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Color name
RGB 201 66 188

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 66 188 it is the complementary color RGB 54 189 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 66 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 66 188 shade: RGB 206 66 183, RGB 223 84 202, RGB 240 102 221, RGB 255 120 240 and RGB 255 138 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 66 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 66 188 shade: RGB 201 66 188, RGB 184 48 169, RGB 167 30 150, RGB 150 12 131 and RGB 133 0 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 66 188 shade: RGB 201 64 187, RGB 201 64 150, RGB 201 64 114, RGB 201 64 77 and RGB 201 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 66 188 shade: RGB 201 64 187, RGB 177 64 201, RGB 140 64 201, RGB 103 64 201 and RGB 66 64 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 66 188 shade matches the following richer shades: RGB 201 64 187, RGB 220 44 203 and RGB 240 24 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 66 188 shade: RGB 201 64 187, RGB 181 83 171, RGB 161 103 155, RGB 141 123 139 and RGB 121 143 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 66 188 shade: RGB 139 64 201, RGB 176 64 201, RGB 201 64 189, RGB 201 64 153 and RGB 201 64 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 66 188 shade: RGB 142 40 132, RGB 174 49 162, RGB 201 64 187, RGB 210 96 199 and RGB 219 128 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 66 188 shade: RGB 201 66 188, RGB 201 102 64 and RGB 64 201 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 66 188 shade: RGB 201 66 188, RGB 189 201 64 and RGB 64 189 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 66 188 shade: RGB 201 66 188, RGB 201 102 64, RGB 64 201 75 and RGB 64 162 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 66 188 shade: RGB 201 66 188, RGB 201 144 64, RGB 64 201 75 and RGB 64 121 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 6 / 21

HEX #C942BC

RGB 201 66 188

HSL 305.78, 0.56%, 0.52%

LAB 51.77, 66.63, -37.01

 

Complementary color

CMYK 71 / 0 / 65 / 26

HEX #36BD43

RGB 54 189 67

HSL 125.78, 0.56%, 0.48%

LAB 67.71, -59.85, 49.87

 

CMYK 0 / 68 / 11 / 19

HEX #CE42B7

RGB 206 66 183

HSL 309.86, 0.59%, 0.53%

LAB 52.33, 67.08, -33.18

 

CMYK 0 / 62 / 9 / 13

HEX #DF54CA

RGB 223 84 202

HSL 309.06, 0.68%, 0.6%

LAB 58.31, 67.24, -34.57

 

CMYK 0 / 58 / 8 / 6

HEX #F066DD

RGB 240 102 221

HSL 308.26, 0.82%, 0.67%

LAB 64.36, 67.06, -35.68

 

CMYK 0 / 53 / 6 / 0

HEX #FF78F0

RGB 255 120 240

HSL 306.67, 1%, 0.74%

LAB 70.16, 66.12, -37.02

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 67 / 6 / 21

HEX #C942BC

RGB 201 66 188

HSL 305.78, 0.56%, 0.52%

LAB 51.77, 66.63, -37.01

 

CMYK 0 / 74 / 8 / 28

HEX #B830A9

RGB 184 48 169

HSL 306.62, 0.59%, 0.45%

LAB 45.86, 65.98, -35.36

 

CMYK 0 / 82 / 10 / 35

HEX #A71E96

RGB 167 30 150

HSL 307.45, 0.7%, 0.39%

LAB 40.16, 64.5, -33.16

 

CMYK 0 / 92 / 13 / 41

HEX #960C83

RGB 150 12 131

HSL 308.26, 0.85%, 0.32%

LAB 34.77, 61.79, -30.18

 

CMYK 0 / 100 / 16 / 48

HEX #850070

RGB 133 0 112

HSL 309.47, 1%, 0.26%

LAB 29.8, 57.5, -26.25

 

CMYK 0 / 68 / 7 / 21

HEX #C940BB

RGB 201 64 187

HSL 306.13, 0.56%, 0.52%

LAB 51.46, 67.21, -36.92

 

CMYK 0 / 68 / 25 / 21

HEX #C94096

RGB 201 64 150

HSL 322.34, 0.56%, 0.52%

LAB 49.84, 61.94, -17.67

 

CMYK 0 / 68 / 43 / 21

HEX #C94072

RGB 201 64 114

HSL 338.1, 0.56%, 0.52%

LAB 48.63, 57.85, 2.22

 

CMYK 0 / 68 / 62 / 21

HEX #C9404D

RGB 201 64 77

HSL 354.31, 0.56%, 0.52%

LAB 47.78, 54.83, 23.52

 

CMYK 0 / 68 / 68 / 21

HEX #C94040

RGB 201 64 64

HSL 0, 0.56%, 0.52%

LAB 47.57, 54.07, 30.99

 

CMYK 0 / 68 / 7 / 21

HEX #C940BB

RGB 201 64 187

HSL 306.13, 0.56%, 0.52%

LAB 51.46, 67.21, -36.92

 

CMYK 12 / 68 / 0 / 21

HEX #B140C9

RGB 177 64 201

HSL 289.49, 0.56%, 0.52%

LAB 48.55, 64.11, -49.87

 

CMYK 30 / 68 / 0 / 21

HEX #8C40C9

RGB 140 64 201

HSL 273.28, 0.56%, 0.52%

LAB 43.45, 56.2, -58.35

 

CMYK 49 / 68 / 0 / 21

HEX #6740C9

RGB 103 64 201

HSL 257.08, 0.56%, 0.52%

LAB 39.19, 49.1, -65.46

 

CMYK 67 / 68 / 0 / 21

HEX #4240C9

RGB 66 64 201

HSL 240.88, 0.56%, 0.52%

LAB 36.07, 43.5, -70.69

 

CMYK 0 / 68 / 7 / 21

HEX #C940BB

RGB 201 64 187

HSL 306.13, 0.56%, 0.52%

LAB 51.46, 67.21, -36.92

 

CMYK 0 / 80 / 8 / 14

HEX #DC2CCB

RGB 220 44 203

HSL 305.8, 0.72%, 0.52%

LAB 53.31, 79.65, -43.04

 

CMYK 0 / 90 / 9 / 6

HEX #F018DB

RGB 240 24 219

HSL 305.83, 0.88%, 0.52%

LAB 56.38, 89.07, -47.1

 

CMYK 0 / 68 / 7 / 21

HEX #C940BB

RGB 201 64 187

HSL 306.13, 0.56%, 0.52%

LAB 51.46, 67.21, -36.92

 

CMYK 0 / 54 / 6 / 29

HEX #B553AB

RGB 181 83 171

HSL 306.12, 0.4%, 0.52%

LAB 50.63, 51.34, -29.11

 

CMYK 0 / 36 / 4 / 37

HEX #A1679B

RGB 161 103 155

HSL 306.21, 0.24%, 0.52%

LAB 51.43, 31.67, -18.7

 

CMYK 0 / 13 / 1 / 45

HEX #8D7B8B

RGB 141 123 139

HSL 306.67, 0.07%, 0.52%

LAB 53.7, 9.91, -6.12

 

CMYK 15 / 0 / 14 / 44

HEX #798F7B

RGB 121 143 123

HSL 125.45, 0.09%, 0.52%

LAB 57.21, -11.94, 8.04

 

CMYK 31 / 68 / 0 / 21

HEX #8B40C9

RGB 139 64 201

HSL 272.85, 0.56%, 0.52%

LAB 43.32, 56, -58.56

 

CMYK 12 / 68 / 0 / 21

HEX #B040C9

RGB 176 64 201

HSL 289.05, 0.56%, 0.52%

LAB 48.4, 63.89, -50.12

 

CMYK 0 / 68 / 6 / 21

HEX #C940BD

RGB 201 64 189

HSL 305.26, 0.56%, 0.52%

LAB 51.56, 67.52, -37.92

 

CMYK 0 / 68 / 24 / 21

HEX #C94099

RGB 201 64 153

HSL 321.02, 0.56%, 0.52%

LAB 49.96, 62.33, -19.27

 

CMYK 0 / 68 / 42 / 21

HEX #C94074

RGB 201 64 116

HSL 337.23, 0.56%, 0.52%

LAB 48.69, 58.04, 1.09

 

CMYK 0 / 72 / 7 / 44

HEX #8E2884

RGB 142 40 132

HSL 305.88, 0.56%, 0.36%

LAB 35.86, 53.01, -29.19

 

CMYK 0 / 72 / 7 / 32

HEX #AE31A2

RGB 174 49 162

HSL 305.76, 0.56%, 0.44%

LAB 43.95, 62.27, -34.32

 

CMYK 0 / 68 / 7 / 21

HEX #C940BB

RGB 201 64 187

HSL 306.13, 0.56%, 0.52%

LAB 51.46, 67.21, -36.92

 

CMYK 0 / 54 / 5 / 18

HEX #D260C7

RGB 210 96 199

HSL 305.79, 0.56%, 0.6%

LAB 58.22, 58.1, -33.15

 

CMYK 0 / 42 / 4 / 14

HEX #DB80D2

RGB 219 128 210

HSL 305.93, 0.56%, 0.68%

LAB 65.87, 46.86, -27.42

 

CMYK 0 / 67 / 6 / 21

HEX #C942BC

RGB 201 66 188

HSL 305.78, 0.56%, 0.52%

LAB 51.77, 66.63, -37.01

 

CMYK 0 / 49 / 68 / 21

HEX #C96640

RGB 201 102 64

HSL 16.64, 0.56%, 0.52%

LAB 54.33, 36.38, 38.98

 

CMYK 68 / 0 / 22 / 21

HEX #40C99D

RGB 64 201 157

HSL 160.73, 0.56%, 0.52%

LAB 73.09, -47.05, 11.43

 

CMYK 0 / 67 / 6 / 21

HEX #C942BC

RGB 201 66 188

HSL 305.78, 0.56%, 0.52%

LAB 51.77, 66.63, -37.01

 

CMYK 6 / 0 / 68 / 21

HEX #BDC940

RGB 189 201 64

HSL 65.26, 0.56%, 0.52%

LAB 77.85, -21.3, 63.8

 

CMYK 68 / 6 / 0 / 21

HEX #40BDC9

RGB 64 189 201

HSL 185.26, 0.56%, 0.52%

LAB 70.67, -29.92, -16.06

 

CMYK 0 / 67 / 6 / 21

HEX #C942BC

RGB 201 66 188

HSL 305.78, 0.56%, 0.52%

LAB 51.77, 66.63, -37.01

 

CMYK 0 / 49 / 68 / 21

HEX #C96640

RGB 201 102 64

HSL 16.64, 0.56%, 0.52%

LAB 54.33, 36.38, 38.98

 

CMYK 68 / 0 / 63 / 21

HEX #40C94B

RGB 64 201 75

HSL 124.82, 0.56%, 0.52%

LAB 71.81, -61.26, 51.05

 

CMYK 68 / 19 / 0 / 21

HEX #40A2C9

RGB 64 162 201

HSL 197.08, 0.56%, 0.52%

LAB 62.63, -16.13, -28.33

 

CMYK 0 / 67 / 6 / 21

HEX #C942BC

RGB 201 66 188

HSL 305.78, 0.56%, 0.52%

LAB 51.77, 66.63, -37.01

 

CMYK 0 / 28 / 68 / 21

HEX #C99040

RGB 201 144 64

HSL 35.04, 0.56%, 0.52%

LAB 63.95, 13.74, 49.68

 

CMYK 68 / 0 / 63 / 21

HEX #40C94B

RGB 64 201 75

HSL 124.82, 0.56%, 0.52%

LAB 71.81, -61.26, 51.05

 

CMYK 68 / 40 / 0 / 21

HEX #4079C9

RGB 64 121 201

HSL 215.04, 0.56%, 0.52%

LAB 50.67, 7.51, -47.09

 

Description

Color code: RGB 201 66 188 | qconv.com Color code: RGB 201 66 188 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 66 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 66 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 6 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 6% 21% C M Y K

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Provide designers and agencies with accurate color values.

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