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Color name
RGB 200 88 189

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 88 189 it is the complementary color RGB 55 167 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 88 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 88 189 shade: RGB 205 88 184, RGB 222 106 203, RGB 239 124 222, RGB 255 142 241 and RGB 255 160 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 88 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 88 189 shade: RGB 200 88 189, RGB 183 70 170, RGB 166 52 151, RGB 149 34 132 and RGB 132 16 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 88 189 shade: RGB 198 86 187, RGB 198 86 157, RGB 198 86 127, RGB 198 86 97 and RGB 198 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 88 189 shade: RGB 198 86 187, RGB 179 86 198, RGB 149 86 198, RGB 119 86 198 and RGB 88 86 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 88 189 shade matches the following richer shades: RGB 198 86 187, RGB 217 68 202, RGB 235 50 217 and RGB 253 32 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 88 189 shade: RGB 198 86 187, RGB 180 104 173, RGB 162 123 158, RGB 144 141 144 and RGB 126 159 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 88 189 shade: RGB 148 86 198, RGB 178 86 198, RGB 198 86 189, RGB 198 86 159 and RGB 198 86 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 88 189 shade: RGB 152 50 142, RGB 183 61 171, RGB 198 86 187, RGB 209 117 200 and RGB 219 148 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 88 189 shade: RGB 200 88 189, RGB 198 118 86 and RGB 86 198 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 88 189 shade: RGB 200 88 189, RGB 189 198 86 and RGB 86 189 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 88 189 shade: RGB 200 88 189, RGB 198 118 86, RGB 86 198 96 and RGB 86 167 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 88 189 shade: RGB 200 88 189, RGB 198 152 86, RGB 86 198 96 and RGB 86 133 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 5 / 22

HEX #C858BD

RGB 200 88 189

HSL 305.89, 0.5%, 0.56%

LAB 55, 57.36, -32.54

 

Complementary color

CMYK 67 / 0 / 60 / 35

HEX #37A742

RGB 55 167 66

HSL 125.89, 0.5%, 0.44%

LAB 60.64, -52.12, 42.34

 

CMYK 0 / 57 / 10 / 20

HEX #CD58B8

RGB 205 88 184

HSL 310.77, 0.54%, 0.57%

LAB 55.5, 57.93, -28.83

 

CMYK 0 / 52 / 9 / 13

HEX #DE6ACB

RGB 222 106 203

HSL 309.83, 0.64%, 0.64%

LAB 61.78, 57.46, -29.76

 

CMYK 0 / 48 / 7 / 6

HEX #EF7CDE

RGB 239 124 222

HSL 308.87, 0.78%, 0.71%

LAB 68.05, 56.85, -30.53

 

CMYK 0 / 44 / 5 / 0

HEX #FF8EF1

RGB 255 142 241

HSL 307.43, 1%, 0.78%

LAB 74.16, 55.89, -31.38

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 56 / 5 / 22

HEX #C858BD

RGB 200 88 189

HSL 305.89, 0.5%, 0.56%

LAB 55, 57.36, -32.54

 

CMYK 0 / 62 / 7 / 28

HEX #B746AA

RGB 183 70 170

HSL 306.9, 0.45%, 0.5%

LAB 48.7, 57.64, -31.51

 

CMYK 0 / 69 / 9 / 35

HEX #A63497

RGB 166 52 151

HSL 307.89, 0.52%, 0.43%

LAB 42.46, 57.52, -30.16

 

CMYK 0 / 77 / 11 / 42

HEX #952284

RGB 149 34 132

HSL 308.87, 0.63%, 0.36%

LAB 36.37, 56.72, -28.31

 

CMYK 0 / 88 / 14 / 48

HEX #841071

RGB 132 16 113

HSL 309.83, 0.78%, 0.29%

LAB 30.56, 54.79, -25.7

 

CMYK 0 / 57 / 6 / 22

HEX #C656BB

RGB 198 86 187

HSL 305.89, 0.5%, 0.56%

LAB 54.29, 57.4, -32.52

 

CMYK 0 / 57 / 21 / 22

HEX #C6569D

RGB 198 86 157

HSL 321.96, 0.5%, 0.56%

LAB 53.05, 52.71, -16.95

 

CMYK 0 / 57 / 36 / 22

HEX #C6567F

RGB 198 86 127

HSL 338.04, 0.5%, 0.56%

LAB 52.06, 48.77, -0.68

 

CMYK 0 / 57 / 51 / 22

HEX #C65661

RGB 198 86 97

HSL 354.11, 0.5%, 0.56%

LAB 51.3, 45.67, 16.15

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 57 / 6 / 22

HEX #C656BB

RGB 198 86 187

HSL 305.89, 0.5%, 0.56%

LAB 54.29, 57.4, -32.52

 

CMYK 10 / 57 / 0 / 22

HEX #B356C6

RGB 179 86 198

HSL 289.82, 0.5%, 0.56%

LAB 52.19, 54.3, -42.34

 

CMYK 25 / 57 / 0 / 22

HEX #9556C6

RGB 149 86 198

HSL 273.75, 0.5%, 0.56%

LAB 48.41, 46.58, -48.57

 

CMYK 40 / 57 / 0 / 22

HEX #7756C6

RGB 119 86 198

HSL 257.68, 0.5%, 0.56%

LAB 45.16, 39.28, -53.97

 

CMYK 56 / 57 / 0 / 22

HEX #5856C6

RGB 88 86 198

HSL 241.07, 0.5%, 0.56%

LAB 42.47, 32.66, -58.44

 

CMYK 0 / 57 / 6 / 22

HEX #C656BB

RGB 198 86 187

HSL 305.89, 0.5%, 0.56%

LAB 54.29, 57.4, -32.52

 

CMYK 0 / 69 / 7 / 15

HEX #D944CA

RGB 217 68 202

HSL 306.04, 0.66%, 0.56%

LAB 55.23, 71.83, -39.48

 

CMYK 0 / 79 / 8 / 8

HEX #EB32D9

RGB 235 50 217

HSL 305.84, 0.82%, 0.56%

LAB 57.03, 83.18, -44.99

 

CMYK 0 / 87 / 9 / 1

HEX #FD20E7

RGB 253 32 231

HSL 305.97, 0.98%, 0.56%

LAB 59.6, 91.91, -48.62

 

CMYK 0 / 57 / 6 / 22

HEX #C656BB

RGB 198 86 187

HSL 305.89, 0.5%, 0.56%

LAB 54.29, 57.4, -32.52

 

CMYK 0 / 42 / 4 / 29

HEX #B468AD

RGB 180 104 173

HSL 305.53, 0.34%, 0.56%

LAB 54.68, 40.68, -24.02

 

CMYK 0 / 24 / 2 / 36

HEX #A27B9E

RGB 162 123 158

HSL 306.15, 0.17%, 0.56%

LAB 56.4, 21.22, -12.89

 

CMYK 0 / 2 / 0 / 44

HEX #908D90

RGB 144 141 144

HSL 300, 0.01%, 0.56%

LAB 58.97, 1.69, -1.21

 

CMYK 21 / 0 / 19 / 38

HEX #7E9F81

RGB 126 159 129

HSL 125.45, 0.15%, 0.56%

LAB 62.35, -17.52, 11.97

 

CMYK 25 / 57 / 0 / 22

HEX #9456C6

RGB 148 86 198

HSL 273.21, 0.5%, 0.56%

LAB 48.3, 46.32, -48.77

 

CMYK 10 / 57 / 0 / 22

HEX #B256C6

RGB 178 86 198

HSL 289.29, 0.5%, 0.56%

LAB 52.06, 54.04, -42.56

 

CMYK 0 / 57 / 5 / 22

HEX #C656BD

RGB 198 86 189

HSL 304.82, 0.5%, 0.56%

LAB 54.38, 57.73, -33.54

 

CMYK 0 / 57 / 20 / 22

HEX #C6569F

RGB 198 86 159

HSL 320.89, 0.5%, 0.56%

LAB 53.13, 53.01, -18.02

 

CMYK 0 / 57 / 35 / 22

HEX #C65681

RGB 198 86 129

HSL 336.96, 0.5%, 0.56%

LAB 52.11, 49.01, -1.78

 

CMYK 0 / 67 / 7 / 40

HEX #98328E

RGB 152 50 142

HSL 305.88, 0.5%, 0.4%

LAB 39.43, 53.3, -29.61

 

CMYK 0 / 67 / 7 / 28

HEX #B73DAB

RGB 183 61 171

HSL 305.9, 0.5%, 0.48%

LAB 47.42, 61.47, -34.1

 

CMYK 0 / 57 / 6 / 22

HEX #C656BB

RGB 198 86 187

HSL 305.89, 0.5%, 0.56%

LAB 54.29, 57.4, -32.52

 

CMYK 0 / 44 / 4 / 18

HEX #D175C8

RGB 209 117 200

HSL 305.87, 0.5%, 0.64%

LAB 62.04, 47.7, -27.81

 

CMYK 0 / 32 / 3 / 14

HEX #DB94D4

RGB 219 148 212

HSL 305.92, 0.5%, 0.72%

LAB 70.17, 36.69, -21.94

 

CMYK 0 / 56 / 5 / 22

HEX #C858BD

RGB 200 88 189

HSL 305.89, 0.5%, 0.56%

LAB 55, 57.36, -32.54

 

CMYK 0 / 40 / 57 / 22

HEX #C67656

RGB 198 118 86

HSL 17.14, 0.5%, 0.56%

LAB 57.69, 28.2, 30.91

 

CMYK 57 / 0 / 18 / 22

HEX #56C6A3

RGB 86 198 163

HSL 161.25, 0.5%, 0.56%

LAB 72.9, -40.34, 8.01

 

CMYK 0 / 56 / 5 / 22

HEX #C858BD

RGB 200 88 189

HSL 305.89, 0.5%, 0.56%

LAB 55, 57.36, -32.54

 

CMYK 5 / 0 / 57 / 22

HEX #BDC656

RGB 189 198 86

HSL 64.82, 0.5%, 0.56%

LAB 77.21, -18.34, 53.95

 

CMYK 57 / 5 / 0 / 22

HEX #56BDC6

RGB 86 189 198

HSL 184.82, 0.5%, 0.56%

LAB 71.18, -27.12, -13.59

 

CMYK 0 / 56 / 5 / 22

HEX #C858BD

RGB 200 88 189

HSL 305.89, 0.5%, 0.56%

LAB 55, 57.36, -32.54

 

CMYK 0 / 40 / 57 / 22

HEX #C67656

RGB 198 118 86

HSL 17.14, 0.5%, 0.56%

LAB 57.69, 28.2, 30.91

 

CMYK 57 / 0 / 52 / 22

HEX #56C660

RGB 86 198 96

HSL 125.36, 0.5%, 0.56%

LAB 71.7, -52.84, 41.38

 

CMYK 57 / 16 / 0 / 22

HEX #56A7C6

RGB 86 167 198

HSL 196.61, 0.5%, 0.56%

LAB 64.72, -15.83, -23.39

 

CMYK 0 / 56 / 5 / 22

HEX #C858BD

RGB 200 88 189

HSL 305.89, 0.5%, 0.56%

LAB 55, 57.36, -32.54

 

CMYK 0 / 23 / 57 / 22

HEX #C69856

RGB 198 152 86

HSL 35.36, 0.5%, 0.56%

LAB 65.85, 9.61, 40.96

 

CMYK 57 / 0 / 52 / 22

HEX #56C660

RGB 86 198 96

HSL 125.36, 0.5%, 0.56%

LAB 71.7, -52.84, 41.38

 

CMYK 57 / 33 / 0 / 22

HEX #5685C6

RGB 86 133 198

HSL 214.82, 0.5%, 0.56%

LAB 54.9, 3.34, -38.62

 

Description

Color code: RGB 200 88 189 | qconv.com Color code: RGB 200 88 189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 88 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 88 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 5 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 5% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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