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Color name
RGB 201 83 129

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 83 129 it is the complementary color RGB 54 172 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 83 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 83 129 shade: RGB 206 83 124, RGB 223 101 143, RGB 240 119 162, RGB 255 137 181 and RGB 255 155 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 83 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 83 129 shade: RGB 201 83 129, RGB 184 65 110, RGB 167 47 91, RGB 150 29 72 and RGB 133 11 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 83 129 shade: RGB 201 84 129, RGB 201 84 98 and RGB 201 84 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 83 129 shade: RGB 201 84 129, RGB 201 84 161, RGB 201 84 192, RGB 177 84 201 and RGB 146 84 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 83 129 shade matches the following richer shades: RGB 201 84 129, RGB 219 66 125 and RGB 237 48 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 83 129 shade: RGB 201 84 129, RGB 182 102 133, RGB 164 120 137, RGB 146 138 141 and RGB 128 157 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 83 129 shade: RGB 201 84 193, RGB 201 84 162, RGB 201 84 131, RGB 201 84 100 and RGB 201 100 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 83 129 shade: RGB 154 48 89, RGB 185 58 108, RGB 201 84 129, RGB 211 115 152 and RGB 220 147 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 83 129 shade: RGB 201 83 129, RGB 201 177 84 and RGB 84 177 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 83 129 shade: RGB 201 83 129, RGB 131 201 84 and RGB 84 131 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 83 129 shade: RGB 201 83 129, RGB 201 177 84, RGB 84 201 154 and RGB 84 107 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 83 129 shade: RGB 201 83 129, RGB 189 201 84, RGB 84 201 154 and RGB 96 84 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 36 / 21

HEX #C95381

RGB 201 83 129

HSL 336.61, 0.52%, 0.56%

LAB 52.05, 51.38, -1.83

 

Complementary color

CMYK 69 / 0 / 27 / 33

HEX #36AC7E

RGB 54 172 126

HSL 156.61, 0.52%, 0.44%

LAB 63.17, -43.67, 14.33

 

CMYK 0 / 60 / 40 / 19

HEX #CE537C

RGB 206 83 124

HSL 340, 0.56%, 0.57%

LAB 52.69, 52.43, 2.18

 

CMYK 0 / 55 / 36 / 13

HEX #DF658F

RGB 223 101 143

HSL 339.34, 0.66%, 0.64%

LAB 58.95, 51.75, 0.43

 

CMYK 0 / 50 / 33 / 6

HEX #F077A2

RGB 240 119 162

HSL 338.68, 0.8%, 0.7%

LAB 65.22, 50.97, -1.05

 

CMYK 0 / 46 / 29 / 0

HEX #FF89B5

RGB 255 137 181

HSL 337.63, 1%, 0.77%

LAB 71.21, 49.49, -2.73

 

CMYK 0 / 39 / 22 / 0

HEX #FF9BC8

RGB 255 155 200

HSL 333, 1%, 0.8%

LAB 75.37, 43, -7.1

 

CMYK 0 / 59 / 36 / 21

HEX #C95381

RGB 201 83 129

HSL 336.61, 0.52%, 0.56%

LAB 52.05, 51.38, -1.83

 

CMYK 0 / 65 / 40 / 28

HEX #B8416E

RGB 184 65 110

HSL 337.31, 0.48%, 0.49%

LAB 45.77, 51.85, 0.13

 

CMYK 0 / 72 / 46 / 35

HEX #A72F5B

RGB 167 47 91

HSL 338, 0.56%, 0.42%

LAB 39.59, 51.94, 2.61

 

CMYK 0 / 81 / 52 / 41

HEX #961D48

RGB 150 29 72

HSL 338.68, 0.68%, 0.35%

LAB 33.63, 51.31, 5.85

 

CMYK 0 / 92 / 60 / 48

HEX #850B35

RGB 133 11 53

HSL 339.34, 0.85%, 0.28%

LAB 28.07, 49.47, 10.19

 

CMYK 0 / 58 / 36 / 21

HEX #C95481

RGB 201 84 129

HSL 336.92, 0.52%, 0.56%

LAB 52.22, 50.92, -1.57

 

CMYK 0 / 58 / 51 / 21

HEX #C95462

RGB 201 84 98

HSL 352.82, 0.52%, 0.56%

LAB 51.43, 47.75, 15.81

 

CMYK 0 / 58 / 58 / 21

HEX #C95454

RGB 201 84 84

HSL 0, 0.52%, 0.56%

LAB 51.15, 46.62, 23.74

 

CMYK 0 / 58 / 36 / 21

HEX #C95481

RGB 201 84 129

HSL 336.92, 0.52%, 0.56%

LAB 52.22, 50.92, -1.57

 

CMYK 0 / 58 / 20 / 21

HEX #C954A1

RGB 201 84 161

HSL 320.51, 0.52%, 0.56%

LAB 53.31, 55.11, -18.87

 

CMYK 0 / 58 / 4 / 21

HEX #C954C0

RGB 201 84 192

HSL 304.62, 0.52%, 0.56%

LAB 54.62, 59.93, -34.86

 

CMYK 12 / 58 / 0 / 21

HEX #B154C9

RGB 177 84 201

HSL 287.69, 0.52%, 0.56%

LAB 51.73, 55.33, -44.81

 

CMYK 27 / 58 / 0 / 21

HEX #9254C9

RGB 146 84 201

HSL 271.79, 0.52%, 0.56%

LAB 47.84, 47.59, -51.24

 

CMYK 0 / 58 / 36 / 21

HEX #C95481

RGB 201 84 129

HSL 336.92, 0.52%, 0.56%

LAB 52.22, 50.92, -1.57

 

CMYK 0 / 70 / 43 / 14

HEX #DB427D

RGB 219 66 125

HSL 336.86, 0.68%, 0.56%

LAB 52.33, 63.4, 1.33

 

CMYK 0 / 80 / 49 / 7

HEX #ED3079

RGB 237 48 121

HSL 336.83, 0.84%, 0.56%

LAB 53.49, 73.38, 5.82

 

CMYK 0 / 58 / 36 / 21

HEX #C95481

RGB 201 84 129

HSL 336.92, 0.52%, 0.56%

LAB 52.22, 50.92, -1.57

 

CMYK 0 / 44 / 27 / 29

HEX #B66685

RGB 182 102 133

HSL 336.75, 0.35%, 0.56%

LAB 53.1, 35.92, -2.96

 

CMYK 0 / 27 / 16 / 36

HEX #A47889

RGB 164 120 137

HSL 336.82, 0.19%, 0.56%

LAB 55.21, 19.88, -2.46

 

CMYK 0 / 5 / 3 / 43

HEX #928A8D

RGB 146 138 141

HSL 337.5, 0.04%, 0.56%

LAB 58.24, 3.55, -0.54

 

CMYK 18 / 0 / 8 / 38

HEX #809D91

RGB 128 157 145

HSL 155.17, 0.13%, 0.56%

LAB 62.29, -12.61, 2.93

 

CMYK 0 / 58 / 4 / 21

HEX #C954C1

RGB 201 84 193

HSL 304.1, 0.52%, 0.56%

LAB 54.67, 60.1, -35.36

 

CMYK 0 / 58 / 19 / 21

HEX #C954A2

RGB 201 84 162

HSL 320, 0.52%, 0.56%

LAB 53.35, 55.25, -19.4

 

CMYK 0 / 58 / 35 / 21

HEX #C95483

RGB 201 84 131

HSL 335.9, 0.52%, 0.56%

LAB 52.28, 51.16, -2.67

 

CMYK 0 / 58 / 50 / 21

HEX #C95464

RGB 201 84 100

HSL 351.79, 0.52%, 0.56%

LAB 51.47, 47.93, 14.68

 

CMYK 0 / 50 / 58 / 21

HEX #C96454

RGB 201 100 84

HSL 8.21, 0.52%, 0.56%

LAB 54.21, 38.73, 27.7

 

CMYK 0 / 69 / 42 / 40

HEX #9A3059

RGB 154 48 89

HSL 336.79, 0.52%, 0.4%

LAB 37.31, 47.37, 0.28

 

CMYK 0 / 69 / 42 / 27

HEX #B93A6C

RGB 185 58 108

HSL 336.38, 0.52%, 0.48%

LAB 44.83, 54.81, 0.02

 

CMYK 0 / 58 / 36 / 21

HEX #C95481

RGB 201 84 129

HSL 336.92, 0.52%, 0.56%

LAB 52.22, 50.92, -1.57

 

CMYK 0 / 45 / 28 / 17

HEX #D37398

RGB 211 115 152

HSL 336.88, 0.52%, 0.64%

LAB 60.23, 41.9, -3.11

 

CMYK 0 / 33 / 20 / 14

HEX #DC93AF

RGB 220 147 175

HSL 336.99, 0.51%, 0.72%

LAB 68.88, 31.44, -3.3

 

CMYK 0 / 59 / 36 / 21

HEX #C95381

RGB 201 83 129

HSL 336.61, 0.52%, 0.56%

LAB 52.05, 51.38, -1.83

 

CMYK 0 / 12 / 58 / 21

HEX #C9B154

RGB 201 177 84

HSL 47.69, 0.52%, 0.56%

LAB 72.56, -2.69, 49.87

 

CMYK 58 / 12 / 0 / 21

HEX #54B1C9

RGB 84 177 201

HSL 192.31, 0.52%, 0.56%

LAB 67.68, -20.58, -20.53

 

CMYK 0 / 59 / 36 / 21

HEX #C95381

RGB 201 83 129

HSL 336.61, 0.52%, 0.56%

LAB 52.05, 51.38, -1.83

 

CMYK 35 / 0 / 58 / 21

HEX #83C954

RGB 131 201 84

HSL 95.9, 0.52%, 0.56%

LAB 74.34, -42.13, 50.6

 

CMYK 58 / 35 / 0 / 21

HEX #5483C9

RGB 84 131 201

HSL 215.9, 0.52%, 0.56%

LAB 54.38, 5.09, -41.15

 

CMYK 0 / 59 / 36 / 21

HEX #C95381

RGB 201 83 129

HSL 336.61, 0.52%, 0.56%

LAB 52.05, 51.38, -1.83

 

CMYK 0 / 12 / 58 / 21

HEX #C9B154

RGB 201 177 84

HSL 47.69, 0.52%, 0.56%

LAB 72.56, -2.69, 49.87

 

CMYK 58 / 0 / 23 / 21

HEX #54C99A

RGB 84 201 154

HSL 155.9, 0.52%, 0.56%

LAB 73.54, -44.1, 13.76

 

CMYK 58 / 47 / 0 / 21

HEX #546BC9

RGB 84 107 201

HSL 228.21, 0.52%, 0.56%

LAB 47.77, 19.79, -51.65

 

CMYK 0 / 59 / 36 / 21

HEX #C95381

RGB 201 83 129

HSL 336.61, 0.52%, 0.56%

LAB 52.05, 51.38, -1.83

 

CMYK 6 / 0 / 58 / 21

HEX #BDC954

RGB 189 201 84

HSL 66.15, 0.52%, 0.56%

LAB 78.01, -19.98, 55.74

 

CMYK 58 / 0 / 23 / 21

HEX #54C99A

RGB 84 201 154

HSL 155.9, 0.52%, 0.56%

LAB 73.54, -44.1, 13.76

 

CMYK 52 / 58 / 0 / 21

HEX #6054C9

RGB 96 84 201

HSL 246.15, 0.52%, 0.56%

LAB 42.83, 36.38, -59.57

 

Description

Color code: RGB 201 83 129 | qconv.com Color code: RGB 201 83 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 83 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 83 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 36 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 36% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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