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Color name
RGB 201 118 129

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 118 129 it is the complementary color RGB 54 137 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 118 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 118 129 shade: RGB 206 118 124, RGB 223 136 143, RGB 240 154 162, RGB 255 172 181 and RGB 255 190 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 118 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 118 129 shade: RGB 201 118 129, RGB 184 100 110, RGB 167 82 91, RGB 150 64 72 and RGB 133 46 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 118 129 shade: RGB 201 120 130 and RGB 201 120 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 118 129 shade: RGB 201 120 130, RGB 201 120 152, RGB 201 120 174, RGB 201 120 196 and RGB 184 120 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 118 129 shade matches the following richer shades: RGB 201 120 130, RGB 216 104 119, RGB 231 89 108 and RGB 247 74 97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 118 129 shade: RGB 201 120 130, RGB 185 135 142, RGB 170 150 153, RGB 155 165 164 and RGB 140 181 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 118 129 shade: RGB 201 120 174, RGB 201 120 152, RGB 201 120 130, RGB 201 130 120 and RGB 201 152 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 118 129 shade: RGB 170 68 81, RGB 189 90 103, RGB 201 120 130, RGB 212 149 157 and RGB 224 179 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 118 129 shade: RGB 201 118 129, RGB 195 201 120 and RGB 120 163 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 118 129 shade: RGB 201 118 129, RGB 130 201 120 and RGB 120 130 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 118 129 shade: RGB 201 118 129, RGB 195 201 120, RGB 120 201 190 and RGB 125 120 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 118 129 shade: RGB 201 118 129, RGB 171 201 120, RGB 120 201 190 and RGB 149 120 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 36 / 21

HEX #C97681

RGB 201 118 129

HSL 352.05, 0.43%, 0.63%

LAB 58.94, 33.76, 8.13

 

Complementary color

CMYK 61 / 0 / 8 / 46

HEX #36897E

RGB 54 137 126

HSL 172.05, 0.43%, 0.37%

LAB 52.04, -27.77, -1.6

 

CMYK 0 / 43 / 40 / 19

HEX #CE767C

RGB 206 118 124

HSL 355.91, 0.47%, 0.64%

LAB 59.47, 35.04, 11.86

 

CMYK 0 / 39 / 36 / 13

HEX #DF888F

RGB 223 136 143

HSL 355.17, 0.58%, 0.7%

LAB 65.97, 34.06, 10.51

 

CMYK 0 / 36 / 33 / 6

HEX #F09AA2

RGB 240 154 162

HSL 354.42, 0.74%, 0.77%

LAB 72.39, 33.15, 9.31

 

CMYK 0 / 33 / 29 / 0

HEX #FFACB5

RGB 255 172 181

HSL 353.49, 1%, 0.84%

LAB 78.52, 31.59, 7.88

 

CMYK 0 / 25 / 22 / 0

HEX #FFBEC8

RGB 255 190 200

HSL 350.77, 1%, 0.87%

LAB 83.05, 24.76, 4.15

 

CMYK 0 / 41 / 36 / 21

HEX #C97681

RGB 201 118 129

HSL 352.05, 0.43%, 0.63%

LAB 58.94, 33.76, 8.13

 

CMYK 0 / 46 / 40 / 28

HEX #B8646E

RGB 184 100 110

HSL 352.86, 0.37%, 0.56%

LAB 52.32, 34.76, 9.54

 

CMYK 0 / 51 / 46 / 35

HEX #A7525B

RGB 167 82 91

HSL 353.65, 0.34%, 0.49%

LAB 45.64, 35.81, 11.21

 

CMYK 0 / 57 / 52 / 41

HEX #964048

RGB 150 64 72

HSL 354.42, 0.4%, 0.42%

LAB 38.93, 36.87, 13.24

 

CMYK 0 / 65 / 60 / 48

HEX #852E35

RGB 133 46 53

HSL 355.17, 0.49%, 0.35%

LAB 32.25, 37.82, 15.82

 

CMYK 0 / 40 / 35 / 21

HEX #C97882

RGB 201 120 130

HSL 352.59, 0.43%, 0.63%

LAB 59.4, 32.81, 8.21

 

CMYK 0 / 40 / 40 / 21

HEX #C97878

RGB 201 120 120

HSL 0, 0.43%, 0.63%

LAB 59.16, 31.62, 13.64

 

CMYK 0 / 40 / 35 / 21

HEX #C97882

RGB 201 120 130

HSL 352.59, 0.43%, 0.63%

LAB 59.4, 32.81, 8.21

 

CMYK 0 / 40 / 24 / 21

HEX #C97898

RGB 201 120 152

HSL 336.3, 0.43%, 0.63%

LAB 59.99, 35.77, -3.6

 

CMYK 0 / 40 / 13 / 21

HEX #C978AE

RGB 201 120 174

HSL 320, 0.43%, 0.63%

LAB 60.7, 39.17, -15.17

 

CMYK 0 / 40 / 2 / 21

HEX #C978C4

RGB 201 120 196

HSL 303.7, 0.43%, 0.63%

LAB 61.51, 42.97, -26.44

 

CMYK 8 / 40 / 0 / 21

HEX #B878C9

RGB 184 120 201

HSL 287.41, 0.43%, 0.63%

LAB 59.74, 38.69, -32.16

 

CMYK 0 / 40 / 35 / 21

HEX #C97882

RGB 201 120 130

HSL 352.59, 0.43%, 0.63%

LAB 59.4, 32.81, 8.21

 

CMYK 0 / 52 / 45 / 15

HEX #D86877

RGB 216 104 119

HSL 351.96, 0.59%, 0.63%

LAB 57.88, 45.32, 12.73

 

CMYK 0 / 61 / 53 / 9

HEX #E7596C

RGB 231 89 108

HSL 351.97, 0.75%, 0.63%

LAB 57.29, 56.4, 18.69

 

CMYK 0 / 70 / 61 / 3

HEX #F74A61

RGB 247 74 97

HSL 352.02, 0.92%, 0.63%

LAB 57.59, 66.52, 26

 

CMYK 0 / 40 / 35 / 21

HEX #C97882

RGB 201 120 130

HSL 352.59, 0.43%, 0.63%

LAB 59.4, 32.81, 8.21

 

CMYK 0 / 27 / 23 / 27

HEX #B9878E

RGB 185 135 142

HSL 351.6, 0.26%, 0.63%

LAB 61.3, 20.17, 3.82

 

CMYK 0 / 12 / 10 / 33

HEX #AA9699

RGB 170 150 153

HSL 351, 0.11%, 0.63%

LAB 63.88, 7.92, 1.13

 

CMYK 6 / 0 / 1 / 35

HEX #9BA5A4

RGB 155 165 164

HSL 174, 0.05%, 0.63%

LAB 66.94, -3.72, -0.71

 

CMYK 23 / 0 / 3 / 29

HEX #8CB5AF

RGB 140 181 175

HSL 171.22, 0.22%, 0.63%

LAB 70.68, -14.96, -1.45

 

CMYK 0 / 40 / 13 / 21

HEX #C978AE

RGB 201 120 174

HSL 320, 0.43%, 0.63%

LAB 60.7, 39.17, -15.17

 

CMYK 0 / 40 / 24 / 21

HEX #C97898

RGB 201 120 152

HSL 336.3, 0.43%, 0.63%

LAB 59.99, 35.77, -3.6

 

CMYK 0 / 40 / 35 / 21

HEX #C97882

RGB 201 120 130

HSL 352.59, 0.43%, 0.63%

LAB 59.4, 32.81, 8.21

 

CMYK 0 / 35 / 40 / 21

HEX #C98278

RGB 201 130 120

HSL 7.41, 0.43%, 0.63%

LAB 61.43, 26.2, 16.78

 

CMYK 0 / 24 / 40 / 21

HEX #C99878

RGB 201 152 120

HSL 23.7, 0.43%, 0.63%

LAB 66.7, 14.16, 23.95

 

CMYK 0 / 60 / 52 / 33

HEX #AA4451

RGB 170 68 81

HSL 352.35, 0.43%, 0.47%

LAB 43.17, 42.98, 13.99

 

CMYK 0 / 52 / 46 / 26

HEX #BD5A67

RGB 189 90 103

HSL 352.12, 0.43%, 0.55%

LAB 50.82, 41.05, 11.69

 

CMYK 0 / 40 / 35 / 21

HEX #C97882

RGB 201 120 130

HSL 352.59, 0.43%, 0.63%

LAB 59.4, 32.81, 8.21

 

CMYK 0 / 30 / 26 / 17

HEX #D4959D

RGB 212 149 157

HSL 352.38, 0.42%, 0.71%

LAB 67.97, 24.82, 5.33

 

CMYK 0 / 20 / 17 / 12

HEX #E0B3B9

RGB 224 179 185

HSL 352, 0.42%, 0.79%

LAB 77.04, 17.2, 3.15

 

CMYK 0 / 41 / 36 / 21

HEX #C97681

RGB 201 118 129

HSL 352.05, 0.43%, 0.63%

LAB 58.94, 33.76, 8.13

 

CMYK 3 / 0 / 40 / 21

HEX #C3C978

RGB 195 201 120

HSL 64.44, 0.43%, 0.63%

LAB 78.89, -14.22, 39.73

 

CMYK 40 / 19 / 0 / 21

HEX #78A3C9

RGB 120 163 201

HSL 208.15, 0.43%, 0.63%

LAB 65.28, -4.76, -24.05

 

CMYK 0 / 41 / 36 / 21

HEX #C97681

RGB 201 118 129

HSL 352.05, 0.43%, 0.63%

LAB 58.94, 33.76, 8.13

 

CMYK 35 / 0 / 40 / 21

HEX #82C978

RGB 130 201 120

HSL 112.59, 0.43%, 0.63%

LAB 74.75, -38.02, 33.59

 

CMYK 40 / 35 / 0 / 21

HEX #7882C9

RGB 120 130 201

HSL 232.59, 0.43%, 0.63%

LAB 56.26, 14.22, -38.04

 

CMYK 0 / 41 / 36 / 21

HEX #C97681

RGB 201 118 129

HSL 352.05, 0.43%, 0.63%

LAB 58.94, 33.76, 8.13

 

CMYK 3 / 0 / 40 / 21

HEX #C3C978

RGB 195 201 120

HSL 64.44, 0.43%, 0.63%

LAB 78.89, -14.22, 39.73

 

CMYK 40 / 0 / 5 / 21

HEX #78C9BE

RGB 120 201 190

HSL 171.85, 0.43%, 0.63%

LAB 75.75, -27.38, -2.3

 

CMYK 38 / 40 / 0 / 21

HEX #7D78C9

RGB 125 120 201

HSL 243.7, 0.43%, 0.63%

LAB 54.04, 21.5, -41.51

 

CMYK 0 / 41 / 36 / 21

HEX #C97681

RGB 201 118 129

HSL 352.05, 0.43%, 0.63%

LAB 58.94, 33.76, 8.13

 

CMYK 15 / 0 / 40 / 21

HEX #ABC978

RGB 171 201 120

HSL 82.22, 0.43%, 0.63%

LAB 77.15, -23.51, 37.17

 

CMYK 40 / 0 / 5 / 21

HEX #78C9BE

RGB 120 201 190

HSL 171.85, 0.43%, 0.63%

LAB 75.75, -27.38, -2.3

 

CMYK 26 / 40 / 0 / 21

HEX #9578C9

RGB 149 120 201

HSL 261.48, 0.43%, 0.63%

LAB 56.13, 28.22, -38.08

 

Description

Color code: RGB 201 118 129 | qconv.com Color code: RGB 201 118 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 118 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 118 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 36 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 36% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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