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Color name
RGB 201 234 65

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 234 65 it is the complementary color RGB 54 21 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 234 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 234 65 shade: RGB 206 234 60, RGB 223 252 79, RGB 240 255 98, RGB 255 255 117 and RGB 255 255 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 234 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 234 65 shade: RGB 201 234 65, RGB 184 216 46, RGB 167 198 27, RGB 150 180 8 and RGB 133 162 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 234 65 shade: RGB 201 234 66, RGB 234 221 66, RGB 234 176 66, RGB 234 131 66 and RGB 234 86 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 234 65 shade: RGB 201 234 66, RGB 156 234 66, RGB 111 234 66, RGB 66 234 67 and RGB 66 234 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 234 65 shade matches the following richer shades: RGB 201 234 66 and RGB 211 251 49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 234 65 shade: RGB 201 234 66, RGB 191 217 83, RGB 180 200 100, RGB 170 183 117 and RGB 160 166 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 234 65 shade: RGB 234 175 66, RGB 234 220 66, RGB 203 234 66, RGB 158 234 66 and RGB 114 234 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 234 65 shade: RGB 162 196 21, RGB 190 229 29, RGB 201 234 66, RGB 211 238 103 and RGB 222 242 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 234 65 shade: RGB 201 234 65, RGB 66 234 130 and RGB 197 66 234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 234 65 shade: RGB 201 234 65, RGB 66 203 234 and RGB 234 66 203

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 234 65 shade: RGB 201 234 65, RGB 66 234 130, RGB 97 66 234 and RGB 234 66 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 234 65 shade: RGB 201 234 65, RGB 66 234 181, RGB 97 66 234 and RGB 234 66 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 72 / 8

HEX #C9EA41

RGB 201 234 65

HSL 71.72, 0.8%, 0.59%

LAB 87.8, -32.1, 73.51

 

Complementary color

CMYK 72 / 89 / 0 / 25

HEX #3615BE

RGB 54 21 190

HSL 251.72, 0.8%, 0.41%

LAB 26.84, 59.61, -79.5

 

CMYK 12 / 0 / 74 / 8

HEX #CEEA3C

RGB 206 234 60

HSL 69.66, 0.81%, 0.58%

LAB 88.11, -30.35, 75.54

 

CMYK 12 / 0 / 69 / 1

HEX #DFFC4F

RGB 223 252 79

HSL 70.06, 0.97%, 0.65%

LAB 94.26, -31.03, 75.55

 

CMYK 6 / 0 / 62 / 0

HEX #F0FF62

RGB 240 255 98

HSL 65.73, 1%, 0.69%

LAB 96.38, -24.63, 70.95

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 14 / 0 / 72 / 8

HEX #C9EA41

RGB 201 234 65

HSL 71.72, 0.8%, 0.59%

LAB 87.8, -32.1, 73.51

 

CMYK 15 / 0 / 79 / 15

HEX #B8D82E

RGB 184 216 46

HSL 71.29, 0.69%, 0.51%

LAB 81.57, -31.37, 73.11

 

CMYK 16 / 0 / 86 / 22

HEX #A7C61B

RGB 167 198 27

HSL 70.88, 0.76%, 0.44%

LAB 75.25, -30.47, 71.79

 

CMYK 17 / 0 / 96 / 29

HEX #96B408

RGB 150 180 8

HSL 70.47, 0.91%, 0.37%

LAB 68.86, -29.37, 69.11

 

CMYK 18 / 0 / 100 / 36

HEX #85A200

RGB 133 162 0

HSL 70.74, 1%, 0.32%

LAB 62.36, -28.04, 64.65

 

CMYK 14 / 0 / 72 / 8

HEX #C9EA42

RGB 201 234 66

HSL 71.79, 0.8%, 0.59%

LAB 87.8, -32.05, 73.18

 

CMYK 0 / 6 / 72 / 8

HEX #EADD42

RGB 234 221 66

HSL 55.36, 0.8%, 0.59%

LAB 86.8, -12.35, 73.07

 

CMYK 0 / 25 / 72 / 8

HEX #EAB042

RGB 234 176 66

HSL 39.29, 0.8%, 0.59%

LAB 75.41, 10.79, 61.87

 

CMYK 0 / 44 / 72 / 8

HEX #EA8342

RGB 234 131 66

HSL 23.21, 0.8%, 0.59%

LAB 65.06, 34.55, 51.13

 

CMYK 0 / 63 / 72 / 8

HEX #EA5642

RGB 234 86 66

HSL 7.14, 0.8%, 0.59%

LAB 56.63, 56.08, 41.89

 

CMYK 14 / 0 / 72 / 8

HEX #C9EA42

RGB 201 234 66

HSL 71.79, 0.8%, 0.59%

LAB 87.8, -32.05, 73.18

 

CMYK 33 / 0 / 72 / 8

HEX #9CEA42

RGB 156 234 66

HSL 87.86, 0.8%, 0.59%

LAB 85.15, -48.87, 69.69

 

CMYK 53 / 0 / 72 / 8

HEX #6FEA42

RGB 111 234 66

HSL 103.93, 0.8%, 0.59%

LAB 83.24, -62.81, 67.14

 

CMYK 72 / 0 / 71 / 8

HEX #42EA43

RGB 66 234 67

HSL 120.36, 0.8%, 0.59%

LAB 82.06, -72.38, 65.21

 

CMYK 72 / 0 / 52 / 8

HEX #42EA70

RGB 66 234 112

HSL 136.43, 0.8%, 0.59%

LAB 82.47, -67.46, 46.8

 

CMYK 14 / 0 / 72 / 8

HEX #C9EA42

RGB 201 234 66

HSL 71.79, 0.8%, 0.59%

LAB 87.8, -32.05, 73.18

 

CMYK 16 / 0 / 80 / 2

HEX #D3FB31

RGB 211 251 49

HSL 71.88, 0.96%, 0.59%

LAB 93.04, -36.58, 83.18

 

CMYK 14 / 0 / 72 / 8

HEX #C9EA42

RGB 201 234 66

HSL 71.79, 0.8%, 0.59%

LAB 87.8, -32.05, 73.18

 

CMYK 12 / 0 / 62 / 15

HEX #BFD953

RGB 191 217 83

HSL 71.64, 0.64%, 0.59%

LAB 82.55, -27.02, 61.18

 

CMYK 10 / 0 / 50 / 22

HEX #B4C864

RGB 180 200 100

HSL 72, 0.48%, 0.59%

LAB 77.24, -21.73, 47.3

 

CMYK 7 / 0 / 36 / 28

HEX #AAB775

RGB 170 183 117

HSL 71.82, 0.31%, 0.59%

LAB 72.03, -15.26, 32.09

 

CMYK 4 / 0 / 19 / 35

HEX #A0A686

RGB 160 166 134

HSL 71.25, 0.15%, 0.59%

LAB 66.88, -7.81, 15.88

 

CMYK 0 / 25 / 72 / 8

HEX #EAAF42

RGB 234 175 66

HSL 38.93, 0.8%, 0.59%

LAB 75.17, 11.32, 61.63

 

CMYK 0 / 6 / 72 / 8

HEX #EADC42

RGB 234 220 66

HSL 55, 0.8%, 0.59%

LAB 86.54, -11.86, 72.82

 

CMYK 13 / 0 / 72 / 8

HEX #CBEA42

RGB 203 234 66

HSL 71.07, 0.8%, 0.59%

LAB 87.94, -31.26, 73.36

 

CMYK 32 / 0 / 72 / 8

HEX #9EEA42

RGB 158 234 66

HSL 87.14, 0.8%, 0.59%

LAB 85.25, -48.17, 69.82

 

CMYK 51 / 0 / 72 / 8

HEX #72EA42

RGB 114 234 66

HSL 102.86, 0.8%, 0.59%

LAB 83.35, -62, 67.28

 

CMYK 17 / 0 / 89 / 23

HEX #A2C415

RGB 162 196 21

HSL 71.66, 0.81%, 0.43%

LAB 74.33, -31.73, 72

 

CMYK 17 / 0 / 87 / 10

HEX #BEE51D

RGB 190 229 29

HSL 71.7, 0.79%, 0.51%

LAB 85.54, -35.47, 80.53

 

CMYK 14 / 0 / 72 / 8

HEX #C9EA42

RGB 201 234 66

HSL 71.79, 0.8%, 0.59%

LAB 87.8, -32.05, 73.18

 

CMYK 11 / 0 / 57 / 7

HEX #D3EE67

RGB 211 238 103

HSL 72, 0.8%, 0.67%

LAB 89.85, -27.6, 61.12

 

CMYK 8 / 0 / 42 / 5

HEX #DEF28D

RGB 222 242 141

HSL 71.88, 0.8%, 0.75%

LAB 92.11, -21.71, 46.45

 

CMYK 14 / 0 / 72 / 8

HEX #C9EA41

RGB 201 234 65

HSL 71.72, 0.8%, 0.59%

LAB 87.8, -32.1, 73.51

 

CMYK 72 / 0 / 44 / 8

HEX #42EA82

RGB 66 234 130

HSL 142.86, 0.8%, 0.59%

LAB 82.71, -64.72, 38.43

 

CMYK 16 / 72 / 0 / 8

HEX #C542EA

RGB 197 66 234

HSL 286.79, 0.8%, 0.59%

LAB 53.72, 73.65, -60.22

 

CMYK 14 / 0 / 72 / 8

HEX #C9EA41

RGB 201 234 65

HSL 71.72, 0.8%, 0.59%

LAB 87.8, -32.1, 73.51

 

CMYK 72 / 13 / 0 / 8

HEX #42CBEA

RGB 66 203 234

HSL 191.07, 0.8%, 0.59%

LAB 75.95, -26.55, -25.93

 

CMYK 0 / 72 / 13 / 8

HEX #EA42CB

RGB 234 66 203

HSL 311.07, 0.8%, 0.59%

LAB 57.75, 76.53, -35.9

 

CMYK 14 / 0 / 72 / 8

HEX #C9EA41

RGB 201 234 65

HSL 71.72, 0.8%, 0.59%

LAB 87.8, -32.1, 73.51

 

CMYK 72 / 0 / 44 / 8

HEX #42EA82

RGB 66 234 130

HSL 142.86, 0.8%, 0.59%

LAB 82.71, -64.72, 38.43

 

CMYK 59 / 72 / 0 / 8

HEX #6142EA

RGB 97 66 234

HSL 251.07, 0.8%, 0.59%

LAB 41.81, 56.54, -80.11

 

CMYK 0 / 72 / 28 / 8

HEX #EA42A9

RGB 234 66 169

HSL 323.21, 0.8%, 0.59%

LAB 56.34, 72.15, -18.45

 

CMYK 14 / 0 / 72 / 8

HEX #C9EA41

RGB 201 234 65

HSL 71.72, 0.8%, 0.59%

LAB 87.8, -32.1, 73.51

 

CMYK 72 / 0 / 23 / 8

HEX #42EAB5

RGB 66 234 181

HSL 161.07, 0.8%, 0.59%

LAB 83.62, -54.67, 13.61

 

CMYK 59 / 72 / 0 / 8

HEX #6142EA

RGB 97 66 234

HSL 251.07, 0.8%, 0.59%

LAB 41.81, 56.54, -80.11

 

CMYK 0 / 72 / 49 / 8

HEX #EA4277

RGB 234 66 119

HSL 341.07, 0.8%, 0.59%

LAB 54.78, 67.11, 8.79

 

Description

Color code: RGB 201 234 65 | qconv.com Color code: RGB 201 234 65 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 234 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 234 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 72 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 72% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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