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Color name
RGB 201 101 174

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 101 174 it is the complementary color RGB 54 154 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 101 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 101 174 shade: RGB 206 101 169, RGB 223 119 188, RGB 240 137 207, RGB 255 155 226 and RGB 255 173 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 101 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 101 174 shade: RGB 201 101 174, RGB 184 83 155, RGB 167 65 136, RGB 150 47 117 and RGB 133 29 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 101 174 shade: RGB 200 100 173, RGB 200 100 146, RGB 200 100 119 and RGB 200 100 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 101 174 shade: RGB 200 100 173, RGB 200 100 200, RGB 173 100 200, RGB 146 100 200 and RGB 119 100 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 101 174 shade matches the following richer shades: RGB 200 100 173, RGB 217 83 181, RGB 234 66 189 and RGB 251 49 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 101 174 shade: RGB 200 100 173, RGB 183 117 165, RGB 166 134 157, RGB 149 151 150 and RGB 132 167 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 101 174 shade: RGB 173 100 200, RGB 200 100 200, RGB 200 100 173, RGB 200 100 147 and RGB 200 100 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 101 174 shade: RGB 161 56 133, RGB 189 69 157, RGB 200 100 173, RGB 211 130 189 and RGB 222 161 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 101 174 shade: RGB 201 101 174, RGB 200 147 100 and RGB 100 200 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 101 174 shade: RGB 201 101 174, RGB 173 200 100 and RGB 100 173 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 101 174 shade: RGB 201 101 174, RGB 200 147 100, RGB 100 200 127 and RGB 100 153 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 101 174 shade: RGB 201 101 174, RGB 200 177 100, RGB 100 200 127 and RGB 100 123 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 13 / 21

HEX #C965AE

RGB 201 101 174

HSL 316.2, 0.48%, 0.59%

LAB 56.86, 48.98, -21.01

 

Complementary color

CMYK 65 / 0 / 47 / 40

HEX #369A51

RGB 54 154 81

HSL 136.2, 0.48%, 0.41%

LAB 56.57, -45.28, 29.93

 

CMYK 0 / 51 / 18 / 19

HEX #CE65A9

RGB 206 101 169

HSL 321.14, 0.52%, 0.6%

LAB 57.36, 49.76, -17.3

 

CMYK 0 / 47 / 16 / 13

HEX #DF77BC

RGB 223 119 188

HSL 320.19, 0.62%, 0.67%

LAB 63.76, 49.05, -18.23

 

CMYK 0 / 43 / 14 / 6

HEX #F089CF

RGB 240 137 207

HSL 319.22, 0.77%, 0.74%

LAB 70.12, 48.31, -19.02

 

CMYK 0 / 39 / 11 / 0

HEX #FF9BE2

RGB 255 155 226

HSL 317.4, 1%, 0.8%

LAB 76.19, 46.94, -20.1

 

CMYK 0 / 32 / 4 / 0

HEX #FFADF5

RGB 255 173 245

HSL 307.32, 1%, 0.84%

LAB 80.59, 40.84, -23.69

 

CMYK 0 / 50 / 13 / 21

HEX #C965AE

RGB 201 101 174

HSL 316.2, 0.48%, 0.59%

LAB 56.86, 48.98, -21.01

 

CMYK 0 / 55 / 16 / 28

HEX #B8539B

RGB 184 83 155

HSL 317.23, 0.42%, 0.52%

LAB 50.39, 49.6, -20.04

 

CMYK 0 / 61 / 19 / 35

HEX #A74188

RGB 167 65 136

HSL 318.24, 0.44%, 0.45%

LAB 43.91, 50.03, -18.82

 

CMYK 0 / 69 / 22 / 41

HEX #962F75

RGB 150 47 117

HSL 319.22, 0.52%, 0.39%

LAB 37.48, 50.1, -17.22

 

CMYK 0 / 78 / 26 / 48

HEX #851D62

RGB 133 29 98

HSL 320.19, 0.64%, 0.32%

LAB 31.22, 49.47, -15.02

 

CMYK 0 / 50 / 14 / 22

HEX #C864AD

RGB 200 100 173

HSL 316.2, 0.48%, 0.59%

LAB 56.5, 49.01, -21

 

CMYK 0 / 50 / 27 / 22

HEX #C86492

RGB 200 100 146

HSL 332.4, 0.48%, 0.59%

LAB 55.55, 45, -6.71

 

CMYK 0 / 50 / 41 / 22

HEX #C86477

RGB 200 100 119

HSL 348.6, 0.48%, 0.59%

LAB 54.79, 41.65, 8.04

 

CMYK 0 / 50 / 50 / 22

HEX #C86464

RGB 200 100 100

HSL 0, 0.48%, 0.59%

LAB 54.36, 39.7, 18.6

 

CMYK 0 / 50 / 14 / 22

HEX #C864AD

RGB 200 100 173

HSL 316.2, 0.48%, 0.59%

LAB 56.5, 49.01, -21

 

CMYK 0 / 50 / 0 / 22

HEX #C864C8

RGB 200 100 200

HSL 300, 0.48%, 0.59%

LAB 57.62, 53.58, -34.76

 

CMYK 14 / 50 / 0 / 22

HEX #AD64C8

RGB 173 100 200

HSL 283.8, 0.48%, 0.59%

LAB 54.21, 46.01, -40.36

 

CMYK 27 / 50 / 0 / 22

HEX #9264C8

RGB 146 100 200

HSL 267.6, 0.48%, 0.59%

LAB 51.15, 38.59, -45.39

 

CMYK 41 / 50 / 0 / 22

HEX #7764C8

RGB 119 100 200

HSL 251.4, 0.48%, 0.59%

LAB 48.52, 31.62, -49.74

 

CMYK 0 / 50 / 14 / 22

HEX #C864AD

RGB 200 100 173

HSL 316.2, 0.48%, 0.59%

LAB 56.5, 49.01, -21

 

CMYK 0 / 62 / 17 / 15

HEX #D953B5

RGB 217 83 181

HSL 316.12, 0.64%, 0.59%

LAB 56.36, 62.94, -25.62

 

CMYK 0 / 72 / 19 / 8

HEX #EA42BD

RGB 234 66 189

HSL 316.07, 0.8%, 0.59%

LAB 57.14, 74.64, -28.82

 

CMYK 0 / 80 / 22 / 2

HEX #FB31C4

RGB 251 49 196

HSL 316.34, 0.96%, 0.59%

LAB 58.69, 83.96, -30.22

 

CMYK 0 / 50 / 14 / 22

HEX #C864AD

RGB 200 100 173

HSL 316.2, 0.48%, 0.59%

LAB 56.5, 49.01, -21

 

CMYK 0 / 36 / 10 / 28

HEX #B775A5

RGB 183 117 165

HSL 316.36, 0.31%, 0.59%

LAB 57.57, 33.19, -14.95

 

CMYK 0 / 19 / 5 / 35

HEX #A6869D

RGB 166 134 157

HSL 316.88, 0.15%, 0.59%

LAB 59.52, 16.19, -7.61

 

CMYK 1 / 0 / 1 / 41

HEX #959796

RGB 149 151 150

HSL 150, 0.01%, 0.59%

LAB 62.27, -0.91, 0.26

 

CMYK 21 / 0 / 15 / 35

HEX #84A78E

RGB 132 167 142

HSL 137.14, 0.17%, 0.59%

LAB 65.35, -17.12, 9.03

 

CMYK 14 / 50 / 0 / 22

HEX #AD64C8

RGB 173 100 200

HSL 283.8, 0.48%, 0.59%

LAB 54.21, 46.01, -40.36

 

CMYK 0 / 50 / 0 / 22

HEX #C864C8

RGB 200 100 200

HSL 300, 0.48%, 0.59%

LAB 57.62, 53.58, -34.76

 

CMYK 0 / 50 / 14 / 22

HEX #C864AD

RGB 200 100 173

HSL 316.2, 0.48%, 0.59%

LAB 56.5, 49.01, -21

 

CMYK 0 / 50 / 27 / 22

HEX #C86493

RGB 200 100 147

HSL 331.8, 0.48%, 0.59%

LAB 55.58, 45.14, -7.25

 

CMYK 0 / 50 / 40 / 22

HEX #C86478

RGB 200 100 120

HSL 348, 0.48%, 0.59%

LAB 54.81, 41.76, 7.49

 

CMYK 0 / 65 / 17 / 37

HEX #A13885

RGB 161 56 133

HSL 316, 0.48%, 0.43%

LAB 41.37, 51.8, -20.97

 

CMYK 0 / 63 / 17 / 26

HEX #BD459D

RGB 189 69 157

HSL 316, 0.48%, 0.51%

LAB 48.9, 57.66, -23.45

 

CMYK 0 / 50 / 14 / 22

HEX #C864AD

RGB 200 100 173

HSL 316.2, 0.48%, 0.59%

LAB 56.5, 49.01, -21

 

CMYK 0 / 38 / 10 / 17

HEX #D382BD

RGB 211 130 189

HSL 316.3, 0.48%, 0.67%

LAB 64.55, 39.67, -17.73

 

CMYK 0 / 27 / 8 / 13

HEX #DEA1CD

RGB 222 161 205

HSL 316.72, 0.48%, 0.75%

LAB 73.17, 29.47, -13.51

 

CMYK 0 / 50 / 13 / 21

HEX #C965AE

RGB 201 101 174

HSL 316.2, 0.48%, 0.59%

LAB 56.86, 48.98, -21.01

 

CMYK 0 / 27 / 50 / 22

HEX #C89364

RGB 200 147 100

HSL 28.2, 0.48%, 0.59%

LAB 65.02, 14.4, 32.61

 

CMYK 50 / 0 / 7 / 22

HEX #64C8BB

RGB 100 200 187

HSL 172.2, 0.48%, 0.59%

LAB 74.58, -32.44, -2.5

 

CMYK 0 / 50 / 13 / 21

HEX #C965AE

RGB 201 101 174

HSL 316.2, 0.48%, 0.59%

LAB 56.86, 48.98, -21.01

 

CMYK 14 / 0 / 50 / 22

HEX #ADC864

RGB 173 200 100

HSL 76.2, 0.48%, 0.59%

LAB 76.75, -24.49, 46.59

 

CMYK 50 / 14 / 0 / 22

HEX #64ADC8

RGB 100 173 200

HSL 196.2, 0.48%, 0.59%

LAB 67.1, -15.42, -20.8

 

CMYK 0 / 50 / 13 / 21

HEX #C965AE

RGB 201 101 174

HSL 316.2, 0.48%, 0.59%

LAB 56.86, 48.98, -21.01

 

CMYK 0 / 27 / 50 / 22

HEX #C89364

RGB 200 147 100

HSL 28.2, 0.48%, 0.59%

LAB 65.02, 14.4, 32.61

 

CMYK 50 / 0 / 37 / 22

HEX #64C87F

RGB 100 200 127

HSL 136.2, 0.48%, 0.59%

LAB 73.25, -45.26, 27.76

 

CMYK 50 / 24 / 0 / 22

HEX #6499C8

RGB 100 153 200

HSL 208.2, 0.48%, 0.59%

LAB 61.36, -4.48, -29.62

 

CMYK 0 / 50 / 13 / 21

HEX #C965AE

RGB 201 101 174

HSL 316.2, 0.48%, 0.59%

LAB 56.86, 48.98, -21.01

 

CMYK 0 / 12 / 50 / 22

HEX #C8B164

RGB 200 177 100

HSL 46.2, 0.48%, 0.59%

LAB 72.66, -1.78, 42.15

 

CMYK 50 / 0 / 37 / 22

HEX #64C87F

RGB 100 200 127

HSL 136.2, 0.48%, 0.59%

LAB 73.25, -45.26, 27.76

 

CMYK 50 / 39 / 0 / 22

HEX #647BC8

RGB 100 123 200

HSL 226.2, 0.48%, 0.59%

LAB 53, 13.1, -42.7

 

Description

Color code: RGB 201 101 174 | qconv.com Color code: RGB 201 101 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 101 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 101 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 13 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 13% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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