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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 85 125 it is the complementary color RGB 55 170 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 85 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 85 125 shade: RGB 205 85 120, RGB 222 103 139, RGB 239 121 158, RGB 255 139 177 and RGB 255 157 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 85 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 85 125 shade: RGB 200 85 125, RGB 183 67 106, RGB 166 49 87, RGB 149 31 68 and RGB 132 13 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 85 125 shade: RGB 200 85 125, RGB 200 85 94 and RGB 200 85 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 85 125 shade: RGB 200 85 125, RGB 200 85 156, RGB 200 85 187, RGB 182 85 200 and RGB 151 85 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 85 125 shade matches the following richer shades: RGB 200 85 125, RGB 218 67 119, RGB 236 49 114 and RGB 254 31 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 85 125 shade: RGB 200 85 125, RGB 181 103 130, RGB 163 121 136, RGB 145 140 141 and RGB 127 158 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 85 125 shade: RGB 200 85 186, RGB 200 85 156, RGB 200 85 125, RGB 200 85 95 and RGB 200 106 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 85 125 shade: RGB 153 49 85, RGB 184 59 103, RGB 200 85 125, RGB 210 116 149 and RGB 220 147 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 85 125 shade: RGB 200 85 125, RGB 200 182 85 and RGB 85 171 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 85 125 shade: RGB 200 85 125, RGB 125 200 85 and RGB 85 125 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 85 125 shade: RGB 200 85 125, RGB 200 182 85, RGB 85 200 159 and RGB 85 102 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 85 125 shade: RGB 200 85 125, RGB 182 200 85, RGB 85 200 159 and RGB 102 85 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 38 / 22

HEX #C8557D

RGB 200 85 125

HSL 339.13, 0.51%, 0.56%

LAB 52.13, 49.67, 0.65

 

Complementary color

CMYK 68 / 0 / 24 / 33

HEX #37AA82

RGB 55 170 130

HSL 159.13, 0.51%, 0.44%

LAB 62.65, -41.73, 11.4

 

CMYK 0 / 59 / 41 / 20

HEX #CD5578

RGB 205 85 120

HSL 342.5, 0.55%, 0.57%

LAB 52.77, 50.76, 4.66

 

CMYK 0 / 54 / 37 / 13

HEX #DE678B

RGB 222 103 139

HSL 341.85, 0.64%, 0.64%

LAB 59.06, 50.01, 2.89

 

CMYK 0 / 49 / 34 / 6

HEX #EF799E

RGB 239 121 158

HSL 341.19, 0.79%, 0.71%

LAB 65.35, 49.18, 1.4

 

CMYK 0 / 45 / 31 / 0

HEX #FF8BB1

RGB 255 139 177

HSL 340.34, 1%, 0.77%

LAB 71.49, 47.99, -0.09

 

CMYK 0 / 38 / 23 / 0

HEX #FF9DC4

RGB 255 157 196

HSL 336.12, 1%, 0.81%

LAB 75.67, 41.4, -4.45

 

CMYK 0 / 58 / 38 / 22

HEX #C8557D

RGB 200 85 125

HSL 339.13, 0.51%, 0.56%

LAB 52.13, 49.67, 0.65

 

CMYK 0 / 63 / 42 / 28

HEX #B7436A

RGB 183 67 106

HSL 339.83, 0.46%, 0.49%

LAB 45.8, 50.25, 2.62

 

CMYK 0 / 70 / 48 / 35

HEX #A63157

RGB 166 49 87

HSL 340.51, 0.54%, 0.42%

LAB 39.57, 50.49, 5.09

 

CMYK 0 / 79 / 54 / 42

HEX #951F44

RGB 149 31 68

HSL 341.19, 0.66%, 0.35%

LAB 33.54, 50.09, 8.31

 

CMYK 0 / 90 / 63 / 48

HEX #840D31

RGB 132 13 49

HSL 341.85, 0.82%, 0.28%

LAB 27.89, 48.55, 12.61

 

CMYK 0 / 58 / 38 / 22

HEX #C8557D

RGB 200 85 125

HSL 339.13, 0.51%, 0.56%

LAB 52.13, 49.67, 0.65

 

CMYK 0 / 58 / 53 / 22

HEX #C8555E

RGB 200 85 94

HSL 355.3, 0.51%, 0.56%

LAB 51.36, 46.59, 18.08

 

CMYK 0 / 58 / 58 / 22

HEX #C85555

RGB 200 85 85

HSL 0, 0.51%, 0.56%

LAB 51.19, 45.86, 23.17

 

CMYK 0 / 58 / 38 / 22

HEX #C8557D

RGB 200 85 125

HSL 339.13, 0.51%, 0.56%

LAB 52.13, 49.67, 0.65

 

CMYK 0 / 58 / 22 / 22

HEX #C8559C

RGB 200 85 156

HSL 322.96, 0.51%, 0.56%

LAB 53.14, 53.64, -16.21

 

CMYK 0 / 58 / 7 / 22

HEX #C855BB

RGB 200 85 187

HSL 306.78, 0.51%, 0.56%

LAB 54.41, 58.39, -32.31

 

CMYK 9 / 58 / 0 / 22

HEX #B655C8

RGB 182 85 200

HSL 290.61, 0.51%, 0.56%

LAB 52.52, 55.94, -42.94

 

CMYK 25 / 58 / 0 / 22

HEX #9755C8

RGB 151 85 200

HSL 274.43, 0.51%, 0.56%

LAB 48.57, 48.07, -49.47

 

CMYK 0 / 58 / 38 / 22

HEX #C8557D

RGB 200 85 125

HSL 339.13, 0.51%, 0.56%

LAB 52.13, 49.67, 0.65

 

CMYK 0 / 69 / 45 / 15

HEX #DA4377

RGB 218 67 119

HSL 339.34, 0.67%, 0.56%

LAB 52.12, 62.18, 4.61

 

CMYK 0 / 79 / 52 / 7

HEX #EC3172

RGB 236 49 114

HSL 339.14, 0.83%, 0.56%

LAB 53.22, 72.33, 9.61

 

CMYK 0 / 88 / 57 / 0

HEX #FE1F6C

RGB 254 31 108

HSL 339.28, 0.99%, 0.56%

LAB 55.21, 80.06, 16.51

 

CMYK 0 / 58 / 38 / 22

HEX #C8557D

RGB 200 85 125

HSL 339.13, 0.51%, 0.56%

LAB 52.13, 49.67, 0.65

 

CMYK 0 / 43 / 28 / 29

HEX #B56782

RGB 181 103 130

HSL 339.23, 0.35%, 0.56%

LAB 53.1, 34.6, -1.22

 

CMYK 0 / 26 / 17 / 36

HEX #A37988

RGB 163 121 136

HSL 338.57, 0.19%, 0.56%

LAB 55.32, 18.77, -1.73

 

CMYK 0 / 3 / 3 / 43

HEX #918C8D

RGB 145 140 141

HSL 348, 0.02%, 0.56%

LAB 58.69, 2.04, 0.12

 

CMYK 20 / 0 / 7 / 38

HEX #7F9E93

RGB 127 158 147

HSL 158.71, 0.14%, 0.56%

LAB 62.57, -13.06, 2.19

 

CMYK 0 / 58 / 7 / 22

HEX #C855BA

RGB 200 85 186

HSL 307.3, 0.51%, 0.56%

LAB 54.37, 58.23, -31.81

 

CMYK 0 / 58 / 22 / 22

HEX #C8559C

RGB 200 85 156

HSL 322.96, 0.51%, 0.56%

LAB 53.14, 53.64, -16.21

 

CMYK 0 / 58 / 38 / 22

HEX #C8557D

RGB 200 85 125

HSL 339.13, 0.51%, 0.56%

LAB 52.13, 49.67, 0.65

 

CMYK 0 / 58 / 53 / 22

HEX #C8555F

RGB 200 85 95

HSL 354.78, 0.51%, 0.56%

LAB 51.38, 46.67, 17.51

 

CMYK 0 / 47 / 58 / 22

HEX #C86A55

RGB 200 106 85

HSL 10.96, 0.51%, 0.56%

LAB 55.32, 35.31, 28.52

 

CMYK 0 / 68 / 44 / 40

HEX #993155

RGB 153 49 85

HSL 339.23, 0.51%, 0.4%

LAB 37.16, 46.22, 2.59

 

CMYK 0 / 68 / 44 / 28

HEX #B83B67

RGB 184 59 103

HSL 338.88, 0.51%, 0.48%

LAB 44.66, 53.61, 2.83

 

CMYK 0 / 58 / 38 / 22

HEX #C8557D

RGB 200 85 125

HSL 339.13, 0.51%, 0.56%

LAB 52.13, 49.67, 0.65

 

CMYK 0 / 45 / 29 / 18

HEX #D27495

RGB 210 116 149

HSL 338.94, 0.51%, 0.64%

LAB 60.21, 40.63, -1.42

 

CMYK 0 / 33 / 21 / 14

HEX #DC93AD

RGB 220 147 173

HSL 338.63, 0.51%, 0.72%

LAB 68.82, 31.14, -2.26

 

CMYK 0 / 58 / 38 / 22

HEX #C8557D

RGB 200 85 125

HSL 339.13, 0.51%, 0.56%

LAB 52.13, 49.67, 0.65

 

CMYK 0 / 9 / 58 / 22

HEX #C8B655

RGB 200 182 85

HSL 50.61, 0.51%, 0.56%

LAB 73.8, -5.66, 50.79

 

CMYK 58 / 15 / 0 / 22

HEX #55ABC8

RGB 85 171 200

HSL 195.13, 0.51%, 0.56%

LAB 65.93, -17.55, -22.65

 

CMYK 0 / 58 / 38 / 22

HEX #C8557D

RGB 200 85 125

HSL 339.13, 0.51%, 0.56%

LAB 52.13, 49.67, 0.65

 

CMYK 38 / 0 / 58 / 22

HEX #7DC855

RGB 125 200 85

HSL 99.13, 0.51%, 0.56%

LAB 73.76, -43.63, 49.4

 

CMYK 58 / 38 / 0 / 22

HEX #557DC8

RGB 85 125 200

HSL 219.13, 0.51%, 0.56%

LAB 52.7, 8.58, -43.24

 

CMYK 0 / 58 / 38 / 22

HEX #C8557D

RGB 200 85 125

HSL 339.13, 0.51%, 0.56%

LAB 52.13, 49.67, 0.65

 

CMYK 0 / 9 / 58 / 22

HEX #C8B655

RGB 200 182 85

HSL 50.61, 0.51%, 0.56%

LAB 73.8, -5.66, 50.79

 

CMYK 58 / 0 / 21 / 22

HEX #55C89F

RGB 85 200 159

HSL 158.61, 0.51%, 0.56%

LAB 73.38, -42.35, 10.84

 

CMYK 58 / 49 / 0 / 22

HEX #5566C8

RGB 85 102 200

HSL 231.13, 0.51%, 0.56%

LAB 46.45, 22.77, -53.19

 

CMYK 0 / 58 / 38 / 22

HEX #C8557D

RGB 200 85 125

HSL 339.13, 0.51%, 0.56%

LAB 52.13, 49.67, 0.65

 

CMYK 9 / 0 / 58 / 22

HEX #B6C855

RGB 182 200 85

HSL 69.39, 0.51%, 0.56%

LAB 77.23, -22.26, 54.28

 

CMYK 58 / 0 / 21 / 22

HEX #55C89F

RGB 85 200 159

HSL 158.61, 0.51%, 0.56%

LAB 73.38, -42.35, 10.84

 

CMYK 49 / 58 / 0 / 22

HEX #6655C8

RGB 102 85 200

HSL 248.87, 0.51%, 0.56%

LAB 43.5, 36.69, -57.89

 

Description

Color code: RGB 200 85 125 | qconv.com Color code: RGB 200 85 125 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 85 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 85 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 38 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 38% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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