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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 50 23 it is the complementary color RGB 54 205 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 50 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 50 23 shade: RGB 206 50 18, RGB 223 68 37, RGB 240 86 56, RGB 255 104 75 and RGB 255 122 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 50 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 50 23 shade: RGB 201 50 23, RGB 184 32 4, RGB 167 14 0, RGB 150 0 0 and RGB 133 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 50 23 shade: RGB 200 50 23 and RGB 200 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 50 23 shade: RGB 200 50 23, RGB 200 98 23, RGB 200 146 23, RGB 200 193 23 and RGB 160 200 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 50 23 shade matches the following richer shades: RGB 200 50 23 and RGB 218 37 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 50 23 shade: RGB 200 50 23, RGB 182 63 41, RGB 164 75 59, RGB 146 88 78 and RGB 128 101 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 50 23 shade: RGB 200 23 91, RGB 200 23 44, RGB 200 50 23, RGB 200 97 23 and RGB 200 144 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 50 23 shade: RGB 126 31 14, RGB 163 41 19, RGB 200 50 23, RGB 229 65 36 and RGB 233 97 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 50 23 shade: RGB 201 50 23, RGB 138 200 23 and RGB 23 67 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 50 23 shade: RGB 201 50 23, RGB 23 200 50 and RGB 50 23 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 50 23 shade: RGB 201 50 23, RGB 138 200 23, RGB 23 174 200 and RGB 85 23 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 50 23 shade: RGB 201 50 23, RGB 85 200 23, RGB 23 174 200 and RGB 138 23 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 89 / 21

HEX #C93217

RGB 201 50 23

HSL 9.1, 0.79%, 0.44%

LAB 45.3, 57.74, 50.24

 

Complementary color

CMYK 77 / 12 / 0 / 9

HEX #36CDE8

RGB 54 205 232

HSL 189.1, 0.79%, 0.56%

LAB 76.24, -29.49, -24.44

 

CMYK 0 / 76 / 91 / 19

HEX #CE3212

RGB 206 50 18

HSL 10.21, 0.84%, 0.44%

LAB 46.24, 59.2, 53.28

 

CMYK 0 / 70 / 83 / 13

HEX #DF4425

RGB 223 68 37

HSL 10, 0.74%, 0.51%

LAB 51.79, 58.64, 51.11

 

CMYK 0 / 64 / 77 / 6

HEX #F05638

RGB 240 86 56

HSL 9.78, 0.86%, 0.58%

LAB 57.53, 57.7, 48.41

 

CMYK 0 / 59 / 71 / 0

HEX #FF684B

RGB 255 104 75

HSL 9.67, 1%, 0.65%

LAB 63.07, 55.86, 45.29

 

CMYK 0 / 52 / 63 / 0

HEX #FF7A5E

RGB 255 122 94

HSL 10.43, 1%, 0.68%

LAB 66.51, 48.57, 39.22

 

CMYK 0 / 75 / 89 / 21

HEX #C93217

RGB 201 50 23

HSL 9.1, 0.79%, 0.44%

LAB 45.3, 57.74, 50.24

 

CMYK 0 / 83 / 98 / 28

HEX #B82004

RGB 184 32 4

HSL 9.33, 0.96%, 0.37%

LAB 39.97, 57.66, 51.83

 

CMYK 0 / 92 / 100 / 35

HEX #A70E00

RGB 167 14 0

HSL 5.03, 1%, 0.33%

LAB 35.06, 56.52, 49.04

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 75 / 89 / 22

HEX #C83217

RGB 200 50 23

HSL 9.15, 0.79%, 0.44%

LAB 45.11, 57.43, 50.01

 

CMYK 0 / 89 / 89 / 22

HEX #C81717

RGB 200 23 23

HSL 0, 0.79%, 0.44%

LAB 42.69, 64.26, 48.15

 

CMYK 0 / 75 / 89 / 22

HEX #C83217

RGB 200 50 23

HSL 9.15, 0.79%, 0.44%

LAB 45.11, 57.43, 50.01

 

CMYK 0 / 51 / 89 / 22

HEX #C86217

RGB 200 98 23

HSL 25.42, 0.79%, 0.44%

LAB 53.03, 36.48, 56.14

 

CMYK 0 / 27 / 89 / 22

HEX #C89217

RGB 200 146 23

HSL 41.69, 0.79%, 0.44%

LAB 64.08, 10.65, 64.79

 

CMYK 0 / 4 / 89 / 22

HEX #C8C117

RGB 200 193 23

HSL 57.63, 0.79%, 0.44%

LAB 76.36, -14.15, 74.49

 

CMYK 20 / 0 / 89 / 22

HEX #A0C817

RGB 160 200 23

HSL 73.56, 0.79%, 0.44%

LAB 75.35, -34.34, 72.44

 

CMYK 0 / 75 / 89 / 22

HEX #C83217

RGB 200 50 23

HSL 9.15, 0.79%, 0.44%

LAB 45.11, 57.43, 50.01

 

CMYK 0 / 83 / 98 / 15

HEX #DA2505

RGB 218 37 5

HSL 9.01, 0.96%, 0.44%

LAB 47.29, 66.13, 58.95

 

CMYK 0 / 75 / 89 / 22

HEX #C83217

RGB 200 50 23

HSL 9.15, 0.79%, 0.44%

LAB 45.11, 57.43, 50.01

 

CMYK 0 / 65 / 77 / 29

HEX #B63F29

RGB 182 63 41

HSL 9.36, 0.63%, 0.44%

LAB 43.74, 47, 38.79

 

CMYK 0 / 54 / 64 / 36

HEX #A44B3B

RGB 164 75 59

HSL 9.14, 0.47%, 0.44%

LAB 43.12, 35.53, 27.07

 

CMYK 0 / 40 / 47 / 43

HEX #92584E

RGB 146 88 78

HSL 8.82, 0.3%, 0.44%

LAB 43.71, 22.77, 15.96

 

CMYK 0 / 21 / 25 / 50

HEX #806560

RGB 128 101 96

HSL 9.37, 0.14%, 0.44%

LAB 45.28, 10.02, 6.95

 

CMYK 0 / 89 / 55 / 22

HEX #C8175B

RGB 200 23 91

HSL 336.95, 0.79%, 0.44%

LAB 43.72, 67.21, 9.37

 

CMYK 0 / 89 / 78 / 22

HEX #C8172C

RGB 200 23 44

HSL 352.88, 0.79%, 0.44%

LAB 42.87, 64.79, 37.25

 

CMYK 0 / 75 / 89 / 22

HEX #C83217

RGB 200 50 23

HSL 9.15, 0.79%, 0.44%

LAB 45.11, 57.43, 50.01

 

CMYK 0 / 52 / 89 / 22

HEX #C86117

RGB 200 97 23

HSL 25.08, 0.79%, 0.44%

LAB 52.83, 37, 55.98

 

CMYK 0 / 28 / 89 / 22

HEX #C89017

RGB 200 144 23

HSL 41.02, 0.79%, 0.44%

LAB 63.58, 11.74, 64.4

 

CMYK 0 / 75 / 89 / 51

HEX #7E1F0E

RGB 126 31 14

HSL 9.11, 0.8%, 0.27%

LAB 27.97, 39.81, 34.16

 

CMYK 0 / 75 / 88 / 36

HEX #A32913

RGB 163 41 19

HSL 9.17, 0.79%, 0.36%

LAB 36.78, 48.66, 42.11

 

CMYK 0 / 75 / 89 / 22

HEX #C83217

RGB 200 50 23

HSL 9.15, 0.79%, 0.44%

LAB 45.11, 57.43, 50.01

 

CMYK 0 / 72 / 84 / 10

HEX #E54124

RGB 229 65 36

HSL 9.02, 0.79%, 0.52%

LAB 52.47, 61.61, 52.59

 

CMYK 0 / 58 / 69 / 9

HEX #E96149

RGB 233 97 73

HSL 9, 0.78%, 0.6%

LAB 58.37, 51.24, 40.05

 

CMYK 0 / 75 / 89 / 21

HEX #C93217

RGB 201 50 23

HSL 9.1, 0.79%, 0.44%

LAB 45.3, 57.74, 50.24

 

CMYK 31 / 0 / 89 / 22

HEX #8AC817

RGB 138 200 23

HSL 81.02, 0.79%, 0.44%

LAB 74.04, -42.88, 70.83

 

CMYK 89 / 67 / 0 / 22

HEX #1743C8

RGB 23 67 200

HSL 225.08, 0.79%, 0.44%

LAB 34.73, 37.51, -72.37

 

CMYK 0 / 75 / 89 / 21

HEX #C93217

RGB 201 50 23

HSL 9.1, 0.79%, 0.44%

LAB 45.3, 57.74, 50.24

 

CMYK 89 / 0 / 75 / 22

HEX #17C832

RGB 23 200 50

HSL 129.15, 0.79%, 0.44%

LAB 70.68, -68.57, 59.41

 

CMYK 75 / 89 / 0 / 22

HEX #3217C8

RGB 50 23 200

HSL 249.15, 0.79%, 0.44%

LAB 28.01, 61.46, -83.46

 

CMYK 0 / 75 / 89 / 21

HEX #C93217

RGB 201 50 23

HSL 9.1, 0.79%, 0.44%

LAB 45.3, 57.74, 50.24

 

CMYK 31 / 0 / 89 / 22

HEX #8AC817

RGB 138 200 23

HSL 81.02, 0.79%, 0.44%

LAB 74.04, -42.88, 70.83

 

CMYK 89 / 13 / 0 / 22

HEX #17AEC8

RGB 23 174 200

HSL 188.81, 0.79%, 0.44%

LAB 65.46, -26.88, -23.49

 

CMYK 58 / 89 / 0 / 22

HEX #5517C8

RGB 85 23 200

HSL 261.02, 0.79%, 0.44%

LAB 31.15, 63.81, -78.16

 

CMYK 0 / 75 / 89 / 21

HEX #C93217

RGB 201 50 23

HSL 9.1, 0.79%, 0.44%

LAB 45.3, 57.74, 50.24

 

CMYK 58 / 0 / 89 / 22

HEX #55C817

RGB 85 200 23

HSL 98.98, 0.79%, 0.44%

LAB 71.76, -59.82, 67.98

 

CMYK 89 / 13 / 0 / 22

HEX #17AEC8

RGB 23 174 200

HSL 188.81, 0.79%, 0.44%

LAB 65.46, -26.88, -23.49

 

CMYK 31 / 89 / 0 / 22

HEX #8A17C8

RGB 138 23 200

HSL 278.98, 0.79%, 0.44%

LAB 38.17, 69.78, -66.35

 

Description

Color code: RGB 201 50 23 | qconv.com Color code: RGB 201 50 23 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 50 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 50 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 89 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 89% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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