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Color name
RGB 201 179 34

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 179 34 it is the complementary color RGB 54 76 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 179 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 179 34 shade: RGB 206 179 29, RGB 223 197 48, RGB 240 215 67, RGB 255 233 86 and RGB 255 251 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 179 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 179 34 shade: RGB 201 179 34, RGB 184 161 15, RGB 167 143 0, RGB 150 125 0 and RGB 133 107 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 179 34 shade: RGB 200 178 34, RGB 200 133 34, RGB 200 88 34, RGB 200 43 34 and RGB 200 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 179 34 shade: RGB 200 178 34, RGB 177 200 34, RGB 132 200 34, RGB 87 200 34 and RGB 42 200 34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 179 34 shade matches the following richer shades: RGB 200 178 34 and RGB 219 192 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 179 34 shade: RGB 200 178 34, RGB 181 164 52, RGB 162 150 71, RGB 143 136 90 and RGB 124 122 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 179 34 shade: RGB 200 89 34, RGB 200 133 34, RGB 200 178 34, RGB 178 200 34 and RGB 133 200 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 179 34 shade: RGB 130 115 22, RGB 165 147 28, RGB 200 178 34, RGB 221 199 54 and RGB 227 209 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 179 34 shade: RGB 201 179 34, RGB 34 200 45 and RGB 111 34 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 179 34 shade: RGB 201 179 34, RGB 34 200 178 and RGB 178 34 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 179 34 shade: RGB 201 179 34, RGB 34 200 45, RGB 34 56 200 and RGB 200 34 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 179 34 shade: RGB 201 179 34, RGB 34 200 95, RGB 34 56 200 and RGB 200 34 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 83 / 21

HEX #C9B322

RGB 201 179 34

HSL 52.1, 0.71%, 0.46%

LAB 72.74, -6.27, 69.16

 

Complementary color

CMYK 76 / 66 / 0 / 13

HEX #364CDD

RGB 54 76 221

HSL 232.1, 0.71%, 0.54%

LAB 39.87, 41.75, -76

 

CMYK 0 / 13 / 86 / 19

HEX #CEB31D

RGB 206 179 29

HSL 50.85, 0.75%, 0.46%

LAB 73.19, -4.21, 70.95

 

CMYK 0 / 12 / 78 / 13

HEX #DFC530

RGB 223 197 48

HSL 51.09, 0.73%, 0.53%

LAB 79.52, -5.6, 71.85

 

CMYK 0 / 10 / 72 / 6

HEX #F0D743

RGB 240 215 67

HSL 51.33, 0.85%, 0.6%

LAB 85.77, -6.8, 71.91

 

CMYK 0 / 9 / 66 / 0

HEX #FFE956

RGB 255 233 86

HSL 52.19, 1%, 0.67%

LAB 91.78, -8.65, 71.22

 

CMYK 0 / 2 / 59 / 0

HEX #FFFB69

RGB 255 251 105

HSL 58.4, 1%, 0.71%

LAB 96.52, -16.32, 68.58

 

CMYK 0 / 11 / 83 / 21

HEX #C9B322

RGB 201 179 34

HSL 52.1, 0.71%, 0.46%

LAB 72.74, -6.27, 69.16

 

CMYK 0 / 13 / 92 / 28

HEX #B8A10F

RGB 184 161 15

HSL 51.83, 0.85%, 0.39%

LAB 66.3, -4.76, 67.4

 

CMYK 0 / 14 / 100 / 35

HEX #A78F00

RGB 167 143 0

HSL 51.38, 1%, 0.33%

LAB 59.76, -2.99, 64.03

 

CMYK 0 / 17 / 100 / 41

HEX #967D00

RGB 150 125 0

HSL 50, 1%, 0.29%

LAB 53.11, -0.95, 58.53

 

CMYK 0 / 20 / 100 / 48

HEX #856B00

RGB 133 107 0

HSL 48.27, 1%, 0.26%

LAB 46.31, 1.19, 52.92

 

CMYK 0 / 11 / 83 / 22

HEX #C8B222

RGB 200 178 34

HSL 52.05, 0.71%, 0.46%

LAB 72.39, -6.19, 68.83

 

CMYK 0 / 34 / 83 / 22

HEX #C88522

RGB 200 133 34

HSL 35.78, 0.71%, 0.46%

LAB 60.93, 18.02, 59.02

 

CMYK 0 / 56 / 83 / 22

HEX #C85822

RGB 200 88 34

HSL 19.52, 0.71%, 0.46%

LAB 51.12, 41.77, 50.38

 

CMYK 0 / 79 / 83 / 22

HEX #C82B22

RGB 200 43 34

HSL 3.25, 0.71%, 0.46%

LAB 44.41, 59.86, 44.27

 

CMYK 0 / 83 / 83 / 22

HEX #C82222

RGB 200 34 34

HSL 0, 0.71%, 0.46%

LAB 43.56, 62.24, 43.48

 

CMYK 0 / 11 / 83 / 22

HEX #C8B222

RGB 200 178 34

HSL 52.05, 0.71%, 0.46%

LAB 72.39, -6.19, 68.83

 

CMYK 12 / 0 / 83 / 22

HEX #B1C822

RGB 177 200 34

HSL 68.31, 0.71%, 0.46%

LAB 76.54, -27.1, 71.62

 

CMYK 34 / 0 / 83 / 22

HEX #84C822

RGB 132 200 34

HSL 84.58, 0.71%, 0.46%

LAB 73.76, -44.73, 68.12

 

CMYK 57 / 0 / 83 / 22

HEX #57C822

RGB 87 200 34

HSL 100.84, 0.71%, 0.46%

LAB 71.86, -58.89, 65.71

 

CMYK 79 / 0 / 83 / 22

HEX #2AC822

RGB 42 200 34

HSL 117.11, 0.71%, 0.46%

LAB 70.81, -67.68, 64.37

 

CMYK 0 / 11 / 83 / 22

HEX #C8B222

RGB 200 178 34

HSL 52.05, 0.71%, 0.46%

LAB 72.39, -6.19, 68.83

 

CMYK 0 / 12 / 93 / 14

HEX #DBC00F

RGB 219 192 15

HSL 52.06, 0.87%, 0.46%

LAB 77.75, -5.52, 77.51

 

CMYK 0 / 11 / 83 / 22

HEX #C8B222

RGB 200 178 34

HSL 52.05, 0.71%, 0.46%

LAB 72.39, -6.19, 68.83

 

CMYK 0 / 9 / 71 / 29

HEX #B5A434

RGB 181 164 52

HSL 52.09, 0.55%, 0.46%

LAB 66.99, -6.48, 57.34

 

CMYK 0 / 7 / 56 / 36

HEX #A29647

RGB 162 150 71

HSL 52.09, 0.39%, 0.46%

LAB 61.61, -6.07, 42.62

 

CMYK 0 / 5 / 37 / 44

HEX #8F885A

RGB 143 136 90

HSL 52.08, 0.23%, 0.46%

LAB 56.27, -4.63, 25.67

 

CMYK 0 / 2 / 12 / 51

HEX #7C7A6D

RGB 124 122 109

HSL 52, 0.06%, 0.46%

LAB 51.05, -1.69, 7.39

 

CMYK 0 / 56 / 83 / 22

HEX #C85922

RGB 200 89 34

HSL 19.88, 0.71%, 0.46%

LAB 51.31, 41.28, 50.55

 

CMYK 0 / 34 / 83 / 22

HEX #C88522

RGB 200 133 34

HSL 35.78, 0.71%, 0.46%

LAB 60.93, 18.02, 59.02

 

CMYK 0 / 11 / 83 / 22

HEX #C8B222

RGB 200 178 34

HSL 52.05, 0.71%, 0.46%

LAB 72.39, -6.19, 68.83

 

CMYK 11 / 0 / 83 / 22

HEX #B2C822

RGB 178 200 34

HSL 67.95, 0.71%, 0.46%

LAB 76.61, -26.68, 71.71

 

CMYK 34 / 0 / 83 / 22

HEX #85C822

RGB 133 200 34

HSL 84.22, 0.71%, 0.46%

LAB 73.81, -44.37, 68.19

 

CMYK 0 / 12 / 83 / 49

HEX #827316

RGB 130 115 22

HSL 51.67, 0.71%, 0.3%

LAB 48.34, -4.27, 48.98

 

CMYK 0 / 11 / 83 / 35

HEX #A5931C

RGB 165 147 28

HSL 52.12, 0.71%, 0.38%

LAB 60.74, -5.53, 59.25

 

CMYK 0 / 11 / 83 / 22

HEX #C8B222

RGB 200 178 34

HSL 52.05, 0.71%, 0.46%

LAB 72.39, -6.19, 68.83

 

CMYK 0 / 10 / 76 / 13

HEX #DDC736

RGB 221 199 54

HSL 52.1, 0.71%, 0.54%

LAB 79.89, -7.26, 70.22

 

CMYK 0 / 8 / 60 / 11

HEX #E3D15A

RGB 227 209 90

HSL 52.12, 0.71%, 0.62%

LAB 83.27, -7.91, 59.78

 

CMYK 0 / 11 / 83 / 21

HEX #C9B322

RGB 201 179 34

HSL 52.1, 0.71%, 0.46%

LAB 72.74, -6.27, 69.16

 

CMYK 83 / 0 / 78 / 22

HEX #22C82D

RGB 34 200 45

HSL 123.98, 0.71%, 0.46%

LAB 70.76, -67.96, 61.16

 

CMYK 45 / 83 / 0 / 22

HEX #6F22C8

RGB 111 34 200

HSL 267.83, 0.71%, 0.46%

LAB 35.39, 63.24, -71.06

 

CMYK 0 / 11 / 83 / 21

HEX #C9B322

RGB 201 179 34

HSL 52.1, 0.71%, 0.46%

LAB 72.74, -6.27, 69.16

 

CMYK 83 / 0 / 11 / 22

HEX #22C8B2

RGB 34 200 178

HSL 172.05, 0.71%, 0.46%

LAB 72.8, -44.81, -0.4

 

CMYK 11 / 83 / 0 / 22

HEX #B222C8

RGB 178 34 200

HSL 292.05, 0.71%, 0.46%

LAB 45.33, 73.63, -54.45

 

CMYK 0 / 11 / 83 / 21

HEX #C9B322

RGB 201 179 34

HSL 52.1, 0.71%, 0.46%

LAB 72.74, -6.27, 69.16

 

CMYK 83 / 0 / 78 / 22

HEX #22C82D

RGB 34 200 45

HSL 123.98, 0.71%, 0.46%

LAB 70.76, -67.96, 61.16

 

CMYK 83 / 72 / 0 / 22

HEX #2238C8

RGB 34 56 200

HSL 232.05, 0.71%, 0.46%

LAB 32.57, 44.93, -75.93

 

CMYK 0 / 83 / 5 / 22

HEX #C822BD

RGB 200 34 189

HSL 303.98, 0.71%, 0.46%

LAB 48.38, 75.95, -42.96

 

CMYK 0 / 11 / 83 / 21

HEX #C9B322

RGB 201 179 34

HSL 52.1, 0.71%, 0.46%

LAB 72.74, -6.27, 69.16

 

CMYK 83 / 0 / 53 / 22

HEX #22C85F

RGB 34 200 95

HSL 142.05, 0.71%, 0.46%

LAB 71.2, -62.57, 41

 

CMYK 83 / 72 / 0 / 22

HEX #2238C8

RGB 34 56 200

HSL 232.05, 0.71%, 0.46%

LAB 32.57, 44.93, -75.93

 

CMYK 0 / 83 / 31 / 22

HEX #C8228B

RGB 200 34 139

HSL 322.05, 0.71%, 0.46%

LAB 46.03, 69.46, -16.89

 

Description

Color code: RGB 201 179 34 | qconv.com Color code: RGB 201 179 34 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 179 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 179 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 83 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 83% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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