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Color name
RGB 201 95 189

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 95 189 it is the complementary color RGB 54 160 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 95 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 95 189 shade: RGB 206 95 184, RGB 223 113 203, RGB 240 131 222, RGB 255 149 241 and RGB 255 167 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 95 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 95 189 shade: RGB 201 95 189, RGB 184 77 170, RGB 167 59 151, RGB 150 41 132 and RGB 133 23 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 95 189 shade: RGB 201 94 189, RGB 201 94 160, RGB 201 94 131, RGB 201 94 102 and RGB 201 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 95 189 shade: RGB 201 94 189, RGB 184 94 201, RGB 155 94 201, RGB 126 94 201 and RGB 98 94 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 95 189 shade matches the following richer shades: RGB 201 94 189, RGB 218 77 202, RGB 236 59 216 and RGB 253 42 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 95 189 shade: RGB 201 94 189, RGB 184 111 175, RGB 166 129 162, RGB 149 146 149 and RGB 132 163 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 95 189 shade: RGB 155 94 201, RGB 183 94 201, RGB 201 94 190, RGB 201 94 162 and RGB 201 94 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 95 189 shade: RGB 159 53 147, RGB 190 63 176, RGB 201 94 189, RGB 211 125 201 and RGB 222 156 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 95 189 shade: RGB 201 95 189, RGB 201 126 94 and RGB 94 201 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 95 189 shade: RGB 201 95 189, RGB 190 201 94 and RGB 94 190 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 95 189 shade: RGB 201 95 189, RGB 201 126 94, RGB 94 201 105 and RGB 94 169 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 95 189 shade: RGB 201 95 189, RGB 201 158 94, RGB 94 201 105 and RGB 94 137 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 6 / 21

HEX #C95FBD

RGB 201 95 189

HSL 306.79, 0.5%, 0.58%

LAB 56.36, 54.37, -30.42

 

Complementary color

CMYK 66 / 0 / 59 / 37

HEX #36A042

RGB 54 160 66

HSL 126.79, 0.5%, 0.42%

LAB 58.34, -49.77, 39.65

 

CMYK 0 / 54 / 11 / 19

HEX #CE5FB8

RGB 206 95 184

HSL 311.89, 0.53%, 0.59%

LAB 56.85, 54.98, -26.74

 

CMYK 0 / 49 / 9 / 13

HEX #DF71CB

RGB 223 113 203

HSL 310.91, 0.63%, 0.66%

LAB 63.19, 54.4, -27.58

 

CMYK 0 / 45 / 8 / 6

HEX #F083DE

RGB 240 131 222

HSL 309.91, 0.78%, 0.73%

LAB 69.49, 53.73, -28.3

 

CMYK 0 / 42 / 5 / 0

HEX #FF95F1

RGB 255 149 241

HSL 307.92, 1%, 0.79%

LAB 75.52, 52.42, -29.3

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 53 / 6 / 21

HEX #C95FBD

RGB 201 95 189

HSL 306.79, 0.5%, 0.58%

LAB 56.36, 54.37, -30.42

 

CMYK 0 / 58 / 8 / 28

HEX #B84DAA

RGB 184 77 170

HSL 307.85, 0.43%, 0.51%

LAB 49.98, 54.82, -29.51

 

CMYK 0 / 65 / 10 / 35

HEX #A73B97

RGB 167 59 151

HSL 308.89, 0.48%, 0.44%

LAB 43.62, 54.98, -28.33

 

CMYK 0 / 73 / 12 / 41

HEX #962984

RGB 150 41 132

HSL 309.91, 0.57%, 0.37%

LAB 37.36, 54.62, -26.73

 

CMYK 0 / 83 / 15 / 48

HEX #851771

RGB 133 23 113

HSL 310.91, 0.71%, 0.31%

LAB 31.33, 53.35, -24.49

 

CMYK 0 / 53 / 6 / 21

HEX #C95EBD

RGB 201 94 189

HSL 306.73, 0.5%, 0.58%

LAB 56.18, 54.84, -30.69

 

CMYK 0 / 53 / 20 / 21

HEX #C95EA0

RGB 201 94 160

HSL 322.99, 0.5%, 0.58%

LAB 55.03, 50.27, -15.67

 

CMYK 0 / 53 / 35 / 21

HEX #C95E83

RGB 201 94 131

HSL 339.25, 0.5%, 0.58%

LAB 54.09, 46.39, -0.02

 

CMYK 0 / 53 / 49 / 21

HEX #C95E66

RGB 201 94 102

HSL 355.51, 0.5%, 0.58%

LAB 53.37, 43.28, 16.09

 

CMYK 0 / 53 / 53 / 21

HEX #C95E5E

RGB 201 94 94

HSL 0, 0.5%, 0.58%

LAB 53.2, 42.57, 20.58

 

CMYK 0 / 53 / 6 / 21

HEX #C95EBD

RGB 201 94 189

HSL 306.73, 0.5%, 0.58%

LAB 56.18, 54.84, -30.69

 

CMYK 8 / 53 / 0 / 21

HEX #B85EC9

RGB 184 94 201

HSL 290.47, 0.5%, 0.58%

LAB 54.46, 52.3, -40.43

 

CMYK 23 / 53 / 0 / 21

HEX #9B5EC9

RGB 155 94 201

HSL 274.21, 0.5%, 0.58%

LAB 50.91, 44.54, -46.28

 

CMYK 37 / 53 / 0 / 21

HEX #7E5EC9

RGB 126 94 201

HSL 257.94, 0.5%, 0.58%

LAB 47.83, 37.14, -51.38

 

CMYK 51 / 53 / 0 / 21

HEX #625EC9

RGB 98 94 201

HSL 242.24, 0.5%, 0.58%

LAB 45.39, 30.72, -55.43

 

CMYK 0 / 53 / 6 / 21

HEX #C95EBD

RGB 201 94 189

HSL 306.73, 0.5%, 0.58%

LAB 56.18, 54.84, -30.69

 

CMYK 0 / 65 / 7 / 15

HEX #DA4DCA

RGB 218 77 202

HSL 306.81, 0.66%, 0.58%

LAB 56.56, 68.76, -37.37

 

CMYK 0 / 75 / 8 / 7

HEX #EC3BD8

RGB 236 59 216

HSL 306.78, 0.82%, 0.58%

LAB 57.96, 80.9, -42.94

 

CMYK 0 / 83 / 9 / 1

HEX #FD2AE5

RGB 253 42 229

HSL 306.82, 0.98%, 0.58%

LAB 60.07, 90, -46.77

 

CMYK 0 / 53 / 6 / 21

HEX #C95EBD

RGB 201 94 189

HSL 306.73, 0.5%, 0.58%

LAB 56.18, 54.84, -30.69

 

CMYK 0 / 40 / 5 / 28

HEX #B86FAF

RGB 184 111 175

HSL 307.4, 0.34%, 0.58%

LAB 56.74, 38.57, -21.97

 

CMYK 0 / 22 / 2 / 35

HEX #A681A2

RGB 166 129 162

HSL 306.49, 0.17%, 0.58%

LAB 58.43, 19.98, -12.11

 

CMYK 0 / 2 / 0 / 42

HEX #959295

RGB 149 146 149

HSL 300, 0.01%, 0.58%

LAB 60.88, 1.68, -1.2

 

CMYK 19 / 0 / 17 / 36

HEX #84A387

RGB 132 163 135

HSL 125.81, 0.14%, 0.58%

LAB 64.04, -16.37, 11.06

 

CMYK 23 / 53 / 0 / 21

HEX #9B5EC9

RGB 155 94 201

HSL 274.21, 0.5%, 0.58%

LAB 50.91, 44.54, -46.28

 

CMYK 9 / 53 / 0 / 21

HEX #B75EC9

RGB 183 94 201

HSL 289.91, 0.5%, 0.58%

LAB 54.33, 52.03, -40.64

 

CMYK 0 / 53 / 5 / 21

HEX #C95EBE

RGB 201 94 190

HSL 306.17, 0.5%, 0.58%

LAB 56.23, 55.01, -31.2

 

CMYK 0 / 53 / 19 / 21

HEX #C95EA2

RGB 201 94 162

HSL 321.87, 0.5%, 0.58%

LAB 55.1, 50.57, -16.72

 

CMYK 0 / 53 / 34 / 21

HEX #C95E85

RGB 201 94 133

HSL 338.13, 0.5%, 0.58%

LAB 54.15, 46.63, -1.12

 

CMYK 0 / 67 / 8 / 38

HEX #9F3593

RGB 159 53 147

HSL 306.79, 0.5%, 0.42%

LAB 41.25, 54.71, -29.71

 

CMYK 0 / 67 / 7 / 25

HEX #BE3FB0

RGB 190 63 176

HSL 306.61, 0.5%, 0.5%

LAB 49.05, 63.22, -34.41

 

CMYK 0 / 53 / 6 / 21

HEX #C95EBD

RGB 201 94 189

HSL 306.73, 0.5%, 0.58%

LAB 56.18, 54.84, -30.69

 

CMYK 0 / 41 / 5 / 17

HEX #D37DC9

RGB 211 125 201

HSL 306.98, 0.49%, 0.66%

LAB 63.94, 44.36, -25.42

 

CMYK 0 / 30 / 4 / 13

HEX #DE9CD6

RGB 222 156 214

HSL 307.27, 0.5%, 0.74%

LAB 72.34, 33.74, -19.72

 

CMYK 0 / 53 / 6 / 21

HEX #C95FBD

RGB 201 95 189

HSL 306.79, 0.5%, 0.58%

LAB 56.36, 54.37, -30.42

 

CMYK 0 / 37 / 53 / 21

HEX #C97E5E

RGB 201 126 94

HSL 17.94, 0.5%, 0.58%

LAB 60.02, 25.75, 29.52

 

CMYK 53 / 0 / 16 / 21

HEX #5EC9A9

RGB 94 201 169

HSL 162.06, 0.5%, 0.58%

LAB 74.2, -38.57, 6.67

 

CMYK 0 / 53 / 6 / 21

HEX #C95FBD

RGB 201 95 189

HSL 306.79, 0.5%, 0.58%

LAB 56.36, 54.37, -30.42

 

CMYK 5 / 0 / 53 / 21

HEX #BEC95E

RGB 190 201 94

HSL 66.17, 0.5%, 0.58%

LAB 78.19, -18.77, 51.43

 

CMYK 53 / 5 / 0 / 21

HEX #5EBEC9

RGB 94 190 201

HSL 186.17, 0.5%, 0.58%

LAB 71.84, -25.19, -14.2

 

CMYK 0 / 53 / 6 / 21

HEX #C95FBD

RGB 201 95 189

HSL 306.79, 0.5%, 0.58%

LAB 56.36, 54.37, -30.42

 

CMYK 0 / 37 / 53 / 21

HEX #C97E5E

RGB 201 126 94

HSL 17.94, 0.5%, 0.58%

LAB 60.02, 25.75, 29.52

 

CMYK 53 / 0 / 48 / 21

HEX #5EC969

RGB 94 201 105

HSL 126.17, 0.5%, 0.58%

LAB 73.01, -50.74, 38.63

 

CMYK 53 / 16 / 0 / 21

HEX #5EA9C9

RGB 94 169 201

HSL 197.94, 0.5%, 0.58%

LAB 65.73, -14.33, -23.48

 

CMYK 0 / 53 / 6 / 21

HEX #C95FBD

RGB 201 95 189

HSL 306.79, 0.5%, 0.58%

LAB 56.36, 54.37, -30.42

 

CMYK 0 / 21 / 53 / 21

HEX #C99E5E

RGB 201 158 94

HSL 35.89, 0.5%, 0.58%

LAB 67.78, 8.28, 39.26

 

CMYK 53 / 0 / 48 / 21

HEX #5EC969

RGB 94 201 105

HSL 126.17, 0.5%, 0.58%

LAB 73.01, -50.74, 38.63

 

CMYK 53 / 32 / 0 / 21

HEX #5E89C9

RGB 94 137 201

HSL 215.89, 0.5%, 0.58%

LAB 56.57, 3.67, -37.66

 

Description

Color code: RGB 201 95 189 | qconv.com Color code: RGB 201 95 189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 95 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 95 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 6 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 6% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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