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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 176 175 it is the complementary color RGB 54 79 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 176 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 176 175 shade: RGB 206 176 170, RGB 223 194 189, RGB 240 212 208, RGB 255 230 227 and RGB 255 248 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 176 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 176 175 shade: RGB 201 176 175, RGB 184 158 156, RGB 167 140 137, RGB 150 122 118 and RGB 133 104 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 176 175 shade: RGB 201 177 176 and RGB 201 176 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 176 175 shade: RGB 201 177 176, RGB 201 183 176, RGB 201 190 176, RGB 201 197 176 and RGB 198 201 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 176 175 shade matches the following richer shades: RGB 201 177 176, RGB 212 167 165, RGB 222 157 154, RGB 233 147 143 and RGB 244 137 133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 176 175 shade: RGB 201 177 176, RGB 190 186 186, RGB 179 196 197, RGB 169 206 208 and RGB 158 216 219

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 176 175 shade: RGB 201 176 188, RGB 201 176 181, RGB 201 176 176, RGB 201 183 176 and RGB 201 190 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 176 175 shade: RGB 167 128 127, RGB 184 152 151, RGB 201 177 176, RGB 218 201 200 and RGB 234 225 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 176 175 shade: RGB 201 176 175, RGB 195 201 176 and RGB 176 185 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 176 175 shade: RGB 201 176 175, RGB 176 201 176 and RGB 176 176 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 176 175 shade: RGB 201 176 175, RGB 195 201 176, RGB 176 200 201 and RGB 181 176 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 176 175 shade: RGB 201 176 175, RGB 187 201 176, RGB 176 200 201 and RGB 189 176 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 13 / 21

HEX #C9B0AF

RGB 201 176 175

HSL 2.31, 0.19%, 0.74%

LAB 73.91, 8.83, 3.81

 

Complementary color

CMYK 33 / 1 / 0 / 69

HEX #364F50

RGB 54 79 80

HSL 182.31, 0.19%, 0.26%

LAB 31.71, -9.17, -3.65

 

CMYK 0 / 15 / 17 / 19

HEX #CEB0AA

RGB 206 176 170

HSL 10, 0.27%, 0.74%

LAB 74.24, 9.86, 7.08

 

CMYK 0 / 13 / 15 / 13

HEX #DFC2BD

RGB 223 194 189

HSL 8.82, 0.35%, 0.81%

LAB 80.71, 9.45, 6.28

 

CMYK 0 / 12 / 13 / 6

HEX #F0D4D0

RGB 240 212 208

HSL 7.5, 0.52%, 0.88%

LAB 87.08, 9.08, 5.53

 

CMYK 0 / 10 / 11 / 0

HEX #FFE6E3

RGB 255 230 227

HSL 6.43, 1%, 0.95%

LAB 93.19, 8.04, 4.55

 

CMYK 0 / 3 / 4 / 0

HEX #FFF8F6

RGB 255 248 246

HSL 13.33, 1%, 0.98%

LAB 98.05, 1.99, 1.77

 

CMYK 0 / 12 / 13 / 21

HEX #C9B0AF

RGB 201 176 175

HSL 2.31, 0.19%, 0.74%

LAB 73.91, 8.83, 3.81

 

CMYK 0 / 14 / 15 / 28

HEX #B89E9C

RGB 184 158 156

HSL 4.29, 0.16%, 0.67%

LAB 67.31, 9.23, 4.58

 

CMYK 0 / 16 / 18 / 35

HEX #A78C89

RGB 167 140 137

HSL 6, 0.15%, 0.6%

LAB 60.59, 9.68, 5.39

 

CMYK 0 / 19 / 21 / 41

HEX #967A76

RGB 150 122 118

HSL 7.5, 0.13%, 0.53%

LAB 53.72, 10.19, 6.27

 

CMYK 0 / 22 / 26 / 48

HEX #856863

RGB 133 104 99

HSL 8.82, 0.15%, 0.45%

LAB 46.7, 10.78, 7.24

 

CMYK 0 / 12 / 12 / 21

HEX #C9B1B0

RGB 201 177 176

HSL 2.4, 0.19%, 0.74%

LAB 74.19, 8.45, 3.67

 

CMYK 0 / 12 / 12 / 21

HEX #C9B0B0

RGB 201 176 176

HSL 0, 0.19%, 0.74%

LAB 73.93, 8.99, 3.3

 

CMYK 0 / 12 / 12 / 21

HEX #C9B1B0

RGB 201 177 176

HSL 2.4, 0.19%, 0.74%

LAB 74.19, 8.45, 3.67

 

CMYK 0 / 9 / 12 / 21

HEX #C9B7B0

RGB 201 183 176

HSL 16.8, 0.19%, 0.74%

LAB 75.71, 5.22, 5.87

 

CMYK 0 / 5 / 12 / 21

HEX #C9BEB0

RGB 201 190 176

HSL 33.6, 0.19%, 0.74%

LAB 77.51, 1.49, 8.44

 

CMYK 0 / 2 / 12 / 21

HEX #C9C5B0

RGB 201 197 176

HSL 50.4, 0.19%, 0.74%

LAB 79.32, -2.21, 11.03

 

CMYK 1 / 0 / 12 / 21

HEX #C6C9B0

RGB 198 201 176

HSL 67.2, 0.19%, 0.74%

LAB 80.13, -5.39, 12.15

 

CMYK 0 / 12 / 12 / 21

HEX #C9B1B0

RGB 201 177 176

HSL 2.4, 0.19%, 0.74%

LAB 74.19, 8.45, 3.67

 

CMYK 0 / 21 / 22 / 17

HEX #D4A7A5

RGB 212 167 165

HSL 2.55, 0.35%, 0.74%

LAB 72.46, 16.21, 7.35

 

CMYK 0 / 29 / 31 / 13

HEX #DE9D9A

RGB 222 157 154

HSL 2.65, 0.51%, 0.74%

LAB 70.85, 23.84, 11.27

 

CMYK 0 / 37 / 39 / 9

HEX #E9938F

RGB 233 147 143

HSL 2.67, 0.67%, 0.74%

LAB 69.59, 31.97, 15.78

 

CMYK 0 / 44 / 45 / 4

HEX #F48985

RGB 244 137 133

HSL 2.16, 0.83%, 0.74%

LAB 68.62, 40.2, 20.21

 

CMYK 0 / 12 / 12 / 21

HEX #C9B1B0

RGB 201 177 176

HSL 2.4, 0.19%, 0.74%

LAB 74.19, 8.45, 3.67

 

CMYK 0 / 2 / 2 / 25

HEX #BEBABA

RGB 190 186 186

HSL 0, 0.03%, 0.74%

LAB 75.83, 1.41, 0.49

 

CMYK 9 / 1 / 0 / 23

HEX #B3C4C5

RGB 179 196 197

HSL 183.33, 0.13%, 0.74%

LAB 77.93, -5.58, -2.49

 

CMYK 19 / 1 / 0 / 18

HEX #A9CED0

RGB 169 206 208

HSL 183.08, 0.29%, 0.74%

LAB 80.25, -11.75, -5.06

 

CMYK 28 / 1 / 0 / 14

HEX #9ED8DB

RGB 158 216 219

HSL 182.95, 0.46%, 0.74%

LAB 82.64, -17.72, -7.47

 

CMYK 0 / 12 / 6 / 21

HEX #C9B0BC

RGB 201 176 188

HSL 331.2, 0.19%, 0.74%

LAB 74.25, 11.05, -2.8

 

CMYK 0 / 12 / 10 / 21

HEX #C9B0B5

RGB 201 176 181

HSL 348, 0.19%, 0.74%

LAB 74.06, 9.83, 0.75

 

CMYK 0 / 12 / 12 / 21

HEX #C9B0B0

RGB 201 176 176

HSL 0, 0.19%, 0.74%

LAB 73.93, 8.99, 3.3

 

CMYK 0 / 9 / 12 / 21

HEX #C9B7B0

RGB 201 183 176

HSL 16.8, 0.19%, 0.74%

LAB 75.71, 5.22, 5.87

 

CMYK 0 / 5 / 12 / 21

HEX #C9BEB0

RGB 201 190 176

HSL 33.6, 0.19%, 0.74%

LAB 77.51, 1.49, 8.44

 

CMYK 0 / 23 / 24 / 35

HEX #A7807F

RGB 167 128 127

HSL 1.5, 0.19%, 0.58%

LAB 57.26, 14.89, 6.35

 

CMYK 0 / 17 / 18 / 28

HEX #B89897

RGB 184 152 151

HSL 1.82, 0.19%, 0.66%

LAB 65.66, 11.73, 4.99

 

CMYK 0 / 12 / 12 / 21

HEX #C9B1B0

RGB 201 177 176

HSL 2.4, 0.19%, 0.74%

LAB 74.19, 8.45, 3.67

 

CMYK 0 / 8 / 8 / 15

HEX #DAC9C8

RGB 218 201 200

HSL 3.33, 0.2%, 0.82%

LAB 82.3, 5.76, 2.63

 

CMYK 0 / 4 / 4 / 8

HEX #EAE1E1

RGB 234 225 225

HSL 0, 0.18%, 0.9%

LAB 90.22, 3.06, 1.08

 

CMYK 0 / 12 / 13 / 21

HEX #C9B0AF

RGB 201 176 175

HSL 2.31, 0.19%, 0.74%

LAB 73.91, 8.83, 3.81

 

CMYK 3 / 0 / 12 / 21

HEX #C3C9B0

RGB 195 201 176

HSL 74.4, 0.19%, 0.74%

LAB 79.9, -6.47, 11.79

 

CMYK 12 / 8 / 0 / 21

HEX #B0B9C9

RGB 176 185 201

HSL 218.4, 0.19%, 0.74%

LAB 74.92, 0.1, -9.14

 

CMYK 0 / 12 / 13 / 21

HEX #C9B0AF

RGB 201 176 175

HSL 2.31, 0.19%, 0.74%

LAB 73.91, 8.83, 3.81

 

CMYK 12 / 0 / 12 / 21

HEX #B0C9B0

RGB 176 201 176

HSL 120, 0.19%, 0.74%

LAB 78.54, -13.17, 9.67

 

CMYK 12 / 12 / 0 / 21

HEX #B0B0C9

RGB 176 176 201

HSL 240, 0.19%, 0.74%

LAB 72.56, 4.98, -12.66

 

CMYK 0 / 12 / 13 / 21

HEX #C9B0AF

RGB 201 176 175

HSL 2.31, 0.19%, 0.74%

LAB 73.91, 8.83, 3.81

 

CMYK 3 / 0 / 12 / 21

HEX #C3C9B0

RGB 195 201 176

HSL 74.4, 0.19%, 0.74%

LAB 79.9, -6.47, 11.79

 

CMYK 12 / 0 / 0 / 21

HEX #B0C8C9

RGB 176 200 201

HSL 182.4, 0.19%, 0.74%

LAB 78.9, -7.86, -3.25

 

CMYK 10 / 12 / 0 / 21

HEX #B5B0C9

RGB 181 176 201

HSL 252, 0.19%, 0.74%

LAB 72.95, 6.64, -12.03

 

CMYK 0 / 12 / 13 / 21

HEX #C9B0AF

RGB 201 176 175

HSL 2.31, 0.19%, 0.74%

LAB 73.91, 8.83, 3.81

 

CMYK 7 / 0 / 12 / 21

HEX #BBC9B0

RGB 187 201 176

HSL 93.6, 0.19%, 0.74%

LAB 79.31, -9.32, 10.87

 

CMYK 12 / 0 / 0 / 21

HEX #B0C8C9

RGB 176 200 201

HSL 182.4, 0.19%, 0.74%

LAB 78.9, -7.86, -3.25

 

CMYK 6 / 12 / 0 / 21

HEX #BDB0C9

RGB 189 176 201

HSL 271.2, 0.19%, 0.74%

LAB 73.6, 9.33, -10.99

 

Description

Color code: RGB 201 176 175 | qconv.com Color code: RGB 201 176 175 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 176 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 176 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 13 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 13% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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