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Color name
RGB 201 148 92

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 148 92 it is the complementary color RGB 54 107 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 148 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 148 92 shade: RGB 206 148 87, RGB 223 166 106, RGB 240 184 125, RGB 255 202 144 and RGB 255 220 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 148 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 148 92 shade: RGB 201 148 92, RGB 184 130 73, RGB 167 112 54, RGB 150 94 35 and RGB 133 76 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 148 92 shade: RGB 200 146 90, RGB 200 117 90 and RGB 200 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 148 92 shade: RGB 200 146 90, RGB 200 176 90, RGB 194 200 90, RGB 164 200 90 and RGB 135 200 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 148 92 shade matches the following richer shades: RGB 200 146 90, RGB 217 147 72, RGB 235 147 55 and RGB 253 148 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 148 92 shade: RGB 200 146 90, RGB 182 146 108, RGB 164 145 126, RGB 146 145 143 and RGB 129 144 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 148 92 shade: RGB 200 90 94, RGB 200 116 90, RGB 200 145 90, RGB 200 174 90 and RGB 196 200 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 148 92 shade: RGB 156 105 52, RGB 187 126 62, RGB 200 146 90, RGB 210 167 121 and RGB 220 187 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 148 92 shade: RGB 201 148 92, RGB 123 200 90 and RGB 101 90 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 148 92 shade: RGB 201 148 92, RGB 90 200 145 and RGB 145 90 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 148 92 shade: RGB 201 148 92, RGB 123 200 90, RGB 90 145 200 and RGB 167 90 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 148 92 shade: RGB 201 148 92, RGB 90 200 90, RGB 90 145 200 and RGB 200 90 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 54 / 21

HEX #C9945C

RGB 201 148 92

HSL 30.83, 0.5%, 0.57%

LAB 65.26, 13.55, 37.19

 

Complementary color

CMYK 67 / 34 / 0 / 36

HEX #366BA3

RGB 54 107 163

HSL 210.83, 0.5%, 0.43%

LAB 44.15, 0.89, -35.39

 

CMYK 0 / 28 / 58 / 19

HEX #CE9457

RGB 206 148 87

HSL 30.76, 0.55%, 0.57%

LAB 65.74, 15.25, 40.52

 

CMYK 0 / 26 / 52 / 13

HEX #DFA66A

RGB 223 166 106

HSL 30.77, 0.65%, 0.65%

LAB 72.23, 14.16, 39.06

 

CMYK 0 / 23 / 48 / 6

HEX #F0B87D

RGB 240 184 125

HSL 30.78, 0.79%, 0.72%

LAB 78.63, 13.21, 37.68

 

CMYK 0 / 21 / 44 / 0

HEX #FFCA90

RGB 255 202 144

HSL 31.35, 1%, 0.78%

LAB 84.75, 11.6, 36.08

 

CMYK 0 / 14 / 36 / 0

HEX #FFDCA3

RGB 255 220 163

HSL 37.17, 1%, 0.82%

LAB 89.44, 4.36, 32.51

 

CMYK 0 / 26 / 54 / 21

HEX #C9945C

RGB 201 148 92

HSL 30.83, 0.5%, 0.57%

LAB 65.26, 13.55, 37.19

 

CMYK 0 / 29 / 60 / 28

HEX #B88249

RGB 184 130 73

HSL 30.81, 0.44%, 0.5%

LAB 58.64, 14.71, 38.69

 

CMYK 0 / 33 / 68 / 35

HEX #A77036

RGB 167 112 54

HSL 30.8, 0.51%, 0.43%

LAB 51.92, 16.08, 40.22

 

CMYK 0 / 37 / 77 / 41

HEX #965E23

RGB 150 94 35

HSL 30.78, 0.62%, 0.36%

LAB 45.1, 17.72, 41.62

 

CMYK 0 / 43 / 88 / 48

HEX #854C10

RGB 133 76 16

HSL 30.77, 0.79%, 0.29%

LAB 38.19, 19.69, 42.41

 

CMYK 0 / 27 / 55 / 22

HEX #C8925A

RGB 200 146 90

HSL 30.55, 0.5%, 0.57%

LAB 64.62, 14.06, 37.44

 

CMYK 0 / 42 / 55 / 22

HEX #C8755A

RGB 200 117 90

HSL 14.73, 0.5%, 0.57%

LAB 57.79, 29.87, 28.86

 

CMYK 0 / 55 / 55 / 22

HEX #C85A5A

RGB 200 90 90

HSL 0, 0.5%, 0.57%

LAB 52.21, 43.84, 21.57

 

CMYK 0 / 27 / 55 / 22

HEX #C8925A

RGB 200 146 90

HSL 30.55, 0.5%, 0.57%

LAB 64.62, 14.06, 37.44

 

CMYK 0 / 12 / 55 / 22

HEX #C8B05A

RGB 200 176 90

HSL 46.91, 0.5%, 0.57%

LAB 72.27, -2.12, 46.64

 

CMYK 3 / 0 / 55 / 22

HEX #C2C85A

RGB 194 200 90

HSL 63.27, 0.5%, 0.57%

LAB 78.18, -16.97, 53.34

 

CMYK 18 / 0 / 55 / 22

HEX #A4C85A

RGB 164 200 90

HSL 79.64, 0.5%, 0.57%

LAB 76.03, -28.96, 50.31

 

CMYK 33 / 0 / 55 / 22

HEX #87C85A

RGB 135 200 90

HSL 95.45, 0.5%, 0.57%

LAB 74.32, -39.69, 47.87

 

CMYK 0 / 27 / 55 / 22

HEX #C8925A

RGB 200 146 90

HSL 30.55, 0.5%, 0.57%

LAB 64.62, 14.06, 37.44

 

CMYK 0 / 32 / 67 / 15

HEX #D99348

RGB 217 147 72

HSL 31.03, 0.66%, 0.57%

LAB 66.59, 19.4, 49.31

 

CMYK 0 / 37 / 77 / 8

HEX #EB9337

RGB 235 147 55

HSL 30.67, 0.82%, 0.57%

LAB 68.61, 26.11, 59.7

 

CMYK 0 / 42 / 85 / 1

HEX #FD9425

RGB 253 148 37

HSL 30.83, 0.98%, 0.57%

LAB 71.01, 32.42, 69.19

 

CMYK 0 / 27 / 55 / 22

HEX #C8925A

RGB 200 146 90

HSL 30.55, 0.5%, 0.57%

LAB 64.62, 14.06, 37.44

 

CMYK 0 / 20 / 41 / 29

HEX #B6926C

RGB 182 146 108

HSL 30.81, 0.34%, 0.57%

LAB 63, 8.32, 25.27

 

CMYK 0 / 12 / 23 / 36

HEX #A4917E

RGB 164 145 126

HSL 30, 0.17%, 0.57%

LAB 61.35, 3.97, 12.68

 

CMYK 0 / 1 / 2 / 43

HEX #92918F

RGB 146 145 143

HSL 40, 0.01%, 0.57%

LAB 60.2, -0.01, 1.18

 

CMYK 20 / 11 / 0 / 37

HEX #8190A1

RGB 129 144 161

HSL 211.88, 0.15%, 0.57%

LAB 59.15, -1.6, -10.78

 

CMYK 0 / 55 / 53 / 22

HEX #C85A5E

RGB 200 90 94

HSL 357.82, 0.5%, 0.57%

LAB 52.29, 44.18, 19.32

 

CMYK 0 / 42 / 55 / 22

HEX #C8745A

RGB 200 116 90

HSL 14.18, 0.5%, 0.57%

LAB 57.57, 30.41, 28.57

 

CMYK 0 / 28 / 55 / 22

HEX #C8915A

RGB 200 145 90

HSL 30, 0.5%, 0.57%

LAB 64.38, 14.6, 37.14

 

CMYK 0 / 13 / 55 / 22

HEX #C8AE5A

RGB 200 174 90

HSL 45.82, 0.5%, 0.57%

LAB 71.75, -1.06, 46.02

 

CMYK 2 / 0 / 55 / 22

HEX #C4C85A

RGB 196 200 90

HSL 62.18, 0.5%, 0.57%

LAB 78.33, -16.15, 53.56

 

CMYK 0 / 33 / 67 / 39

HEX #9C6934

RGB 156 105 52

HSL 30.58, 0.5%, 0.41%

LAB 48.78, 15.06, 37.37

 

CMYK 0 / 33 / 67 / 27

HEX #BB7E3E

RGB 187 126 62

HSL 30.72, 0.5%, 0.49%

LAB 57.88, 17.48, 43.52

 

CMYK 0 / 27 / 55 / 22

HEX #C8925A

RGB 200 146 90

HSL 30.55, 0.5%, 0.57%

LAB 64.62, 14.06, 37.44

 

CMYK 0 / 20 / 42 / 18

HEX #D2A779

RGB 210 167 121

HSL 31.01, 0.5%, 0.65%

LAB 71.36, 9.77, 29.77

 

CMYK 0 / 15 / 31 / 14

HEX #DCBB98

RGB 220 187 152

HSL 30.88, 0.49%, 0.73%

LAB 77.89, 6.73, 22.12

 

CMYK 0 / 26 / 54 / 21

HEX #C9945C

RGB 201 148 92

HSL 30.83, 0.5%, 0.57%

LAB 65.26, 13.55, 37.19

 

CMYK 39 / 0 / 55 / 22

HEX #7BC85A

RGB 123 200 90

HSL 102, 0.5%, 0.57%

LAB 73.71, -43.75, 47.01

 

CMYK 50 / 55 / 0 / 22

HEX #655AC8

RGB 101 90 200

HSL 246, 0.5%, 0.57%

LAB 44.59, 33.48, -56.13

 

CMYK 0 / 26 / 54 / 21

HEX #C9945C

RGB 201 148 92

HSL 30.83, 0.5%, 0.57%

LAB 65.26, 13.55, 37.19

 

CMYK 55 / 0 / 28 / 22

HEX #5AC891

RGB 90 200 145

HSL 150, 0.5%, 0.57%

LAB 73.24, -44.28, 18.18

 

CMYK 28 / 55 / 0 / 22

HEX #915AC8

RGB 145 90 200

HSL 270, 0.5%, 0.57%

LAB 48.89, 43.88, -49

 

CMYK 0 / 26 / 54 / 21

HEX #C9945C

RGB 201 148 92

HSL 30.83, 0.5%, 0.57%

LAB 65.26, 13.55, 37.19

 

CMYK 39 / 0 / 55 / 22

HEX #7BC85A

RGB 123 200 90

HSL 102, 0.5%, 0.57%

LAB 73.71, -43.75, 47.01

 

CMYK 55 / 28 / 0 / 22

HEX #5A91C8

RGB 90 145 200

HSL 210, 0.5%, 0.57%

LAB 58.6, -2.18, -33.95

 

CMYK 17 / 55 / 0 / 22

HEX #A75AC8

RGB 167 90 200

HSL 282, 0.5%, 0.57%

LAB 51.49, 49.58, -44.69

 

CMYK 0 / 26 / 54 / 21

HEX #C9945C

RGB 201 148 92

HSL 30.83, 0.5%, 0.57%

LAB 65.26, 13.55, 37.19

 

CMYK 55 / 0 / 55 / 22

HEX #5AC85A

RGB 90 200 90

HSL 120, 0.5%, 0.57%

LAB 72.38, -53.4, 45.1

 

CMYK 55 / 28 / 0 / 22

HEX #5A91C8

RGB 90 145 200

HSL 210, 0.5%, 0.57%

LAB 58.6, -2.18, -33.95

 

CMYK 0 / 55 / 0 / 22

HEX #C85AC8

RGB 200 90 200

HSL 300, 0.5%, 0.57%

LAB 55.85, 58.33, -37.53

 

Description

Color code: RGB 201 148 92 | qconv.com Color code: RGB 201 148 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 148 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 148 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 54 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 54% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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