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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 209 187 it is the complementary color RGB 54 46 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 209 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 209 187 shade: RGB 206 209 182, RGB 223 227 201, RGB 240 245 220 and RGB 255 255 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 209 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 209 187 shade: RGB 201 209 187, RGB 184 191 168, RGB 167 173 149, RGB 150 155 130 and RGB 133 137 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 209 187 shade: RGB 201 209 188, RGB 207 209 188, RGB 209 205 188, RGB 209 200 188 and RGB 209 194 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 209 187 shade: RGB 201 209 188, RGB 196 209 188, RGB 190 209 188, RGB 188 209 191 and RGB 188 209 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 209 187 shade matches the following richer shades: RGB 201 209 188, RGB 204 218 179, RGB 206 227 170, RGB 209 236 161 and RGB 211 245 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 209 187 shade: RGB 201 209 188, RGB 199 200 197, RGB 196 191 206, RGB 194 182 215 and RGB 191 173 224

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 209 187 shade: RGB 209 205 188, RGB 207 209 188, RGB 202 209 188, RGB 196 209 188 and RGB 190 209 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 209 187 shade: RGB 162 176 139, RGB 182 192 163, RGB 201 209 188, RGB 221 226 212 and RGB 240 242 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 209 187 shade: RGB 201 209 187, RGB 188 209 199 and RGB 208 188 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 209 187 shade: RGB 201 209 187, RGB 188 202 209 and RGB 209 188 202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 209 187 shade: RGB 201 209 187, RGB 188 209 199, RGB 195 188 209 and RGB 209 188 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 209 187 shade: RGB 201 209 187, RGB 188 209 206, RGB 195 188 209 and RGB 209 188 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 11 / 18

HEX #C9D1BB

RGB 201 209 187

HSL 81.82, 0.19%, 0.78%

LAB 82.7, -6.64, 9.98

 

Complementary color

CMYK 21 / 32 / 0 / 73

HEX #362E44

RGB 54 46 68

HSL 261.82, 0.19%, 0.22%

LAB 20.66, 9, -12.44

 

CMYK 1 / 0 / 13 / 18

HEX #CED1B6

RGB 206 209 182

HSL 66.67, 0.23%, 0.77%

LAB 82.97, -5.68, 13.05

 

CMYK 2 / 0 / 11 / 11

HEX #DFE3C9

RGB 223 227 201

HSL 69.23, 0.32%, 0.84%

LAB 89.32, -5.8, 12.24

 

CMYK 2 / 0 / 10 / 4

HEX #F0F5DC

RGB 240 245 220

HSL 72, 0.56%, 0.91%

LAB 95.58, -5.92, 11.46

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 4 / 0 / 11 / 18

HEX #C9D1BB

RGB 201 209 187

HSL 81.82, 0.19%, 0.78%

LAB 82.7, -6.64, 9.98

 

CMYK 4 / 0 / 12 / 25

HEX #B8BFA8

RGB 184 191 168

HSL 78.26, 0.15%, 0.7%

LAB 76.24, -6.55, 10.78

 

CMYK 3 / 0 / 14 / 32

HEX #A7AD95

RGB 167 173 149

HSL 75, 0.13%, 0.63%

LAB 69.66, -6.46, 11.62

 

CMYK 3 / 0 / 16 / 39

HEX #969B82

RGB 150 155 130

HSL 72, 0.11%, 0.56%

LAB 62.96, -6.36, 12.51

 

CMYK 3 / 0 / 19 / 46

HEX #85896F

RGB 133 137 111

HSL 69.23, 0.1%, 0.49%

LAB 56.11, -6.24, 13.47

 

CMYK 4 / 0 / 10 / 18

HEX #C9D1BC

RGB 201 209 188

HSL 82.86, 0.19%, 0.78%

LAB 82.73, -6.47, 9.48

 

CMYK 1 / 0 / 10 / 18

HEX #CFD1BC

RGB 207 209 188

HSL 65.71, 0.19%, 0.78%

LAB 83.18, -4.34, 10.18

 

CMYK 0 / 2 / 10 / 18

HEX #D1CDBC

RGB 209 205 188

HSL 48.57, 0.19%, 0.78%

LAB 82.3, -1.55, 8.95

 

CMYK 0 / 4 / 10 / 18

HEX #D1C8BC

RGB 209 200 188

HSL 34.29, 0.19%, 0.78%

LAB 81.01, 1.07, 7.1

 

CMYK 0 / 7 / 10 / 18

HEX #D1C2BC

RGB 209 194 188

HSL 17.14, 0.19%, 0.78%

LAB 79.48, 4.24, 4.9

 

CMYK 4 / 0 / 10 / 18

HEX #C9D1BC

RGB 201 209 188

HSL 82.86, 0.19%, 0.78%

LAB 82.73, -6.47, 9.48

 

CMYK 6 / 0 / 10 / 18

HEX #C4D1BC

RGB 196 209 188

HSL 97.14, 0.19%, 0.78%

LAB 82.36, -8.22, 8.91

 

CMYK 9 / 0 / 10 / 18

HEX #BED1BC

RGB 190 209 188

HSL 114.29, 0.19%, 0.78%

LAB 81.94, -10.3, 8.24

 

CMYK 10 / 0 / 9 / 18

HEX #BCD1BF

RGB 188 209 191

HSL 128.57, 0.19%, 0.78%

LAB 81.87, -10.45, 6.53

 

CMYK 10 / 0 / 6 / 18

HEX #BCD1C5

RGB 188 209 197

HSL 145.71, 0.19%, 0.78%

LAB 82.01, -9.34, 3.54

 

CMYK 4 / 0 / 10 / 18

HEX #C9D1BC

RGB 201 209 188

HSL 82.86, 0.19%, 0.78%

LAB 82.73, -6.47, 9.48

 

CMYK 6 / 0 / 18 / 15

HEX #CCDAB3

RGB 204 218 179

HSL 81.54, 0.35%, 0.78%

LAB 85.12, -11.48, 17.64

 

CMYK 9 / 0 / 25 / 11

HEX #CEE3AA

RGB 206 227 170

HSL 82.11, 0.5%, 0.78%

LAB 87.47, -16.63, 25.59

 

CMYK 11 / 0 / 32 / 7

HEX #D1ECA1

RGB 209 236 161

HSL 81.6, 0.66%, 0.78%

LAB 89.91, -21.22, 33.52

 

CMYK 14 / 0 / 38 / 4

HEX #D3F597

RGB 211 245 151

HSL 81.7, 0.82%, 0.78%

LAB 92.3, -26.08, 41.66

 

CMYK 4 / 0 / 10 / 18

HEX #C9D1BC

RGB 201 209 188

HSL 82.86, 0.19%, 0.78%

LAB 82.73, -6.47, 9.48

 

CMYK 0 / 0 / 1 / 22

HEX #C7C8C5

RGB 199 200 197

HSL 80, 0.03%, 0.78%

LAB 80.45, -0.89, 1.37

 

CMYK 5 / 7 / 0 / 19

HEX #C4BFCE

RGB 196 191 206

HSL 260, 0.13%, 0.78%

LAB 78.14, 4.56, -6.9

 

CMYK 10 / 15 / 0 / 16

HEX #C2B6D7

RGB 194 182 215

HSL 261.82, 0.29%, 0.78%

LAB 75.97, 10.54, -15.04

 

CMYK 15 / 23 / 0 / 12

HEX #BFADE0

RGB 191 173 224

HSL 261.18, 0.45%, 0.78%

LAB 73.77, 16.38, -23.29

 

CMYK 0 / 2 / 10 / 18

HEX #D1CDBC

RGB 209 205 188

HSL 48.57, 0.19%, 0.78%

LAB 82.3, -1.55, 8.95

 

CMYK 1 / 0 / 10 / 18

HEX #CFD1BC

RGB 207 209 188

HSL 65.71, 0.19%, 0.78%

LAB 83.18, -4.34, 10.18

 

CMYK 3 / 0 / 10 / 18

HEX #CAD1BC

RGB 202 209 188

HSL 80, 0.19%, 0.78%

LAB 82.8, -6.11, 9.59

 

CMYK 6 / 0 / 10 / 18

HEX #C4D1BC

RGB 196 209 188

HSL 97.14, 0.19%, 0.78%

LAB 82.36, -8.22, 8.91

 

CMYK 9 / 0 / 10 / 18

HEX #BED1BC

RGB 190 209 188

HSL 114.29, 0.19%, 0.78%

LAB 81.94, -10.3, 8.24

 

CMYK 8 / 0 / 21 / 31

HEX #A2B08B

RGB 162 176 139

HSL 82.7, 0.19%, 0.62%

LAB 69.89, -11.55, 17.35

 

CMYK 5 / 0 / 15 / 25

HEX #B6C0A3

RGB 182 192 163

HSL 80.69, 0.19%, 0.7%

LAB 76.25, -8.63, 13.46

 

CMYK 4 / 0 / 10 / 18

HEX #C9D1BC

RGB 201 209 188

HSL 82.86, 0.19%, 0.78%

LAB 82.73, -6.47, 9.48

 

CMYK 2 / 0 / 6 / 11

HEX #DDE2D4

RGB 221 226 212

HSL 81.43, 0.19%, 0.86%

LAB 89.17, -4.15, 6.25

 

CMYK 1 / 0 / 2 / 5

HEX #F0F2ED

RGB 240 242 237

HSL 84, 0.16%, 0.94%

LAB 95.22, -1.54, 2.16

 

CMYK 4 / 0 / 11 / 18

HEX #C9D1BB

RGB 201 209 187

HSL 81.82, 0.19%, 0.78%

LAB 82.7, -6.64, 9.98

 

CMYK 10 / 0 / 5 / 18

HEX #BCD1C7

RGB 188 209 199

HSL 151.43, 0.19%, 0.78%

LAB 82.06, -8.96, 2.55

 

CMYK 0 / 10 / 0 / 18

HEX #D0BCD1

RGB 208 188 209

HSL 297.14, 0.19%, 0.78%

LAB 78.45, 10.81, -7.95

 

CMYK 4 / 0 / 11 / 18

HEX #C9D1BB

RGB 201 209 187

HSL 81.82, 0.19%, 0.78%

LAB 82.7, -6.64, 9.98

 

CMYK 10 / 3 / 0 / 18

HEX #BCCAD1

RGB 188 202 209

HSL 200, 0.19%, 0.78%

LAB 80.48, -3.37, -5.12

 

CMYK 0 / 10 / 3 / 18

HEX #D1BCCA

RGB 209 188 202

HSL 320, 0.19%, 0.78%

LAB 78.34, 9.88, -4.33

 

CMYK 4 / 0 / 11 / 18

HEX #C9D1BB

RGB 201 209 187

HSL 81.82, 0.19%, 0.78%

LAB 82.7, -6.64, 9.98

 

CMYK 10 / 0 / 5 / 18

HEX #BCD1C7

RGB 188 209 199

HSL 151.43, 0.19%, 0.78%

LAB 82.06, -8.96, 2.55

 

CMYK 7 / 10 / 0 / 18

HEX #C3BCD1

RGB 195 188 209

HSL 260, 0.19%, 0.78%

LAB 77.38, 6.42, -9.66

 

CMYK 0 / 10 / 6 / 18

HEX #D1BCC5

RGB 209 188 197

HSL 334.29, 0.19%, 0.78%

LAB 78.2, 8.99, -1.82

 

CMYK 4 / 0 / 11 / 18

HEX #C9D1BB

RGB 201 209 187

HSL 81.82, 0.19%, 0.78%

LAB 82.7, -6.64, 9.98

 

CMYK 10 / 0 / 1 / 18

HEX #BCD1CE

RGB 188 209 206

HSL 171.43, 0.19%, 0.78%

LAB 82.24, -7.62, -0.93

 

CMYK 7 / 10 / 0 / 18

HEX #C3BCD1

RGB 195 188 209

HSL 260, 0.19%, 0.78%

LAB 77.38, 6.42, -9.66

 

CMYK 0 / 10 / 9 / 18

HEX #D1BCBF

RGB 209 188 191

HSL 351.43, 0.19%, 0.78%

LAB 78.04, 7.95, 1.19

 

Description

Color code: RGB 201 209 187 | qconv.com Color code: RGB 201 209 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 209 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 209 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 11 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 11% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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