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Color name
RGB 201 108 69

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 108 69 it is the complementary color RGB 54 147 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 108 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 108 69 shade: RGB 206 108 64, RGB 223 126 83, RGB 240 144 102, RGB 255 162 121 and RGB 255 180 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 108 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 108 69 shade: RGB 201 108 69, RGB 184 90 50, RGB 167 72 31, RGB 150 54 12 and RGB 133 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 108 69 shade: RGB 201 108 69, RGB 201 72 69 and RGB 201 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 108 69 shade: RGB 201 108 69, RGB 201 143 69, RGB 201 179 69, RGB 187 201 69 and RGB 151 201 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 108 69 shade matches the following richer shades: RGB 201 108 69, RGB 220 100 49 and RGB 239 92 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 108 69 shade: RGB 201 108 69, RGB 181 116 88, RGB 162 124 108, RGB 142 131 127 and RGB 123 139 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 108 69 shade: RGB 201 69 102, RGB 201 71 69, RGB 201 106 69, RGB 201 141 69 and RGB 201 176 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 108 69 shade: RGB 145 72 42, RGB 177 88 51, RGB 201 108 69, RGB 210 133 101 and RGB 219 158 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 108 69 shade: RGB 201 108 69, RGB 137 201 69 and RGB 69 84 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 108 69 shade: RGB 201 108 69, RGB 69 201 106 and RGB 106 69 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 108 69 shade: RGB 201 108 69, RGB 137 201 69, RGB 69 163 201 and RGB 132 69 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 108 69 shade: RGB 201 108 69, RGB 97 201 69, RGB 69 163 201 and RGB 172 69 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 66 / 21

HEX #C96C45

RGB 201 108 69

HSL 17.73, 0.55%, 0.53%

LAB 55.66, 33.54, 37.83

 

Complementary color

CMYK 71 / 21 / 0 / 27

HEX #3693BA

RGB 54 147 186

HSL 197.73, 0.55%, 0.47%

LAB 57.27, -14.41, -28.2

 

CMYK 0 / 48 / 69 / 19

HEX #CE6C40

RGB 206 108 64

HSL 18.59, 0.59%, 0.53%

LAB 56.3, 35.24, 41.42

 

CMYK 0 / 43 / 63 / 13

HEX #DF7E53

RGB 223 126 83

HSL 18.43, 0.69%, 0.6%

LAB 62.7, 33.74, 39.46

 

CMYK 0 / 40 / 58 / 6

HEX #F09066

RGB 240 144 102

HSL 18.26, 0.82%, 0.67%

LAB 69.06, 32.37, 37.64

 

CMYK 0 / 36 / 53 / 0

HEX #FFA279

RGB 255 162 121

HSL 18.36, 1%, 0.74%

LAB 75.13, 30.36, 35.62

 

CMYK 0 / 29 / 45 / 0

HEX #FFB48C

RGB 255 180 140

HSL 20.87, 1%, 0.77%

LAB 79.5, 22.69, 31.27

 

CMYK 0 / 46 / 66 / 21

HEX #C96C45

RGB 201 108 69

HSL 17.73, 0.55%, 0.53%

LAB 55.66, 33.54, 37.83

 

CMYK 0 / 51 / 73 / 28

HEX #B85A32

RGB 184 90 50

HSL 17.91, 0.57%, 0.46%

LAB 49.17, 35.12, 39.91

 

CMYK 0 / 57 / 81 / 35

HEX #A7481F

RGB 167 72 31

HSL 18.09, 0.69%, 0.39%

LAB 42.69, 36.81, 42.01

 

CMYK 0 / 64 / 92 / 41

HEX #96360C

RGB 150 54 12

HSL 18.26, 0.85%, 0.32%

LAB 36.27, 38.53, 43.51

 

CMYK 0 / 73 / 100 / 48

HEX #852400

RGB 133 36 0

HSL 16.24, 1%, 0.26%

LAB 30.03, 40, 42.29

 

CMYK 0 / 46 / 66 / 21

HEX #C96C45

RGB 201 108 69

HSL 17.73, 0.55%, 0.53%

LAB 55.66, 33.54, 37.83

 

CMYK 0 / 64 / 66 / 21

HEX #C94845

RGB 201 72 69

HSL 1.36, 0.55%, 0.53%

LAB 48.86, 51.04, 29.64

 

CMYK 0 / 66 / 66 / 21

HEX #C94545

RGB 201 69 69

HSL 0, 0.55%, 0.53%

LAB 48.39, 52.31, 29.06

 

CMYK 0 / 46 / 66 / 21

HEX #C96C45

RGB 201 108 69

HSL 17.73, 0.55%, 0.53%

LAB 55.66, 33.54, 37.83

 

CMYK 0 / 29 / 66 / 21

HEX #C98F45

RGB 201 143 69

HSL 33.64, 0.55%, 0.53%

LAB 63.75, 14.59, 47.09

 

CMYK 0 / 11 / 66 / 21

HEX #C9B345

RGB 201 179 69

HSL 50, 0.55%, 0.53%

LAB 72.95, -4.75, 57.05

 

CMYK 7 / 0 / 66 / 21

HEX #BBC945

RGB 187 201 69

HSL 66.36, 0.55%, 0.53%

LAB 77.74, -21.84, 61.7

 

CMYK 25 / 0 / 66 / 21

HEX #97C945

RGB 151 201 69

HSL 82.73, 0.55%, 0.53%

LAB 75.32, -36.17, 58.42

 

CMYK 0 / 46 / 66 / 21

HEX #C96C45

RGB 201 108 69

HSL 17.73, 0.55%, 0.53%

LAB 55.66, 33.54, 37.83

 

CMYK 0 / 55 / 78 / 14

HEX #DC6431

RGB 220 100 49

HSL 17.89, 0.71%, 0.53%

LAB 56.64, 44.02, 49.9

 

CMYK 0 / 62 / 87 / 6

HEX #EF5C1E

RGB 239 92 30

HSL 17.8, 0.87%, 0.53%

LAB 58.13, 54.1, 60.37

 

CMYK 0 / 46 / 66 / 21

HEX #C96C45

RGB 201 108 69

HSL 17.73, 0.55%, 0.53%

LAB 55.66, 33.54, 37.83

 

CMYK 0 / 36 / 51 / 29

HEX #B57458

RGB 181 116 88

HSL 18.06, 0.39%, 0.53%

LAB 55.09, 22.51, 26.02

 

CMYK 0 / 23 / 33 / 36

HEX #A27C6C

RGB 162 124 108

HSL 17.78, 0.23%, 0.53%

LAB 55.26, 12.43, 14.42

 

CMYK 0 / 8 / 11 / 44

HEX #8E837F

RGB 142 131 127

HSL 16, 0.06%, 0.53%

LAB 55.6, 3.42, 3.65

 

CMYK 16 / 5 / 0 / 43

HEX #7B8B92

RGB 123 139 146

HSL 198.26, 0.1%, 0.53%

LAB 56.83, -4.22, -5.69

 

CMYK 0 / 66 / 49 / 21

HEX #C94566

RGB 201 69 102

HSL 345, 0.55%, 0.53%

LAB 49.05, 54.73, 10.1

 

CMYK 0 / 65 / 66 / 21

HEX #C94745

RGB 201 71 69

HSL 0.91, 0.55%, 0.53%

LAB 48.7, 51.47, 29.44

 

CMYK 0 / 47 / 66 / 21

HEX #C96A45

RGB 201 106 69

HSL 16.82, 0.55%, 0.53%

LAB 55.23, 34.59, 37.33

 

CMYK 0 / 30 / 66 / 21

HEX #C98D45

RGB 201 141 69

HSL 32.73, 0.55%, 0.53%

LAB 63.26, 15.68, 46.54

 

CMYK 0 / 12 / 66 / 21

HEX #C9B045

RGB 201 176 69

HSL 48.64, 0.55%, 0.53%

LAB 72.16, -3.17, 56.22

 

CMYK 0 / 50 / 71 / 43

HEX #91482A

RGB 145 72 42

HSL 17.48, 0.55%, 0.37%

LAB 39.28, 28.36, 31.6

 

CMYK 0 / 50 / 71 / 31

HEX #B15833

RGB 177 88 51

HSL 17.62, 0.55%, 0.45%

LAB 47.71, 33.41, 37.47

 

CMYK 0 / 46 / 66 / 21

HEX #C96C45

RGB 201 108 69

HSL 17.73, 0.55%, 0.53%

LAB 55.66, 33.54, 37.83

 

CMYK 0 / 37 / 52 / 18

HEX #D28565

RGB 210 133 101

HSL 17.61, 0.55%, 0.61%

LAB 62.86, 26.21, 29.53

 

CMYK 0 / 28 / 39 / 14

HEX #DB9E85

RGB 219 158 133

HSL 17.44, 0.54%, 0.69%

LAB 70.32, 19.56, 22.05

 

CMYK 0 / 46 / 66 / 21

HEX #C96C45

RGB 201 108 69

HSL 17.73, 0.55%, 0.53%

LAB 55.66, 33.54, 37.83

 

CMYK 32 / 0 / 66 / 21

HEX #89C945

RGB 137 201 69

HSL 89.09, 0.55%, 0.53%

LAB 74.52, -41.34, 57.33

 

CMYK 66 / 58 / 0 / 21

HEX #4554C9

RGB 69 84 201

HSL 233.18, 0.55%, 0.53%

LAB 40.93, 31.63, -62.73

 

CMYK 0 / 46 / 66 / 21

HEX #C96C45

RGB 201 108 69

HSL 17.73, 0.55%, 0.53%

LAB 55.66, 33.54, 37.83

 

CMYK 66 / 0 / 47 / 21

HEX #45C96A

RGB 69 201 106

HSL 136.82, 0.55%, 0.53%

LAB 72.28, -56.19, 37.07

 

CMYK 47 / 66 / 0 / 21

HEX #6A45C9

RGB 106 69 201

HSL 256.82, 0.55%, 0.53%

LAB 40.47, 46.95, -63.36

 

CMYK 0 / 46 / 66 / 21

HEX #C96C45

RGB 201 108 69

HSL 17.73, 0.55%, 0.53%

LAB 55.66, 33.54, 37.83

 

CMYK 32 / 0 / 66 / 21

HEX #89C945

RGB 137 201 69

HSL 89.09, 0.55%, 0.53%

LAB 74.52, -41.34, 57.33

 

CMYK 66 / 19 / 0 / 21

HEX #45A3C9

RGB 69 163 201

HSL 197.27, 0.55%, 0.53%

LAB 63.07, -15.87, -27.63

 

CMYK 34 / 66 / 0 / 21

HEX #8445C9

RGB 132 69 201

HSL 268.64, 0.55%, 0.53%

LAB 43.33, 52.13, -58.59

 

CMYK 0 / 46 / 66 / 21

HEX #C96C45

RGB 201 108 69

HSL 17.73, 0.55%, 0.53%

LAB 55.66, 33.54, 37.83

 

CMYK 52 / 0 / 66 / 21

HEX #61C945

RGB 97 201 69

HSL 107.27, 0.55%, 0.53%

LAB 72.72, -54.19, 54.87

 

CMYK 66 / 19 / 0 / 21

HEX #45A3C9

RGB 69 163 201

HSL 197.27, 0.55%, 0.53%

LAB 63.07, -15.87, -27.63

 

CMYK 14 / 66 / 0 / 21

HEX #AC45C9

RGB 172 69 201

HSL 286.82, 0.55%, 0.53%

LAB 48.57, 60.93, -49.89

 

Description

Color code: RGB 201 108 69 | qconv.com Color code: RGB 201 108 69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 108 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 108 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 66 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 66% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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