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Color name
RGB 201 224 41

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 224 41 it is the complementary color RGB 54 31 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 224 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 224 41 shade: RGB 206 224 36, RGB 223 242 55, RGB 240 255 74, RGB 255 255 93 and RGB 255 255 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 224 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 224 41 shade: RGB 201 224 41, RGB 184 206 22, RGB 167 188 3, RGB 150 170 0 and RGB 133 152 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 224 41 shade: RGB 201 224 40, RGB 224 197 40, RGB 224 148 40, RGB 224 98 40 and RGB 224 49 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 224 41 shade: RGB 201 224 40, RGB 151 224 40, RGB 102 224 40, RGB 52 224 40 and RGB 40 224 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 224 41 shade matches the following richer shades: RGB 201 224 40 and RGB 216 244 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 224 41 shade: RGB 201 224 40, RGB 186 204 60, RGB 171 184 80, RGB 156 164 100 and RGB 142 145 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 224 41 shade: RGB 224 147 40, RGB 224 196 40, RGB 202 224 40, RGB 154 224 40 and RGB 105 224 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 224 41 shade: RGB 142 159 22, RGB 174 195 27, RGB 201 224 40, RGB 210 229 76 and RGB 219 234 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 224 41 shade: RGB 201 224 41, RGB 40 224 98 and RGB 172 40 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 224 41 shade: RGB 201 224 41, RGB 40 202 224 and RGB 224 40 202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 224 41 shade: RGB 201 224 41, RGB 40 224 98, RGB 62 40 224 and RGB 224 40 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 224 41 shade: RGB 201 224 41, RGB 40 224 154, RGB 62 40 224 and RGB 224 40 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 82 / 12

HEX #C9E029

RGB 201 224 41

HSL 67.54, 0.75%, 0.52%

LAB 84.94, -28.4, 77.83

 

Complementary color

CMYK 75 / 86 / 0 / 16

HEX #361FD6

RGB 54 31 214

HSL 247.54, 0.75%, 0.48%

LAB 30.92, 62.73, -86.76

 

CMYK 8 / 0 / 84 / 12

HEX #CEE024

RGB 206 224 36

HSL 65.74, 0.75%, 0.51%

LAB 85.28, -26.5, 79.4

 

CMYK 8 / 0 / 77 / 5

HEX #DFF237

RGB 223 242 55

HSL 66.1, 0.88%, 0.58%

LAB 91.45, -27.47, 80.51

 

CMYK 6 / 0 / 71 / 0

HEX #F0FF4A

RGB 240 255 74

HSL 64.97, 1%, 0.65%

LAB 96.22, -25.96, 79.58

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5D

RGB 255 255 93

HSL 60, 1%, 0.68%

LAB 97.46, -18.98, 74.38

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 10 / 0 / 82 / 12

HEX #C9E029

RGB 201 224 41

HSL 67.54, 0.75%, 0.52%

LAB 84.94, -28.4, 77.83

 

CMYK 11 / 0 / 89 / 19

HEX #B8CE16

RGB 184 206 22

HSL 67.17, 0.81%, 0.45%

LAB 78.69, -27.36, 75.99

 

CMYK 11 / 0 / 98 / 26

HEX #A7BC03

RGB 167 188 3

HSL 66.81, 0.97%, 0.37%

LAB 72.35, -26.12, 72.88

 

CMYK 12 / 0 / 100 / 33

HEX #96AA00

RGB 150 170 0

HSL 67.06, 1%, 0.33%

LAB 65.93, -24.66, 67.87

 

CMYK 13 / 0 / 100 / 40

HEX #859800

RGB 133 152 0

HSL 67.5, 1%, 0.3%

LAB 59.38, -23.13, 62.42

 

CMYK 10 / 0 / 82 / 12

HEX #C9E028

RGB 201 224 40

HSL 67.5, 0.75%, 0.52%

LAB 84.94, -28.43, 78.06

 

CMYK 0 / 12 / 82 / 12

HEX #E0C528

RGB 224 197 40

HSL 51.2, 0.75%, 0.52%

LAB 79.58, -5.43, 74.22

 

CMYK 0 / 34 / 82 / 12

HEX #E09428

RGB 224 148 40

HSL 35.22, 0.75%, 0.52%

LAB 67.41, 20.43, 63.75

 

CMYK 0 / 56 / 82 / 12

HEX #E06228

RGB 224 98 40

HSL 18.91, 0.75%, 0.52%

LAB 56.82, 46.18, 54.35

 

CMYK 0 / 78 / 82 / 12

HEX #E03128

RGB 224 49 40

HSL 2.93, 0.75%, 0.52%

LAB 49.73, 65.3, 47.85

 

CMYK 10 / 0 / 82 / 12

HEX #C9E028

RGB 201 224 40

HSL 67.5, 0.75%, 0.52%

LAB 84.94, -28.43, 78.06

 

CMYK 33 / 0 / 82 / 12

HEX #97E028

RGB 151 224 40

HSL 83.8, 0.75%, 0.52%

LAB 81.86, -47.75, 74.19

 

CMYK 54 / 0 / 82 / 12

HEX #66E028

RGB 102 224 40

HSL 99.78, 0.75%, 0.52%

LAB 79.78, -63.13, 71.54

 

CMYK 77 / 0 / 82 / 12

HEX #34E028

RGB 52 224 40

HSL 116.09, 0.75%, 0.52%

LAB 78.58, -73.17, 70

 

CMYK 82 / 0 / 65 / 12

HEX #28E04E

RGB 40 224 78

HSL 132.39, 0.75%, 0.52%

LAB 78.64, -71.7, 57.27

 

CMYK 10 / 0 / 82 / 12

HEX #C9E028

RGB 201 224 40

HSL 67.5, 0.75%, 0.52%

LAB 84.94, -28.43, 78.06

 

CMYK 11 / 0 / 92 / 4

HEX #D8F414

RGB 216 244 20

HSL 67.5, 0.91%, 0.52%

LAB 91.39, -32.09, 87.25

 

CMYK 10 / 0 / 82 / 12

HEX #C9E028

RGB 201 224 40

HSL 67.5, 0.75%, 0.52%

LAB 84.94, -28.43, 78.06

 

CMYK 9 / 0 / 71 / 20

HEX #BACC3C

RGB 186 204 60

HSL 67.5, 0.59%, 0.52%

LAB 78.43, -24.22, 65.77

 

CMYK 7 / 0 / 57 / 28

HEX #ABB850

RGB 171 184 80

HSL 67.5, 0.42%, 0.52%

LAB 71.91, -19.22, 50.32

 

CMYK 5 / 0 / 39 / 36

HEX #9CA464

RGB 156 164 100

HSL 67.5, 0.26%, 0.52%

LAB 65.39, -13.1, 32.25

 

CMYK 2 / 0 / 17 / 43

HEX #8E9178

RGB 142 145 120

HSL 67.2, 0.1%, 0.52%

LAB 59.3, -5.64, 12.92

 

CMYK 0 / 34 / 82 / 12

HEX #E09328

RGB 224 147 40

HSL 34.89, 0.75%, 0.52%

LAB 67.18, 20.97, 63.54

 

CMYK 0 / 13 / 82 / 12

HEX #E0C428

RGB 224 196 40

HSL 50.87, 0.75%, 0.52%

LAB 79.32, -4.91, 74

 

CMYK 10 / 0 / 82 / 12

HEX #CAE028

RGB 202 224 40

HSL 67.17, 0.75%, 0.52%

LAB 85.01, -28.03, 78.15

 

CMYK 31 / 0 / 82 / 12

HEX #9AE028

RGB 154 224 40

HSL 82.83, 0.75%, 0.52%

LAB 82.02, -46.67, 74.39

 

CMYK 53 / 0 / 82 / 12

HEX #69E028

RGB 105 224 40

HSL 98.8, 0.75%, 0.52%

LAB 79.88, -62.33, 71.67

 

CMYK 11 / 0 / 86 / 38

HEX #8E9F16

RGB 142 159 22

HSL 67.45, 0.76%, 0.35%

LAB 62.17, -22.25, 61.22

 

CMYK 11 / 0 / 86 / 24

HEX #AEC31B

RGB 174 195 27

HSL 67.5, 0.76%, 0.44%

LAB 74.89, -26.14, 71.69

 

CMYK 10 / 0 / 82 / 12

HEX #C9E028

RGB 201 224 40

HSL 67.5, 0.75%, 0.52%

LAB 84.94, -28.43, 78.06

 

CMYK 8 / 0 / 67 / 10

HEX #D2E54C

RGB 210 229 76

HSL 67.45, 0.75%, 0.6%

LAB 87.13, -25.58, 69.16

 

CMYK 6 / 0 / 52 / 8

HEX #DBEA71

RGB 219 234 113

HSL 67.44, 0.74%, 0.68%

LAB 89.44, -21.74, 56.34

 

CMYK 10 / 0 / 82 / 12

HEX #C9E029

RGB 201 224 41

HSL 67.54, 0.75%, 0.52%

LAB 84.94, -28.4, 77.83

 

CMYK 82 / 0 / 56 / 12

HEX #28E062

RGB 40 224 98

HSL 138.91, 0.75%, 0.52%

LAB 78.84, -69.35, 48.82

 

CMYK 23 / 82 / 0 / 12

HEX #AC28E0

RGB 172 40 224

HSL 283.04, 0.75%, 0.52%

LAB 46.54, 75.45, -66.34

 

CMYK 10 / 0 / 82 / 12

HEX #C9E029

RGB 201 224 41

HSL 67.54, 0.75%, 0.52%

LAB 84.94, -28.4, 77.83

 

CMYK 82 / 10 / 0 / 12

HEX #28CAE0

RGB 40 202 224

HSL 187.17, 0.75%, 0.52%

LAB 74.87, -31.78, -22.23

 

CMYK 0 / 82 / 10 / 12

HEX #E028CA

RGB 224 40 202

HSL 307.17, 0.75%, 0.52%

LAB 53.63, 81.19, -41.91

 

CMYK 10 / 0 / 82 / 12

HEX #C9E029

RGB 201 224 41

HSL 67.54, 0.75%, 0.52%

LAB 84.94, -28.4, 77.83

 

CMYK 82 / 0 / 56 / 12

HEX #28E062

RGB 40 224 98

HSL 138.91, 0.75%, 0.52%

LAB 78.84, -69.35, 48.82

 

CMYK 72 / 82 / 0 / 12

HEX #3E28E0

RGB 62 40 224

HSL 247.17, 0.75%, 0.52%

LAB 33.82, 62.47, -87.69

 

CMYK 0 / 82 / 26 / 12

HEX #E028A6

RGB 224 40 166

HSL 318.91, 0.75%, 0.52%

LAB 51.97, 76.6, -23.54

 

CMYK 10 / 0 / 82 / 12

HEX #C9E029

RGB 201 224 41

HSL 67.54, 0.75%, 0.52%

LAB 84.94, -28.4, 77.83

 

CMYK 82 / 0 / 31 / 12

HEX #28E09A

RGB 40 224 154

HSL 157.17, 0.75%, 0.52%

LAB 79.67, -59.66, 22.14

 

CMYK 72 / 82 / 0 / 12

HEX #3E28E0

RGB 62 40 224

HSL 247.17, 0.75%, 0.52%

LAB 33.82, 62.47, -87.69

 

CMYK 0 / 82 / 50 / 12

HEX #E0286F

RGB 224 40 111

HSL 336.85, 0.75%, 0.52%

LAB 50.11, 71.25, 6.71

 

Description

Color code: RGB 201 224 41 | qconv.com Color code: RGB 201 224 41 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 224 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 224 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 82 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 82% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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