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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 139 89 it is the complementary color RGB 54 116 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 139 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 139 89 shade: RGB 206 139 84, RGB 223 157 103, RGB 240 175 122, RGB 255 193 141 and RGB 255 211 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 139 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 139 89 shade: RGB 201 139 89, RGB 184 121 70, RGB 167 103 51, RGB 150 85 32 and RGB 133 67 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 139 89 shade: RGB 201 139 89, RGB 201 109 89 and RGB 201 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 139 89 shade: RGB 201 139 89, RGB 201 169 89, RGB 201 199 89, RGB 172 201 89 and RGB 142 201 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 139 89 shade matches the following richer shades: RGB 201 139 89, RGB 219 137 71, RGB 236 135 53 and RGB 254 133 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 139 89 shade: RGB 201 139 89, RGB 183 141 107, RGB 165 143 124, RGB 148 145 142 and RGB 130 146 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 139 89 shade: RGB 201 89 100, RGB 201 108 89, RGB 201 137 89, RGB 201 167 89 and RGB 201 197 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 139 89 shade: RGB 157 98 51, RGB 188 117 61, RGB 201 139 89, RGB 211 161 120 and RGB 221 182 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 139 89 shade: RGB 201 139 89, RGB 130 201 89 and RGB 93 89 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 139 89 shade: RGB 201 139 89, RGB 89 201 137 and RGB 137 89 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 139 89 shade: RGB 201 139 89, RGB 130 201 89, RGB 89 152 201 and RGB 160 89 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 139 89 shade: RGB 201 139 89, RGB 96 201 89, RGB 89 152 201 and RGB 193 89 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 56 / 21

HEX #C98B59

RGB 201 139 89

HSL 26.79, 0.51%, 0.57%

LAB 63.01, 18.22, 36.01

 

Complementary color

CMYK 67 / 30 / 0 / 35

HEX #3674A6

RGB 54 116 166

HSL 206.79, 0.51%, 0.43%

LAB 47.01, -3.52, -32.66

 

CMYK 0 / 33 / 59 / 19

HEX #CE8B54

RGB 206 139 84

HSL 27.05, 0.55%, 0.57%

LAB 63.53, 19.92, 39.41

 

CMYK 0 / 30 / 54 / 13

HEX #DF9D67

RGB 223 157 103

HSL 27, 0.65%, 0.64%

LAB 70.02, 18.73, 37.87

 

CMYK 0 / 27 / 49 / 6

HEX #F0AF7A

RGB 240 175 122

HSL 26.95, 0.8%, 0.71%

LAB 76.43, 17.69, 36.42

 

CMYK 0 / 24 / 45 / 0

HEX #FFC18D

RGB 255 193 141

HSL 27.37, 1%, 0.78%

LAB 82.55, 15.99, 34.76

RGB 255 193 141

CMYK 0 / 17 / 37 / 0

HEX #FFD3A0

RGB 255 211 160

HSL 32.21, 1%, 0.81%

LAB 87.19, 8.65, 31.05

RGB 255 211 160

CMYK 0 / 31 / 56 / 21

HEX #C98B59

RGB 201 139 89

HSL 26.79, 0.51%, 0.57%

LAB 63.01, 18.22, 36.01

 

CMYK 0 / 34 / 62 / 28

HEX #B87946

RGB 184 121 70

HSL 26.84, 0.45%, 0.5%

LAB 56.39, 19.5, 37.61

 

CMYK 0 / 38 / 69 / 35

HEX #A76733

RGB 167 103 51

HSL 26.9, 0.53%, 0.43%

LAB 49.68, 20.98, 39.27

 

CMYK 0 / 43 / 79 / 41

HEX #965520

RGB 150 85 32

HSL 26.95, 0.65%, 0.36%

LAB 42.89, 22.73, 40.83

 

CMYK 0 / 50 / 90 / 48

HEX #85430D

RGB 133 67 13

HSL 27, 0.82%, 0.29%

LAB 36.04, 24.78, 41.74

 

CMYK 0 / 31 / 56 / 21

HEX #C98B59

RGB 201 139 89

HSL 26.79, 0.51%, 0.57%

LAB 63.01, 18.22, 36.01

 

CMYK 0 / 46 / 56 / 21

HEX #C96D59

RGB 201 109 89

HSL 10.71, 0.51%, 0.57%

LAB 56.16, 34.45, 27.36

 

CMYK 0 / 56 / 56 / 21

HEX #C95959

RGB 201 89 89

HSL 0, 0.51%, 0.57%

LAB 52.16, 44.61, 22.12

 

CMYK 0 / 31 / 56 / 21

HEX #C98B59

RGB 201 139 89

HSL 26.79, 0.51%, 0.57%

LAB 63.01, 18.22, 36.01

 

CMYK 0 / 16 / 56 / 21

HEX #C9A959

RGB 201 169 89

HSL 42.86, 0.51%, 0.57%

LAB 70.54, 1.94, 45.1

 

CMYK 0 / 1 / 56 / 21

HEX #C9C759

RGB 201 199 89

HSL 58.93, 0.51%, 0.57%

LAB 78.45, -13.67, 54.25

 

CMYK 14 / 0 / 56 / 21

HEX #ACC959

RGB 172 201 89

HSL 75.54, 0.51%, 0.57%

LAB 76.84, -26.4, 51.84

 

CMYK 29 / 0 / 56 / 21

HEX #8EC959

RGB 142 201 89

HSL 91.61, 0.51%, 0.57%

LAB 74.98, -37.76, 49.21

 

CMYK 0 / 31 / 56 / 21

HEX #C98B59

RGB 201 139 89

HSL 26.79, 0.51%, 0.57%

LAB 63.01, 18.22, 36.01

 

CMYK 0 / 37 / 68 / 14

HEX #DB8947

RGB 219 137 71

HSL 26.76, 0.67%, 0.57%

LAB 64.49, 25.55, 47.53

 

CMYK 0 / 43 / 78 / 7

HEX #EC8735

RGB 236 135 53

HSL 26.89, 0.83%, 0.57%

LAB 66.07, 32.73, 58.12

 

CMYK 0 / 48 / 86 / 0

HEX #FE8524

RGB 254 133 36

HSL 26.7, 0.99%, 0.57%

LAB 68, 40.42, 67.13

 

CMYK 0 / 31 / 56 / 21

HEX #C98B59

RGB 201 139 89

HSL 26.79, 0.51%, 0.57%

LAB 63.01, 18.22, 36.01

 

CMYK 0 / 23 / 42 / 28

HEX #B78D6B

RGB 183 141 107

HSL 26.84, 0.35%, 0.57%

LAB 61.81, 11.39, 24.26

 

CMYK 0 / 13 / 25 / 35

HEX #A58F7C

RGB 165 143 124

HSL 27.8, 0.19%, 0.57%

LAB 60.87, 5.19, 13.15

 

CMYK 0 / 2 / 4 / 42

HEX #94918E

RGB 148 145 142

HSL 30, 0.03%, 0.57%

LAB 60.34, 0.54, 1.97

 

CMYK 19 / 9 / 0 / 37

HEX #8292A0

RGB 130 146 160

HSL 208, 0.14%, 0.57%

LAB 59.75, -2.62, -9.31

 

CMYK 0 / 56 / 50 / 21

HEX #C95964

RGB 201 89 100

HSL 354.11, 0.51%, 0.57%

LAB 52.38, 45.55, 15.92

 

CMYK 0 / 46 / 56 / 21

HEX #C96C59

RGB 201 108 89

HSL 10.18, 0.51%, 0.57%

LAB 55.95, 34.97, 27.08

 

CMYK 0 / 32 / 56 / 21

HEX #C98959

RGB 201 137 89

HSL 25.71, 0.51%, 0.57%

LAB 62.53, 19.32, 35.42

 

CMYK 0 / 17 / 56 / 21

HEX #C9A759

RGB 201 167 89

HSL 41.79, 0.51%, 0.57%

LAB 70.02, 3.01, 44.49

 

CMYK 0 / 2 / 56 / 21

HEX #C9C559

RGB 201 197 89

HSL 57.86, 0.51%, 0.57%

LAB 77.92, -12.66, 53.65

 

CMYK 0 / 38 / 68 / 38

HEX #9D6233

RGB 157 98 51

HSL 26.6, 0.51%, 0.41%

LAB 47.16, 19.44, 36.09

 

CMYK 0 / 38 / 68 / 26

HEX #BC753D

RGB 188 117 61

HSL 26.46, 0.51%, 0.49%

LAB 55.84, 22.82, 41.78

 

CMYK 0 / 31 / 56 / 21

HEX #C98B59

RGB 201 139 89

HSL 26.79, 0.51%, 0.57%

LAB 63.01, 18.22, 36.01

 

CMYK 0 / 24 / 43 / 17

HEX #D3A178

RGB 211 161 120

HSL 27.03, 0.51%, 0.65%

LAB 69.96, 13.31, 28.48

 

CMYK 0 / 18 / 32 / 13

HEX #DDB697

RGB 221 182 151

HSL 26.57, 0.51%, 0.73%

LAB 76.72, 9.64, 21.07

 

CMYK 0 / 31 / 56 / 21

HEX #C98B59

RGB 201 139 89

HSL 26.79, 0.51%, 0.57%

LAB 63.01, 18.22, 36.01

 

CMYK 35 / 0 / 56 / 21

HEX #82C959

RGB 130 201 89

HSL 98.04, 0.51%, 0.57%

LAB 74.34, -41.95, 48.31

 

CMYK 54 / 56 / 0 / 21

HEX #5D59C9

RGB 93 89 201

HSL 242.14, 0.51%, 0.57%

LAB 43.78, 32.75, -58.04

 

CMYK 0 / 31 / 56 / 21

HEX #C98B59

RGB 201 139 89

HSL 26.79, 0.51%, 0.57%

LAB 63.01, 18.22, 36.01

 

CMYK 56 / 0 / 32 / 21

HEX #59C989

RGB 89 201 137

HSL 145.71, 0.51%, 0.57%

LAB 73.35, -46.53, 22.58

 

CMYK 32 / 56 / 0 / 21

HEX #8959C9

RGB 137 89 201

HSL 265.71, 0.51%, 0.57%

LAB 47.85, 42.68, -51.27

 

CMYK 0 / 31 / 56 / 21

HEX #C98B59

RGB 201 139 89

HSL 26.79, 0.51%, 0.57%

LAB 63.01, 18.22, 36.01

 

CMYK 35 / 0 / 56 / 21

HEX #82C959

RGB 130 201 89

HSL 98.04, 0.51%, 0.57%

LAB 74.34, -41.95, 48.31

 

CMYK 56 / 24 / 0 / 21

HEX #5998C9

RGB 89 152 201

HSL 206.25, 0.51%, 0.57%

LAB 60.6, -6.06, -31.39

 

CMYK 20 / 56 / 0 / 21

HEX #A059C9

RGB 160 89 201

HSL 278.04, 0.51%, 0.57%

LAB 50.49, 48.49, -46.91

 

CMYK 0 / 31 / 56 / 21

HEX #C98B59

RGB 201 139 89

HSL 26.79, 0.51%, 0.57%

LAB 63.01, 18.22, 36.01

 

CMYK 52 / 0 / 56 / 21

HEX #60C959

RGB 96 201 89

HSL 116.25, 0.51%, 0.57%

LAB 72.88, -52.35, 46.22

 

CMYK 56 / 24 / 0 / 21

HEX #5998C9

RGB 89 152 201

HSL 206.25, 0.51%, 0.57%

LAB 60.6, -6.06, -31.39

 

CMYK 4 / 56 / 0 / 21

HEX #C159C9

RGB 193 89 201

HSL 295.71, 0.51%, 0.57%

LAB 54.76, 57.12, -39.88

 

Description

Color code: RGB 201 139 89 | qconv.com Color code: RGB 201 139 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 139 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 139 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 56 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 56% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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