202 100 11

HSL 27.96, 0.9%, 0.42%

LAB 53.7, 36.07, 59.92

 

CMYK 0 / 25 / 95 / 21

HEX #CA970B

RGB 202 151 11

HSL 43.98, 0.9%, 0.42%

LAB 65.53, 8.62, 68.25

 

CMYK 0 / 74 / 94 / 51

HEX #7C2007

RGB 124 32 7

HSL 12.82, 0.89%, 0.26%

LAB 27.66, 38.56, 36.78

 

CMYK 0 / 74 / 94 / 36

HEX #A32A09

RGB 163 42 9

HSL 12.86, 0.9%, 0.34%

LAB 36.86, 48.13, 46.11

 

CMYK 0 / 74 / 95 / 21

HEX #CA340B

RGB 202 52 11

HSL 12.88, 0.9%, 0.42%

LAB 45.68, 57.21, 54.78

 

CMYK 0 / 74 / 94 / 5

HEX #F13F0E

RGB 241 63 14

HSL 12.95, 0.89%, 0.5%

LAB 54.33, 65.62, 62.88

 

CMYK 0 / 61 / 78 / 5

HEX #F35E35

RGB 243 94 53

HSL 12.95, 0.89%, 0.58%

LAB 59.27, 55.22, 51.81

 

CMYK 0 / 74 / 94 / 21

HEX #CA350C

RGB 202 53 12

HSL 12.95, 0.89%, 0.42%

LAB 45.81, 56.88, 54.57

 

CMYK 38 / 0 / 95 / 21

HEX #7ECA0B

RGB 126 202 11

HSL 83.87, 0.9%, 0.42%

LAB 74, -48.3, 72.24

 

CMYK 95 / 76 / 0 / 21

HEX #0B31CA

RGB 11 49 202

HSL 228.06, 0.9%, 0.42%

LAB 30.72, 48.75, -80.18

 

CMYK 0 / 74 / 94 / 21

HEX #CA350C

RGB 202 53 12

HSL 12.95, 0.89%, 0.42%

LAB 45.81, 56.88, 54.57

 

CMYK 95 / 0 / 76 / 21

HEX #0BCA31

RGB 11 202 49

HSL 131.94, 0.9%, 0.42%

LAB 71.24, -69.9, 60.28

 

CMYK 76 / 95 / 0 / 21

HEX #310BCA

RGB 49 11 202

HSL 251.94, 0.9%, 0.42%

LAB 27.18, 65.05, -86.02

 

CMYK 0 / 74 / 94 / 21

HEX #CA350C

RGB 202 53 12

HSL 12.95, 0.89%, 0.42%

LAB 45.81, 56.88, 54.57

 

CMYK 38 / 0 / 95 / 21

HEX #7ECA0B

RGB 126 202 11

HSL 83.87, 0.9%, 0.42%

LAB 74, -48.3, 72.24

 

CMYK 95 / 19 / 0 / 21

HEX #0BA4CA

RGB 11 164 202

HSL 191.94, 0.9%, 0.42%

LAB 62.41, -21.63, -29.29

 

CMYK 56 / 95 / 0 / 21

HEX #580BCA

RGB 88 11 202

HSL 264.19, 0.9%, 0.42%

LAB 30.83, 67.18, -79.85

 

CMYK 0 / 74 / 94 / 21

HEX #CA350C

RGB 202 53 12

HSL 12.95, 0.89%, 0.42%

LAB 45.81, 56.88, 54.57

 

CMYK 66 / 0 / 95 / 21

HEX #44CA0B

RGB 68 202 11

HSL 102.09, 0.9%, 0.42%

LAB 71.89, -64.72, 69.66

 

CMYK 95 / 19 / 0 / 21

HEX #0BA4CA

RGB 11 164 202

HSL 191.94, 0.9%, 0.42%

LAB 62.41, -21.63, -29.29

 

CMYK 28 / 95 / 0 / 21

HEX #910BCA

RGB 145 11 202

HSL 282.09, 0.9%, 0.42%

LAB 38.77, 73.05, -66.51

 

Description

Color code: RGB 202 53 12 | qconv.com Color code: RGB 202 53 12 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 53 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 53 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 94 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 94% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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