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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 45 177 it is the complementary color RGB 54 210 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 45 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 45 177 shade: RGB 206 45 172, RGB 223 63 191, RGB 240 81 210, RGB 255 99 229 and RGB 255 117 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 45 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 45 177 shade: RGB 201 45 177, RGB 184 27 158, RGB 167 9 139, RGB 150 0 120 and RGB 133 0 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 45 177 shade: RGB 199 45 175, RGB 199 45 134, RGB 199 45 92, RGB 199 45 51 and RGB 199 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 45 177 shade: RGB 199 45 175, RGB 181 45 199, RGB 140 45 199, RGB 98 45 199 and RGB 56 45 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 45 177 shade matches the following richer shades: RGB 199 45 175, RGB 219 25 189 and RGB 239 5 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 45 177 shade: RGB 199 45 175, RGB 179 65 162, RGB 159 84 148, RGB 140 104 134 and RGB 120 124 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 45 177 shade: RGB 140 45 199, RGB 181 45 199, RGB 199 45 176, RGB 199 45 135 and RGB 199 45 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 45 177 shade: RGB 132 30 116, RGB 165 37 146, RGB 199 45 175, RGB 213 72 191 and RGB 221 106 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 45 177 shade: RGB 201 45 177, RGB 199 99 45 and RGB 45 199 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 45 177 shade: RGB 201 45 177, RGB 176 199 45 and RGB 45 176 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 45 177 shade: RGB 201 45 177, RGB 199 99 45, RGB 45 199 68 and RGB 45 145 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 45 177 shade: RGB 201 45 177, RGB 199 145 45, RGB 45 199 68 and RGB 45 99 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 12 / 21

HEX #C92DB1

RGB 201 45 177

HSL 309.23, 0.63%, 0.48%

LAB 48.85, 71.78, -35.19

 

Complementary color

CMYK 74 / 0 / 63 / 18

HEX #36D24E

RGB 54 210 78

HSL 129.23, 0.63%, 0.52%

LAB 74.46, -65.59, 52.69

 

CMYK 0 / 78 / 17 / 19

HEX #CE2DAC

RGB 206 45 172

HSL 312.67, 0.64%, 0.49%

LAB 49.47, 72.18, -31.21

 

CMYK 0 / 72 / 14 / 13

HEX #DF3FBF

RGB 223 63 191

HSL 312, 0.71%, 0.56%

LAB 55.08, 73.3, -33.32

 

CMYK 0 / 66 / 13 / 6

HEX #F051D2

RGB 240 81 210

HSL 311.32, 0.84%, 0.63%

LAB 60.84, 73.8, -34.99

 

CMYK 0 / 61 / 10 / 0

HEX #FF63E5

RGB 255 99 229

HSL 310, 1%, 0.69%

LAB 66.4, 73.38, -36.81

 

CMYK 0 / 54 / 3 / 0

HEX #FF75F8

RGB 255 117 248

HSL 303.04, 1%, 0.73%

LAB 70.01, 68.76, -41.66

 

CMYK 0 / 78 / 12 / 21

HEX #C92DB1

RGB 201 45 177

HSL 309.23, 0.63%, 0.48%

LAB 48.85, 71.78, -35.19

 

CMYK 0 / 85 / 14 / 28

HEX #B81B9E

RGB 184 27 158

HSL 309.94, 0.74%, 0.41%

LAB 43.42, 69.81, -32.64

 

CMYK 0 / 95 / 17 / 35

HEX #A7098B

RGB 167 9 139

HSL 310.63, 0.9%, 0.35%

LAB 38.33, 66.61, -29.31

 

CMYK 0 / 100 / 20 / 41

HEX #960078

RGB 150 0 120

HSL 312, 1%, 0.29%

LAB 33.65, 61.89, -25.06

 

CMYK 0 / 100 / 24 / 48

HEX #850065

RGB 133 0 101

HSL 314.44, 1%, 0.26%

LAB 29.23, 56.05, -20.06

 

CMYK 0 / 77 / 12 / 22

HEX #C72DAF

RGB 199 45 175

HSL 309.35, 0.63%, 0.48%

LAB 48.4, 71.06, -34.73

 

CMYK 0 / 77 / 33 / 22

HEX #C72D86

RGB 199 45 134

HSL 325.32, 0.63%, 0.48%

LAB 46.63, 65.85, -12.95

 

CMYK 0 / 77 / 54 / 22

HEX #C72D5C

RGB 199 45 92

HSL 341.69, 0.63%, 0.48%

LAB 45.35, 61.9, 10.99

 

CMYK 0 / 77 / 74 / 22

HEX #C72D33

RGB 199 45 51

HSL 357.66, 0.63%, 0.48%

LAB 44.6, 59.53, 35.02

 

CMYK 0 / 77 / 77 / 22

HEX #C72D2D

RGB 199 45 45

HSL 0, 0.63%, 0.48%

LAB 44.53, 59.3, 38.38

 

CMYK 0 / 77 / 12 / 22

HEX #C72DAF

RGB 199 45 175

HSL 309.35, 0.63%, 0.48%

LAB 48.4, 71.06, -34.73

 

CMYK 9 / 77 / 0 / 22

HEX #B52DC7

RGB 181 45 199

HSL 292.99, 0.63%, 0.48%

LAB 46.74, 71.13, -51.58

 

CMYK 30 / 77 / 0 / 22

HEX #8C2DC7

RGB 140 45 199

HSL 277.01, 0.63%, 0.48%

LAB 40.53, 63.61, -61.91

 

CMYK 51 / 77 / 0 / 22

HEX #622DC7

RGB 98 45 199

HSL 260.65, 0.63%, 0.48%

LAB 35.2, 57.03, -70.85

 

CMYK 72 / 77 / 0 / 22

HEX #382DC7

RGB 56 45 199

HSL 244.29, 0.63%, 0.48%

LAB 31.44, 52.31, -77.17

 

CMYK 0 / 77 / 12 / 22

HEX #C72DAF

RGB 199 45 175

HSL 309.35, 0.63%, 0.48%

LAB 48.4, 71.06, -34.73

 

CMYK 0 / 89 / 14 / 14

HEX #DB19BD

RGB 219 25 189

HSL 309.28, 0.8%, 0.48%

LAB 51.19, 81.14, -38.31

 

CMYK 0 / 98 / 15 / 6

HEX #EF05CB

RGB 239 5 203

HSL 309.23, 0.96%, 0.48%

LAB 54.84, 88.46, -40.41

 

CMYK 0 / 77 / 12 / 22

HEX #C72DAF

RGB 199 45 175

HSL 309.35, 0.63%, 0.48%

LAB 48.4, 71.06, -34.73

 

CMYK 0 / 64 / 9 / 30

HEX #B341A2

RGB 179 65 162

HSL 308.95, 0.47%, 0.48%

LAB 46.94, 57.4, -29.58

 

CMYK 0 / 47 / 7 / 38

HEX #9F5494

RGB 159 84 148

HSL 308.8, 0.31%, 0.48%

LAB 46.78, 40.15, -21.72

 

CMYK 0 / 26 / 4 / 45

HEX #8C6886

RGB 140 104 134

HSL 310, 0.15%, 0.48%

LAB 48.51, 19.68, -10.95

 

CMYK 3 / 0 / 3 / 51

HEX #787C78

RGB 120 124 120

HSL 120, 0.02%, 0.48%

LAB 51.57, -2.3, 1.65

 

CMYK 30 / 77 / 0 / 22

HEX #8C2DC7

RGB 140 45 199

HSL 277.01, 0.63%, 0.48%

LAB 40.53, 63.61, -61.91

 

CMYK 9 / 77 / 0 / 22

HEX #B52DC7

RGB 181 45 199

HSL 292.99, 0.63%, 0.48%

LAB 46.74, 71.13, -51.58

 

CMYK 0 / 77 / 12 / 22

HEX #C72DB0

RGB 199 45 176

HSL 308.96, 0.63%, 0.48%

LAB 48.45, 71.21, -35.25

 

CMYK 0 / 77 / 32 / 22

HEX #C72D87

RGB 199 45 135

HSL 324.94, 0.63%, 0.48%

LAB 46.67, 65.96, -13.5

 

CMYK 0 / 77 / 53 / 22

HEX #C72D5E

RGB 199 45 94

HSL 340.91, 0.63%, 0.48%

LAB 45.4, 62.05, 9.82

 

CMYK 0 / 77 / 12 / 48

HEX #841E74

RGB 132 30 116

HSL 309.41, 0.63%, 0.32%

LAB 32.02, 51.49, -25.32

 

CMYK 0 / 78 / 12 / 35

HEX #A52592

RGB 165 37 146

HSL 308.91, 0.63%, 0.4%

LAB 40.24, 61.6, -30.62

 

CMYK 0 / 77 / 12 / 22

HEX #C72DAF

RGB 199 45 175

HSL 309.35, 0.63%, 0.48%

LAB 48.4, 71.06, -34.73

 

CMYK 0 / 66 / 10 / 16

HEX #D548BF

RGB 213 72 191

HSL 309.36, 0.63%, 0.56%

LAB 54.6, 67.76, -34.19

 

CMYK 0 / 52 / 8 / 13

HEX #DD6ACB

RGB 221 106 203

HSL 309.39, 0.63%, 0.64%

LAB 61.65, 57.17, -29.98

 

CMYK 0 / 78 / 12 / 21

HEX #C92DB1

RGB 201 45 177

HSL 309.23, 0.63%, 0.48%

LAB 48.85, 71.78, -35.19

 

CMYK 0 / 50 / 77 / 22

HEX #C7632D

RGB 199 99 45

HSL 21.04, 0.63%, 0.48%

LAB 53.23, 36.22, 47.34

 

CMYK 77 / 0 / 20 / 22

HEX #2DC7A0

RGB 45 199 160

HSL 164.81, 0.63%, 0.48%

LAB 72.19, -48.03, 8.49

 

CMYK 0 / 78 / 12 / 21

HEX #C92DB1

RGB 201 45 177

HSL 309.23, 0.63%, 0.48%

LAB 48.85, 71.78, -35.19

 

CMYK 12 / 0 / 77 / 22

HEX #B0C72D

RGB 176 199 45

HSL 68.96, 0.63%, 0.48%

LAB 76.23, -26.64, 68.37

 

CMYK 77 / 12 / 0 / 22

HEX #2DB0C7

RGB 45 176 199

HSL 188.96, 0.63%, 0.48%

LAB 66.31, -26.46, -21.6

 

CMYK 0 / 78 / 12 / 21

HEX #C92DB1

RGB 201 45 177

HSL 309.23, 0.63%, 0.48%

LAB 48.85, 71.78, -35.19

 

CMYK 0 / 50 / 77 / 22

HEX #C7632D

RGB 199 99 45

HSL 21.04, 0.63%, 0.48%

LAB 53.23, 36.22, 47.34

 

CMYK 77 / 0 / 66 / 22

HEX #2DC744

RGB 45 199 68

HSL 128.96, 0.63%, 0.48%

LAB 70.75, -64.39, 52.75

 

CMYK 77 / 27 / 0 / 22

HEX #2D91C7

RGB 45 145 199

HSL 201.04, 0.63%, 0.48%

LAB 57.01, -9.97, -35.98

 

CMYK 0 / 78 / 12 / 21

HEX #C92DB1

RGB 201 45 177

HSL 309.23, 0.63%, 0.48%

LAB 48.85, 71.78, -35.19

 

CMYK 0 / 27 / 77 / 22

HEX #C7912D

RGB 199 145 45

HSL 38.96, 0.63%, 0.48%

LAB 63.82, 11.41, 57.61

 

CMYK 77 / 0 / 66 / 22

HEX #2DC744

RGB 45 199 68

HSL 128.96, 0.63%, 0.48%

LAB 70.75, -64.39, 52.75

 

CMYK 77 / 50 / 0 / 22

HEX #2D63C7

RGB 45 99 199

HSL 218.96, 0.63%, 0.48%

LAB 43.66, 18.07, -57.21

 

Description

Color code: RGB 201 45 177 | qconv.com Color code: RGB 201 45 177 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 45 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 45 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 12 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 12% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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