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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 25 173 it is the complementary color RGB 54 230 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 25 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 25 173 shade: RGB 206 25 168, RGB 223 43 187, RGB 240 61 206, RGB 255 79 225 and RGB 255 97 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 25 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 25 173 shade: RGB 201 25 173, RGB 184 7 154, RGB 167 0 135, RGB 150 0 116 and RGB 133 0 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 25 173 shade: RGB 199 24 171, RGB 199 24 124, RGB 199 24 77, RGB 199 24 30 and RGB 199 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 25 173 shade: RGB 199 24 171, RGB 180 24 199, RGB 133 24 199, RGB 85 24 199 and RGB 38 24 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 25 173 shade matches the following richer shades: RGB 199 24 171 and RGB 217 6 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 25 173 shade: RGB 199 24 171, RGB 181 42 159, RGB 163 60 147, RGB 145 79 134 and RGB 127 97 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 25 173 shade: RGB 132 24 199, RGB 179 24 199, RGB 199 24 173, RGB 199 24 126 and RGB 199 24 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 25 173 shade: RGB 126 15 108, RGB 162 20 140, RGB 199 24 171, RGB 228 37 197 and RGB 232 74 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 25 173 shade: RGB 201 25 173, RGB 199 85 24 and RGB 24 199 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 25 173 shade: RGB 201 25 173, RGB 173 199 24 and RGB 24 173 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 25 173 shade: RGB 201 25 173, RGB 199 85 24, RGB 24 199 50 and RGB 24 138 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 25 173 shade: RGB 201 25 173, RGB 199 138 24, RGB 24 199 50 and RGB 24 85 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 14 / 21

HEX #C919AD

RGB 201 25 173

HSL 309.55, 0.78%, 0.44%

LAB 47.14, 75.58, -35.51

 

Complementary color

CMYK 77 / 0 / 64 / 10

HEX #36E652

RGB 54 230 82

HSL 129.55, 0.78%, 0.56%

LAB 80.73, -71.52, 57.99

 

CMYK 0 / 88 / 18 / 19

HEX #CE19A8

RGB 206 25 168

HSL 312.6, 0.78%, 0.45%

LAB 47.81, 75.92, -31.44

 

CMYK 0 / 81 / 16 / 13

HEX #DF2BBB

RGB 223 43 187

HSL 312, 0.74%, 0.52%

LAB 52.95, 78.31, -34.32

 

CMYK 0 / 75 / 14 / 6

HEX #F03DCE

RGB 240 61 206

HSL 311.4, 0.86%, 0.59%

LAB 58.34, 79.8, -36.62

 

CMYK 0 / 69 / 12 / 0

HEX #FF4FE1

RGB 255 79 225

HSL 310.23, 1%, 0.65%

LAB 63.58, 80.17, -38.97

 

CMYK 0 / 62 / 4 / 0

HEX #FF61F4

RGB 255 97 244

HSL 304.18, 1%, 0.69%

LAB 66.78, 76.46, -44.52

 

CMYK 0 / 88 / 14 / 21

HEX #C919AD

RGB 201 25 173

HSL 309.55, 0.78%, 0.44%

LAB 47.14, 75.58, -35.51

 

CMYK 0 / 96 / 16 / 28

HEX #B8079A

RGB 184 7 154

HSL 310.17, 0.93%, 0.37%

LAB 42.27, 72.06, -32.04

 

CMYK 0 / 100 / 19 / 35

HEX #A70087

RGB 167 0 135

HSL 311.5, 1%, 0.33%

LAB 37.78, 67.11, -27.71

 

CMYK 0 / 100 / 23 / 41

HEX #960074

RGB 150 0 116

HSL 313.6, 1%, 0.29%

LAB 33.45, 61.39, -22.84

 

CMYK 0 / 100 / 27 / 48

HEX #850061

RGB 133 0 97

HSL 316.24, 1%, 0.26%

LAB 29.03, 55.55, -17.76

 

CMYK 0 / 88 / 14 / 22

HEX #C718AB

RGB 199 24 171

HSL 309.6, 0.78%, 0.44%

LAB 46.63, 75.09, -35.17

 

CMYK 0 / 88 / 38 / 22

HEX #C7187C

RGB 199 24 124

HSL 325.71, 0.78%, 0.44%

LAB 44.59, 69.61, -9.92

 

CMYK 0 / 88 / 61 / 22

HEX #C7184D

RGB 199 24 77

HSL 341.83, 0.78%, 0.44%

LAB 43.26, 65.87, 17.49

 

CMYK 0 / 88 / 85 / 22

HEX #C7181E

RGB 199 24 30

HSL 357.94, 0.78%, 0.44%

LAB 42.6, 63.96, 44.6

 

CMYK 0 / 88 / 88 / 22

HEX #C71818

RGB 199 24 24

HSL 0, 0.78%, 0.44%

LAB 42.55, 63.84, 47.5

 

CMYK 0 / 88 / 14 / 22

HEX #C718AB

RGB 199 24 171

HSL 309.6, 0.78%, 0.44%

LAB 46.63, 75.09, -35.17

 

CMYK 10 / 88 / 0 / 22

HEX #B418C7

RGB 180 24 199

HSL 293.49, 0.78%, 0.44%

LAB 44.91, 75.81, -54.52

 

CMYK 33 / 88 / 0 / 22

HEX #8518C7

RGB 133 24 199

HSL 277.37, 0.78%, 0.44%

LAB 37.41, 68.68, -67.04

 

CMYK 57 / 88 / 0 / 22

HEX #5518C7

RGB 85 24 199

HSL 260.91, 0.78%, 0.44%

LAB 31.13, 63.28, -77.6

 

CMYK 81 / 88 / 0 / 22

HEX #2618C7

RGB 38 24 199

HSL 244.8, 0.78%, 0.44%

LAB 27.27, 60.34, -84.13

 

CMYK 0 / 88 / 14 / 22

HEX #C718AB

RGB 199 24 171

HSL 309.6, 0.78%, 0.44%

LAB 46.63, 75.09, -35.17

 

CMYK 0 / 97 / 15 / 15

HEX #D906B8

RGB 217 6 184

HSL 309.38, 0.95%, 0.44%

LAB 49.91, 82.08, -37.43

 

CMYK 0 / 88 / 14 / 22

HEX #C718AB

RGB 199 24 171

HSL 309.6, 0.78%, 0.44%

LAB 46.63, 75.09, -35.17

 

CMYK 0 / 77 / 12 / 29

HEX #B52A9F

RGB 181 42 159

HSL 309.5, 0.62%, 0.44%

LAB 44.21, 65.65, -32.04

 

CMYK 0 / 63 / 10 / 36

HEX #A33C93

RGB 163 60 147

HSL 309.32, 0.46%, 0.44%

LAB 42.95, 52.83, -27.01

 

CMYK 0 / 46 / 8 / 43

HEX #914F86

RGB 145 79 134

HSL 310, 0.29%, 0.44%

LAB 43.26, 35.77, -18.87

 

CMYK 0 / 24 / 4 / 50

HEX #7F617A

RGB 127 97 122

HSL 310, 0.13%, 0.44%

LAB 44.89, 16.67, -9.33

 

CMYK 34 / 88 / 0 / 22

HEX #8418C7

RGB 132 24 199

HSL 277.03, 0.78%, 0.44%

LAB 37.27, 68.55, -67.29

 

CMYK 10 / 88 / 0 / 22

HEX #B318C7

RGB 179 24 199

HSL 293.14, 0.78%, 0.44%

LAB 44.75, 75.64, -54.8

 

CMYK 0 / 88 / 13 / 22

HEX #C718AD

RGB 199 24 173

HSL 308.91, 0.78%, 0.44%

LAB 46.73, 75.35, -36.19

 

CMYK 0 / 88 / 37 / 22

HEX #C7187E

RGB 199 24 126

HSL 325.03, 0.78%, 0.44%

LAB 44.66, 69.81, -11.04

 

CMYK 0 / 88 / 60 / 22

HEX #C71850

RGB 199 24 80

HSL 340.8, 0.78%, 0.44%

LAB 43.32, 66.05, 15.69

 

CMYK 0 / 88 / 14 / 51

HEX #7E0F6C

RGB 126 15 108

HSL 309.73, 0.79%, 0.28%

LAB 29.06, 52.96, -24.95

 

CMYK 0 / 88 / 14 / 36

HEX #A2148C

RGB 162 20 140

HSL 309.3, 0.78%, 0.36%

LAB 37.98, 64.16, -30.55

 

CMYK 0 / 88 / 14 / 22

HEX #C718AB

RGB 199 24 171

HSL 309.6, 0.78%, 0.44%

LAB 46.63, 75.09, -35.17

 

CMYK 0 / 84 / 14 / 11

HEX #E425C5

RGB 228 37 197

HSL 309.74, 0.78%, 0.52%

LAB 53.87, 81.9, -38.62

 

CMYK 0 / 68 / 11 / 9

HEX #E84ACF

RGB 232 74 207

HSL 309.49, 0.77%, 0.6%

LAB 58.56, 73.97, -36.93

 

CMYK 0 / 88 / 14 / 21

HEX #C919AD

RGB 201 25 173

HSL 309.55, 0.78%, 0.44%

LAB 47.14, 75.58, -35.51

 

CMYK 0 / 57 / 88 / 22

HEX #C75518

RGB 199 85 24

HSL 20.91, 0.78%, 0.44%

LAB 50.34, 42.6, 53.62

 

CMYK 88 / 0 / 22 / 22

HEX #18C79B

RGB 24 199 155

HSL 164.91, 0.78%, 0.44%

LAB 71.83, -51.05, 10.64

 

CMYK 0 / 88 / 14 / 21

HEX #C919AD

RGB 201 25 173

HSL 309.55, 0.78%, 0.44%

LAB 47.14, 75.58, -35.51

 

CMYK 13 / 0 / 88 / 22

HEX #ADC718

RGB 173 199 24

HSL 68.91, 0.78%, 0.44%

LAB 75.94, -28.55, 73.11

 

CMYK 88 / 13 / 0 / 22

HEX #18ADC7

RGB 24 173 199

HSL 188.91, 0.78%, 0.44%

LAB 65.12, -26.65, -23.44

 

CMYK 0 / 88 / 14 / 21

HEX #C919AD

RGB 201 25 173

HSL 309.55, 0.78%, 0.44%

LAB 47.14, 75.58, -35.51

 

CMYK 0 / 57 / 88 / 22

HEX #C75518

RGB 199 85 24

HSL 20.91, 0.78%, 0.44%

LAB 50.34, 42.6, 53.62

 

CMYK 88 / 0 / 75 / 22

HEX #18C732

RGB 24 199 50

HSL 128.91, 0.78%, 0.44%

LAB 70.37, -68.2, 59.1

 

CMYK 88 / 31 / 0 / 22

HEX #188AC7

RGB 24 138 199

HSL 200.91, 0.78%, 0.44%

LAB 54.55, -7.82, -39.87

 

CMYK 0 / 88 / 14 / 21

HEX #C919AD

RGB 201 25 173

HSL 309.55, 0.78%, 0.44%

LAB 47.14, 75.58, -35.51

 

CMYK 0 / 31 / 88 / 22

HEX #C78A18

RGB 199 138 24

HSL 39.09, 0.78%, 0.44%

LAB 61.99, 14.59, 62.84

 

CMYK 88 / 0 / 75 / 22

HEX #18C732

RGB 24 199 50

HSL 128.91, 0.78%, 0.44%

LAB 70.37, -68.2, 59.1

 

CMYK 88 / 57 / 0 / 22

HEX #1855C7

RGB 24 85 199

HSL 219.09, 0.78%, 0.44%

LAB 39.27, 25.42, -64.37

 

Description

Color code: RGB 201 25 173 | qconv.com Color code: RGB 201 25 173 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 25 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 25 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 14 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 14% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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