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Color name
RGB 201 73 180

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 73 180 it is the complementary color RGB 54 182 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 73 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 73 180 shade: RGB 206 73 175, RGB 223 91 194, RGB 240 109 213, RGB 255 127 232 and RGB 255 145 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 73 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 73 180 shade: RGB 201 73 180, RGB 184 55 161, RGB 167 37 142, RGB 150 19 123 and RGB 133 1 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 73 180 shade: RGB 201 74 180, RGB 201 74 146, RGB 201 74 111, RGB 201 74 77 and RGB 201 74 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 73 180 shade: RGB 201 74 180, RGB 187 74 201, RGB 153 74 201, RGB 119 74 201 and RGB 85 74 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 73 180 shade matches the following richer shades: RGB 201 74 180, RGB 220 55 193 and RGB 239 36 205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 73 180 shade: RGB 201 74 180, RGB 182 93 167, RGB 163 112 154, RGB 144 131 142 and RGB 125 150 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 73 180 shade: RGB 152 74 201, RGB 186 74 201, RGB 201 74 182, RGB 201 74 148 and RGB 201 74 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 73 180 shade: RGB 148 44 131, RGB 180 53 159, RGB 201 74 180, RGB 210 106 193 and RGB 220 137 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 73 180 shade: RGB 201 73 180, RGB 201 118 74 and RGB 74 201 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 73 180 shade: RGB 201 73 180, RGB 182 201 74 and RGB 74 182 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 73 180 shade: RGB 201 73 180, RGB 201 118 74, RGB 74 201 93 and RGB 74 156 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 73 180 shade: RGB 201 73 180, RGB 201 156 74, RGB 74 201 93 and RGB 74 118 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 10 / 21

HEX #C949B4

RGB 201 73 180

HSL 309.84, 0.54%, 0.54%

LAB 52.37, 62.67, -31.42

 

Complementary color

CMYK 70 / 0 / 59 / 29

HEX #36B64B

RGB 54 182 75

HSL 129.84, 0.54%, 0.46%

LAB 65.55, -56.52, 43.83

 

CMYK 0 / 65 / 15 / 19

HEX #CE49AF

RGB 206 73 175

HSL 313.98, 0.58%, 0.55%

LAB 52.93, 63.22, -27.59

 

CMYK 0 / 59 / 13 / 13

HEX #DF5BC2

RGB 223 91 194

HSL 313.18, 0.67%, 0.62%

LAB 59.03, 63.1, -28.89

 

CMYK 0 / 55 / 11 / 6

HEX #F06DD5

RGB 240 109 213

HSL 312.37, 0.81%, 0.68%

LAB 65.17, 62.73, -29.95

 

CMYK 0 / 50 / 9 / 0

HEX #FF7FE8

RGB 255 127 232

HSL 310.78, 1%, 0.75%

LAB 71.05, 61.63, -31.25

 

CMYK 0 / 43 / 2 / 0

HEX #FF91FB

RGB 255 145 251

HSL 302.18, 1%, 0.78%

LAB 75.12, 56.11, -35.33

 

CMYK 0 / 64 / 10 / 21

HEX #C949B4

RGB 201 73 180

HSL 309.84, 0.54%, 0.54%

LAB 52.37, 62.67, -31.42

 

CMYK 0 / 70 / 13 / 28

HEX #B837A1

RGB 184 55 161

HSL 310.7, 0.54%, 0.47%

LAB 46.31, 62.41, -29.91

 

CMYK 0 / 78 / 15 / 35

HEX #A7258E

RGB 167 37 142

HSL 311.54, 0.64%, 0.4%

LAB 40.4, 61.47, -27.91

 

CMYK 0 / 87 / 18 / 41

HEX #96137B

RGB 150 19 123

HSL 312.37, 0.78%, 0.33%

LAB 34.76, 59.48, -25.2

 

CMYK 0 / 99 / 22 / 48

HEX #850168

RGB 133 1 104

HSL 313.18, 0.99%, 0.26%

LAB 29.43, 56.27, -21.68

 

CMYK 0 / 63 / 10 / 21

HEX #C94AB4

RGB 201 74 180

HSL 309.92, 0.54%, 0.54%

LAB 52.52, 62.26, -31.19

 

CMYK 0 / 63 / 27 / 21

HEX #C94A92

RGB 201 74 146

HSL 325.98, 0.54%, 0.54%

LAB 51.14, 57.43, -13.31

 

CMYK 0 / 63 / 45 / 21

HEX #C94A6F

RGB 201 74 111

HSL 342.52, 0.54%, 0.54%

LAB 50.05, 53.46, 6.08

 

CMYK 0 / 63 / 62 / 21

HEX #C94A4D

RGB 201 74 77

HSL 358.58, 0.54%, 0.54%

LAB 49.31, 50.67, 25.5

 

CMYK 0 / 63 / 63 / 21

HEX #C94A4A

RGB 201 74 74

HSL 0, 0.54%, 0.54%

LAB 49.26, 50.48, 27.21

 

CMYK 0 / 63 / 10 / 21

HEX #C94AB4

RGB 201 74 180

HSL 309.92, 0.54%, 0.54%

LAB 52.52, 62.26, -31.19

 

CMYK 7 / 63 / 0 / 21

HEX #BB4AC9

RGB 187 74 201

HSL 293.39, 0.54%, 0.54%

LAB 51.47, 62.3, -45.13

 

CMYK 24 / 63 / 0 / 21

HEX #994AC9

RGB 153 74 201

HSL 277.32, 0.54%, 0.54%

LAB 46.83, 54.31, -52.82

 

CMYK 41 / 63 / 0 / 21

HEX #774AC9

RGB 119 74 201

HSL 261.26, 0.54%, 0.54%

LAB 42.82, 46.81, -59.48

 

CMYK 58 / 63 / 0 / 21

HEX #554AC9

RGB 85 74 201

HSL 245.2, 0.54%, 0.54%

LAB 39.66, 40.35, -64.76

 

CMYK 0 / 63 / 10 / 21

HEX #C94AB4

RGB 201 74 180

HSL 309.92, 0.54%, 0.54%

LAB 52.52, 62.26, -31.19

 

CMYK 0 / 75 / 12 / 14

HEX #DC37C1

RGB 220 55 193

HSL 309.82, 0.7%, 0.54%

LAB 53.81, 75.36, -36.49

 

CMYK 0 / 85 / 14 / 6

HEX #EF24CD

RGB 239 36 205

HSL 310.05, 0.86%, 0.54%

LAB 56.11, 85.27, -39.56

 

CMYK 0 / 63 / 10 / 21

HEX #C94AB4

RGB 201 74 180

HSL 309.92, 0.54%, 0.54%

LAB 52.52, 62.26, -31.19

 

CMYK 0 / 49 / 8 / 29

HEX #B65DA7

RGB 182 93 167

HSL 310.11, 0.38%, 0.54%

LAB 52.47, 45.99, -23.91

 

CMYK 0 / 31 / 6 / 36

HEX #A3709A

RGB 163 112 154

HSL 310.59, 0.22%, 0.54%

LAB 53.72, 27.09, -14.62

 

CMYK 0 / 9 / 1 / 44

HEX #90838E

RGB 144 131 142

HSL 309.23, 0.06%, 0.54%

LAB 56.2, 6.99, -4.12

 

CMYK 17 / 0 / 14 / 41

HEX #7D9681

RGB 125 150 129

HSL 129.6, 0.11%, 0.54%

LAB 59.67, -13.12, 8.16

 

CMYK 24 / 63 / 0 / 21

HEX #984AC9

RGB 152 74 201

HSL 276.85, 0.54%, 0.54%

LAB 46.7, 54.08, -53.03

 

CMYK 7 / 63 / 0 / 21

HEX #BA4AC9

RGB 186 74 201

HSL 292.91, 0.54%, 0.54%

LAB 51.33, 62.06, -45.37

 

CMYK 0 / 63 / 9 / 21

HEX #C94AB6

RGB 201 74 182

HSL 308.98, 0.54%, 0.54%

LAB 52.61, 62.57, -32.22

 

CMYK 0 / 63 / 26 / 21

HEX #C94A94

RGB 201 74 148

HSL 325.04, 0.54%, 0.54%

LAB 51.21, 57.69, -14.39

 

CMYK 0 / 63 / 43 / 21

HEX #C94A72

RGB 201 74 114

HSL 341.1, 0.54%, 0.54%

LAB 50.13, 53.76, 4.38

 

CMYK 0 / 70 / 11 / 42

HEX #942C83

RGB 148 44 131

HSL 309.81, 0.54%, 0.38%

LAB 37.36, 52.85, -26.14

 

CMYK 0 / 71 / 12 / 29

HEX #B4359F

RGB 180 53 159

HSL 309.92, 0.55%, 0.46%

LAB 45.29, 61.84, -30.35

 

CMYK 0 / 63 / 10 / 21

HEX #C94AB4

RGB 201 74 180

HSL 309.92, 0.54%, 0.54%

LAB 52.52, 62.26, -31.19

 

CMYK 0 / 50 / 8 / 18

HEX #D26AC1

RGB 210 106 193

HSL 309.81, 0.54%, 0.62%

LAB 59.76, 52.33, -27.34

 

CMYK 0 / 38 / 6 / 14

HEX #DC89CE

RGB 220 137 206

HSL 310.12, 0.54%, 0.7%

LAB 67.7, 41.79, -22.38

 

CMYK 0 / 64 / 10 / 21

HEX #C949B4

RGB 201 73 180

HSL 309.84, 0.54%, 0.54%

LAB 52.37, 62.67, -31.42

 

CMYK 0 / 41 / 63 / 21

HEX #C9764A

RGB 201 118 74

HSL 20.79, 0.54%, 0.54%

LAB 57.91, 28.53, 37.82

 

CMYK 63 / 0 / 16 / 21

HEX #4AC9A9

RGB 74 201 169

HSL 164.88, 0.54%, 0.54%

LAB 73.61, -42.53, 5.73

 

CMYK 0 / 64 / 10 / 21

HEX #C949B4

RGB 201 73 180

HSL 309.84, 0.54%, 0.54%

LAB 52.37, 62.67, -31.42

 

CMYK 9 / 0 / 63 / 21

HEX #B6C94A

RGB 182 201 74

HSL 68.98, 0.54%, 0.54%

LAB 77.41, -23.56, 59.21

 

CMYK 63 / 9 / 0 / 21

HEX #4AB6C9

RGB 74 182 201

HSL 188.98, 0.54%, 0.54%

LAB 68.84, -24.92, -18.79

 

CMYK 0 / 64 / 10 / 21

HEX #C949B4

RGB 201 73 180

HSL 309.84, 0.54%, 0.54%

LAB 52.37, 62.67, -31.42

 

CMYK 0 / 41 / 63 / 21

HEX #C9764A

RGB 201 118 74

HSL 20.79, 0.54%, 0.54%

LAB 57.91, 28.53, 37.82

 

CMYK 63 / 0 / 54 / 21

HEX #4AC95D

RGB 74 201 93

HSL 128.98, 0.54%, 0.54%

LAB 72.24, -57.09, 43.4

 

CMYK 63 / 22 / 0 / 21

HEX #4A9CC9

RGB 74 156 201

HSL 201.26, 0.54%, 0.54%

LAB 61.18, -11.21, -30.55

 

CMYK 0 / 64 / 10 / 21

HEX #C949B4

RGB 201 73 180

HSL 309.84, 0.54%, 0.54%

LAB 52.37, 62.67, -31.42

 

CMYK 0 / 22 / 63 / 21

HEX #C99C4A

RGB 201 156 74

HSL 38.74, 0.54%, 0.54%

LAB 67.04, 7.83, 48.37

 

CMYK 63 / 0 / 54 / 21

HEX #4AC95D

RGB 74 201 93

HSL 128.98, 0.54%, 0.54%

LAB 72.24, -57.09, 43.4

 

CMYK 63 / 41 / 0 / 21

HEX #4A76C9

RGB 74 118 201

HSL 219.21, 0.54%, 0.54%

LAB 50.25, 11.06, -47.72

 

Description

Color code: RGB 201 73 180 | qconv.com Color code: RGB 201 73 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 73 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 73 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 10 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 10% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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