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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 94 53 it is the complementary color RGB 54 161 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 94 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 94 53 shade: RGB 206 94 48, RGB 223 112 67, RGB 240 130 86, RGB 255 148 105 and RGB 255 166 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 94 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 94 53 shade: RGB 201 94 53, RGB 184 76 34, RGB 167 58 15, RGB 150 40 0 and RGB 133 22 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 94 53 shade: RGB 201 94 53, RGB 201 54 53 and RGB 201 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 94 53 shade: RGB 201 94 53, RGB 201 134 53, RGB 201 174 53, RGB 188 201 53 and RGB 148 201 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 94 53 shade matches the following richer shades: RGB 201 94 53, RGB 222 85 32 and RGB 242 76 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 94 53 shade: RGB 201 94 53, RGB 180 103 74, RGB 160 112 94, RGB 139 122 115 and RGB 118 131 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 94 53 shade: RGB 201 53 92, RGB 201 53 53, RGB 201 92 53, RGB 201 132 53 and RGB 201 171 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 94 53 shade: RGB 136 63 36, RGB 168 79 44, RGB 201 94 53, RGB 210 120 86 and RGB 218 146 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 94 53 shade: RGB 201 94 53, RGB 132 201 53 and RGB 53 73 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 94 53 shade: RGB 201 94 53, RGB 53 201 92 and RGB 92 53 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 94 53 shade: RGB 201 94 53, RGB 132 201 53, RGB 53 162 201 and RGB 122 53 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 94 53 shade: RGB 201 94 53, RGB 88 201 53, RGB 53 162 201 and RGB 166 53 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 74 / 21

HEX #C95E35

RGB 201 94 53

HSL 16.62, 0.58%, 0.5%

LAB 52.6, 39.89, 42.82

 

Complementary color

CMYK 73 / 20 / 0 / 21

HEX #36A1CA

RGB 54 161 202

HSL 196.62, 0.58%, 0.5%

LAB 62.12, -16.66, -29.7

 

CMYK 0 / 54 / 77 / 19

HEX #CE5E30

RGB 206 94 48

HSL 17.47, 0.62%, 0.5%

LAB 53.32, 41.6, 46.33

 

CMYK 0 / 50 / 70 / 13

HEX #DF7043

RGB 223 112 67

HSL 17.31, 0.71%, 0.57%

LAB 59.6, 40, 44.23

 

CMYK 0 / 46 / 64 / 6

HEX #F08256

RGB 240 130 86

HSL 17.14, 0.84%, 0.64%

LAB 65.87, 38.51, 42.21

 

CMYK 0 / 42 / 59 / 0

HEX #FF9469

RGB 255 148 105

HSL 17.2, 1%, 0.71%

LAB 71.87, 36.35, 39.95

 

CMYK 0 / 35 / 51 / 0

HEX #FFA67C

RGB 255 166 124

HSL 19.24, 1%, 0.74%

LAB 76.06, 28.53, 35.23

 

CMYK 0 / 53 / 74 / 21

HEX #C95E35

RGB 201 94 53

HSL 16.62, 0.58%, 0.5%

LAB 52.6, 39.89, 42.82

 

CMYK 0 / 59 / 82 / 28

HEX #B84C22

RGB 184 76 34

HSL 16.8, 0.69%, 0.43%

LAB 46.28, 41.51, 44.97

 

CMYK 0 / 65 / 91 / 35

HEX #A73A0F

RGB 167 58 15

HSL 16.97, 0.84%, 0.36%

LAB 40.04, 43.08, 46.59

 

CMYK 0 / 73 / 100 / 41

HEX #962800

RGB 150 40 0

HSL 16, 1%, 0.29%

LAB 33.99, 44.36, 46.56

 

CMYK 0 / 83 / 100 / 48

HEX #851600

RGB 133 22 0

HSL 9.92, 1%, 0.26%

LAB 28.28, 44.89, 40.91

 

CMYK 0 / 53 / 74 / 21

HEX #C95E35

RGB 201 94 53

HSL 16.62, 0.58%, 0.5%

LAB 52.6, 39.89, 42.82

 

CMYK 0 / 73 / 74 / 21

HEX #C93635

RGB 201 54 53

HSL 0.41, 0.58%, 0.5%

LAB 46.06, 57.28, 35.62

 

CMYK 0 / 74 / 74 / 21

HEX #C93535

RGB 201 53 53

HSL 0, 0.58%, 0.5%

LAB 45.94, 57.63, 35.47

 

CMYK 0 / 53 / 74 / 21

HEX #C95E35

RGB 201 94 53

HSL 16.62, 0.58%, 0.5%

LAB 52.6, 39.89, 42.82

 

CMYK 0 / 33 / 74 / 21

HEX #C98635

RGB 201 134 53

HSL 32.84, 0.58%, 0.5%

LAB 61.42, 18.64, 52.03

 

CMYK 0 / 13 / 74 / 21

HEX #C9AE35

RGB 201 174 53

HSL 49.05, 0.58%, 0.5%

LAB 71.52, -2.96, 62.01

 

CMYK 6 / 0 / 74 / 21

HEX #BCC935

RGB 188 201 53

HSL 65.27, 0.58%, 0.5%

LAB 77.71, -22.28, 67.54

 

CMYK 26 / 0 / 74 / 21

HEX #94C935

RGB 148 201 53

HSL 81.49, 0.58%, 0.5%

LAB 75.03, -38.34, 64.03

 

CMYK 0 / 53 / 74 / 21

HEX #C95E35

RGB 201 94 53

HSL 16.62, 0.58%, 0.5%

LAB 52.6, 39.89, 42.82

 

CMYK 0 / 62 / 86 / 13

HEX #DE5520

RGB 222 85 32

HSL 16.74, 0.75%, 0.5%

LAB 54.17, 51.22, 55.24

 

CMYK 0 / 69 / 95 / 5

HEX #F24C0C

RGB 242 76 12

HSL 16.7, 0.91%, 0.5%

LAB 56.16, 61.36, 64.52

 

CMYK 0 / 53 / 74 / 21

HEX #C95E35

RGB 201 94 53

HSL 16.62, 0.58%, 0.5%

LAB 52.6, 39.89, 42.82

 

CMYK 0 / 43 / 59 / 29

HEX #B4674A

RGB 180 103 74

HSL 16.42, 0.42%, 0.5%

LAB 51.72, 28.06, 29.62

 

CMYK 0 / 30 / 41 / 37

HEX #A0705E

RGB 160 112 94

HSL 16.36, 0.26%, 0.5%

LAB 51.69, 16.67, 17.6

 

CMYK 0 / 12 / 17 / 45

HEX #8B7A73

RGB 139 122 115

HSL 17.5, 0.09%, 0.5%

LAB 52.56, 5.32, 6.22

 

CMYK 13 / 4 / 0 / 47

HEX #768388

RGB 118 131 136

HSL 196.67, 0.07%, 0.5%

LAB 53.88, -3.66, -4.32

 

CMYK 0 / 74 / 54 / 21

HEX #C9355C

RGB 201 53 92

HSL 344.19, 0.58%, 0.5%

LAB 46.63, 59.92, 12.83

 

CMYK 0 / 74 / 74 / 21

HEX #C93535

RGB 201 53 53

HSL 0, 0.58%, 0.5%

LAB 45.94, 57.63, 35.47

 

CMYK 0 / 54 / 74 / 21

HEX #C95C35

RGB 201 92 53

HSL 15.81, 0.58%, 0.5%

LAB 52.21, 40.89, 42.4

 

CMYK 0 / 34 / 74 / 21

HEX #C98435

RGB 201 132 53

HSL 32.03, 0.58%, 0.5%

LAB 60.94, 19.73, 51.54

 

CMYK 0 / 15 / 74 / 21

HEX #C9AB35

RGB 201 171 53

HSL 47.84, 0.58%, 0.5%

LAB 70.73, -1.38, 61.25

 

CMYK 0 / 54 / 74 / 47

HEX #883F24

RGB 136 63 36

HSL 16.2, 0.58%, 0.34%

LAB 35.82, 29.18, 30.71

 

CMYK 0 / 53 / 74 / 34

HEX #A84F2C

RGB 168 79 44

HSL 16.94, 0.58%, 0.42%

LAB 44.37, 34.15, 37.16

 

CMYK 0 / 53 / 74 / 21

HEX #C95E35

RGB 201 94 53

HSL 16.62, 0.58%, 0.5%

LAB 52.6, 39.89, 42.82

 

CMYK 0 / 43 / 59 / 18

HEX #D27856

RGB 210 120 86

HSL 16.45, 0.58%, 0.58%

LAB 59.71, 31.94, 33.79

 

CMYK 0 / 33 / 46 / 15

HEX #DA9276

RGB 218 146 118

HSL 16.8, 0.57%, 0.66%

LAB 67.11, 24.02, 25.93

 

CMYK 0 / 53 / 74 / 21

HEX #C95E35

RGB 201 94 53

HSL 16.62, 0.58%, 0.5%

LAB 52.6, 39.89, 42.82

 

CMYK 34 / 0 / 74 / 21

HEX #84C935

RGB 132 201 53

HSL 87.97, 0.58%, 0.5%

LAB 74.15, -44.23, 62.87

 

CMYK 74 / 64 / 0 / 21

HEX #3549C9

RGB 53 73 201

HSL 231.89, 0.58%, 0.5%

LAB 37.37, 36.47, -68.58

 

CMYK 0 / 53 / 74 / 21

HEX #C95E35

RGB 201 94 53

HSL 16.62, 0.58%, 0.5%

LAB 52.6, 39.89, 42.82

 

CMYK 74 / 0 / 54 / 21

HEX #35C95C

RGB 53 201 92

HSL 135.81, 0.58%, 0.5%

LAB 71.76, -60.99, 43.19

 

CMYK 54 / 74 / 0 / 21

HEX #5C35C9

RGB 92 53 201

HSL 255.81, 0.58%, 0.5%

LAB 36.06, 53, -70.63

 

CMYK 0 / 53 / 74 / 21

HEX #C95E35

RGB 201 94 53

HSL 16.62, 0.58%, 0.5%

LAB 52.6, 39.89, 42.82

 

CMYK 34 / 0 / 74 / 21

HEX #84C935

RGB 132 201 53

HSL 87.97, 0.58%, 0.5%

LAB 74.15, -44.23, 62.87

 

CMYK 74 / 19 / 0 / 21

HEX #35A2C9

RGB 53 162 201

HSL 195.81, 0.58%, 0.5%

LAB 62.35, -17.65, -28.78

 

CMYK 39 / 74 / 0 / 21

HEX #7A35C9

RGB 122 53 201

HSL 267.97, 0.58%, 0.5%

LAB 39.41, 57.76, -65

 

CMYK 0 / 53 / 74 / 21

HEX #C95E35

RGB 201 94 53

HSL 16.62, 0.58%, 0.5%

LAB 52.6, 39.89, 42.82

 

CMYK 56 / 0 / 74 / 21

HEX #58C935

RGB 88 201 53

HSL 105.81, 0.58%, 0.5%

LAB 72.3, -57.89, 60.42

 

CMYK 74 / 19 / 0 / 21

HEX #35A2C9

RGB 53 162 201

HSL 195.81, 0.58%, 0.5%

LAB 62.35, -17.65, -28.78

 

CMYK 17 / 74 / 0 / 21

HEX #A635C9

RGB 166 53 201

HSL 285.81, 0.58%, 0.5%

LAB 45.46, 65.97, -54.93

 

Description

Color code: RGB 201 94 53 | qconv.com Color code: RGB 201 94 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 94 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 94 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 74 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 74% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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