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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 55 17 it is the complementary color RGB 54 200 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 55 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 55 17 shade: RGB 206 55 12, RGB 223 73 31, RGB 240 91 50, RGB 255 109 69 and RGB 255 127 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 55 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 55 17 shade: RGB 201 55 17, RGB 184 37 0, RGB 167 19 0, RGB 150 1 0 and RGB 133 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 55 17 shade: RGB 201 55 17 and RGB 201 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 55 17 shade: RGB 201 55 17, RGB 201 105 17, RGB 201 154 17, RGB 198 201 17 and RGB 149 201 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 55 17 shade matches the following richer shades: RGB 201 55 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 55 17 shade: RGB 201 55 17, RGB 184 65 35, RGB 166 76 53, RGB 148 86 70 and RGB 130 97 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 55 17 shade: RGB 201 17 78, RGB 201 17 29, RGB 201 54 17, RGB 201 103 17 and RGB 201 152 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 55 17 shade: RGB 125 34 10, RGB 163 45 14, RGB 201 55 17, RGB 235 68 25 and RGB 238 99 63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 55 17 shade: RGB 201 55 17, RGB 128 201 17 and RGB 17 54 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 55 17 shade: RGB 201 55 17, RGB 17 201 54 and RGB 54 17 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 55 17 shade: RGB 201 55 17, RGB 128 201 17, RGB 17 164 201 and RGB 91 17 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 55 17 shade: RGB 201 55 17, RGB 72 201 17, RGB 17 164 201 and RGB 146 17 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 92 / 21

HEX #C93711

RGB 201 55 17

HSL 12.39, 0.84%, 0.43%

LAB 45.89, 55.93, 52.95

 

Complementary color

CMYK 77 / 16 / 0 / 7

HEX #36C8EE

RGB 54 200 238

HSL 192.39, 0.84%, 0.57%

LAB 74.99, -25.14, -29.57

 

CMYK 0 / 73 / 94 / 19

HEX #CE370C

RGB 206 55 12

HSL 13.3, 0.89%, 0.43%

LAB 46.82, 57.46, 55.57

 

CMYK 0 / 67 / 86 / 13

HEX #DF491F

RGB 223 73 31

HSL 13.13, 0.76%, 0.5%

LAB 52.46, 56.57, 54.31

 

CMYK 0 / 62 / 79 / 6

HEX #F05B32

RGB 240 91 50

HSL 12.95, 0.86%, 0.57%

LAB 58.26, 55.38, 52.1

 

CMYK 0 / 57 / 73 / 0

HEX #FF6D45

RGB 255 109 69

HSL 12.9, 1%, 0.64%

LAB 63.86, 53.36, 49.26

 

CMYK 0 / 50 / 65 / 0

HEX #FF7F58

RGB 255 127 88

HSL 14.01, 1%, 0.67%

LAB 67.38, 45.8, 43.46

 

CMYK 0 / 73 / 92 / 21

HEX #C93711

RGB 201 55 17

HSL 12.39, 0.84%, 0.43%

LAB 45.89, 55.93, 52.95

 

CMYK 0 / 80 / 100 / 28

HEX #B82500

RGB 184 37 0

HSL 12.07, 1%, 0.36%

LAB 40.43, 56.26, 53.47

 

CMYK 0 / 89 / 100 / 35

HEX #A71300

RGB 167 19 0

HSL 6.83, 1%, 0.33%

LAB 35.36, 55.65, 49.19

 

CMYK 0 / 99 / 100 / 41

HEX #960100

RGB 150 1 0

HSL 0.4, 1%, 0.29%

LAB 30.65, 53.77, 44.38

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 73 / 92 / 21

HEX #C93711

RGB 201 55 17

HSL 12.39, 0.84%, 0.43%

LAB 45.89, 55.93, 52.95

 

CMYK 0 / 92 / 92 / 21

HEX #C91111

RGB 201 17 17

HSL 0, 0.84%, 0.43%

LAB 42.55, 65.36, 50.7

 

CMYK 0 / 73 / 92 / 21

HEX #C93711

RGB 201 55 17

HSL 12.39, 0.84%, 0.43%

LAB 45.89, 55.93, 52.95

 

CMYK 0 / 48 / 92 / 21

HEX #C96911

RGB 201 105 17

HSL 28.7, 0.84%, 0.43%

LAB 54.62, 33.15, 59.12

 

CMYK 0 / 23 / 92 / 21

HEX #C99A11

RGB 201 154 17

HSL 44.67, 0.84%, 0.43%

LAB 66.19, 6.64, 67.72

 

CMYK 1 / 0 / 92 / 21

HEX #C6C911

RGB 198 201 17

HSL 60.98, 0.84%, 0.43%

LAB 78.36, -19.11, 76.92

 

CMYK 26 / 0 / 92 / 21

HEX #95C911

RGB 149 201 17

HSL 76.96, 0.84%, 0.43%

LAB 74.95, -39.27, 72.79

 

CMYK 0 / 73 / 92 / 21

HEX #C93711

RGB 201 55 17

HSL 12.39, 0.84%, 0.43%

LAB 45.89, 55.93, 52.95

 

CMYK 0 / 73 / 92 / 21

HEX #C93711

RGB 201 55 17

HSL 12.39, 0.84%, 0.43%

LAB 45.89, 55.93, 52.95

 

CMYK 0 / 65 / 81 / 28

HEX #B84123

RGB 184 65 35

HSL 12.08, 0.68%, 0.43%

LAB 44.36, 46.62, 42.66

 

CMYK 0 / 54 / 68 / 35

HEX #A64C35

RGB 166 76 53

HSL 12.21, 0.52%, 0.43%

LAB 43.56, 35.41, 31.15

 

CMYK 0 / 42 / 53 / 42

HEX #945646

RGB 148 86 70

HSL 12.31, 0.36%, 0.43%

LAB 43.35, 23.92, 20.34

 

CMYK 0 / 25 / 32 / 49

HEX #826158

RGB 130 97 88

HSL 12.86, 0.19%, 0.43%

LAB 44.23, 12.02, 10.33

 

CMYK 0 / 92 / 61 / 21

HEX #C9114E

RGB 201 17 78

HSL 340.11, 0.84%, 0.43%

LAB 43.31, 67.51, 17

 

CMYK 0 / 92 / 86 / 21

HEX #C9111D

RGB 201 17 29

HSL 356.09, 0.84%, 0.43%

LAB 42.62, 65.57, 45.3

 

CMYK 0 / 73 / 92 / 21

HEX #C93611

RGB 201 54 17

HSL 12.07, 0.84%, 0.43%

LAB 45.77, 56.28, 52.86

 

CMYK 0 / 49 / 92 / 21

HEX #C96711

RGB 201 103 17

HSL 28.04, 0.84%, 0.43%

LAB 54.19, 34.19, 58.82

 

CMYK 0 / 24 / 92 / 21

HEX #C99811

RGB 201 152 17

HSL 44.02, 0.84%, 0.43%

LAB 65.68, 7.72, 67.34

 

CMYK 0 / 73 / 92 / 51

HEX #7D220A

RGB 125 34 10

HSL 12.52, 0.85%, 0.26%

LAB 28.18, 38.16, 36.08

 

CMYK 0 / 72 / 91 / 36

HEX #A32D0E

RGB 163 45 14

HSL 12.48, 0.84%, 0.35%

LAB 37.29, 47.08, 44.61

 

CMYK 0 / 73 / 92 / 21

HEX #C93711

RGB 201 55 17

HSL 12.39, 0.84%, 0.43%

LAB 45.89, 55.93, 52.95

 

CMYK 0 / 71 / 89 / 8

HEX #EB4419

RGB 235 68 25

HSL 12.29, 0.84%, 0.51%

LAB 53.89, 62.21, 58.67

 

CMYK 0 / 58 / 74 / 7

HEX #EE633F

RGB 238 99 63

HSL 12.34, 0.84%, 0.59%

LAB 59.4, 51.63, 46.71

 

CMYK 0 / 73 / 92 / 21

HEX #C93711

RGB 201 55 17

HSL 12.39, 0.84%, 0.43%

LAB 45.89, 55.93, 52.95

 

CMYK 36 / 0 / 92 / 21

HEX #80C911

RGB 128 201 17

HSL 83.8, 0.84%, 0.43%

LAB 73.81, -47.08, 71.38

 

CMYK 92 / 73 / 0 / 21

HEX #1136C9

RGB 17 54 201

HSL 227.93, 0.84%, 0.43%

LAB 31.75, 45.66, -77.88

 

CMYK 0 / 73 / 92 / 21

HEX #C93711

RGB 201 55 17

HSL 12.39, 0.84%, 0.43%

LAB 45.89, 55.93, 52.95

 

CMYK 92 / 0 / 73 / 21

HEX #11C936

RGB 17 201 54

HSL 132.07, 0.84%, 0.43%

LAB 70.98, -68.93, 58.31

 

CMYK 73 / 92 / 0 / 21

HEX #3611C9

RGB 54 17 201

HSL 252.07, 0.84%, 0.43%

LAB 27.85, 63.65, -84.3

 

CMYK 0 / 73 / 92 / 21

HEX #C93711

RGB 201 55 17

HSL 12.39, 0.84%, 0.43%

LAB 45.89, 55.93, 52.95

 

CMYK 36 / 0 / 92 / 21

HEX #80C911

RGB 128 201 17

HSL 83.8, 0.84%, 0.43%

LAB 73.81, -47.08, 71.38

 

CMYK 92 / 18 / 0 / 21

HEX #11A4C9

RGB 17 164 201

HSL 192.07, 0.84%, 0.43%

LAB 62.41, -21.74, -28.73

 

CMYK 55 / 92 / 0 / 21

HEX #5B11C9

RGB 91 17 201

HSL 264.13, 0.84%, 0.43%

LAB 31.44, 66.04, -78.23

 

CMYK 0 / 73 / 92 / 21

HEX #C93711

RGB 201 55 17

HSL 12.39, 0.84%, 0.43%

LAB 45.89, 55.93, 52.95

 

CMYK 64 / 0 / 92 / 21

HEX #48C911

RGB 72 201 17

HSL 102.07, 0.84%, 0.43%

LAB 71.68, -63.42, 68.76

 

CMYK 92 / 18 / 0 / 21

HEX #11A4C9

RGB 17 164 201

HSL 192.07, 0.84%, 0.43%

LAB 62.41, -21.74, -28.73

 

CMYK 27 / 92 / 0 / 21

HEX #9211C9

RGB 146 17 201

HSL 282.07, 0.84%, 0.43%

LAB 39.12, 72.16, -65.34

 

Description

Color code: RGB 201 55 17 | qconv.com Color code: RGB 201 55 17 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 55 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 55 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 92 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 92% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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