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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 227 55 it is the complementary color RGB 54 28 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 227 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 227 55 shade: RGB 206 227 50, RGB 223 245 69, RGB 240 255 88, RGB 255 255 107 and RGB 255 255 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 227 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 227 55 shade: RGB 201 227 55, RGB 184 209 36, RGB 167 191 17, RGB 150 173 0 and RGB 133 155 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 227 55 shade: RGB 200 226 54, RGB 226 205 54, RGB 226 159 54, RGB 226 113 54 and RGB 226 66 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 227 55 shade: RGB 200 226 54, RGB 153 226 54, RGB 107 226 54, RGB 61 226 54 and RGB 54 226 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 227 55 shade matches the following richer shades: RGB 200 226 54 and RGB 213 244 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 227 55 shade: RGB 200 226 54, RGB 187 207 72, RGB 174 189 91, RGB 161 170 109 and RGB 148 152 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 227 55 shade: RGB 226 160 54, RGB 226 206 54, RGB 200 226 54, RGB 154 226 54 and RGB 108 226 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 227 55 shade: RGB 150 173 24, RGB 182 209 29, RGB 200 226 54, RGB 210 231 90 and RGB 219 236 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 227 55 shade: RGB 201 227 55, RGB 54 226 114 and RGB 183 54 226

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 227 55 shade: RGB 201 227 55, RGB 54 200 226 and RGB 226 54 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 227 55 shade: RGB 201 227 55, RGB 54 226 114, RGB 80 54 226 and RGB 226 54 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 227 55 shade: RGB 201 227 55, RGB 54 226 166, RGB 80 54 226 and RGB 226 54 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 76 / 11

HEX #C9E337

RGB 201 227 55

HSL 69.07, 0.75%, 0.55%

LAB 85.82, -29.3, 74.81

 

Complementary color

CMYK 73 / 86 / 0 / 22

HEX #361CC8

RGB 54 28 200

HSL 249.07, 0.75%, 0.45%

LAB 28.86, 59.95, -82.04

 

CMYK 9 / 0 / 78 / 11

HEX #CEE332

RGB 206 227 50

HSL 67.12, 0.76%, 0.54%

LAB 86.15, -27.48, 76.69

 

CMYK 9 / 0 / 72 / 4

HEX #DFF545

RGB 223 245 69

HSL 67.5, 0.9%, 0.62%

LAB 92.32, -28.29, 77.06

 

CMYK 6 / 0 / 65 / 0

HEX #F0FF58

RGB 240 255 88

HSL 65.39, 1%, 0.67%

LAB 96.31, -25.24, 74.73

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 11 / 0 / 76 / 11

HEX #C9E337

RGB 201 227 55

HSL 69.07, 0.75%, 0.55%

LAB 85.82, -29.3, 74.81

 

CMYK 12 / 0 / 83 / 18

HEX #B8D124

RGB 184 209 36

HSL 68.67, 0.71%, 0.48%

LAB 79.57, -28.43, 73.93

 

CMYK 13 / 0 / 91 / 25

HEX #A7BF11

RGB 167 191 17

HSL 68.28, 0.84%, 0.41%

LAB 73.23, -27.37, 71.9

 

CMYK 13 / 0 / 100 / 32

HEX #96AD00

RGB 150 173 0

HSL 67.98, 1%, 0.34%

LAB 66.8, -26.12, 68.52

 

CMYK 14 / 0 / 100 / 39

HEX #859B00

RGB 133 155 0

HSL 68.52, 1%, 0.3%

LAB 60.27, -24.62, 63.09

 

CMYK 12 / 0 / 76 / 11

HEX #C8E236

RGB 200 226 54

HSL 69.07, 0.75%, 0.55%

LAB 85.47, -29.28, 74.77

 

CMYK 0 / 9 / 76 / 11

HEX #E2CD36

RGB 226 205 54

HSL 52.67, 0.75%, 0.55%

LAB 81.89, -8.18, 72.22

 

CMYK 0 / 30 / 76 / 11

HEX #E29F36

RGB 226 159 54

HSL 36.63, 0.75%, 0.55%

LAB 70.34, 15.89, 61.39

 

CMYK 0 / 50 / 76 / 11

HEX #E27136

RGB 226 113 54

HSL 20.58, 0.75%, 0.55%

LAB 60.11, 40.07, 51.32

 

CMYK 0 / 71 / 76 / 11

HEX #E24236

RGB 226 66 54

HSL 4.19, 0.75%, 0.55%

LAB 52.21, 60.85, 43.12

 

CMYK 12 / 0 / 76 / 11

HEX #C8E236

RGB 200 226 54

HSL 69.07, 0.75%, 0.55%

LAB 85.47, -29.28, 74.77

 

CMYK 32 / 0 / 76 / 11

HEX #99E236

RGB 153 226 54

HSL 85.47, 0.75%, 0.55%

LAB 82.61, -47.26, 71.07

 

CMYK 53 / 0 / 76 / 11

HEX #6BE236

RGB 107 226 54

HSL 101.51, 0.75%, 0.55%

LAB 80.62, -61.78, 68.47

 

CMYK 73 / 0 / 76 / 11

HEX #3DE236

RGB 61 226 54

HSL 117.56, 0.75%, 0.55%

LAB 79.41, -71.65, 66.89

 

CMYK 76 / 0 / 59 / 11

HEX #36E25D

RGB 54 226 93

HSL 133.6, 0.75%, 0.55%

LAB 79.6, -69.01, 52.01

 

CMYK 12 / 0 / 76 / 11

HEX #C8E236

RGB 200 226 54

HSL 69.07, 0.75%, 0.55%

LAB 85.47, -29.28, 74.77

 

CMYK 13 / 0 / 86 / 4

HEX #D5F423

RGB 213 244 35

HSL 68.9, 0.9%, 0.55%

LAB 91.22, -33.01, 84.73

 

CMYK 12 / 0 / 76 / 11

HEX #C8E236

RGB 200 226 54

HSL 69.07, 0.75%, 0.55%

LAB 85.47, -29.28, 74.77

 

CMYK 10 / 0 / 65 / 19

HEX #BBCF48

RGB 187 207 72

HSL 68.89, 0.58%, 0.55%

LAB 79.42, -24.57, 62.25

 

CMYK 8 / 0 / 52 / 26

HEX #AEBD5B

RGB 174 189 91

HSL 69.18, 0.43%, 0.55%

LAB 73.64, -19.53, 47.23

 

CMYK 5 / 0 / 36 / 33

HEX #A1AA6D

RGB 161 170 109

HSL 68.85, 0.26%, 0.55%

LAB 67.6, -13.11, 30.42

 

CMYK 3 / 0 / 16 / 40

HEX #949880

RGB 148 152 128

HSL 70, 0.1%, 0.55%

LAB 61.92, -5.82, 12.15

 

CMYK 0 / 29 / 76 / 11

HEX #E2A036

RGB 226 160 54

HSL 36.98, 0.75%, 0.55%

LAB 70.58, 15.36, 61.62

 

CMYK 0 / 9 / 76 / 11

HEX #E2CE36

RGB 226 206 54

HSL 53.02, 0.75%, 0.55%

LAB 82.15, -8.69, 72.46

 

CMYK 12 / 0 / 76 / 11

HEX #C8E236

RGB 200 226 54

HSL 69.07, 0.75%, 0.55%

LAB 85.47, -29.28, 74.77

 

CMYK 32 / 0 / 76 / 11

HEX #9AE236

RGB 154 226 54

HSL 85.12, 0.75%, 0.55%

LAB 82.66, -46.9, 71.13

 

CMYK 52 / 0 / 76 / 11

HEX #6CE236

RGB 108 226 54

HSL 101.16, 0.75%, 0.55%

LAB 80.65, -61.51, 68.51

 

CMYK 13 / 0 / 86 / 32

HEX #96AD18

RGB 150 173 24

HSL 69.26, 0.76%, 0.39%

LAB 66.85, -25.68, 64.93

 

CMYK 13 / 0 / 86 / 18

HEX #B6D11D

RGB 182 209 29

HSL 69, 0.76%, 0.47%

LAB 79.41, -29.45, 75.26

 

CMYK 12 / 0 / 76 / 11

HEX #C8E236

RGB 200 226 54

HSL 69.07, 0.75%, 0.55%

LAB 85.47, -29.28, 74.77

 

CMYK 9 / 0 / 61 / 9

HEX #D2E75A

RGB 210 231 90

HSL 68.94, 0.75%, 0.63%

LAB 87.77, -25.65, 64.31

 

CMYK 7 / 0 / 47 / 7

HEX #DBEC7E

RGB 219 236 126

HSL 69.27, 0.74%, 0.71%

LAB 90.12, -21.51, 51.11

 

CMYK 11 / 0 / 76 / 11

HEX #C9E337

RGB 201 227 55

HSL 69.07, 0.75%, 0.55%

LAB 85.82, -29.3, 74.81

 

CMYK 76 / 0 / 50 / 11

HEX #36E272

RGB 54 226 114

HSL 140.93, 0.75%, 0.55%

LAB 79.84, -66.14, 42.55

 

CMYK 19 / 76 / 0 / 11

HEX #B736E2

RGB 183 54 226

HSL 285, 0.75%, 0.55%

LAB 49.73, 73.59, -62.22

 

CMYK 11 / 0 / 76 / 11

HEX #C9E337

RGB 201 227 55

HSL 69.07, 0.75%, 0.55%

LAB 85.82, -29.3, 74.81

 

CMYK 76 / 12 / 0 / 11

HEX #36C8E2

RGB 54 200 226

HSL 189.07, 0.75%, 0.55%

LAB 74.56, -28.91, -23.76

 

CMYK 0 / 76 / 12 / 11

HEX #E236C8

RGB 226 54 200

HSL 309.07, 0.75%, 0.55%

LAB 55.05, 77.91, -38.51

 

CMYK 11 / 0 / 76 / 11

HEX #C9E337

RGB 201 227 55

HSL 69.07, 0.75%, 0.55%

LAB 85.82, -29.3, 74.81

 

CMYK 76 / 0 / 50 / 11

HEX #36E272

RGB 54 226 114

HSL 140.93, 0.75%, 0.55%

LAB 79.84, -66.14, 42.55

 

CMYK 65 / 76 / 0 / 11

HEX #5036E2

RGB 80 54 226

HSL 249.07, 0.75%, 0.55%

LAB 37.54, 58.21, -82.63

 

CMYK 0 / 76 / 27 / 11

HEX #E236A6

RGB 226 54 166

HSL 320.93, 0.75%, 0.55%

LAB 53.56, 73.52, -21.07

 

CMYK 11 / 0 / 76 / 11

HEX #C9E337

RGB 201 227 55

HSL 69.07, 0.75%, 0.55%

LAB 85.82, -29.3, 74.81

 

CMYK 76 / 0 / 27 / 11

HEX #36E2A6

RGB 54 226 166

HSL 159.07, 0.75%, 0.55%

LAB 80.7, -56.39, 17.33

 

CMYK 65 / 76 / 0 / 11

HEX #5036E2

RGB 80 54 226

HSL 249.07, 0.75%, 0.55%

LAB 37.54, 58.21, -82.63

 

CMYK 0 / 76 / 50 / 11

HEX #E23672

RGB 226 54 114

HSL 339.07, 0.75%, 0.55%

LAB 51.86, 68.32, 7.44

 

Description

Color code: RGB 201 227 55 | qconv.com Color code: RGB 201 227 55 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 227 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 227 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 76 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 76% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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